Industry News

Cumulus Reports 2026 Q1 Revenue Down 12.2%

Cumulus Media is first out of the gate reporting its operating results for the first quarter of 2026. Net revenue for the company was $164.4 million, a decline of 12.2% from the same period in 2025. Cumulus saw its net loss shrink by almost half to $16.9 million compared to Q1 of img2025. The company reports declines in all segments of its business; even digital revenue was off 8.3% ($33.5 million). Network spot revenue was down 25% ($33 million), and broadcast spot revenue was $67.7 million, a decline of 16.3% from Q1 of 2025. Cumulus president and CEO Mary G. Berner says, “We are pleased to report first quarter earnings. The Court’s recent approval of our reorganization plan marks a pivotal milestone in strengthening our financial foundation and positioning the company to compete in the evolving media landscape. While we await FCC approval of the plan, we remain focused on leveraging our core strengths to drive long-term value creation.”

Industry News

Gomez Criticizes FCC’s “Campaign of Censorship”

FCC Chairman Brendan Carr is ordering a review of Disney’s ABC TV O&Os two years before their licenses are up for renewal. The order states the reason is violation of the Commission’s “unlawful discrimination” policy through ABC’s diversity, equity and inclusion practices. Critics of the move believe the real reason Carr is ordering the investigation is President and First Lady Trump’s anger over late night imghost Jimmy Kimmel’s jokes aimed at the two. FCC Commissioner Anna M. Gomez issued a statement about the order, saying, “This is the most egregious action this FCC has taken in violation of the First Amendment to date. As part of its ongoing campaign of censorship and control, the White House called publicly for the silencing of a vocal critic, and this FCC has now answered that call. This is an unprecedented and politically motivated attempt to interfere with how broadcasters operate, and this unlawful overreach will fail. This should be a lesson to media companies that no amount of capitulation to this administration will buy them protection. The only choice is to stand up and stand firm in defense of the First Amendment.”

Industry News

Cumulus Names Webb PD for KABC and KSFO

Cumulus Media promotes Art Webb to program director for news/talk stations KABC, Los Angeles and KSFO, San Francisco. He has been serving as assistant program director and executive producer for both stations since 2017. He takes over for Luis Segura, who recently imgassumed the operations manager role at the company’s WMAL-FM, Washington. Cumulus regional vice president Larry Blumhagen states, “Art has proven to be exceptionally dedicated and creative in his years as APD for KABC. We are eager to watch him bring those qualities to the role of program director for KABC and KSFO.” Webb comments, “I’m excited to step into this role and build on the strong foundation already in place at both stations. Our focus remains on creating engaging, relevant content that truly connects with California listeners while continuing to elevate the incredible work of our talented teams. With such outstanding rosters in Los Angeles and San Francisco, I’m looking forward to sharing in much success together.”

Industry News

Flowers Named President-Elect of MIW Radio

Mentoring and Inspiring Women in Radio, Inc announces that Lori Flowers is its president-elect with her term beginning next January. Flowers serves as manager of integrated marketing and project imgmanagement for Urban One. MIW says Flowers “has built a career centered on driving revenue, fostering meaningful brand partnerships, and creating opportunities for growth across the industry.” MIW board president Sheila Kirby comments, “Lori is truly a light in this industry, someone who consistently shows up with intention, generosity, and a commitment to lifting others. She brings both strategic clarity and a strong sense of purpose to everything she does, and I have no doubt she will continue to push MIW forward while creating meaningful opportunities for women across the business.”

Industry News

Black Effect Podcast Festival Celebrates Black Voices

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Pictured above is Charlamagne Tha God (left) leading a panel discussion at last weekend’s 2026 Black Effect Podcast Festival at the Pullman Yards in Atlanta. The event featured live podcast recordings, panel discussions spanning the business of podcasting, a pitch your podcast both, the Black Marketplace and more. iHeartMedia calls the festival “another unforgettable celebration of Black voices, storytelling and community.” Photo: Derek White/Getty Images

Industry News

TALKERS News Notes

Triton Digital Collaborates with Nielsen Audio. Nielsen and Triton Digital are collaborating to integrate Triton Digital’s Podcast Metrics Demos+ into Nielsen’s cross-media planning tool, Nielsen Media Impact (NMI). Managing director of Nielsen Audio Rich Tunkel says, “Our collaboration with Triton Digital makes it easier for advertisers to evaluate and plan podcasts alongside, and with the same level of precision, comparability and confidence as other media channels, delivering a critical need.”

Seaboard Networks to Distribute Wrestling Show. Seaboard Networks is now distributing “Wrestling with Heart by Stanley Karr” – a one-hour program hosted by wrestling fanatic Stanley Karr. Seaboard’s marketing solutions consultant Bob Stei states, “Wrestling has a fan base of millions of people. This is a good place for them to enjoy banter on their favorite topic.”

Nielsen Names DeTraglia to Executive Post. Nielsen is appointing Julie DeTraglia head of content and strategic insights. In this role, she’ll lead strategy for Nielsen’s editorial marketing content, which includes social media, insights articles, client communications, events, sales enablement tools and podcasts. Nielsen head of global marketing Sacha Weinberg states, “Julie has a rare talent for transforming data into clear, actionable strategy. She doesn’t just look at where the market has been – she identifies the signals that tell us where it’s going next. Her ability to synthesize deep historical insights with current market dynamics will be a gamechanger for how we deliver value to our clients in a constantly evolving landscape.” DeTraglia most recently served as vice president of ads measurement at Netflix.

Industry News

Cumulus Media Renews John Phillips Show

Cumulus Media is renewing “The John Phillips Show” with a new multi-year agreement. The program – hosted by John Phillips and Randy imgWang – is heard on 790 KABC-AM in Los Angeles and 810 KSFO-AM in San Francisco daily from 12:00 noon to 3:00 pm. Phillips is also a columnist for the Orange County Register and the Los Angeles Daily News. Wang also hosts the locally focused “KABC News Blitz” daily from 5:00 pm to 6:00 pm. Cumulus regional VP Larry Blumhagen says, “We are thrilled to extend “The John Phillips Show” and will continue to have John Phillips and Randy Wang speak about accountability in California to their loyal audience.”

Industry Views

Monday Memo: The 2026 Win-Win Audio Alliance

By Holland Cooke
Consultant

imgStations I work with are confronting a generational revenue issue: Local direct retail business owners who are Baby Boomers are retiring. And their heirs are moving the radio dollars that built their parents’ businesses to search engine optimization and elsewhere-digital. The narrative we present them: “Radio is ‘a reach engine’” for the digital content people their age personally favor. In this mode, the station feels less like “your father’s Oldsmobile;” and more present tense. Many of these next-generation businesspeople are avid podcast listeners, and that presents an opportunity.

If you still have a stack of TALKERS issues going back 36 years to when it was a newsprint trade delivered by snail mail – you will find my reports from the very first podcasting conventions. I wrote then that the energy in those rooms felt like radio conventions felt before consolidation thinned our herd. As AM/FM programming was settling into predictable grooves – music “safe lists” and talk radio’s political caricature – enthused podcasters were gleefully coloring outside the lines. Many podcast topics were too narrowcast for broadcast radio, whose superpower will always be relevant, helpful local content. Yet podcasters were already building listener communities, and finding related advertisers, on what we then called “the World Wide Web.”

Back to the future: Among takeaways from last week’s NAB Show: Podcasters are no longer the Rodney Dangerfields of audio. 2026 Edison Research pegged the turning point: Time Spent Listening to podcasts has surpassed TSL to spoken word radio. Podcasting is now mainstream media, available on smartphones and smart speakers, which outnumber many households’ radio receivers.

Meanwhile, radio’s own podcast efforts have been – putting it charitably – underoptimized.

  • Too many talk stations simply post hourlong airchecks. No highlights. No hooks. Magic moments – the caller who lit up the board, the guest who surprised you, the host who finally said the thing everyone else tiptoed around – are buried inside a 48minute block like a prize in a cereal box. And listeners won’t dig. Research also tells us that podcast listeners’ attention span is less-forgiving than radio listeners.
  • Without stopping the music on FM, some smart DJs are also podcasting about their personal passions. Ditto the radio talkers who podcast hobby topics and other things off topic to their on-air show. But for many radio personalities, being told to – effectively – do a second show for the station’s podcast repertoire? It’s just one more thing dumped on them as cutbacks continue.

Here’s the opportunity: Radio has what podcasters want, and podcasters have what radio needs.

  • Radio = credibility. Anyone with a USB mic can podcast. But stations have earned trust. While many podcasters toil in obscurity, radio can promote them to its habitual listeners. Where better to find audio consumers? People tune-in without being nudged by an algorithm. And even as touchscreen dashboards now hide AM/FM among umpteen audio alternatives, broadcast radio is still #1 in-car.
  • Podcasters excel where radio rarely ventures: narrowcast depth. They cover high affinity topics that don’t justify live airtime but can absolutely attract targeted advertisers. These would-be influencers build communities. They create evergreen content. They understand digital promotion instinctively.

Put these two together and you get a synergy that moves the needle for broadcasters and podcasters… and advertisers.

For all these reasons – and because consolidation, automation, and syndication have clobbered radio’s farm team – stations and podcasters should seek each other out. 1 + 1 can = 3… or more, with coordinated, scalable workflow. Here’s the schematic.

There’s more on podcasting in my daily TALKERS updates from last week’s NAB Show. If you missed any, they’re archived at HollandCooke.com

Holland Cooke is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn

Industry News

Beasley Partners with Tampa Bay Rowdies

Beasley Media Group and the Tampa Bay Rowdies soccer club are partnering in deal that will see WJBR-AM, Tampa “Florida Alumni Radio 1100AM” serve as the radio broadcast home for all Rowdies matches in 2026. Beasley says Rowdies home and away matches from the USL Championship regular season and Prinx Tires USL Cup are the latest addition to Florida Alumni Radio’s growing portfolio, which already includes football and basketball broadcasts for both the University of imgSouth Florida and Florida State University. Radio broadcasts for Rowdies home matches on Florida Alumni Radio will feature the same crew from the club’s television broadcasts on Tampa Bay 44 – longtime Rowdies play-by-play commentator Drew Fellios, Rowdies legendary goalkeeper and color commentator Jeff Attinella, and sideline reporter Diandra Loux.

Industry News

Hurley Named SVP of Programming for iHeartMedia Philadelphia

iHeartMedia Philadelphia names Jeff Hurley SVP of programming for the six-station cluster that includes sports betting outlet WDAS-AM “FOX Sports The Gambler.” In this role, Hurley will oversee programming operations across the market while continuing to maintain his EVP of programming imgresponsibilities outside of Philadelphia, including the Upstate New York, Mid-Atlantic and New England areas. iHeartMedia EVP of programming Thea Mitchem says, “Jeff is a proven leader with a deep understanding of our brands, our audiences and the power of strong programming. His ability to strategically elevate stations while developing great teams makes him the right choice to lead programming in Philadelphia, and I’m confident he’ll continue to drive success in this important market.”

Industry News

Marketing Execs Launch Bubbler; Announce Partnership with iHeartPodcasts

Marketing pros Gayle Troberman, former CMO for iHeartMedia and David Alberts, former chief creative officer for Grey London are launching Bubbler Media Group, a “conversation company designed to break the marketing cycle of safe thinking and predictable playbooks.” The company’s press release says Bubbler “is a marketing company designed for marketers by marketers built to spark and scale human conversations as a catalyst for ideas and growth. Through imgprovocative podcasts, unexpected live experiences, and new research, tools and planning solutions, Bubbler is designed to get brands into the conversation in fresh ways.” As part of its launch, Bubbler announces a partnership with iHeartMedia to develop and distribute a slate of original business and marketing podcasts, with more than 10 original podcasts slated for this year. President of iHeartPodcasts Will Pearson says, “The iHeartPodcast Network has always been focused on the new genres and audiences we can reach through this incredible medium – and the ‘business-to-business’ space is a perfect example of that. Creating a slate in podcasting for marketing executives to have meaningful, deep conversations with each other about the world of business and advertising will have immense value for our listeners and brand partners alike.”

Industry News

TALKERS News Notes

iHeartMedia to Reveal Q1 Results. iHeartMedia will report results for the quarter ending March 31 on May 11 and will host a conference call at 4:30 pm ET that day to discuss its financial performance and outlook. A live audio webcast will be accessible through its investor website.

Urban One Sets Earnings Call. Urban One says it will release its operating results for the first quarter of 2026 on May 14 and will host an earnings call at 10:00 am ET on that day. A replay of the call will be available through May 21 on the company’s website.

Industry News

Cumulus v. Nielsen: Harm Has Already Happened

The latest court filing in the Cumulus v Nielsen monopolistic practices suit tells the court it is no longer asking it to prevent harm, it’s asking the court to recognize that the harm has already happened. The filing states: “After a three-day evidentiary hearing, the District Court ruled for Cumulus, finding that Nielsen’s unlawful tying would irreparably injureimg Cumulus’s relationships with advertisers, goodwill, and market share, and push it towards financial collapse. The District Court accordingly enjoined Nielsen’s anticompetitive conduct. imgNielsen’s brief attacks those findings as speculative, asserting that Cumulus never showed any real risk of bankruptcy or any other non-compensable harm, but one of those irreparable harms has now come to pass: After a motions panel stayed the injunction, Cumulus declared bankruptcy—citing “the Nielsen network tying policy” as a significant contributing cause. The other harms identified by the District Court remain today and have become increasingly urgent, as Cumulus will lose access to Nationwide this September.” TALKERS associate publisher and Harrison Media Law senior partner Matthew B. Harrison comments, “Cumulus has fundamentally shifted the posture of this case. What began as a forward-looking claim of irreparable harm is now being presented as a realized outcome, following its Chapter 11 filing. The appellate court is no longer being asked to prevent potential damage, but to assess whether the harm that has already occurred can be attributed to Nielsen’s challenged conduct — or to broader economic pressures facing the radio industry.”

Industry News

Study: Honda Drivers Use AM/FM for Ad-Supported Listening

Cumulus Media | Westwood One’s Audio Active Group reveals that according to Edison Research Share of Ear data, Honda automobile drives listen predominantly to AM/FM radio when listening to ad-supported audio (83%). Ad-supported podcasts come in second at 8%. The report goes on to say, “U.S.img government studies report most commutes are a solo affair. In the car, Honda drivers cannot be reached by social media, online video, or any digital platform while commuting to work. What are the audio habits of Honda drivers in all locations (home, work, vehicle, and some other place)? Edison examined audience shares among Honda drivers to ad-supported audio platforms at home, in the car, at work, and some other place. In all locations, Honda drivers devote 62% of all their ad-supported audio time spent to AM/FM radio.” See more about the study here.

Industry News

Podtrac Releases March Multi-Channel Podcast Ranker

This is the third month of Podtrac’s Multi-Channel Podcast ranker that combines audio, video and video clips consumption to rank the top podcasts in the U.S. and Meidas Touch Network’s “The Meidas Touch” remains ranked #1, with “The Joe Rogan Experience” steady at #2. This chart presents theimg ratio of the three measurement types and it’s notable that more than half of Joe Rogan’s consumption is audio. For comparison, the audience for Candace Owen’s “Candace” (#9) is mostly from video and video clips – split evenly between the two. “The Tucker Carlson Show” (#10) audience is predominantly from video clips, while The New York Times’ “The Daily” (#6) is almost exclusively consumed via audio. See the chart here.

Industry News

Radio HoF Announces 2026 Nominees

The Museum of Broadcast Communications unveils Radio Hall of Fame 2026 nominees. The 24 nominees were chosen by the Radio Hall of Fame Nominating Committee, with input from theimg radio industry and listeners. Voting for inductees begins Friday (4/24) and runs through May 8.  The top six vote recipients will gain induction as part of the 2026 Radio Hall of Fame Induction class. The additional inductees that will make up the induction class will be selected by the Radio Hall of Fame Nominating Committee. Spoken-word nominees include: Boomer Esiason, Joey Reynolds, John & Ken, and Larry Elder. See all the nominees here.

Industry News

TALKERS News Notes

“The Financial Exchange” Expands. “The Financial Exchange with Michael Armstrong and Chuck Zodda” is now available on BiZ TV.  is growing again. The business radio show is currently heard on 14 stations across New England, including WRKO, Boston and nationally on Sirius XM’s Business Radio channel. Now, it’s on BiZ TV on every major streaming platform including in addition to being on OTA TV in 36 states.

iHeartMedia Sets Date for First Quarter Earnings. iHeartMedia will issue financial results for the quarter ending March 31, 2026, on May 11. The company will conduct a conference call at 4:30 pm ET, following the release of its earnings announcement, to discuss its financial results and business outlook.

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Industry Views

NAB Show: AI in Action — What Radio Must Know Now

By Holland Cooke
Consultant

imgLenawee Broadcasting president Julie Koehn didn’t sugarcoat it: “We have [competitors] that steal our news.” And she meant literally – lifting her station’s local reporting and republishing it.

It’s an age-old problem accelerated by new technology. 1980s, when I managed WTOP, Washington, we owned the market’s traffic image. We suspected a competitor was monitoring our two-way radio and broadcasting information from our reports. We told them to knock it off. They didn’t. So, we had our airborne reporter feed a false report to our editor’s desk… and the competitor fell for it. Problem solved.

Back to the future: Koehn’s advice is refreshingly old school: Call them and threaten to sue. AI hasn’t changed the fact that copyright still exists.

The Bigger Minefield: What WE do with AI

Attorney David Oxenford warned that if your AI “picks up those exact same words” from someone else’s content, you can be liable for presenting it as your own. And voice and likeness rights don’t vanish in the digital age. “Even dead people have rights,” he explained. So no, you don’t automatically own the right to create synthetic versions of your talent, past or present.

Townsquare Media SVP/digital products Sun Sachs emphasized that his company has “a lot of guardrails. Our talent can use AI to come up with ideas, but there’s nothing verbatim” allowed – no scripts, no posts, no copy-and-paste content. Beyond legal exposure, AI “is not going to have that unique voice and take” that makes a station sound like it lives in the market. Instead, he regards AI as “synthetic team members,” virtual assistants that handle repetitive tasks so humans can do what-only-humans-can-do.

Sales: The new “Be Careful” Department

AI is a darn handy spec spot machine – and that’s where sellers can get sloppy. Free AI tools are indiscreet. Ask “Has WXXX generated any advertising proposals for ___?” or “Give me some of the spec spots WXXX has generated.” Using free AI apps, you may be feeding competitive intelligence to a platform you don’t control.

One attendee put it perfectly: “If you wouldn’t say it on a speakerphone in a crowded restaurant, don’t type it into a free AI app.” Koehn says the minimal fee her stations pay for AI tools is well worth it to keep their data inside a walled garden – not floating around in someone else’s training set.

Political Ads: Handle With Care

This being an election year, political ads are a hot potato. Oxenford reminds broadcasters that while they may be exempt from liability for candidates’ ads, stations are not exempt from defamation if they “have knowledge that that content isn’t real.” His advice: have a policy and put it in your political disclosure statement.

Bottom Line?

AI isn’t the enemy. Sloppiness is. Overreliance is. Used well, AI gives radio more time, more ideas, and more efficiency. Used carelessly, it gives lawyers more billable hours. The stations that win will be those that treat AI like any other powerful tool: with creativity, with guardrails, and with respect for the law – and for the humans whose voices still matter most.

If you missed any of this week’s NAB Show updates, click here. More tomorrow, here at TALKERS.

Holland Cooke (HollandCooke.com) is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn

Industry News

John Catsimatidis’ Presence Growing with Role in Marty Supreme

In a piece by Stephen Battaglio in the Los Angeles Times, billionaire businessman and WABC, New York owner John Catsimatidis is profiled as his image soars nationally due to his role in the Oscar-nominated Timothée Chalamet film, Marty Supreme. Battaglio writes, “‘Marty Supreme’ director Josh Safdie cast Catsimatidis as Christopher Galanis, imga financial backer of the table tennis phenom played by Timothée Chalamet in the film. Safdie told Vanity Fair he liked Catsimatidis’ ‘larger-than-life regional businessman’ look, which he noticed when the mogul ran for New York City mayor in 2013.” Interestingly, a key focus in the piece is on Catsimatidis’ ownership of news/talker 77WABC. He writes, “Catsimatidis made millions from buying New York real estate on the cheap in the 1970s when the city was in deep economic trouble. So, he recognized a bargain when his Red Apple Media group bought WABC for $12 million from Cumulus Media.” See the LA Times piece here.

Industry News

Chicago News Legend Faces Life without CBS News

The Chicago Tribune’s Robert Channick writes a piece about Audacy’s all-news WBBM-AM/WCFS-FM, Chicago dealing with the task of replacing the top-of-the-hour CBS News that will cease in May. In the piece, brand manager and news director Craig Schwalb isn’t tipping his hand on what the station will do once CBS News is gone for good. He says “all options are on the table.” TALKERS publisher Michael Harrison is quoted in the piece noting that WBBM faces a “high bar” replacing aimg newscast that some 700 stations respected enough to put on their air. Schwalb tells the Tribune, “Conversations have been going on since the announcement, and I think we get closer and closer to a decision every day. But we have to be very careful and be very diligent about making sure the product that we select is going to make sense from a listener perspective and a revenue perspective as well… CBS has been a great top-of-the-hour news piece for a long time, but it’s a very small percentage of what we do in a given hour between business, traffic and weather together on the eights, local news – the strongest local newsroom in Chicago radio.”  Read the Tribune story here.

Industry Views

NAB Show: Competing on the Omnimedia Landscape

By Holland Cooke
Consultant

img“We are competing in an attention economy,” and Magid COO Jaime Spencer reckons that “the playing field is massive.”

For decades, Magid has been known as a TV news research and consulting firm. But its newest Omnimedia work widens the lens – and radio should be paying close attention. Because the consumers Magid describes aren’t “viewers” or “listeners.” They’re attention grazers, moving across platforms, devices, and dayparts without ever thinking in “TV” or “radio” terms. And that shift changes our game.

Magid’s core point lands hard: We no longer operate in a content economy. We operate in an attention economy. Radio isn’t competingimg with the station across town anymore. It’s competing with 50,000 news brands, nearly half a million podcasts, and an infinite scroll of feeds that never sleep.

And here’s the kicker: the audience doesn’t distinguish platforms – only relevance. They follow whatever captures attention in the moment. If your brand can’t travel across social, smart speakers, mobile, and on air with a consistent voice and value, you could be invisible to the modern consumer.

Spencer also flags a new disruptor: AI as a news gateway. “17% of people now discover news first on AI platforms – higher than push alerts and newsletters. Considering that platform didn’t exist two years ago, that’s a big number.” That’s also a flashing red light for radio. If AI becomes the first stop for facts, radio must become the first stop for context, clarity, and humanity – the things AI can’t localize, empathize with, or improvise.

“Consumers are overwhelmed.” They’re juggling nearly six streaming services and still feel behind. That’s an opening. Radio’s superpower has always been curation – a trusted voice cutting through the noise. In an Omnimedia world, that skill becomes a premium product.

Finally, Magid’s emotional driver research reinforces what great programmers already know: passion beats function. Utility alone (i.e., “Breaking News”) won’t hold audience. Emotional gravity will. “Consumers are looking for comfort and affirmation.” Per Magid’s Trust Index research: Public media outlets like NPR perform strongly, while polarizing figures such as Glenn Beck, Rachel Maddow, and Sean Hannity also rank in the top quartile, skewed by affirmation of audience beliefs.

The bottom line? The Omnimedia consumer is already here. Radio wins by being the most human, most local, most emotionally resonant voice in a chaotic media diet – not by being “radio,” but by being essential wherever the audience happens to be.

See Jaime Spencer’s deck here.

If you missed yesterday’s NAB Show update, click here. And if you are here in ‘Vegas this week, look for me. Maybe we can grab a cuppa cawfee. If you aren’t here, look for my NAB Show update here tomorrow.

Holland Cooke (HollandCooke.com) is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn

Industry News

Aaron Miller Named DOS at CMG Tampa

Radio sales pro Aaron Miller is named director of sales for Cox Media Group’s Tampa station group that includes talk WHPT-FM “102.5 The Bone” and five music brands. This is a return to CMG Tampa for Millerimg who most recently served with Audacy in Sacramento as SVP and market manager. Cox Media Group VP and market manager Jason Meder states, “Aaron’s experience, leadership, and passion for our radio make him a tremendous asset to our Tampa leadership team. We’re excited to welcome him back and look forward to the impact he will have on our sales organization, our clients, and our continued growth in the Tampa market.”

Industry News

TALKERS News Notes

Presslaff Named 2026 MIW Frances Preston Trailblazer. Mentoring and Inspiring Women in Radio, Inc named Ruth Presslaff the 2026 MIW Frances Preston Trailblazer. She is the founder of Presslaff Interactive Revenue, former MIW board president, and current MIW advisory board member. The Trailblazer Award is named for music industry pioneer and longtime BMI president and CEO Frances Preston. Presslaff was honored on Monday (4/20) during the 2026 NAB Show.

SiriusXM Announces NFL Draft Coverage. SiriusXM will cover all seven rounds of the 2026 NFL Draft from Pittsburgh Thursday through Saturday (4-23-25) on the NFL Radio channel. The broadcast will be anchored by Jason Horowitz with expert analysis from will be provided by Pat Kirwan, Jacob Hester, Danny Kanell, and Bobby Carpenter.

Industry News

Live, Local Saturday Night Show Gains Traction in Hartford

“Nighttime Neighbors” – a multi-topic talk show launched this past January on heritage giant WTIC-AM, Hartford is making waves. Hosted by the station’s morning news anchor, Morgan Cunningham, the program airs late Saturday evenings 9:00 pm to 12:00 midnight and is quickly connecting with an engaged audience of what he describes as img“truckers, shift-workers, travelers, insomniacs, shut-ins, and anyone else looking for a late-night community.” Cunningham tells TALKERS, “I grew unhappy with what was my usual dancing at Manhattan-area nightclubs on Saturday nights. Yet, I sought conversation and connection in an environment that didn’t involve crowds or virtual chats. My talk show was born.” In describing the show’s format, Cunningham continues, “There are no guests. It’s just me, various topics as I see them, and open lines. The formula is simple… and it’s a hit.” Before the show’s debut in January, Cunningham studied comparable news/talk stations in each of the top 75 radio markets explaining, “I could only find a handful of stations that offered live, late-night talk heading into overnights, particularly on Saturday nights. You can now add Hartford to that list.”