Industry News

TALKERS 2026 to Present “The Big Picture” Super Panel

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TALKERS 2026 will continue to present one of the iconic conference’s most popular and impactful panel discussions – “The Big Picture.”

This year’s lineup of panelists is nothing short of superb: Steve Jones, president, CEO & Chairman, Skyview Networks; Chad Lopez, president, WABC, New York / Red Apple Audio Networks; Chris Oliviero, chief business officer, Audacy; Frank Morano, Member, New York City Council / former host, WABC, New York; Tavis Smiley, owner/host, KBLA, Los Angeles; and Rich Valdés, host, “This Is America with Rich Valdés,” TALKERS publisher Michael Harrison will moderate.

“The Big Picture” panel is more pertinent this year than ever before. According to Harrison, “Our goal will be to do exactly what the title implies – present a big picture overview of the state of radio and talk media as we enter the second quarter of the 21st century, drawing upon the expertise and experience of a remarkably diverse and accomplished set of panelists. We will examine the relentless cultural, political, financial, and technological forces at work in America (and the world) that will impact the future of our field and its role in society at present and during the turbulent days ahead.”

The panel discussion that will tackle the big questions facing the talk media and radio industries will take place this Friday, June 5 – just three days from now – between 2:20 pm and 3:00 pm on Television Soundstage “A” at Hofstra University’s Lawrence Herbert School of Communication. This is the location at which all of the conference events will unfold.

All of the sessions at TALKERS 2026, including this one, will be video recorded for later playback on a number of platforms including the TALKERS MEDIA channel on YouTube.  For more information about registration, hotel and sponsorship, please click here.

Industry News

LaCroix Rises to PD at “105.7 The Fan”

Audacy’s sports talk WJZ-FM, Baltimore “105.7 The Fan” promotes Joe LaCroix to brand manager for the station in which he’ll be responsible for supporting the station’s content strategy, imgtalent, operations and branding. LaCroix joined the station in 2017 and has been executive producer of the “Big Bad Morning Show” since 2021. Audacy sports format VP Chris Kinard says, “Joe’s dedication over the past year has been nothing short of exceptional, constantly stepping up to support the team and taking on challenges outside his comfort zone. His tireless work ethic and natural ability to bring people together made him the obvious choice for brand manager.”

Industry News

Bolster Named GSM at JVC Panama City

JVC Broadcasting brings Panama City, Florida sales pro Stacie Bolster as general sales manager for the cluster that includes talk WYOO “Florida Man Radio” and three music brands. JVC says, “Bolster brings decades of experience in broadcast advertising, client development, team leadership, and revenue imggrowth. Her extensive market knowledge, longstanding relationships throughout the business community, and proven ability to help local businesses succeed make her an outstanding addition to the JVC Broadcasting leadership team.” Bolster comments, “I am honored to join JVC Broadcasting and excited for the opportunity to lead the sales efforts in Panama City. JVC has built an outstanding reputation for local programming, community involvement, and delivering results for advertisers. I look forward to working with our clients, our stations, and our growing sales team to help local businesses connect with consumers and achieve their goals.”

Industry Views

SABO SEZ: Look at the Actual Numbers

By Walter Sabo
A.K.A Walter Sterling
Host, The Other Side of Midnight
WABC, New York / Red Apple Audio Networks

imgBillionaires make predominantly good investments, which is why they are billionaires.

John Malone saved Sirius with a $500 million investment just days from the company missing payroll. He remains the controlling shareholder.

Warren Buffett just made a significant investment in highly profitable SiriusXM.

George Soros owns Audacy. Audacy’s robust list of major market radio stations are jewels that require a better financial structure. Soros Fund Management bought $400,000,000 of the company’s debt and controlling ownership. Note that Soros now owns all but one of the country’s all-news stations.

Apollo Advisor’s billionaire CEO Marc Rowan  a former candidate for Secretary of the U.S. Treasury – owns Cox Radio and Television. Apollo was an original investor in Sirius.

John Catsimatidis wrote a check for WABC-AM and is buying more properties. Radio properties. Cats owns an oil refinery, land, and the Gristedes supermarket chain, but his focus is on WABC Radio.

The health of radio? The future? Those sharp investors, brutal businesspeople, determine the business future of radio, and they are apparently very optimistic!

Failing industries don’t expand

In 1970, there were 2,126 commercial stations in the U.S.

Today there are:

  • AM stations: 4,342
  • FM commercial stations: 6,589
  • FM noncommercial (educational) stations: 4,755

Sell the biggest number

Cable channels are investor valued by “Homes Passed.” Not audience or cash flow. How many people who can see the programming rather than how many people actually see the programming.  Now apply that logic to radio station values.

BILLBOARDS sell impressions. Impressions represent the total number of people who could potentially see a billboard ad.  That is the biggest number by which billboard can be measured, so that’s what they sell.

DIRECT MAIL is the number one local ad medium. It is data driven beyond your wildest dreams. Direct mail automation uses real-time signals and integrated data to deliver mail at the most meaningful point in the customer journey. For example, when someone abandons a shopping cart or repeatedly views a product online, you can design a programmatic mailing campaign to automatically send print pieces in response to that specific consumer behavior.

Rather than pushing the biggest, stable number – CUME – radio sells the smallest measurements. Radio’s 100+ years of success, astonishing outlet growth, 92% penetration of American homes, 65% daily population usage deserve has earned a much higher commercial unit price.

Walter Sabo has been a C-Suite action partner for companies such as SiriusXM, Hearst, Press Broadcasting, Gannett, RKO General, and many other leading media outlets. His company, HITVIEWS, in 2007, was the first to identify and monetize video influencers. His nightly show “The Other Side of Midnight” is heard on WABC, New York and the Red Apple Audio Network 1:00 am – 5:00 am. His syndicated show, “Sterling On Sunday,” from Talk Media Network, airs 10:00 pm-1:00 am ET, and is now in its 10th year of success. He can be reached by email at sabowalter@gmail.com.  He can be phoned at 646-678-1110.

Industry News

WBAL Honored with CAPBA Awards

Hearst’s WBAL NewsRadio 1090 and FM 101.5 in Baltimore announces that it won the 2026 Outstanding Radio News Operation award from the Chesapeake Associated Press Broadcasters Association Saturday night (5/30) in Ocean City, imgMaryland. The award is given annually for excellence among radio and TV stations in Baltimore and Washington, D.C. The award is one of five first-place awards given to WBAL NewsRadio at the annual CAPBA banquet. WBAL director of programming and news director Jeff Wade says, “The WBAL NewsRadio team proves once again they are best-in-class in the region with this outstanding showing at the CAPBA Awards. We’re honored to win Outstanding News Operation for the second consecutive year – a testament to our staff’s consistent pursuit of excellence in broadcast journalism.”

Industry News

TALKERS 2026 to Present Discussion About Independent Radio Station Ownership

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The spirit of entrepreneurship will be in the air at TALKERS 2026: Radio’s Next Chapter.  A panel of five of the industry’s most prominent independent radio station owner/operators will tackle existential questions about the business and its future.

Is there an opportunity to financially survive and even thrive in independent radio ownership? What are the challenges and advantages of owning and operating an independent station or group at this time?  What can big time corporate radio learn from indie operators? Does community involvement and localness count for anything anymore?  Where’s the revenue?  How much expansion is healthy?  What exactly IS radio? What’s the end game?

The morning panel will be moderated by John Caracciolo, CEO/founder, JVC Broadcasting and include Vince Benedetto, CEO/founder, Bold Gold Media Group; Paul Gleiser, owner, KTBB, Tyler, TX; Joe Thomas, co-owner, WTON, Staunton, VA; and Paul Vandenburgh, owner, Talk 1300/ 98.7 WGDJ, Albany, NY.

TALKERS 2026: Radio’s Next Chapter will take place on Friday, June 5 on the beautiful campus of Hofstra University on Long Island.  For the latest agenda, registration, and hotel information, please click here.

Industry News

Scott DeLucia Retiring from WTAW, College Station; Frito Young Joins “Infomaniacs” Show

Morning drive host Scott DeLucia (pictured here) is retiring from his role as ringleader of Bryan Broadcasting news/talk WTAW, College Station’s “The Infomaniacs” program, effective June 5. Last week, DeLucia told listeners, “It’s been the tradition of the show generally that when one of us leaves to go do something different or not do imganything at all we kind of announce it ahead of time. And so today it’s my turn.” He added, “I figure if I’ve done it for 59 years it’s probably enough. Everything’s fine, my health is fine, my wife’s health is fine, we’re just deciding that it’s time to go enjoy the rest of our life that won’t include getting up at 4:20 in the morning. So, we’re going to do that.” A succession plan is in place as DeLucia introduced Tucker “Frito” Young as the newest member of “The Infomaniacs” yesterday (5/27). Young says, “I was excited by the opportunity, mostly because growing up in College Station and Bryan and around the area, if you listen to radio, you would listen to you (Scott) and Jay and Tom and everybody else. So, this is kind of like being on the radio show of record for the Brazos Valley.”

Industry News

Lewinsky Podcast Joins AdLarge and the .fwd Network

AdLarge and the fwd. network announce that “Reclaiming with Monica Lewinsky” officially joined the fwd. network portfolio. Activist, writer, producer, public speaker, and Vanity Fair contributing editor was recognized at the recent 50th Annual imgGracie Awards, where she received the Gracie Award for “Best Audio Podcast Host” for her program that centers around “meaningful and revealing conversations about identity, resilience and finding our way back to ourselves.” Named one of Rolling Stone’s “Top 10 New Podcasts of 2025” and included in The Guardian’s “20 Best Podcasts of 2025,” Lewinsky’s program about exploring vulnerability, identity, resilience, and how we make sense of the world through the broader lens of reclaiming has featured such notable guests as Miley Cyrus, John Oliver, Lena Dunham, Lizzo, Malala, Olivia Munn, Alan Cumming, and Dylan Mulvaney. She says, “Reclaiming has always been about creating honest conversations around identity, humanity, and what it means to move forward after difficult experiences. I’m excited to partner with the fwd. network, a team that understands the importance of meaningful storytelling and supporting voices that challenge, connect, and inspire.”

Industry News

Widmann Named EVP at RAB

RAB appoints Sabina Widmann executive vice president in which she’ll oversee member engagement and success with a focus on broadcaster initiatives, enhancing member services and expanding overall offerings as RAB continues aligning its resources to support the evolving needs of the radio industry. RAB president and CEO imgMike Hulvey says, “Sabina’s leadership experience, industry knowledge and understanding of broadcasters and the local communities which they serve make her an outstanding addition to the RAB team. Her passion for helping media organizations grow and evolve will further strengthen the support, education and resources RAB provides to its members.” Widmann comments, “I’m excited to join RAB during such an important time for the industry. Radio and audio continue to play a vital role for our communities and advertisers. I look forward to working with RAB’s members and team to help provide meaningful resources, education and support that help broadcasters navigate continued change and growth.”

Industry News

“American Ground Radio” Launches on Salem’s WWRC, Washington

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The morning radio program “American Ground Radio” is airing on Salem Media’s news/talk WWRC-AM, Washington “AM 570 The Answer” at 7:00 am. The program is hosted by Stephen Parr and Louis R. Avallone. About the show, Salem says, “Known for their conversational style and sharp perspective, Parr and Avallone have built a growing national audience by creating a bridge between traditional American values and today’s biggest issues. Each episode features special guests, listener call-ins, and thoughtful discussion on the stories shaping the country.” WWRC general manager David Howard adds, “We’re thrilled to bring American Ground Radio to the heart of our nation’s capital. Stephen and Louis create a space where listeners can engage, be inspired, and find common ground.” Pictured above are Parr (left), and Avallone (center) interviewing House Speaker Mike Johnson (right).

Industry Views

Pakman Suggests YouTube Systems are Reducing Exposure for Left-Leaning Indie Channels

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David Pakman, a major online liberal political commentator, is publicly alleging that YouTube’s recommendation and distribution systems are dramatically reducing exposure for left-leaning independent media channels, creating what he describes as an “existential crisis” for progressive political creators on the platform.

In a recent video, Pakman said that since early April, “YouTube has dramatically reduced performance for the vast majority of left-leaning independent media shows,” while asserting that right-leaning content does not appear to be experiencing the same decline.

Pakman framed the issue primarily through platform analytics rather than overt accusations of intentional censorship. He pointed to a sharp decline in impressions – the number of times YouTube displays a video thumbnail to users – while claiming audience engagement metrics remain largely stable.

“We were getting 15 million impressions a day,” Pakman said, explaining that the figure later dropped to approximately 10 million despite what he described as an unchanged audience response rate. “The click-through rate is still close to 8%. But impressions go from 15 million down to 10 million.”

Pakman argued that the consistency of click-through rates undermines the idea that audiences have simply lost interest in progressive political content. “It appears that people are just as interested in hearing from the left on YouTube right now, but they are not being shown the videos,” he said.

He also cited viewer feedback as evidence that something unusual may be occurring within YouTube’s recommendation ecosystem. According to Pakman, subscribers have repeatedly reported needing to manually search for his content despite being subscribed and having notifications enabled.

“You were being suppressed in distribution,” Pakman quoted one viewer as saying. Another viewer reportedly wrote: “I’m not seeing your new videos, and I’ve been subscribed for years.”

Pakman stopped short of alleging direct political targeting by YouTube employees or executives. “I am not arguing that someone at YouTube has flipped a switch and is deliberately suppressing left-wing channels,” he said. Instead, he suggested the platform’s recommendation systems may be reacting to engagement patterns or retention metrics in ways that inadvertently disadvantage certain political content.

At the same time, Pakman said performance on other digital platforms remains strong, including TikTok, Instagram, Snapchat, Facebook, and podcast distribution channels. “Every single other platform is doing fine,” he said. “It’s only YouTube.”

The comments add to a broader ongoing debate among digital creators regarding algorithmic visibility, platform transparency, and the growing dependence of independent media companies on recommendation systems they neither control nor fully understand.

Pakman urged viewers to subscribe directly, enable “all notifications,” and join his Substack mailing list in an effort to reduce reliance on platform algorithms. “We don’t want to rely on AI for recommendations,” he said. “We have to go back to telling the platforms what we want.”

To view David Pakman’s recent video in which he discusses this issue in full detail, please click here.

Industry News

Salem Media Partnership Produces New Film

Salem Media’s strategic partnership with Compel Studios results in a new documentary film, By Dawn’s Early Light. Salem says, “The film explores the enduring principles of faith, liberty, and the American spirit through compelling storytelling, historical reflection, and cultural commentary. imgThrough the partnership, Salem Media and Compel Studios will bring the film to audiences nationwide through streaming platforms, churches, and Salem’s extensive multimedia network.” SalemNOW general manager Rob Ellis adds, “By Dawn’s Early Light is exactly the kind of meaningful and culturally relevant storytelling that resonates deeply with our audience. We’re excited to partner with Compel Studios to help expand the film’s reach and bring its message to viewers across the country.”

Industry News

WOLB, Baltimore’s Larry Young Appears with MD Governor at Community Town Hall

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Longtime WOLB, Baltimore personality Larry Young (l) is pictured with Maryland’s Governor Wes Moore (r) at a Town Hall-style meeting Tuesday evening (5/19) at which the state’s first Black chief executive, a Democrat, delivered his assessment of the 2026 Maryland General Assembly session. Young, a former recipient of the TALKERS “Humanitarian of the Year” award, is legendary for his decades of community service throughout Baltimore and Maryland.

Job Opportunity

Lotus Seeks Assistant Production Manager in Seattle

Lotus Seattle is seeking a highly organized and detail-oriented Assistant Production Manager to support the daily operations of the Production Department within a fast-paced broadcast radio environment. This role assists with the coordination, scheduling, creation, and delivery of commercial imgproduction, station imaging, promotional audio, and other broadcast content across multiple stations and digital platforms. The Assistant Production Manager works closely with Programming, Sales, Traffic, Promotions, and On-Air staff to ensure all production elements are completed accurately, creatively, and on schedule while maintaining Lotus Seattle Corp. quality standards and FCC compliance requirements. This position requires strong audio production skills, creativity, technical proficiency, and the ability to effectively manage multiple deadlines in a dynamic broadcasting environment. See more and apply here.

Industry News

Heritage Band Gunhill Road Cracks a Million Listens/Views Fueled by Talk Radio Exposure

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Talk radio-fueled music group Gunhill Road has surpassed one million listens and views on a variety of online platforms including YouTube. The four-member ensemble, consisting of Steve GoldrichPaul ReischBrian Koonin, and (TALKERS founder) Michael Harrison, has found a new worldwide online audience fueled largely by interviews and airplay on news/talk radio, specifically over the past six years. The group is known for its provocative lyrics and subject matter (which makes it popular with talk show hosts), along with eye-catching videos (produced by Matthew B. Harrison) and an array of superbly played musical styles. Gunhill Road has been writing and recording a wide variety of songs contained in four albums since the late-sixties, including the 1973 top 40 hit single, “Back When My Hair Was Short.” The group’s colorful history was the subject of a 2017 feature film documentary titled, “Every 40 Years.” They will be releasing their long-awaited fifth album in late June.

​Formed in Mount Vernon, New York by Steve Goldrich and Glenn Leopold in the late-sixties and named after an iconic thoroughfare in the Bronx, Gunhill Road has grown through several musical and personnel chapters for more than a half century. In its current incarnation, Gunhill Road addresses such compelling themes as politics, technology, relationships, aging, animal welfare, modern anxiety, the First Amendment and other issues that are aligned with the topics discussed on talk radio.

​Gunhill Road’s internet hits include:

“Idiots” click here

“AI (No Robots Were Injured in the Recording of this Song)” click here

“Close My Ears” click here

“Damn Scammers” click here

“Don’t Stop Talking” click here

“I Know You’re Real” click here

For more information about Gunhill Road call Barbara Kurland at TALKERS: 413-565-5413

Industry News

The State of American Commuters and AM/FM Radio

This week’s blog post from Cumulus Media | Westwood One’s Audio Active Group looks at the average American commute as well at the commutes of marketers and media agency pros. Two separate studies were commissioned to look into commuting habits and some of the takeaways from those studies include: 1) 64% of marketers and media agencies say they commute most or all days, an all-time imghigh since 2022 and 28% indicate they commute some days; 2) 85% of average Americans are commuting to work, slightly less than marketers and media agencies (92%); 3) Since AM/FM radio is the “soundtrack of the American worker,” it is the ideal media platform for advertisers; 4) AM/FM radio’s share of ad-supported audio in the car has been consistently dominant at an 83% share, according to Edison Research’s Q1 2026 “Share of Ear” report; 5) Average Americans are clocking slightly more days at work (4.7) compared to the advertising industry (4.4); and 5) Marketers/agencies and average Americans are most likely to work in the office Monday through Thursday with Friday seeing the lowest % of in-office work for both groups. See the full blog post here.

Industry News

NPR Offering Newsroom Buyouts to Meet Budget Goals

NPR is reporting that it is “restructuring its newsroom, including cutting some reporting and editing jobs, as it attempts to keep pace with changing audience habits while adjusting to an era without federal subsidies.” NPR president and CEO Katherine Maher says the organization has to find img$8 million dollars to hit its $300-million annual budget. This is due in large part to the loss of federal subsidies to member stations who pay to air NPR programming.  NPR says it is offering buyouts to approximately 300 employees in newsroom positions (not including the staff or hosts on NPR’s news programs, who are not eligible), but that “the actual number of departing journalists will be far smaller.” NPR will accept up to 30 buyouts and adds that targeted layoffs would happen if not enough employees accept buyouts by May 26.

Industry News

“The Joe Rogan Experience” Tops Triton Digital’s Q1 2026 U.S. Podcast Ranker

Triton Digital releases its Q1 2026 U.S. Podcast Ranker based on a survey of listeners/users – which is different from its monthly ranker that is based on weekly average imgdownloads for participating networks – and “The Joe Rogan Experience” is #1, followed by audiochuck’s “Crime Junkie” at #2 and The New York Times’ “The Daily” at #3. Other podcasts of interest to TALKERS readers include: “The Tucker Carlson Podcast” at #19, “The Ramsey Show” at #30, “The Ben Shapiro Show” at #34, “The Megyn Kelly Show” at #43, and “The Dan Bongino Show” at #66. Triton also notes in this quarterly report that the top podcast categories by reach remain Comedy (43.6%), News (23.7%), and Society & Culture (21.2%). See the report here.

Industry News

“Jim Peters at Night” Getting Big-Time TikTok Views

Internet talk show host Jim Peters tells TALKERS that his show, “Jim Peters At Night,” has entered the top 1% of TikTok contributors based on views. Peters says his show imgdebuted on the internet as a live, video-based podcast on July 31, 2023, and recently streamed its 350th episode. Peters tells TALKERS, “We went from no presence on TikTok to the top one percent in five months. And amazingly, relatively speaking our average views by TikTok standards aren’t that high. But we generate so much content – from four shows weekly we’re posting about 40 shorts a week – that apparently that makes up for it.”

Industry Views

Monday Memo: Sayonara CBS

By Holland Cooke
Consultant

imgAlthough I don’t have a machine to play it, I have saved the cart. December 9, 1980, the sad morning-after John Lennon died, Charles Osgood, doleful: “I read the news today. Oh boy.” That morning’s CBS World News Roundup – and on-hour newscasts throughout that day – delivered more moments that would keep you sitting in a parked car at your destination. As they would 3 months later when President Reagan was shot. Then soon again when Pope John Paul II was severely wounded in St. Peter’s Square. And five years yonder, when the Space Shuttle Challenger exploded just 73 seconds into its flight.

There have been countless other such moments we emotionally bookmark. But it is the dependable day-in-day-out certainty of its on-hour newscast – what we programmers call “a benchmark” – that we will miss most after Friday, when CBS News Radio ends. Among the stories they will cover that day: Stephen Colbert’s CBS “Late Show” finale the night before.

The CBS Radio Network would have turned 100 next year. It sent home the sounds of war, live from a rooftop: “This… is London,” reported by Edward R. Murrow, whose name adorns the news award broadcasters still strive for. His trademark sign-off “Good Night and Good Luck” titled a 2005 biopic directed by George Clooney, who starred in last year’s ambitious Broadway production (available on Netflix). The New York Times: “Clooney makes Edward R. Murrow a saint of sane journalism for a world that still needs one.”

“It’s no secret that the news business is changing radically, and that we need to change along with it,” is the CBS corporate spin. But neither supply nor demand failed. What failed is the supply chain, 1996 deregulation run-amok. And news/talk stations have borne the brunt of it. Depopulated of local talent and starved for promotion and other resources allocated to co-owned music stations now losing to streaming, too many talk stations became angry, non-local, one-sided political caricatures, too predictable to seem vital. Other stations, with diligent owners hellbent on Doing It Right, are all-the-more conspicuous. They will continue to succeed, even without precious CBS assets. But those stations are anomalies, now outnumbered by others in unattended operation mode, some of which could end up broadcasting dead air on-hour Saturday morning.

Holland Cooke (HollandCooke.com) is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn

Industry News

Free Memorial Day Weekend Show from Fisher House Foundation Available to Radio Stations

Fisher House Foundation is presenting a Memorial Day edition of the radio program, “Together in Mission: The Fisher House Journey,” that’s being made available to stations free of charge. It’s available in varying lengths – three-hour, one-hour, 25 minutes and 30 minutes – for news/talk stations and a 30-minuite public affairs show for all imgformats. The program is hosted by talk radio personality Larry O’Connor and tells the stories of America’s military heroes, the families who serve by their side, and how Fisher House plays a role in their journey. Fisher House Foundation provides a home away from home for families of patients receiving medical care at major military and VA medical centers. Fisher Houses provide temporary, free lodging so families can be close to their loved ones during medical care because “A Family’s LOVE is Good Medicine.” This year’s program features a special focus on the incredibly inspiring victories our wounded warriors enjoy on the field of competitive, adaptive sports. Fisher House supports the Wounded Warrior Games and the Invictus Games as a vital part of the physical, emotional, and mental healing process for our wounded veterans. Listeners will hear about the riveting war stories detailing the injuries these heroes sustained, the ensuing medical and therapeutic healing process, right through the triumph on the field of international sports, as these brave veterans continue their dedication of service, representing America in international competition. Get information and register for the show here

Industry News

Red Apple’s News Network Announces Journalist Hires; Announces Launch Date of May 23

Red Apple Audio Networks will launch its 24-hour national radio news service – Worldwide News Network – on Saturday, May 23. The company says the previously announced venture led by VP of news Lee Harris will deliver to stations “professionally produced top and bottom of the hour newscasts every hour, seven days a week, while simultaneously igniting one of the most aggressive newsroom staffing initiatives in radio imgsyndication.” Red Apple says is has brought aboard former CBS Radio broadcast journalists Michael Wallace, Cooper Lawrence, Bill Rehkopf, and Matt Pieper as “the first major hires in what will be a rapid buildout of the network’s team of elite news anchors, correspondents, writers, and producers.” Harris says, “We are assembling top-tier journalists and building a modern radio news operation rooted in speed, authority, and facts – one that stations can rely on and listeners can trust.” Red Apple Media owner and CEO John Catsimatidis adds, “Our mission is to be the most trusted news gathering organization in media. We are creating a powerful, around-the-clock newsroom designed to compete at the highest level of broadcast audio news. Facts are what will drive the Worldwide News Network. We’re looking forward to our expansion in the European markets.”

Industry News

Urban One Q1 2026 Net Revenue Down 15.8%

Urban One reports its operating results for the first quarter of 2026 and states that net revenue for the period was approximately $77.7 million, a decrease of 15.8% from the same period in 2025. The company reports an operating loss of approximately $2.2 million in Q1 of 2026, compared to operating income of approximately $2.1 million during the same period imga year ago. Additionally, Urban One reports a net loss of approximately $3.1 million for the period, compared to the net loss of $11.7 million it reported in Q1 of 2025. Urban One CEO and president Alfred C. Liggins, III states, “First quarter revenue was soft across all divisions, with TV down 18.5%, Digital down 33.5%, Radio down 6.4% and Reach Media dropped by 17.0%. We had budgeted for a down-quarter in our Radio and TV divisions, but not at Reach Media and Digital… In Radio, our Miller Kaplan local Radio revenues were down 5.5% year-over-year vs the market down 7.1% and national was down 8.2%, vs the market down 6.7%. Including local digital, first quarter Radio revenue was down 2.8%. We did approximately $1.0 million in gross political advertising in the first quarter and have another $1.0 million on the books for the second quarter. Radio second quarter is pacing down 2.6%. We are in a turnaround situation at Reach Media, where we continue to be impacted by a weak marketplace, key client attrition and sales team re-building. Digital also had a soft first quarter, driven by weak advertiser demand but second quarter is forecasted to be up, and there is optimism for the back half of the year based on the current sales pipeline.”

Industry News

Beasley Cuts Evening Local Shows at “97.5 The Fanatic”

Several reports indicate that Beasley Media Group has cut the local weekday evening show at WPEN-FM, Philadelphia “97.5 The Fanatic” in what is a budget-related move with Kevin Cooney exiting the station. imgKevin Kinkead at Crossing Broad reports, The station will be ending local weekday programming at 6:00 pm, airing a two-hour “best of” show from 6 to 8, and then shifting to national programming afterward. That’s according to super-secret sources. It means the Fanatic will broadcast its normal daypart lineup – Kincade and Salciunas in the morning, Marks and Brace middays, and then ‘Unfiltered’ with Bill Colarulo and Ricky Bo in the afternoon, but there will no longer be Fanatic hosts doing local shows after 6 p.m. For instance, no Kevin Cooney or Brendan Gunn on the evening shift, which had been generically branded as “Philly Sports Tonight.” Read the Crossing Broad story here.

Industry News

Connoisseur Sells South Dakota Stations

Connoisseur Media is selling six South Dakota stations to local operator Riverfront Broadcasting led by Doyle and Carolyn Becker. The stations imginclude news/talk stations KSDR-AM and KWAT-AM in Watertown along with four music-formatted signals. Connoisseur CEO Jeff Warshaw says, “Riverfront Broadcasting being a South Dakota-based company, understands the local market and can carry on providing local content and will excel in serving the community.” Riverfront president Carolyn Becker comments, “We are very happy to bring local ownership and local focus back to these great stations in the community.”

Industry News

TALKERS 2026 to Present WBT Morning Duo

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The 28th installment of the iconic TALKERS conference – TALKERS 2026: Radio’s Next Chapter – is only three weeks away, set for Friday, June 5 on the campus of Hofstra University on Long Island. The longest running and most important annual talk media industry gathering has aggregated a lineup of more than 60 industry luminaries in a series of non-stop presentations, panels, and workshops tackling the existential issues facing talk radio and its associated spoken word media platforms. It promises to be a bonanza of takeaways and networking opportunities.

One of the event’s special presentations is “Behind the Scenes at a Major News/Talk Radio Morning Show” featuring the tremendously successful team of Bo Thompson and Beth Troutman of Radio One’s heritage outlet, WBT, Charlotte. Thompson and Troutman will present candid insights into the complexities of what makes a modern era full-service morning show tick in 2026. It will take place between 12:25 and 12:45 pm and is not to be missed. Thompson and Troutman will also broadcast their 6:00 – 10:00 am show that morning live from Hofstra’s state-of-the-art WRHU studios.

For up-to-date agenda, registration, and sponsorship information about TALKERS 2026, please click here.

Industry News

Oxley to Retire from WTOP, Washington

Hubbard Broadcasting’s Washington, DC market president and general manager Joel Oxley announces is retiring later this year from the company he’s served with for almost 35 years. Hubbard says, “Under Oxley’s leadership, flagship brands WTOP News, Federal News Network img(FNN), and 2060 Digital have achieved consistent growth in revenue, profitability, and audience reach. The organization is on track to exceed last year’s performance and outperform its 2026 budget, reflecting strong results across digital, audio, video, and social platforms.” Oxley adds, “Our success is the result of extraordinary people doing exceptional work every day. I’ve been fortunate to work alongside some of the most talented journalists, finance people, marketers, sales professionals, tech people and leaders in the industry.” Hubbard Broadcasting president and CEO Ginny Hubbard states, “Joel’s leadership, integrity, and deep commitment to excellence have shaped this organization for decades. His impact on our people and our brands is lasting, and we are grateful for his remarkable service. We are also incredibly grateful that he is willing to continue offering his experience and expertise to the company once he steps away from leading WTOP-WFED’s daily operations and strategy.”

Industry News

Buffalo Bills Jump from Audacy to Cumulus for Radio Flagship

The NFL’s Buffalo Bills are moving from Audacy’s sports talk WGR, imgBuffalo to Cumulus Media’s WGRF-FM “97 Rock” as the flagship radio station for the Buffalo Bills Radio Network. The marks a return to “97 Rock” after 14 years with WGR. In the Bills broadcast booth will be Chris Brown, who returns for his fourth season as play-by-play announcer, joined by color analyst and former Bills Pro Bowl center Eric Wood for his seventh season. Bills legend Steve Tasker will join the game day coverage team as the sideline reporter.

Industry News

Salem Media Net Revenue Falls 11.2%

Salem Media reveals its operating results for the first quarter of 2026 and reports net revenue of $45.9 million, a decline of 11.2% from the same period in 2025. For Q1, Salem is reporting a net loss of $2.57 million, down from the net loss of $7.1 million it reported during the first quarter of img2025. Looking at Salem’s business segments, the company reports Broadcast Programming Revenue (from local and national block programming) of $17.2 million in Q1 of 2026, while Broadcast Advertising Revenue (national & local spot, network advertising) was $9.27 million during the quarter. Meanwhile, Salem’s total digital revenue for the period was $18.1 million. Salem Media announced this week that it is in the process of being acquired by WaterStone in a stock purchase deal that will take the company private.

Industry Views

When Your Voice Becomes the Product

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By Matthew B. Harrison  
TALKERS, VP/Associate Publisher
Harrison Legal Group, Senior Partner
Goodphone Communications, Executive Producer

imgFor years, Harrison Legal Group has informed media creators about the legal risks of using copyrighted clips, songs, images, and broadcasts without permission. The issue became central enough to inspire my book, Playing the Clip: The Definitive Digital Media Creator’s Guide to Fair Use (TALKERS Books, 2026). The premise was straightforward: modern media runs on borrowed material, but borrowing comes with legal exposure.

Now the fight is shifting toward something more personal.

The voice itself.

Not the recording. Not necessarily the script. The identity embedded in the sound.

That distinction is becoming increasingly important as AI voice systems improve to the point where listeners can recognize a performer even when the company insists it used a “different actor” or synthetic generation. The Scarlett Johansson dispute with OpenAI may become the defining example. Johansson alleged that OpenAI created a voice assistant that sounded “eerily similar” to her after she declined the company’s request to license her actual voice. OpenAI denied intentionally imitating her and stated the voice belonged to another actress but still paused what they branded the “Sky” voice after backlash intensified.

The case matters because it exposes a legal gray area many creators misunderstand.

A voice is generally not protected by copyright law in the same way a song recording is. But a recognizable voice may still trigger claims involving the right of publicity, false endorsement, unfair competition, or misappropriation of identity. In other words, the legal risk is often not “you copied audio.” The risk is “you exploited identity.”

That distinction matters for broadcasters, podcasters, advertisers, and AI companies experimenting with synthetic hosts, cloned announcers, or celebrity-style narration.

If listeners reasonably believe a celebrity endorsed, participated in, or authorized the content, the legal exposure changes dramatically.

Read more….

Another recent example involves Dua Lipa and Samsung. According to reports, Lipa alleges Samsung used her image on television packaging without authorization, creating the impression she endorsed the product. Samsung reportedly claims the image came from a third-party provider that assured the company all rights were cleared.

That defense may sound familiar to media professionals.

“We got it from somebody else.”

Legally, that is often not enough.

A broadcaster cannot avoid defamation liability merely because a guest made the statement. A publisher cannot automatically avoid infringement exposure because a freelancer supplied the material. And a company may not avoid publicity-rights claims simply because a vendor promised the paperwork existed.

The underlying legal theme is the same: delegation is not immunity.

The AI layer complicates things further because modern systems do not necessarily reproduce exact copies. Instead, they generate approximations that may still evoke a specific person strongly enough to create marketplace confusion.

Courts have dealt with similar issues before. Bette Midler and Tom Waits both successfully sued over soundalike performances used in advertising after declining to participate themselves. The principle is not new. AI simply makes imitation faster, cheaper, and easier to distribute.

That should concern media creators who assume these disputes only affect billion-dollar tech companies.

They do not.

A local station, podcast producer, YouTube creator, or advertiser can now generate celebrity-adjacent voices in seconds. The barrier to entry collapsed. The liability did not.

The safest question is no longer merely “Do we own the audio?”

It is: “Whose identity does this remind people of?”

That answer may determine whether the next lawsuit is really about technology at all.

Or simply old-fashioned commercial exploitation wearing futuristic clothing.

Get your copy of “Play the Clip: The Definitive Digital Media Creator’s Guide to Fair Use” by filling out the request form at HarrisonMediaLaw.com.

Matthew B. Harrison is a media and intellectual property attorney who advises radio hosts, content creators, and creative entrepreneurs. He has written extensively on fair use, AI law, and the future of digital rights. Reach him at Matthew@HarrisonLegalGroup.com or read more at TALKERS.com.

Industry News

Salem Media to Go Private After Acquisition by WaterStone

Salem Media announces that it is entering into a definitive agreement to be acquired by The Christian Community Foundation, Inc., d/b/a WaterStone in a transaction that will take the company private. WaterStone will acquire all outstanding shares of Salem Media common stock for $1.00 per share, representing approximately a 250% premium over Salem’s recent trading price. Salem says that the consummation of imgthis deal will “strengthen Salem’s longterm mission across radio, digital media, streaming, podcasting, television, and publishing.” Company co-founder and board member Edward Atsinger III says, “For the last 10 years the Atsinger and Epperson families have been looking for a successor that would continue to carry the torch of delivering quality Christian and conservative media into the next generation and beyond. When we met with WaterStone some 24 months ago we believed it was a divine appointment. WaterStone is deeply aligned with the vision we had when our families founded this company.” Richard von Gnechten is chairman of Salem Media’s board of directors and president of WaterStone. He comments, “This is about building on what makes Salem unique. Salem has spent decades earning the trust of listeners, ministries, advertisers, and audiences by staying true to its mission. WaterStone believes deeply in that mission and in the people behind it. This partnership gives Salem additional strength and longterm stability while creating new opportunities to expand its reach for the future – which is why we are making this investment.” This deal is expected to close in August, subject to shareholder and regulatory approvals.

Industry News

Beasley’s Q1 2026 Net Revenue Declines 12.9%

Beasley Broadcast Group reports it operating results for the first quarter of 2026 and reveals net revenue for the period was $42.6 million, a decline of 12.9% from the same period a year ago. The company says that decline is due to “persistent weakness in the traditional agency advertising market that was partially offset by the continued expansion of our high-margin, owned-and-operated direct digital revenues.” Beasley imgadds that it recorded operating income of $7.7 million in the first quarter of 2026, compared to an operating loss of $0.3 million in Q1 of 2025. The increase in operating income was driven primarily by the sale of its Fort Myers stations. Beasley also reported net income of approximately $3.2 million compared to a net loss of $2.7 million, reported a year ago. Beasley CEO Caroline Beasley comments, “While first quarter results continued to reflect pressure in certain legacy advertising categories and an uneven pace of recovery across our markets, we made meaningful progress against the strategic priorities we outlined over the past year. Importantly, we continue to see strong momentum in digital, particularly in our owned and operated products, which grew year-over-year on a same station basis and now represent an increasingly important contributor to both revenue quality and long-term profitability. Markets with stronger digital adoption continue to demonstrate greater revenue stability, reinforcing our confidence in the long-term direction of the business.”

Industry News

TALKERS 2026 to Feature Major Programming News/Talk Radio Panel

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More than 60 speakers are set to tackle the major issues facing the talk media universe at TALKERS 2026: Radio’s Next Chapter set for Friday, June 5 at Hofstra University on Long Island. One of the featured sessions of this power-packed day is “Programming News/Talk Radio.”

Moderated by afternoon drive talk show host Jeff Katz of WRVA, Richmond, the featured speakers on this panel include (in alphabetical order):  Phil Boyce, senior VP, Salem Radio Network, Salem News Channel, Salem Podcast Network; Michael Czarnecki, program director, WFEA, Manchester, NH; Allan Lamberti, program director, WICC, Bridgeport, CT; Lisa Polizzi, brand manager, WBEN, Buffalo; Ralph Renzi, CEO, Newsmax Radio; and Greg Stocker, brand manager, WPHT, Philadelphia.

The session, described by TALKERS VP / executive editor Kevin Casey as “a lightening-paced overview of the key issues facing programmers of the news/talk format during this amazingly volatile and transitional era” will run between 11:35 am and 12:20 pm.  For more details about TALKERS 2026, please click here.

Industry Views

We Sad Frogs

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By Pamela Garber, LMHC
Grand Central Counseling Group
New York

imgThese are scary times. People on all sides of the mic are on the front lines. Not just “them,” otherwise referred to as the audience. We try to fool ourselves into thinking that society and civilization are relatively “safe.” However, simply being alive and stepping outside in the morning, turning on the computer, or checking the annoyingly smart phone, puts us smack dab in the middle of a war. Literally and figuratively. But like so much else in this modern era, this war lacks foundation.

We have no base upon which to support conflict and, at every turn, from the most mundane moment of waiting in line at the store to fulfilling a day’s work; from meeting a friend for lunch to using a credit card or answering a phone – danger is just a breath away.  Rest assured, YOU are not the only one who feels this way. As much as we try to maintain a professional “distance” from those we serve and with whom we engage from our “platforms” on high – they are us and we are them.  I am my patients.  You are your listeners. We are all brewing in the same stew. Are you worried about losing your job (or business) as a result of the cutbacks in the media?  If you’re not, perhaps you should dig deeper. Or at least get in touch with your empathy – for self and others.

We frogs, who still remember living life in cooler water, are increasingly sad. Underneath one-issue pigeonholing, ideological frustration, or brief political triumph on a so-called good news day, the temperature is still rising. It feels like the world was robbed from us, and, on the inside, we are afraid. We have no baseline within the fundamentals of basic life – medical, legal, family, economy, clergy, education, fidelity, intimacy, and even the justice department.

Humans on both sides of the speaker miss the days when pain could exist in a single file. Today even the specific pain of loss gets steady competition within a backdrop of boiling chaos. Our relatability to each other is increasingly unseen. Our pain breeds ugliness. Ugliness of the verbal and behavioral variety breeds isolation, rage, destruction and an urgent need for help. Expert help. At a time when everyone is an expert, there seems to be no one to call… except maybe a therapist. Or maybe a talk show host.

Pamela Garber, LMHC is a practicing therapist based in NYC and South Florida and a longtime guest mental health commentator on radio and television news programs across the nation. She can be contacted by phone at 646-745-6709 or email at Pamelagarber@gmail.com.  Her website is Grandcentralcounselinggroup.com.

Industry News

WGN, Chicago Anchor Honored with Chicago Headline Club Award

WGN, Chicago news anchor Sylvia Snowden was honored with a “Best Investigative Reporting” Peter Lisagor Award from the Chicago Headline imgClub at an awards ceremony held last Friday (5/8). Snowden’s award-winning investigation centered on a high-profile TikTok personality and party promoter who organized a massive West Side gathering despite explicit police warnings regarding potential violence. The event, which drew nearly 1,000 attendees, was followed by three separate shootings that left two people dead. Sylvia’s report revealed the promoter was a Chicago Public Schools employee; her continued coverage tracked his initial suspension with pay and his eventual return to the classroom following a district investigation.

Industry News

iHeartMedia Posts Q1 Revenue Increase of 9.6%

iHeartMedia bucks the recent trend and posts a net income increase of 9.6% on $884 million during the first quarter of 2026. For the quarter it reports operating income of $1.5 million, compared to the operating loss it took in Q1 of 2025. The company posted a net loss of $95.6 million, down from the net loss of $280.8 million in posted a year ago. That’s the good news. Unfortunately for some staffers another round of cuts is coming as the company seeks to make its radio station operations profitable. President and COO Rich Bressler states, “In the first quarter, the Digital imgAudio Group continued its strong momentum, with revenues up 18% year over year, slightly ahead of our guidance, while our Podcasting revenues grew 26.9% compared to prior year, above our guidance. We are announcing a new savings initiative that will generate an additional $50 million of annualized savings, in addition to our previously announced $100 million of in-year 2026 savings, as well as now paying minimal cash taxes in 2026, which we expect will have a $150 to $200 million impact over the next 3 years. And today we are reaffirming our Full Year Adjusted EBITDA guide of $800 million and our Free Cash Flow guide of $200 million.” The company is also expecting the increase in programmatic revenue to be some $200 million (+50%) during 2026.