Industry Views

Navigating the Deepfake Dilemma in the Age of AI Impersonation

By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

imgThe Problem Is No Longer Spotting a Joke. The Problem Is Spotting Reality

Every seasoned broadcaster or media creator has a radar for nonsense. You have spent years vetting sources, confirming facts, and throwing out anything that feels unreliable. The complication now is that artificial intelligence can wrap unreliable content in a polished package that looks and sounds legitimate.

This article is not aimed at people creating AI impersonation channels. If that is your hobby, nothing here will make you feel more confident about it. This is for the professionals whose job is to keep the information stream as clean as possible. You are not making deepfakes. You are trying to avoid stepping in them and trying even harder not to amplify them.

Once something looks real and sounds real, a significant segment of your audience will assume it is real. That changes the amount of scrutiny you need to apply. The burden now falls on people like you to pause before reacting. 

Two Clips That Tell the Whole Story

Consider two current examples. The first is the synthetic Biden speech that appears all over social media. It presents a younger, steadier president delivering remarks that many supporters wish he would make. It is polished, convincing, and created entirely by artificial intelligence.

The second is the cartoonish Trump fighter jet video that shows him dropping waste on unsuspecting civilians. No one believes it is real. Yet both types of content live in the same online ecosystem and both get shared widely.

The underlying facts do not matter once the clip begins circulating. If you repeat it on the air without checking it, you become the next link in the distribution chain. Not every untrue clip is misinformation. People get things wrong without intending to deceive, and the law recognizes that. What changes here is the plausibility. When an artificial performance can fool a reasonable viewer, the difference between a mistake and a misleading impression becomes something a finder of fact sorts out later. Your audience cannot make that distinction in real time. 

Parody and Satire Still Exist, but AI Is Blurring the Edges

Parody imitates a person to comment on that person. Satire uses the imitation to comment on something else. These categories worked because traditional impersonations were obvious. A cartoon voice or exaggerated caricature did not fool anyone.

A convincing AI impersonation removes the cues that signal it is a joke. It sounds like the celebrity. It looks like the celebrity. It uses words that fit the celebrity’s public image. It stops functioning as commentary and becomes a manufactured performance that appears authentic. That is when broadcasters get pulled into the confusion even though they had nothing to do with the creation. 

When the Fake Version Starts Crowding Out the Real One

Public figures choose when and where to speak. A Robert De Niro interview has weight because he rarely gives them. A carefully planned appearance on a respected platform signals importance.

When dozens of artificial De Niros begin posting daily commentary, the significance of the real appearance is reduced. The market becomes crowded. Authenticity becomes harder to protect. This is not only a reputational issue. It is an economic one rooted in scarcity and control.

You may think you are sharing a harmless clip. In reality, you might be participating in the dilution of someone’s legitimate business asset. 

Disclaimers Are Not Shields

Many deepfake channels use disclaimers. They say things like this is parody or this is not the real person. A parking garage can also post a sign that it is not responsible for damage to your car. That does not absolve them when something collapses on your vehicle.

A disclaimer that no one negotiates or meaningfully acknowledges does not protect the creator or the people who share the clip. If viewers believe it is real, the disclaimer (often hidden in plain sight) is irrelevant. 

The Liability No One Expects: Damage You Did Not Create

You can become responsible for the fallout without ever touching the original video. If you talk about a deepfake on the air, share it on social media, or frame it as something that might be true, you help it spread. Your audience trusts you. If you repeat something inaccurate, even unintentionally, they begin questioning your judgment. One believable deepfake can undermine years of credibility. 

Platforms Profit From the Confusion

Here is the structural issue that rarely gets discussed. Platforms have every financial incentive to push deepfakes. They generate engagement. Engagement generates revenue. Revenue satisfies stockholders. This stands in tension with the spirit of Section 230, which was designed to protect neutral platforms, not platforms that amplify synthetic speech they know is likely to deceive.

If a platform has the ability to detect and label deepfakes and chooses not to, the responsibility shifts to you. The platform benefits. You absorb the risk. 

What Media Professionals Should Do

You do not need new laws. You do not need to give warnings to your audience. You do not need to panic. You do need to stay sharp.

Here is the quick test. Ask yourself four questions.

Is the source authenticated?
Has the real person ever said anything similar?
Is the platform known for synthetic or poorly moderated content?
Does anything feel slightly off even when the clip looks perfect?

If any answer gives you pause, treat the clip as suspect. Treat it as content, not truth. 

Final Thought (at Least for Now)

Artificial intelligence will only become more convincing. Your role is not to serve as a gatekeeper. Your role is to maintain professional judgment. When a clip sits between obviously fake and plausibly real, that is the moment to verify and, when necessary, seek guidance. There is little doubt that the inevitable proliferation of phony internet “shows” is about to bloom into a controversial legal, ethical, and financial industry issue.  

Matthew B. Harrison is a media and intellectual property attorney who advises radio hosts, content creators, and creative entrepreneurs. He has written extensively on fair use, AI law, and the future of digital rights. Reach him at Matthew@HarrisonMediaLaw.com or read more at TALKERS.com.

Industry News

Audacy to Present Amazon DSP Webinar

On December 17 at 2:00 pm ET, local marketing experts from Audacy and Amazon will present a webinar on programmatic media buying using Amazon DSP. Audacy says that the webinar will show a number of things about Amazon DSP, including: 1) 1st party data for high-intent shoppers. The platform is for moreimg than just retail businesses. From brands to home services to manufacturers — if your customers are shopping online, you’ll be able to find them, right at the point of purchase; 2) Move the dollars that matter. Learn why successful advertisers are shifting traditional TV budgets to Amazon DSP to reach ready-to-buy audiences more efficiently; and 3) Prove performance with clarity. See real results from local case studies that connect campaign exposure to leads, site visits, and sales. See more and register here.

Industry News

Entries Open for 2026 Edward R. Murrow Awards

The Radio Television Digital News Association announces that the entry period for the 2026 Edward R. Murrow Awards is now open. RTDNA says the Murrow Awards are dedicated to “recognizing outstanding achievements in both professional and student-level broadcast and digital journalism. The Murrow Awards,img first handed out in 1971, are among the most prestigious in journalism. In 2025, about 5,000 entries were submitted in the professional and student categories, also making it one of the most competitive.” To be eligible, work must have been published between January 1, 2025, and December 31, 2025. This year, RTDNA is offering an Early Bird Discount for entries submitted by 5:00 pm ET on Tuesday, January 20. The final entry deadline is 5:00 pm ET Thursday, February 19. Entrants can find complete rules and category descriptions here. Regional winners will be announced in the spring. All regional winners automatically advance to the national competition, which will be announced in August. National winners will be celebrated at the 2025 Edward R. Murrow Awards Gala, to be held October 12, 2026, at Gotham Hall in New York City.

Industry News

Geary Yonker Joins Paragon

Paragon announces that public radio sponsorship sales pro Geary Yonker is joining Paragon as sponsorship consultant. Paragon CEO Mike Henry says, “Geary’s established role in producing sponsorship revenue for WBEZ Chicago, Sound Opinions, and with events is invaluable for Paragon clients. Public radio stations need increased sponsorship revenue and new revenue streams ensure sustainability, and Geary will help them reach their income goals.”

Industry News

Yesterday’s Top News/Talk Media Stories (12/9)

The most discussed stories yesterday (12/9) on news/talk radio and related talk media according to TALKERS research:

  1. The Economy / Trump Tour / Fed Policy
  2. U.S.-Venezuela Tensions / Drug Boat Strikes
  3. Russia-Ukraine War
  4. Paramount-Netflix-Warner Bros Battle
  5. Candace Owens’ Charlie Kirk Conspiracies
Industry News

WISN, Milwaukee’s Jay Weber to Transition from Mornings to Podcast Host

WISN, Milwaukee morning drive host Jay Weber will leave his role as morning drive host at the iHeartMedia news/talk station later this month and will begin hosting a twice-weekly podcast beginning in the spring of 2026. Weber has been a talk host with the station for 35 years, the last 18 years in morningimg drive. The station says Weber will remain a contributor to WISN programming and station initiatives. Weber says, “It has been an incredible honor to wake up Wisconsin for the past 35 years, and I’m grateful to every listener who has made this show part of their morning routine. I’m not retiring – just shifting formats – and I’m excited to continue the conversation in a new twice-weekly podcast.” WISN program director Jerry Bott comments, “Jay Weber has been one of the best talk show hosts in America for a long time. He’s built a bond of trust and credibility with his listeners, and after 35 years on the daily morning clock, transitioning to a twice-weekly podcast is much-deserved while still delivering for his loyal listeners. We fully support Jay with his decision and are proud to help him continue his legacy on the iHeart podcast platform.”

Industry News

WBBM Brings Marshall Aboard as Evening Anchor and Reporter

Audacy all-news WBBM-AM/WCFS-FM, Chicago names Glenn Marshall evening anchor and reporter. He comes to WBBM from WGN-TV where he was a reporter. WBBM brand manager Craig Schwalb states,img “Glenn’s combination of experience, authenticity and professionalism will immediately strengthen our afternoon reporting and bring a recognizable, trusted voice to our evening anchoring. We’re excited to welcome Glenn and see the impact he will have on our newsroom and the Chicago audience.” Marshall says, “Chicago made me. I listened to WBBM Newsradio as a kid and dreamed of one day being part of the voices that inform this city. Now I get to continue telling the stories that matter to the neighborhoods I know and love. I am proud to join the team and shine a light on the issues and victories that shape our communities every day. Thanks to Craig Schwalb, Kevin Cassidy and everyone at Audacy for this opportunity.”

Industry News

Golden Globes Play it Safe in First Year of “Best Podcast” Award

The Golden Globes will present one podcast with the inaugural Best Podcast award on January 11 in Los Angeles and the nominees are shows that appear to avoid any sort of politics or controversy. Mark Kennedy writes about the nominations for the AP saying, “The six nominees for the inaugural best podcast award are “Armchair Expert with Dax Shepard,” “Call Her Daddy,” “Good Hang with Amy Poehler,” “The img Mel Robbins Podcast,” “SmartLess” and “Up First,” from NPR. Representing a mix of news, advice and celebrity interviews, they were drawn from a shortlist of 25 programs the Globes had previously deemed eligible. The nominations avoided politics or controversy by passing on popular podcasts from the shortlist, such as conservative-leaning programs ‘The Megyn Kelly Show,’ ‘The Tucker Carlson Show,’ ‘The Ben Shapiro Show,’ Candace Owen’s ‘Candace’ and, most notably, ‘The Joe Rogan Experience,’ which topped Spotify, Apple and YouTube’s list of weekly podcast charts this year. The left-leaning ‘Pod Save America’ also was snubbed, as were popular true crime podcasts like ‘Morbid’ and ‘Rotten Mango.’” Kennedy notes in his report that Ben Shapiro lobbied hard for his show. “Shapiro had launched an all-out Golden Globes publicity campaign for his decade-old podcast, on which he’s spoken with the likes of U.S. Vice President JD Vance and Ukrainian President Volodymyr Zelenskyy in the past year. In addition to making the rounds with industry publications, Shapiro also secured massive billboard space in New York City’s Times Square.” Read the AP story here.

Industry News

Harrison to Continue as Advisor to the NY Festivals Radio Awards

After years of service to the New York Festivals Radio Awards, TALKERS publisher Michael Harrison willimg continue to be a member of the prestigious organization’s Advisory Board in 2026. Upon receiving this latest appointment (12/9), Harrison stated, “I am honored to be associated with this great group that continues to grow and inspire broadcasting artists and professionals around the world to achieve new levels of quality and positive societal influence – not to mention, unite and provide a sense of cohesiveness to the global media community.” The NY Festivals issued the statement about its Class of 2026: “We anticipate wonderful submissions from around the globe before the deadline. Our Storytellers Gala will salute Radio trophy winners in the spring. Combined with our TV & Film Winners, it will be a celebration of innovative storytellers across all platforms.” For more information, please click here.

Industry News

WWO: Podcast Audience Media Age Rises 10 Years

Cumulus Media | Westwood One’s Audio Active Group blog reveals data from Edison Research’s ongoing Share of Ear study, specifically data from the third quarter of 2025. Among the key takeaways from the study are: 1) AM/FM radio dominates ad-supported audio with a 64% share, followed by podcasts at 20%;img 2) Marketers and media agencies significantly overestimate audience shares to Pandora/Spotify and massively underestimate AM/FM radio audiences; and 3) Interestingly, as older demographics flock to podcasts, the median age of the podcast audience ages sharply from 29 in 2017 to 39. The study notes that “in 2017, podcasts’ daily reach was greatest among 18-24s. Eight years later, podcasts’ daily reach has surged, especially in older demographics. The older the age group, the greater the growth in the podcast daily audience. Today, podcasts’ greatest reach centers on 25-44s, with significant growth among 45-64s.” See the full blog post here.

Industry News

Price to Lead Cumulus Media Stockton-Modesto

Cumulus Media names Jeremy Price vice president and market manager for its Stockton-Modesto,img California station group that includes sports talk KESP-AM and five music brands. Price most recently served with Alpha Media prior to the Connoisseur Media merger in Bakersfield. Cumulus Media regional vice president Patty Hixson comments, “Jeremy is a very special leader and a highly effective manager who will greatly contribute to the success of the Stockton-Modesto cluster. We are pleased to welcome him aboard.”

Industry News

Fisher House Radio Special Available for Holiday Week

Fisher House Foundation has a Christmas and New Year Holiday Week edition of “Together in Mission: The Fisher House Journey” available for stations to air at no charge and with no barter. The radio special is available in three-hour, one-hour, 25-minute, and 30-minute radio versions and are by news/talk radio personality Larry O’Connor. They feature stories of America’s heroes, the families who serve by their side,img and how Fisher House plays a role in their journey. Fisher House Foundation provides a home away from home for families of patients receiving medical care at major military and VA medical centers. Fisher Houses provide temporary free lodging so families can be close to their loved ones during medical care. Fisher House says, “This informational talk show will leave listeners feeling inspired during the entire Holiday Week, sharing stories of amazing service members, veterans, and their families. Your audience will hear stories of heroic service members injured in combat or during training exercises as well as veterans who need long-term medical care over the course of their lives. Whether it’s a complicated birth of a child or a devastating head injury from a motorcycle accident, Fisher House is there for the spouses, parents, and children of America’s service members every step of the way. For more information on this radio special, contact Larry O’Connor at 562-665-9537 or loconnor@fisherhouse.org.

Industry News

DePetros Celebrate Christmas at the White House

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WNRI, Woonsocket, Rhode Island talk radio host John DePetro is pictured above with his family at the White House this past weekend. DePetro tells TALKERS, “I think the administration appreciates it is not easy being a supporter in the northeast, and we were thrilled to have this unique experience.” DePetro’s daughter Kate works at FOX News Channel and his sister Jacqueline is working at the Department of Justice.

Industry News

TALKERS News Notes

Kirby and Raphael Join Media Institute Board. Media pros Kathleen Kirby of Wiley Rein LLP and Heidi Raphaelof Beasley Media Group are elected to the board of trustees of The Media Institute. The Media Institute is a nonprofit, nonpartisan organization specializing in communications policy and the First Amendment.

Baltimore Public Media Names New Program Director. Baltimore Public Media names Maxie C. Jackson III program director in which he’ll oversee content strategy and programming across WYPR 88.1 FM, WTMD 89.7 FM, and Your Public Studios. Jackson most recently served as executive director of 88Nine Radio Milwaukee, “where he led transformative programming and format strategies that inspired philanthropic investment, drove audience growth, and strengthened the organization’s cultural impact.”

The WBUR Festival Returns This Spring. WBUR, Boston announces the return of The WBUR Festival happening Friday, May 29 and Saturday, May 30, 2026. The event features “speakers, captivating conversations, musical performances, multiple stages and a vibrant street scene along Commonwealth Avenue.”

Industry News

Yesterday’s Top News/Talk Media Stories (12/8)

The most discussed stories yesterday (12/8) on news/talk radio and related talk media according to TALKERS research:

  1. Drug Boat Strikes / Hegseth Under Fire
  2. SCOTUS Hears Presidential Powers Case
  3. Tariffs-Trump’s Farm Assistance Program
  4. Nvidia-China Deal
  5. Paramount-Netflix-Warner Bros Battle
Industry News

John Whitmer Promoted to KNSS, Wichita Morning Co-Host

Audacy’s KNSS, Wichita names John Whitmer co-host of the “Woodward and Whit” morning show with Ted Woodward, effective January 5, 2026. Whitmer succeeds Steve McIntosh following his retirement. Audacy Wichita SVP and market manager Tommy Castor says, “We are excited to welcome Johnimg Whitmer to the KNSS morning show alongside Ted Woodward. ‘Woodward and Whit’ will build on the foundation of smart, local conversation that our listeners expect by delivering the essential news, candid analysis and enjoyable banter that starts the day right. This is a powerful pairing that promises to keep the Wichita community informed and engaged.” Whitmer has been hosting an eponymous two-hour weekend show for KNSS since 2018. He’s a veteran of Kansas politics having served in roles for local, state, and national Republican campaigns. Whitmer currently serves as the Chairman of the Sedgwick County Republicans. He says, “I’m honored to join Ted Woodward on ‘Woodward & Whit,’ stepping into the big shoes left by Steve McIntosh, who dedicated over 50 years to Wichita mornings. I look forward to bringing news coverage, straight talk, common-sense discussion and a little fun to help our community start the day on the right note.”

Industry Views

Monday Memo: AI Collaboration

By Holland Cooke
Consultant

imgNews people I coach reckon that my epitaph will read: “Consequence, not Process.”

Too often, news copy – while factually correct – is arcane minutes-of-the-meeting stuff, rather than emphasizing impact on the listener’s routine.

Process: “The Transit board revised its fare structure.”

Consequence: “Riding the bus will cost 50 cents more starting Monday.”

Process: “The district reallocated Title I funds.”

Consequence: “Some after-school programs could be cut.”

Process: “The committee advanced a bill on short-term rentals.”

Consequence: “Airbnb hosts may soon face new rules – and fees.”

Process: “The planning board approved a variance…”

Consequence: “Construction can now begin on that apartment complex near the campus.”

Unwrap the package. To illustrate, here’s a video I am playing in client stations’ conference rooms – and it’s a dang clinic in impactful local news reporting.

The back-story: If I say “Hasbro,” you might think Monopoly, Scrabble, Mr. Potato Head, Play-Doh, G.I. Joe, and Transformers. Eventually it added Star Wars and Marvel action figures to its repertoire. Hasbro became a major player in video games, TV, and movies. This 100-plus-year-old company has outgrown its Rhode Island roots and announced it is moving to Boston. In any-size state – let alone the smallest – losing 700-plus jobs hurts.

Here’s the video: https://getonthenet.com/Hasbro.MP4

After playing that, I sometimes hear “But TV has more manpower than a radio station.” Yes and no.

Management confirmed to me that this reporter was in MMJ mode that day, meaning “Multi-Media Journalist.” Translation: She worked alone, no videographer, no producer. Praising her work when I requested the video, I was told that “she did a great job executing what we brainstormed in the morning meeting.”

And THAT’S the advantage TV has over most radio news operations: There is more than one person in the newsroom to have that meeting. We’re radio people. We think aloud. But with whom, when you alone, ARE the news department?

Have that collaborative conversation with ChatGPT or MS Copilot. Brainstorm story angles and interview prospects and questions. At client stations, we have asked – and AI apps delivered – actual coverage timelines. Try it. The interaction feels surprisingly human – like having a sharp, tireless producer who’s always ready to riff, reframe, and help you make it matter.

Holland Cooke (HollandCooke.com) is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn

Industry News

New York Festivals Radio Awards Announces 2026 Grand Jury

The New York Festivals Radio Awards announces the distinguished 2026 Radio Awards Grand Jury. NYF Radio Awards says the Grand Jury “unites over 100 standout audio innovators from 20 countries, reflecting the dynamic and ever-evolving landscape of global storytelling. This influential group includes award-winning producers, directors, journalists, writers, and sound artists known for pushing creative boundariesimg across documentary, entertainment, news, sports, and corporate audio.” NYFestivals EVP Rose Anderson adds, “The robust world of audio storytelling today is fully represented in the 2026 edition of the Grand Jury. From audiobooks to podcasts and video podcasts, from investigative journalism to live events, and from mystery to social justice, this year’s men and women of the jury volunteer their time and lend their expertise.” See the bios of the Grand Jury here. There is still time to enter the New York Festivals Radio Awards. The entry deadline for the 2025 Radio Awards competition is January 31, 2026. To enter the 2026 Radio Awards please visit: HERE. For additional information including Rules & Regulations, categories, and more visit: HERE. New York Festivals Radio Awards welcomes entries from radio stations, networks, and independent producers across 30+ countries. Its mission is to recognize and elevate the exceptional work of the creators shaping today’s global audio storytelling landscape. Award-winning entries for 2026 competition will be showcased at the Radio Awards winners gallery. View the 2025 Radio winners’ showcase

Industry News

Shawn Ryan Inches into Top 5 on Podtrac Podcast Ranker

Podtrac releases its Top Podcasts ranker for November based on U.S. unique monthly audience and whileimg the top three remain unchanged – #1 “NPR News Now,” #2 “The Daily,” and #3 “Up First from NPR” – Cumulus Podcast Network’s “The Shawn Ryan Show” climbs two places to #4. Other news/talk media-related podcasts of note include the “FOX News Hourly Update” falling two places to #6, “The Tucker Carlson Show” rising two places to #17, and Salem Podcast Network’s “The Charlie Kirk Show” regressing eight places to #19. See the complete ranker here.

Industry News

Top News/Talk Media Stories Over the Weekend (12/6-7)

The most discussed stories over the weekend on news/talk radio and related talk media according to TALKERS research:

  1. Drug Boat Strikes / Hegseth Under Fire
  2. Netflix-Warner Bros. Deal
  3. ICE Raids
  4. SCOTUS to Hear Presidential Power Case
  5. Kennedy Center Event
Industry News

Urban One Moving WBT, Charlotte to 107.9 FM Frequency

Urban One announces a series of frequency swaps that will put news/talk WBT on the full-market 107.9 FM frequency currently occupied by hot AC WLNK-FM. WBT is heard on 1110 AM and will continue to be heard there. It has been heard on FM in 99.3 FM for decades but that signal is licensed to Chester, Northimg Carolina – southwest of the city of Charlotte. The company says the move will bring “Charlotte’s premier source for news, conversation, and community connection to a powerful 100,000-watt signal.” The company is moving WLNK to the 100.9 and 93.3 frequencies. Charlotte VP and market manager Marsha Landess adds, “We are thrilled to elevate WBT to the FM dial, ensuring that even more listeners can connect with the voices they trust every day. These moves further strengthen our position in the market and reinforce our commitment to serving Charlotte with the best local programming, news, and entertainment.”

Industry Views

SABO SEZ: A Long History – Do Not Fear AI

By Walter Sabo
a.k.a. Walter Sterling, Host
WPHT, Philadelphia, “Walter Sterling Every Damn Night”
TMN syndicated, “Sterling on Sunday”

imgAndy Economos, the founder of Radio Computing Systems (RCS), was a leader in bringing digital tech into the radio industry. In 1980, he was leaving his position as head of technology for NBC Inc. to start his own company. I was EVP of the NBC FM stations. Andy and I were walking to lunch, crossing Sixth Avenue at 49th street and he asked me, “Is there any software your radio stations could use?”

I said, “Yes, we could use software that programs music.” He was interested. I said, “When you invent that, NBC will buy your first products.”

Andy went forth and invented “Selector,” the first viable, almost easy-to-understand, user-friendly music programming software. Prior to “Selector,” music was programmed in a wide variety of homemade processes such as rotating songs against back timing photo lab clocks (WABC) to RKO’s “Gold Book” mess requiring jocks to use many colored pens to log off played songs. Or the wooden spike technique: Jocks took the 45s off one spike after it was played and stacked it on a different spike – really.

The adoption of “Selector” didn’t go as planned. First, most of the industry was terrified that what little freedom jocks had to select songs would be lost. My favorite cry from jocks, “But when it’s raining, I’ve got to play a song that sings about rain.”

My hope for computerizing the organization of songs was that it would free up programmers to program! The desired end game was that programmers would have more time to talk with their talent, create bigger promotions and upgrade overall production.

What happened, however, was most programmers devoted more time to programming music! Throughout the country programmers pored over the output from “Selector” and manually, hour by hour by hour and edited every song.

When discussing the virtue of precision music selection, WABC midday talent Ron Lundy said, “It don’t mean nothinnnnn.”

AI is just like “Selector.” First, it strikes fear. But it will be used in every radio station very soon. How it will be used and its impact on you will be different than we can imagine. The more a person learns about AI’s capabilities and how to use its fresh options, the more control they will have of it.

Walter Sabo has been a C-Suite action partner for companies such as SiriusXM, Hearst, Press Broadcasting, Gannett, RKO General, and many other leading media outlets. His company, HITVIEWS, in 2007, was the first to identify and monetize video influencers. His nightly show “Walter Sterling Every Damn Night” is heard on WPHT, Philadelphia. His syndicated show, “Sterling On Sunday,” from Talk Media Network, airs 10:00 pm-1:00 am ET, and is now in its 10th year of success. He can be reached by email at sabowalter@gmail.com.

Industry News

Jeff Katz Scores Thousands of Views of Drunk Raccoon Interview

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WRVA, Richmond afternoon drive talk host Jeff Katz took advantage of the story of the raccoon that got into an Ashland, Virginia liquor store, broke some liquor bottles, drank some of the booze and passed out. He’s pictured above “interviewing” the raccoon on his show. Katz tells TALKERS the store is just 15 miles north of Richmond and it’s all that anyone is talking about, so he decided to create the photo and share it on social media with links to his show.

Industry News

TALKERS News Notes

Edison Research to Present The Top 10 Findings of 2025. Research firm Edison Research says it will present a 30-minute webinar on December 11 at 2:00 pm ET to highlight its Top 10 Findings of 2025. This report is the result of the company examining it Weekly Insights, custom studies, and syndicated services research.

WYPR’s Tom Hall Transitioning to New Post. Baltimore Public Media’s WYPR 88.1 FM announces that midday talk host Tom Hall will step down from the daily host role in early 2026 and transition into a new role as WYPR’s senior news analyst. In January, he’ll move to a three-day hosting schedule while WYPR conducts a search for the show’s next full-time host. When the new host is chosen, Hall will shift fully into his new role, contributing interviews, features, and essays and spearheading special projects.

105.3 The Fan Raises Funds for Charity. Audacy’s KRLD-FM, Dallas “105.3 The Fan” raised $77,000 during its 12th annual Piece-a-Thon Fundraiser benefiting two local organizations, My Possibilities and Sandlot Children’s Charity. Station midday hosts Kevin Hageland and Cory Mageors from “K&C Masterpiece” broadcast live from RJ Duke’s Sports and were joined by special guests throughout the day.

Industry News

Top News/Talk Media Stories This Past Week (December 1-5, 2025)

Here are the most talked about stories of the past week (12/1-5) on news/talk radio and related talk media according to TALKERS:

                Stories

  1. Drug Boats Strike Controversy
  2. Hegseth Under Fire
  3. ICE Raids / Trump’s Somalis Comment
  4. The Economy / Crypto Sell-Off /Trump Approval Numbers
  5. Russia-Ukraine Peace Process
  6. Trump Health Questions
  7. Tennessee House Special Election
  8. House Subpoenas Jack Smith
  9. S. Attorneys Disqualified
  10. The Epstein Files / NY Times Sues Pentagon

People

  1. Donald Trump
  2. Pete Hegseth
  3. Mitch Bradley
  4. Steve Witkoff
  5. Vladimir Putin
  6. Scott Bessent
  7. Matt Van Epps / Aftyn Behn
  8. Jim Jordan / Jack Smith
  9. Lindsey Halligan / Alina Habba
  10. Jeffrey Epstein

To see the full TALKERS Stories, Topics, and People Charts, please click HERE.

Industry News

Bold Gold Relaunches Catskills News/Talk Outlet

Bold Gold Media Group relaunches of two dark Delaware County, New York radio stations previously owned by Townsquare Media – news/talk WDLA-AM and country WDLA-FM – both licensed to Walton,img New York. Bold Gold says WDLA-AM will “broadcast Catskills News Talk, the Voice of Sullivan and the Catskills, a news and talk format featuring ‘Ciliberto & Friends’ with radio legend Paul Ciliberto.” Bold Gold Media NY region general manager Dawn Ciorciari states, “There is something truly special about turning the lights back on for a local radio station. We are beyond excited to bring local radio back to life for the people of Walton and Delaware County; to once again give this community a local voice, a source of connection, and radio stations they can call their own.”

Industry News

Savannah Bananas’ Toll to Host Westwood One Morning Sports Show

Cumulus Media’s Westwood One names Drake C. Toll – play-by-play broadcaster with baseball’s Savannah Bananas – the morning host on its 24/7 sports talk lineup. Toll says, “Westwood One is the goldimg standard in audio, and it’s an honor to join a brand creatively steeped in sports storytelling. Not unlike the Savannah Bananas, I’m prepared to push the limits of sports talk. I’ll deliver for Jimmy in Tucson, Arizona just as much as Joe in Marshall, Texas. And for every groundbreaking Los Angeles Lakers trade, there’s a Boston College linebacker who survived cancer. You’ll hear the same fire and heart for each. We’re going to create something special; I promise you that.” Cumulus SVP sports/content & audience Bruce Gilbert comments, “Drake represents exactly what we’re building – a modern, interactive sports experience that is driven by personalities and fueled by fans – programming that breaks away from the predictable and formulaic. Drake’s ability to entertain, connect, and innovate makes him the ideal voice for mornings on Westwood One.”

Industry News

Brenberg to Co-Host FBN’s “The Bottom Line”

FOX Business Network adds new hosting duties for Brian Brenberg, who is joining Dagen McDowell asimg co-host of “The Bottom Line,” beginning Monday (12/8). Brenberg will continue his role with the network co-hosting “The Big Money Show” alongside McDowell, Jackie DeAngelis and Taylor Riggs. Brenberg says, “It’s been great to work with Dagen on ‘The Big Money Show’ and I am excited to join her on ‘The Bottom Line’ where we can continue our conversations surrounding the biggest market movers and business drivers that are impacting Main Street, Wall Street, and everyday Americans.”

Industry News

Edison Research Releases TikTok Study

For a while it was easy to dismiss TikTok as an app to share silly videos, but the social media platform hasimg grown exponentially in the U.S., so much so that Edison Research just unveiled the results of a new research effort called The Infinite Scroll: A TikTok Report in a recent webinar. Edison says the webinar offered insights into how often U.S. users engage with TikTok, their perceptions of the platform, ad recall on TikTok, if they spend too much time on the platform, and more. See more about the study here.

Industry News

95.5 WSB Launches 35th Clark’s Christmas Kids

Cox Media Group’s news/talk 95.5 WSB (WSB-AM/WSBB-FM, Atlanta) announces the 35th annual “Clark’simg Christmas Kids,” a Georgia holiday tradition dedicated to fulfilling the Christmas wishes of children in foster care. Clark Howard says, “I am so excited for our 35th year of Clark’s Christmas Kids. I could have never imagined that our generous WSB listeners would take care of over 300,000 children in foster care donating $50 million plus in toys and cash since 1991.”

Industry News

Yesterday’s Top News/Talk Media Stories (12/3)

The most discussed stories yesterday (12/3) on news/talk radio and related talk media according to TALKERS research:

  1. Drug Boats Strike Controversy
  2. Hegseth Under Fire
  3. ICE Raids
  4. Russia-Ukraine Peace Process
  5. The Epstein Files
Industry News

Report: Craig Carton Returning to WFAN Afternoons

According to a report in The Athletic by Andrew Marchand, former WFAN, New York personality Craigimg Carton is finalizing a deal to return to the station in afternoon drive. This comes several months after Carton exited FS1 where he hosted a couple of different versions of a morning show that, from a ratings standpoint, never took off the way FS1 execs had hoped. Carton’s return will reportedly bump current afternoon team Evan Roberts and Tiki Barber to middays which would force the station to cut ties with current midday hosts Brandon Tierney and Sal Licata. As for Carton’s co-host, Marchand is reporting that overnight host Chris McMonigle is the leading candidate for that role.