Navigating the Deepfake Dilemma in the Age of AI Impersonation
By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer
The Problem Is No Longer Spotting a Joke. The Problem Is Spotting Reality
Every seasoned broadcaster or media creator has a radar for nonsense. You have spent years vetting sources, confirming facts, and throwing out anything that feels unreliable. The complication now is that artificial intelligence can wrap unreliable content in a polished package that looks and sounds legitimate.
This article is not aimed at people creating AI impersonation channels. If that is your hobby, nothing here will make you feel more confident about it. This is for the professionals whose job is to keep the information stream as clean as possible. You are not making deepfakes. You are trying to avoid stepping in them and trying even harder not to amplify them.
Once something looks real and sounds real, a significant segment of your audience will assume it is real. That changes the amount of scrutiny you need to apply. The burden now falls on people like you to pause before reacting.
Two Clips That Tell the Whole Story
Consider two current examples. The first is the synthetic Biden speech that appears all over social media. It presents a younger, steadier president delivering remarks that many supporters wish he would make. It is polished, convincing, and created entirely by artificial intelligence.
The second is the cartoonish Trump fighter jet video that shows him dropping waste on unsuspecting civilians. No one believes it is real. Yet both types of content live in the same online ecosystem and both get shared widely.
The underlying facts do not matter once the clip begins circulating. If you repeat it on the air without checking it, you become the next link in the distribution chain. Not every untrue clip is misinformation. People get things wrong without intending to deceive, and the law recognizes that. What changes here is the plausibility. When an artificial performance can fool a reasonable viewer, the difference between a mistake and a misleading impression becomes something a finder of fact sorts out later. Your audience cannot make that distinction in real time.
Parody and Satire Still Exist, but AI Is Blurring the Edges
Parody imitates a person to comment on that person. Satire uses the imitation to comment on something else. These categories worked because traditional impersonations were obvious. A cartoon voice or exaggerated caricature did not fool anyone.
A convincing AI impersonation removes the cues that signal it is a joke. It sounds like the celebrity. It looks like the celebrity. It uses words that fit the celebrity’s public image. It stops functioning as commentary and becomes a manufactured performance that appears authentic. That is when broadcasters get pulled into the confusion even though they had nothing to do with the creation.
When the Fake Version Starts Crowding Out the Real One
Public figures choose when and where to speak. A Robert De Niro interview has weight because he rarely gives them. A carefully planned appearance on a respected platform signals importance.
When dozens of artificial De Niros begin posting daily commentary, the significance of the real appearance is reduced. The market becomes crowded. Authenticity becomes harder to protect. This is not only a reputational issue. It is an economic one rooted in scarcity and control.
You may think you are sharing a harmless clip. In reality, you might be participating in the dilution of someone’s legitimate business asset.
Disclaimers Are Not Shields
Many deepfake channels use disclaimers. They say things like this is parody or this is not the real person. A parking garage can also post a sign that it is not responsible for damage to your car. That does not absolve them when something collapses on your vehicle.
A disclaimer that no one negotiates or meaningfully acknowledges does not protect the creator or the people who share the clip. If viewers believe it is real, the disclaimer (often hidden in plain sight) is irrelevant.
The Liability No One Expects: Damage You Did Not Create
You can become responsible for the fallout without ever touching the original video. If you talk about a deepfake on the air, share it on social media, or frame it as something that might be true, you help it spread. Your audience trusts you. If you repeat something inaccurate, even unintentionally, they begin questioning your judgment. One believable deepfake can undermine years of credibility.
Platforms Profit From the Confusion
Here is the structural issue that rarely gets discussed. Platforms have every financial incentive to push deepfakes. They generate engagement. Engagement generates revenue. Revenue satisfies stockholders. This stands in tension with the spirit of Section 230, which was designed to protect neutral platforms, not platforms that amplify synthetic speech they know is likely to deceive.
If a platform has the ability to detect and label deepfakes and chooses not to, the responsibility shifts to you. The platform benefits. You absorb the risk.
What Media Professionals Should Do
You do not need new laws. You do not need to give warnings to your audience. You do not need to panic. You do need to stay sharp.
Here is the quick test. Ask yourself four questions.
Is the source authenticated?
Has the real person ever said anything similar?
Is the platform known for synthetic or poorly moderated content?
Does anything feel slightly off even when the clip looks perfect?
If any answer gives you pause, treat the clip as suspect. Treat it as content, not truth.
Final Thought (at Least for Now)
Artificial intelligence will only become more convincing. Your role is not to serve as a gatekeeper. Your role is to maintain professional judgment. When a clip sits between obviously fake and plausibly real, that is the moment to verify and, when necessary, seek guidance. There is little doubt that the inevitable proliferation of phony internet “shows” is about to bloom into a controversial legal, ethical, and financial industry issue.
Matthew B. Harrison is a media and intellectual property attorney who advises radio hosts, content creators, and creative entrepreneurs. He has written extensively on fair use, AI law, and the future of digital rights. Reach him at Matthew@HarrisonMediaLaw.com or read more at TALKERS.com.

than just retail businesses. From brands to home services to manufacturers — if your customers are shopping online, you’ll be able to find them, right at the point of purchase; 2) Move the dollars that matter. Learn why successful advertisers are shifting traditional TV budgets to Amazon DSP to reach ready-to-buy audiences more efficiently; and 3) Prove performance with clarity. See real results from local case studies that connect campaign exposure to leads, site visits, and sales. 



first handed out in 1971, are among the most prestigious in journalism. In 2025, about 5,000 entries were submitted in the professional and student categories, also making it one of the most competitive.” To be eligible, work must have been published between January 1, 2025, and December 31, 2025. This year, RTDNA is offering an Early Bird Discount for entries submitted by 5:00 pm ET on Tuesday, January 20. The final entry deadline is 5:00 pm ET Thursday, February 19. Entrants can find 








drive. The station says Weber will remain a contributor to WISN programming and station initiatives. Weber says, “It has been an incredible honor to wake up Wisconsin for the past 35 years, and I’m grateful to every listener who has made this show part of their morning routine. I’m not retiring – just shifting formats – and I’m excited to continue the conversation in a new twice-weekly podcast.” WISN program director Jerry Bott comments, “Jay Weber has been one of the best talk show hosts in America for a long time. He’s built a bond of trust and credibility with his listeners, and after 35 years on the daily morning clock, transitioning to a twice-weekly podcast is much-deserved while still delivering for his loyal listeners. We fully support Jay with his decision and are proud to help him continue his legacy on the iHeart podcast platform.”
“Glenn’s combination of experience, authenticity and professionalism will immediately strengthen our afternoon reporting and bring a recognizable, trusted voice to our evening anchoring. We’re excited to welcome Glenn and see the impact he will have on our newsroom and the Chicago audience.” Marshall says, “Chicago made me. I listened to WBBM Newsradio as a kid and dreamed of one day being part of the voices that inform this city. Now I get to continue telling the stories that matter to the neighborhoods I know and love. I am proud to join the team and shine a light on the issues and victories that shape our communities every day. Thanks to Craig Schwalb, Kevin Cassidy and everyone at Audacy for this opportunity.”
Mel Robbins Podcast,” “SmartLess” and “Up First,” from NPR. Representing a mix of news, advice and celebrity interviews, they were drawn from a shortlist of 25 programs the Globes had previously deemed eligible. The nominations avoided politics or controversy by passing on popular podcasts from the shortlist, such as conservative-leaning programs ‘The Megyn Kelly Show,’ ‘The Tucker Carlson Show,’ ‘The Ben Shapiro Show,’ Candace Owen’s ‘Candace’ and, most notably, ‘The Joe Rogan Experience,’ which topped Spotify, Apple and YouTube’s list of weekly podcast charts this year. The left-leaning ‘Pod Save America’ also was snubbed, as were popular true crime podcasts like ‘Morbid’ and ‘Rotten Mango.’” Kennedy notes in his report that Ben Shapiro lobbied hard for his show. “Shapiro had launched an all-out Golden Globes publicity campaign for his decade-old podcast, on which he’s spoken with the likes of U.S. Vice President JD Vance and Ukrainian President Volodymyr Zelenskyy in the past year. In addition to making the rounds with industry publications, Shapiro also secured massive billboard space in New York City’s Times Square.” 
continue to be a member of the prestigious organization’s Advisory Board in 2026. Upon receiving this latest appointment (12/9), Harrison stated, “I am honored to be associated with this great group that continues to grow and inspire broadcasting artists and professionals around the world to achieve new levels of quality and positive societal influence – not to mention, unite and provide a sense of cohesiveness to the global media community.” The NY Festivals issued the statement about its Class of 2026: “We anticipate wonderful submissions from around the globe before the deadline. Our Storytellers Gala will salute Radio trophy winners in the spring. Combined with our TV & Film Winners, it will be a celebration of innovative storytellers across all platforms.” 
2) Marketers and media agencies significantly overestimate audience shares to Pandora/Spotify and massively underestimate AM/FM radio audiences; and 3) Interestingly, as older demographics flock to podcasts, the median age of the podcast audience ages sharply from 29 in 2017 to 39. The study notes that “in 2017, podcasts’ daily reach was greatest among 18-24s. Eight years later, podcasts’ daily reach has surged, especially in older demographics. The older the age group, the greater the growth in the podcast daily audience. Today, podcasts’ greatest reach centers on 25-44s, with significant growth among 45-64s.” 
California station group that includes sports talk KESP-AM and five music brands. Price most recently served with Alpha Media prior to the Connoisseur Media merger in Bakersfield. Cumulus Media regional vice president Patty Hixson comments, “Jeremy is a very special leader and a highly effective manager who will greatly contribute to the success of the Stockton-Modesto cluster. We are pleased to welcome him aboard.”
and how Fisher House plays a role in their journey. Fisher House Foundation provides a home away from home for families of patients receiving medical care at major military and VA medical centers. Fisher Houses provide temporary free lodging so families can be close to their loved ones during medical care. Fisher House says, “This informational talk show will leave listeners feeling inspired during the entire Holiday Week, sharing stories of amazing service members, veterans, and their families. Your audience will hear stories of heroic service members injured in combat or during training exercises as well as veterans who need long-term medical care over the course of their lives. Whether it’s a complicated birth of a child or a devastating head injury from a motorcycle accident, Fisher House is there for the spouses, parents, and children of America’s service members every step of the way. For more information on this radio special, contact Larry O’Connor at 562-665-9537 or 




Whitmer to the KNSS morning show alongside Ted Woodward. ‘Woodward and Whit’ will build on the foundation of smart, local conversation that our listeners expect by delivering the essential news, candid analysis and enjoyable banter that starts the day right. This is a powerful pairing that promises to keep the Wichita community informed and engaged.” Whitmer has been hosting an eponymous two-hour weekend show for KNSS since 2018. He’s a veteran of Kansas politics having served in roles for local, state, and national Republican campaigns. Whitmer currently serves as the Chairman of the Sedgwick County Republicans. He says, “I’m honored to join Ted Woodward on ‘Woodward & Whit,’ stepping into the big shoes left by Steve McIntosh, who dedicated over 50 years to Wichita mornings. I look forward to bringing news coverage, straight talk, common-sense discussion and a little fun to help our community start the day on the right note.”
News people I coach reckon that my epitaph will read: “Consequence, not Process.”
across documentary, entertainment, news, sports, and corporate audio.” NYFestivals EVP Rose Anderson adds, “The robust world of audio storytelling today is fully represented in the 2026 edition of the Grand Jury. From audiobooks to podcasts and video podcasts, from investigative journalism to live events, and from mystery to social justice, this year’s men and women of the jury volunteer their time and lend their expertise.” 
the top three remain unchanged – #1 “NPR News Now,” #2 “The Daily,” and #3 “Up First from NPR” – Cumulus Podcast Network’s “The Shawn Ryan Show” climbs two places to #4. Other news/talk media-related podcasts of note include the “FOX News Hourly Update” falling two places to #6, “The Tucker Carlson Show” rising two places to #17, and Salem Podcast Network’s “The Charlie Kirk Show” regressing eight places to #19. 
Carolina – southwest of the city of Charlotte. The company says the move will bring “Charlotte’s premier source for news, conversation, and community connection to a powerful 100,000-watt signal.” The company is moving WLNK to the 100.9 and 93.3 frequencies. Charlotte VP and market manager Marsha Landess adds, “We are thrilled to elevate WBT to the FM dial, ensuring that even more listeners can connect with the voices they trust every day. These moves further strengthen our position in the market and reinforce our commitment to serving Charlotte with the best local programming, news, and entertainment.”
Andy Economos, the founder of Radio Computing Systems (RCS), was a leader in bringing digital tech into the radio industry. In 1980, he was leaving his position as head of technology for NBC Inc. to start his own company. I was EVP of the NBC FM stations. Andy and I were walking to lunch, crossing Sixth Avenue at 49th street and he asked me, “Is there any software your radio stations could use?”


New York. Bold Gold says WDLA-AM will “broadcast Catskills News Talk, the Voice of Sullivan and the Catskills, a news and talk format featuring ‘Ciliberto & Friends’ with radio legend Paul Ciliberto.” Bold Gold Media NY region general manager Dawn Ciorciari states, “There is something truly special about turning the lights back on for a local radio station. We are beyond excited to bring local radio back to life for the people of Walton and Delaware County; to once again give this community a local voice, a source of connection, and radio stations they can call their own.” 
standard in audio, and it’s an honor to join a brand creatively steeped in sports storytelling. Not unlike the Savannah Bananas, I’m prepared to push the limits of sports talk. I’ll deliver for Jimmy in Tucson, Arizona just as much as Joe in Marshall, Texas. And for every groundbreaking Los Angeles Lakers trade, there’s a Boston College linebacker who survived cancer. You’ll hear the same fire and heart for each. We’re going to create something special; I promise you that.” Cumulus SVP sports/content & audience Bruce Gilbert comments, “Drake represents exactly what we’re building – a modern, interactive sports experience that is driven by personalities and fueled by fans – programming that breaks away from the predictable and formulaic. Drake’s ability to entertain, connect, and innovate makes him the ideal voice for mornings on Westwood One.”
co-host of “The Bottom Line,” beginning Monday (12/8). Brenberg will continue his role with the network co-hosting “The Big Money Show” alongside McDowell, Jackie DeAngelis and Taylor Riggs. Brenberg says, “It’s been great to work with Dagen on ‘The Big Money Show’ and I am excited to join her on ‘The Bottom Line’ where we can continue our conversations surrounding the biggest market movers and business drivers that are impacting Main Street, Wall Street, and everyday Americans.”
grown exponentially in the U.S., so much so that Edison Research just unveiled the results of a new research effort called The Infinite Scroll: A TikTok Report in a recent webinar. Edison says the webinar offered insights into how often U.S. users engage with TikTok, their perceptions of the platform, ad recall on TikTok, if they spend too much time on the platform, and more.
Christmas Kids,” a Georgia holiday tradition dedicated to fulfilling the Christmas wishes of children in foster care. Clark Howard says, “I am so excited for our 35th year of Clark’s Christmas Kids. I could have never imagined that our generous WSB listeners would take care of over 300,000 children in foster care donating $50 million plus in toys and cash since 1991.”
Carton is finalizing a deal to return to the station in afternoon drive. This comes several months after Carton exited FS1 where he hosted a couple of different versions of a morning show that, from a ratings standpoint, never took off the way FS1 execs had hoped. Carton’s return will reportedly bump current afternoon team Evan Roberts and Tiki Barber to middays which would force the station to cut ties with current midday hosts Brandon Tierney and Sal Licata. As for Carton’s co-host, Marchand is reporting that overnight host Chris McMonigle is the leading candidate for that role.