Reckless Disregard in the Age of AI: What Verification Now Requires
By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer
AI is now embedded in the modern newsroom. Not as a headline, not as a novelty, but as infrastructure. It drafts outlines, summarizes complex reporting, surfaces background details, and accelerates prep for live conversations. For media creators operating under relentless deadlines, that efficiency is not theoretical. It is practical and daily.
That reality raises a quiet but consequential legal question. When AI contributes to your research, what does verification now require?
Professional hosts are not reading raw chatbot answers on air and calling it journalism. That caricature misses the real issue. What is actually happening is subtler and far more common.
AI now sits inside research workflows. Producers use it for background. Hosts use it to summarize reporting. Teams use it to outline controversies or draft rundowns. Most of the time, it works. Sometimes, however, it invents.
When that invention involves a real person and a serious allegation, the legal analysis looks familiar.
For public figures, defamation requires proof of actual malice – knowledge of falsity or reckless disregard for truth. For private figures, negligence is usually enough. In both cases, the focus is not on the tool. It is on the content creator’s conduct.
AI does not change the elements. It changes the context in which reasonableness is judged.
Courts have long held that repeating a defamatory statement can create liability, even if someone else said it first. If you rely on a blog, and that blog relied on AI, and the allegation is false, the question becomes whether your reliance was reasonable.
Was the source reputable? Was the claim inherently improbable? Were there obvious red flags? Was contradictory information readily available?
AI’s reputation for “hallucinating” facts now forms part of that backdrop. Widespread awareness that these systems can fabricate citations, merge identities, or invent accusations becomes relevant when a court evaluates your verification choices.
This does not mean using AI indicates reckless disregard. It means using AI does not excuse skipping verification when the stakes are high.
The more specific and damaging the claim, the greater the duty to confirm it through independent, reliable sources. Not another prompt. Not a circular reference to the same unverified blog. Rather, a primary record, official statement, or established reporting.
Documentation matters. If challenged, being able to show that you checked multiple sources before broadcast can be decisive.
None of this is new doctrine. What is new is how seamlessly AI blends into ordinary research habits. That integration makes it easier to forget that the legal question is still about human judgment.
The law will not ask whether your workflow was efficient. It will ask whether your conduct was reasonable under the circumstances.
In the age of AI, verification is not a courtesy. It is risk management.
Matthew B. Harrison is a media and intellectual property attorney who advises radio hosts, content creators, and creative entrepreneurs. He has written extensively on fair use, AI law, and the future of digital rights. Reach him at Matthew@HarrisonMediaLaw.com or read more at TALKERS.com.

Tuesday, March 10 and culminating with the championship game broadcast on Sunday, March 15. “We cannot wait for tip-off,” says Robert Blum, general manager of Compass Media Networks/Sports. “With the expansion of the Big Ten Tournament the six days will be packed with extremely compelling games that will help power the ratings of our affiliates and dazzle our audience.”
Your prospect – or, worse, an existing advertiser with cold feet – says “We tried radio. It didn’t work.” Often, the copy is the culprit, because it’s inside-out.
provides important benchmark measures for usage and behavior around streaming audio, podcasting, radio, smart audio, social media, and debuting this year, never-before-seen data on AI usage. Annual results and trending data from The Infinite Dial are relied upon by its audience of content producers, media companies, agencies, and the financial community.” The webinar will feature Edison vice president of research Megan Lazovick with special guest James Cridland, editor of Podnews.
eight stations in Minnesota. The second deal transfers 17 signals in a number of small markets in the state of Missouri to Carter Media Too, LLC., a Carrollton, Missouri‑based limited liability company led by the Carter Media family. Carter Media Too also operates three radio stations in Missouri plus the streaming platform, MidVid.com. Exclusive broker Kalil & Co says Miles and Michael Carter expressed their enthusiasm for expanding the organization’s footprint and restoring a strong local presence in news, weather, sports, and agriculture.
Station owner John Catsimatidis says, “Big name personalities define WABC Radio. Sean is a powerful addition to our Sunday lineup and another example of WABC’s unmatched ability to attract major talent and deliver must-hear talk. The show is going to be fast, fearless, and honest, with smart conversation, sharp opinion, and honest discussion about the stories driving the country.” Spicer comments, “WABC Radio doesn’t whisper, it leads! It is one of the most iconic and influential radio stations in the U.S. WABC Radio listeners expect truth, energy, and authenticity, and that’s exactly what I’m going to give them. I couldn’t be more excited to join the incredible 77WABC lineup.”
They wanted WOW but those calls were taken. Still the station was known as WOW and boasted that Johnny Carson started his broadcast career there. The station took the calls KXSP in 2005 and was broadcasting a sports talk format using ESPN content. SummitMedia sold the station’s tower land, prompting the station’s sign-off. 
strength of the video podcast and podcast clips, while “The Joe Rogan Experience” is #2 with consumption split almost evenly between audio and a combination of video podcast and podcast clips. Perhaps not surprisingly, NPR’s “NPR News Now” (#4) consumption came primarily from audio with about 20% coming from podcast clips. Candace Owens’ “Candace” leapt 71 places to finish the January period at #10. Her program’s consumption was primarily a split between video podcast and podcast clips.
posts remain unchanged – iHeart Audience Networks’ “Stuff You Should Know” at #1 and Audacy Podcast Network’s “48 Hours.” Salem Podcast Network’s “The Charlie Kirk Show” falls only one spot to #4. Other noteworthy shows include iHeart Audience Network’s “The Clay Travis and Buck Sexton Show” rises on place to #10 and Audioboom’s “The Bulwark Takes” climbs nine places to #21. 
Colin Cowherd” to the program lineup at WJBR-AM, Tampa “Florida Alumni Radio 1010AM” in the 112:00 noon to 3:00 pm daypart. The program will also be simulcast on 92.1 FM in Hillsborough County, 103.1 FM in Pinellas County, and 104.7 HD2. The show will air weekdays from Noon – 3:00 p.m. ET.
6:00 pm to 7:00 pm, beginning March 9. The station says, “Craig is a veteran talk show host having previously worked at WGN Radio and 93 WIBC. He is also a frequent guest host with Radio America’s ‘The Dana Show’ and ‘The Chad Benson Show’ and WIBC’s ‘Tony Katz and the Morning News.’” Colling says, “How awesome is it to be at the same radio station I remember reading about in The Way Things Ought To Be! I can’t wait to get started. A big thank you to Bonny, Russell and the entire team at KSEV!”
According to the study, 22.07% (2366 stations) had women holding the general manager position in 2025. This is a slight increase from last year where the number was 21.67% and compared to 2004 continues to show solid growth when the percentage of female general managers was only 14.9%. MIW says, “Overall, the best management opportunities for women in radio continues to be in sales management. 35.31% (3561 stations) had a woman sales manager in 2025 which is basically flat from 35.67% in 2024. The greatest challenge for women in radio management continues to be in the area of program directors/brand managers. Women currently program 13.02% (289 stations) which is a slight gain from 12.38% in 2024. MIW board president Sheila Kirby comments, “Twenty-five years of data give us clarity. We are encouraged to see movement in general manager and programming roles, particularly within the Top 100 markets. At the same time, flat growth in sales leadership and the continued underrepresentation of women in programming nationally remind us that progress is not automatic. Sustainable advancement requires intention. MIW remains committed to mentoring, advocating, and creating pathways for women to lead at every level of the industry.”
Indiana Wesleyan University, effective July 1. SRN VP/news Tom Tradup says, “Greg is the consummate professional whose solid coverage will be sorely missed by our Washington Bureau and by our listeners nationwide.” Tradup says Clugston served on the White House Travel Pool and often traveled on Air Force One covering President Trump for SRN News.
company says Charlamagne Tha God will join the festival alongside some of the Black Effect’s most popular personalities for a day full of live podcast tapings and informative discussions aimed at aspiring podcasters in the Black community. Charlamagne Tha God says, “Each year we return to Atlanta with purpose and intention to amplify storytelling, champion community, and celebrate excellence in podcasting with thousands of our cousins from around the world.”
dominant spoken-word audio listening platform, but it was fully sixty-five percentage points higher than podcasts, which accounted for 10% of listening time back then. Quarter by quarter and year over year, time spent using AM/FM radio to listen to spoken-word audio has declined significantly and shifted to time spent with podcasts. As of Q4 2025, 40% of time spent listening to spoken-word is now spent with podcasts and 39% of time is spent with AM/FM radio. Not only does radio not beat podcasts by a significant margin, it now trails the on-demand platform for spoken-word audio listening.”