Industry News

New Cumulus Media / Westwood One AudioActive Blog Post: Edison Research’s Q3 2024 “Share of Ear” Reveals AM/FM Radio is the Dominant Ad-Supported Audio Platform Across All Demos

imFor the last 10 years, Edison Research’s quarterly “Share of Ear” study has been a highly respected examination of time spent with audio in America. Edison surveys 4,000 Americans annually to measure daily reach and time spent with all forms of audio. Each report is based on a four-quarter rolling average. The most recent Q3 2024 survey is comprised of Q4 2023, Q1 2024, Q2 2024, and Q3 2024. This week’s Cumulus Media | Westwood One Audio Active Group® blog is an analysis of the just released Q3 2024 data and focuses on what advertisers care most about – ad-supported audio.

Among major demographics, AM/FM radio is the dominant ad-supported audio platform. Podcasts have significant shares among younger age groups.

Among African Americans, AM/FM radio is particularly strong. Podcast shares are not as strong as the general market.

Among Hispanics, podcast shares are stunningly strong. Among 18-34 Hispanics, podcasts are now the number one ad-supported audio platform.

In the car, AM/FM is the “queen of the road” with an 86% share. Even among 18-34s, AM/FM radio has an 82% share of ad-supported audio.

13% of all AM/FM radio listening occurs via streaming, steady over the last three years. On the smart speaker, AM/FM radio dominates with a 50% share of ad-supported listening.

Sadly for advertisers, most of Spotify’s audience is unavailable to place advertising. While Spotify’s ad-free subscription audience soars, its ad-supported shares stagnate at a two share.

Streaming music audience growth comes at the expense of owned music rather than AM/FM radio.

Check out today’s blog post here.

To download the Cumulus Media | Westwood One Audio Active Group analysis report of Edison Research’s “Share of Ear,” click here.

Industry Views

MONDAY MEMO: Phone-it-in

By Holland Cooke
Consultant

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Pick a market, any market, in which one local TV station’s newscasts crush the competition. Experience that station’s – and its competitors’ – smartphone apps. You will find the winner’s app more helpful and user-friendly that competitors’ apps.

Nine-in-ten Americans own a smartphone, up from 35% in Pew Research Center’s first such survey in 2011.

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So, although not mathematically in-tab to ratings, online content contributes to on-air numbers. Local TV’s linear broadcast product earns your trust, and the station empowers you with on-demand convenience. It won’t confine its use case to living room consumption, and radio shouldn’t settle for in-car + listen-at-work.

Chunks

That TV station likely live-streams its local newscast, just as radio station apps play what’s sent to the transmitter. And in my experience, radio station apps that autoplay when launched get more traffic than apps that ask you to click more than once to listen live. No need to explain portability to Baby Boomers who are lifelong AM/FM listeners, and whose first radio fit in the pocket (and whose annual USA retail spend is a demographically disproportionate $548.1 billion). And anyone younger already lives on a smartphone.

TV has a head start fitting its work into the phone, because 6:00 and 11:00 pm newscasts are already stacks-of-stories, easily repurposed online as short, searchable, single-topic videos. But too often, a news/talk radio station’s on-demand content is merely hourlong airchecks, not the moment within that hour that somehow enables listeners. Got “three ways to avoid [dilemma]” or “…to save big on___?” If you isolate those clips for easy access on apps, use your air to say it’s there, and link that mp3 to your social media, it gets shared, and you earn more Time Spent Listening.

Another opportunity to make the audience the show.

Recently, one of the stations I monitor had a technical glitch with its text system. Normally, listeners can use that same call-in number to text OR send a voice text. But for several days, the text function malfunctioned, so hosts explained that listeners could leave voice messages, and what they got was GOLD.

“Use the QR code on your screen…”

Another TV advantage. Radio doesn’t have a screen, but should put its QR code everywhere it can. Link it to your app install.

Holland Cooke (HollandCooke.com) is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn

Industry News

Top News/Talk Media Stories this Past Week (11/11-15)

The aftermath of the election and a “postmortem” of the circumstances leading to its results were the dominant topics of conversation on talk media programs this past week (11/11-15).  In addition, here’s how the stories stacked up: Trump Controversial Appointments; The Economy; Migrant-Border Crisis; Abortion / Health Care; Russia-Ukraine War; U.S.-Israel Relations; Climate Change / Race Relations /Gender Relations; Big Tech / Media Corruption-Bias; and Crime / Homelessness.  To see the complete chart of the most talked about stories and people, please click here.

Industry News

Top News/Talk Media Stories this Past Week (11/4-8)

The lead up to Election Day and its aftermath dominated all news/talk media platforms this week including a rehash of the key issues of this cycle: Election Postmortem; Economy; Migrant-Border Crisis; Abortion / Health Care; Russia-Ukraine War; Middle East Violence; Climate Change / Race Relations /Gender Relations; Big Tech / Media Corruption-Bias; and Crime / Homelessness.  To see the complete chart of the most talked about stories and people, please click here.

Industry News

Beasley Broadcast Group Reports Third Quarter Revenue of $58.2 Million

Beasley Broadcast Group reported $58.2 million in revenue for the third quarter of 2024, down 3.2% from last year.Beasley This drop is partly due to selling their Wilmington station and closing some digital businesses. Despite this, Beasley saw growth in digital and political advertising. They earned $1.2 million in operating income this quarter, a significant improvement from last year’s $85.5 million loss, which included large non-cash impairment costs. This quarter’s net loss was $3.6 million, much lower than last year’s $67.5 million loss, as Beasley reduced expenses and interest costs. Digital revenue continues to grow, now making up 19.4% of total revenue. Beasley’s CEO, Caroline Beasley, noted that digital transformation and political ads helped offset challenges in traditional radio advertising. She emphasized ongoing efforts to streamline operations, improve finances, and focus on their digital platforms. To see the full report please click here.

Industry News

Top News/Talk Media Stories this Past Week (10/28-11/1)

It was a power-packed stretch (10/28-11/1) as Election Day rapidly approached less than a week away. The presidential race highlighted by continuing talk about the MSG MAGA event and “garbage” talk emanating from both sides consumed the airwaves and talk media programs on all platforms.  Hot topics included: migrant-border issues; the economy-inflation-tariffs-housing; abortion-healthcare-climate change- race relations; Middle East and Central Europe war-violence; Elon Musk activities- big tech-media corruption-bias; crime-guns; Halloween; and the World Series. To see the complete chart of the most talked about stories and people, please click here.

Industry News

Cumulus Media Reports Operating Results for the Third Quarter 2024

Cumulus Media LogoCumulus Media Inc. today (11/4) announced operating results for the three and nine months ended September 30, 2024. Mary G. Berner, president and CEO of Cumulus Media, said, “During the third quarter, we delivered revenue and EBITDA in-line with pacing commentary and analyst estimates. Given the market challenges, we maintained our focus on what we can control. Specifically, we continued investing to drive growth in our digital businesses, including in digital marketing services which increased revenue nearly 40% in the quarter; capitalizing on areas of improvement in national and political ad spending; maximizing operating cash flow; and improving operating leverage through ongoing expense reductions.” Berner continued, “Looking forward, the advertising environment remains uncertain. Nonetheless, Cumulus has a valuable set of assets with which to navigate that uncertainty including: profitable and fast-growing digital businesses; a vast national platform that can reach audiences whenever and wherever they choose to listen; extensive feet-on-the-street local sales capabilities which allow us to walk product through the door; premium programming with particular strength in sports and news/talk; an extensive untapped audio library; and a leadership team with a strong track record of expense management and disciplined stewardship of capital. As we continue to execute against our priorities, we see many paths for leveraging these assets to maximize the value they produce for our shareholders.”

Q3 Key Highlights:

Posted total net revenue of $203.6 million, a decline of 1.8% year-over-year

Generated digital revenue of $40.0 million, up 7.5% year-over-year

     • Grew digital marketing services by 38% driven by an increase in new customers, improved customer retention and higher average order size

     •  Increased number of radio-only customers who also bought digital marketing services by 32% year-over-year

     •  Increased digital revenue to 20% of total company revenue

  Recorded net loss of $10.3 million compared to net income of $2.7 million in Q3 2023 and Adjusted EBITDA(1) of $24.1 million compared to $26.9 million in Q3 2023

  Generated $3.9 million of cash from operations 1

  Reported total debt of $673.0 million, total debt at maturity of $642.1 million, and net debt less total unamortized discount of $590.0 million at September 30, 2024, including total debt due in 2026 of $23.9 million.

For further information and the full report, please contact: Cumulus Media Inc. Investor Relations Department IR@cumulus.com 404-260-6600.

 

Industry News

Yesterday’s (10/28) Top News/Talk Media Stories

The presidential race, including rehashing Sunday’s controversial MAGA rally at MSG with a huge focus on the comments/fallout about Puerto Rico and Latinos made by wannabe comedian Tony Hinchcliffe and former President Donald Trump’s “Enemy Within” theme, was among the most-talked-about stories in news/talk media yesterday (10/28).  Other issues of discussion included the economy, media bias, rising tensions in the Middle East and Central Europe, and, of course, the migrant crisis.

Industry News

Seven Alumni Inducted into 2024 Hofstra Radio Hall of Fame

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Hundreds of Hofstra alumni, students, faculty, staff, and administrators gathered to celebrate the induction of seven alumni into the University’s Radio Hall of Fame this past Saturday (10/19) at the Hofstra University Club on the school campus in Hempstead, NY. Over its 65 years, WRHU-88.7 (previously WHCH and WVHC) has won some of the industry’s most coveted awards, including four Marconi Awards for College Radio Station of the Year from the National Association of Broadcasters. Student reporters have won national and regional honors and worked alongside professional journalists in covering events ranging from political conventions, presidential debates, and inaugurations to the Super Bowl and major league playoff and championship games. At WRHU, Hofstra students create multiplatform live game content for Hofstra D1 teams and the NBA G League Long Island Nets. They produce and distribute all NY Islanders live NHL games to ESPN Radio NYC, SiriusXM, NHL.com, WRCN-FM, and WRHU-FM. Students also produce and perform on-air roles for the Long Island Ducks baseball franchise. The evening’s celebration was emceed by Lee Harris (front row, far left), a 2009 WRHU Hall of Fame award winner and recent inductee into the national Radio Hall of Fame, and Jamie Morris ’07 (not pictured), host of K-JOY, Long Island’s “Mornings with Jamie and You.” This year’s inductees for the Radio Hall of Fame are Danielle Dellilo ’01 (front row, second from left); Shannan Ferry ’14 (front row, fourth from left); Jared Greenberg ’05 (back row, far left); Damon (Dave) Mock ’00 (posthumously); Shawn Novatt ’00 (first row, second from right); Stu Rushfield ’89 (back row, second from left); and John Santucci ’11 (not pictured). Also pictured: noted agent and president of the executive board of Hofstra University’s Alumni Organization, Heather Cohen (front row, third from left); Mike Kluger (back row, third from left);  Steve Graziano (back row, third from right); George Musgrave (back row, second from right); Jim Helfgott (back row, far right); WRHU general manager, John T. Mullen (front row, fourth from right); and current president Hofstra Radio Alumni Association, Liane Sousa (front row, far right). (HRAA photo)

Industry Views

Part 2: Understanding Fair Use

Industry Views

Part 2: Understanding Fair Use

By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

Matthew B. Harrison, Esq.Incorporating copyrighted material, such as video clips or actualities, can enhance your content, but understanding fair use is critical to avoid legal trouble. Fair use permits limited use of copyrighted material for purposes like criticism, commentary, news reporting, or parody without needing permission. Courts assess fair use based on four factors: purpose and character of the use (is it transformative?), nature of the work (factual vs. creative), amount used, and the effect on the market. Learn practical tips on safely navigating fair use, including using brief excerpts, transforming content, and considering market impact.

This is the second in a series of articles addressing the broader topic of fair use for media creators. Click here for the first installment.

Understanding Fair Use: Purpose and Character of the Use. When using copyrighted material belonging to others in the creation of your own media content, it is important to understanding the concept of fair use. Fair use allows copyrighted material to be used without permission for purposes like criticism, commentary, news reporting, education, or parody. It’s not an absolute right but rather a defense you can claim if challenged. Courts assess fair use based on four key factors, all which broadcasters should carefully consider.

The first factor of fair use that courts consider is the purpose and character of the use. Specifically, is the use of the material transformative? Transformative use is a key concept that can often determine whether your content qualifies as fair use or not – and really is the heart of the inquiry.

What Does Transformative Mean? In legal terms, a use is considered transformative when it adds new expression, meaning, or message to the original work. This is different from merely copying the work or using it for the same purpose as the original creator. By transforming the material, you’re creating something that serves a different purpose or offers new insights, rather than simply replicating the original content.

Example: Auto-Tune the News. One of the most famous examples of transformative use is the Gregory Brothers’ viral “Auto-Tune the News” series, which turned news clips into catchy, auto-tuned songs. In 2010, they took an interview clip with Antoine Dodson, who was describing an attempted home invasion, and turned it into the widely popular “Bed Intruder Song.”  In this case, the original news segment was purely factual—a straightforward broadcast of a local news report. However, by remixing the clip with auto-tuned vocals and adding music, the Gregory Brothers transformed the clip into a piece of entertainment and social commentary. This new purpose—entertainment and humor—was distinct from the original intent of simply delivering news, making it a classic example of transformative use. Although the raw news footage was copyrighted, the remix was so different in tone, presentation, and purpose that it was protected under fair use. The transformation added new creative elements and reframed the original material as a humorous, catchy song.

How Does This Apply to Radio? Let’s take this concept and apply it to radio, a medium that often uses clips from other sources. Imagine you’re running a talk show, and you want to use excerpts from a political speech to make a satirical point about current events. If you simply play the speech on air without any changes, it may not qualify as fair use because you haven’t transformed the original material – you’re just rebroadcasting it. However, if you take portions of the speech and then critique, analyze, or poke fun at it, you’re more likely to be in the clear. For example, if your show involves playing clips of political speeches interspersed with humorous commentary or parody, you’re repurposing the original work in a new and transformative way—much like “Auto-Tune the News.”

Another example could be a radio show that plays clips from popular songs but recontextualizes them within a larger discussion of musical trends or cultural history. If the song clips are used to illustrate a point and not simply for entertainment value, the new purpose—educational or critical analysis—can qualify the use as fair. In cases involving parody or political commentary on radio, the fair use defense has sometimes been successful. For instance, radio shows that use short clips from speeches, interviews, or news broadcasts for commentary, satire, or criticism can invoke fair use if the content is transformed for a new purpose.

One example is when talk radio shows play brief excerpts of copyrighted works (e.g., speeches, news clips) to critique or analyze them. If the use is transformative and doesn’t replace the original work in the marketplace (i.e., people wouldn’t listen to the radio show as a substitute for the original), courts have shown a willingness to accept fair use in such contexts. However, detailed legal battles involving radio stations using copyrighted material for parody or commentary are less common than those involving music licensing.

Example: Rogers v. Koons (Rebroadcast of News Content). While not as widely reported as music-related cases, one example of a copyright infringement suit involving the rebroadcast of talk content was a case where a news organization sued a radio station for replaying portions of its copyrighted interviews and reports without permission. In cases like this, radio stations or broadcasters may try to claim fair use based on the purpose of the rebroadcast, such as using a portion of an interview for commentary, satire, or news reporting. However, if the content is used purely to replay the original, as opposed to being transformed into a new, critical, or educational piece, the fair use defense may not succeed.  For example, news stations may license their talk content (like interviews or original reporting) through syndication deals. If a radio station broadcasts this content without securing the necessary licensing agreement, they may face a copyright lawsuit.

Example: Talk Show Hosts and Syndicated Content. A real-world scenario can involve syndicated talk shows or podcasts that are copyrighted. Radio stations can face lawsuits if they replay this content without proper authorization. An example would be stations rebroadcasting popular talk radio shows or political commentaries (such as those by syndicated hosts like Rush Limbaugh or Howard Stern) without purchasing broadcast rights. This unauthorized use can lead to legal action from the copyright holders. For example, if a station replays clips of an interview conducted by NPR or a news network for entertainment or even news purposes, and it doesn’t transform the content for criticism or commentary, it may be violating copyright law. Radio companies might try to claim fair use, but the courts will look closely at whether the replay served a new, transformative purpose or was simply a verbatim rebroadcast.

Key Considerations for Broadcasters. To better understand whether your use of copyrighted content is transformative, ask yourself:

• Are you adding new meaning or message? The more your work transforms the original content – such as using it for commentary, criticism, or satire – the more likely it qualifies as fair use.

• Does your use serve a different purpose? If you’re using the content for a new purpose, like entertainment, education, or social commentary, rather than simply duplicating the original, it can be seen as transformative.

• Are you just using the original for its own sake? If the copyrighted material is used in a way that does not add new expression or meaning, it’s less likely to fall under fair use. Transformative use is a powerful defense in fair use claims, but it’s not a guarantee. Always make sure your purpose and character are different from the original intent of the work, and when in doubt, seek legal counsel.

Media attorney, Matthew B. Harrison is VP/associate publisher, TALKERS; Senior Partner, Harrison Media Law; and executive producer, Goodphone Communications.  He is available for private consultation and media industry contract representation. He can be reached by phone at 724.484.3529 or email at matthew@harrisonmedialaw.com

 

Industry News

2024 Presidential Race Taking on Historic Role as Nation’s First “Podcast Election”

Tyrus and Trump

Industry News

September 2024 U.S. Podcast Ranker Released from Triton Digital Plus New Political Podcast Data

TritonTriton Digital has just released its U.S. Podcast Ranker for September 2024. The ranker is measured by Triton’s Podcast Metrics measurement service and includes a reporting period of September 2, 2024 – September 29, 2024.

Highlights this month include:

• iHeart Audience Network was the #1 Top Sales Networks Report, SiriusXM Podcast Network came in at #2, followed by NPR at #3.

• Top podcasts based on downloads included “NPR News Now” (NPR) at #1, “Up First” (NPR) at #2, and “Crime Junkie” (audiochuck) climbing to #3.

• Top podcasts for listeners were “NPR News Now” (NPR) at #1, “Crime Junkie” (audiochuck) at #2, and “Up First” (NPR) at #3.

• Top podcast debuts included “NFL Daily with Gregg Rosenthal (iHeart Audience Network), “Where Everybody Knows Your Name with Ted Danson and Woody Harrelson (sometimes)” (SiriusXM Podcast Network), and “All In With Chris Hayes” (NBCUniversal News Group).

Additionally, Triton Digital collaborated with Signal Hill Insights to uncover political podcast downloads and audience trends as the U.S. presidential election approaches:

• Political podcasts have seen a 28% increase in year-over-year downloads with incremental increases over the last six months.

• Twice as many downloads come from Democrat-leaning podcasts as Republican-leaning ones. Although Democrat-leaning podcasts still make up the majority of the political podcast market, they saw their listenership decline from 58% to 56% year-over-year while Republican podcasts rose from 23% to 28% of total political podcast downloads.

• The demographic profile of political podcast listeners reveals an older, highly educated, and affluent audience compared to the U.S. general 18+ population: 59.7% are college graduates, 31.9% report a household income exceeding $100,000, and nearly half (47.2%) are 55 years or older.

• While still affluent and educated compared to the U.S. Population, Republican-leaning podcast listener profiles under-index compared to Democrat and Independent-leaning podcasts on these attributes. Additionally, they boast the highest proportion (89.9%) of White/Caucasian listeners among the three political leanings. Democrat-leaning podcasts have attracted the highest proportion (17.4%) of Black/African American listeners.

• Independent-leaning podcasts claim the highest proportion (16.2%) of Hispanic listeners and are 68.2% college-educated, and 62.4% male.

Please click HERE and for more details.

Industry News

Florida Association of Broadcasters Donates $25,000 to BFOA’s Hurricanes Helene and Milton Fund to Meet/Match Donation from WABC Owner John Catsimatidis

Florida Association of Broadcasters Logo BlkThe Florida Association of Broadcasters (FAB) has donated $25,000 to the Broadcasters Foundation of America (BFOA) Hurricanes Helene and Milton Fund. With the addition of FAB’s donation, BFOA has exceeded the amount necessary for the $25,000 match donation from John Catsimatidis, owner and CEO of Red Apple Media and WABC,  New York.  “The Broadcasters Foundation has been a tremendous help to individuals in broadcasting who are in the greatest need of assistance from the onslaught of these back-to-back hurricanes. On behalf of FAB’s Executive Committee and Board of Directors, we are proud to make this contribution,”  said Pat Roberts, president/CEO of FAB. im “Unfortunately, this is far from over,” he continued. “Many of our colleagues are just now discovering the extent of the damage and the cost of repairing or rebuilding. On behalf of our members and all broadcasters who are suffering from the catastrophic impact of these storms, please continue to contribute to the Broadcasters Foundation Hurricanes Fund.”  “We are so grateful to John and Pat and all the individual donors who continue to rise to the occasion and provided much-needed donations to help our colleagues, many of whom are temporarily homeless,” stated Tim McCarthy, President of BFOA. “The volume of requests that pour in every day is overwhelming. We need everyone in radio and television to give as much as they can afford. There is no such thing as a too small donation. Every dollar helps.”  The Broadcasters Foundation has temporarily adjusted its already streamlined Emergency Grant Guidelines and Application Process to make it even easier and faster to get funds into the hands of broadcasters hit hardest by these storms. Under the adjusted guidelines, broadcasters who have suffered catastrophic loss contact their market manager or GM, who then fills out the Hurricanes Helene and Milton Group Submission Form for all of those within their station who are applying. To access the new temporary application form, market or general managers may click here. To make a donation to the Broadcasters Foundation of America Hurricanes Helene and Milton Emergency Fund, please click here.

Industry News

iHeartMedia to Host “We the People: An Audio Townhall with VP Kamala Harris and Charlamagne Tha God” Tomorrow (10/15) at 5:00 pm ET

iHeartMedia and multimedia mogul Charlamagne Tha God, on air host of New York’s Power 105’s popular, nationally syndicated hit radio show “The Breakfast Club” announced “We the People: An Audio Townhall with Kamala Harris and Charlamagne Tha God” an hour-long town hall-style event hosted live in Detroit tomorrow (10/15) at 5:00 pm ET.  Just 25 days before the 2024 elections, iHeartRadio’s Charlamagne Tha God will have what is being described as an important and thought-provoking discussion with the Democratic nominee for President of the United States on a variety of significant topics about the election. In addition to a thorough discussion about the election, Vice President Harris will answer some questions from voters across the country.  Our listeners are very passionate,” said Charlamagne during his morning show. “I want local voices from Detroit and voices from all the battleground states to get the opportunity to ask Vice President Kamala Harris some questions.  I know we got some pressing issues to talk about. The future of the nation is decided by who we elect.” The town hall will broadcast live and stream across 130 iHeartRadio stations nationwide and on the iHeartRadio App at iHeartRadio.com/WeThePeople.  It will be available on demand following the live broadcast at iHeartRadio.com/WeThePeople.  Listeners can also follow @BreakfastClubAM and @iHeartRadio on social platforms for the latest news and info.  Listeners can submit their questions to VP Harris right now by downloading the iHeartRadio app and using the Talk Back function. Listeners can simply click the microphone icon on their favorite iHeartRadio station, record their question and hit “send.”

Industry News

Audacy Announces Relaunch of 105.7 FM The Fan in Milwaukee

Audacy announced 1250 AM The Fan (WSSP-AM) in Milwaukee will return to FM and will once again be heard on 105.7 FM beginning today (10/14). The Fan LogoThe station will continue to be heard on 1250 AM.  Concurrent with the FM relaunch, the station will introduce two new local weekday shows. “The Pack-A-Day Radio Show” will air weekdays from 8:00 am to 9:00 am CT. Hosted by Green Bay Packers insider Andy Herman, the show will serve as a destination for all things green and gold. Herman currently hosts the “Pack-A-Day Podcast” and “Packer Report.”  The station will also launch “The Mason Crosby Show,” starring 17-year NFL kicker, Super Bowl champion and Packers all-time leading scorer Mason Crosby, weekdays from 9:00 am to 11:00 am CT. The show will also feature Mitch “Thunder” Nelles as co-host and veteran producer Tommy Wortz.  “We couldn’t be more excited to bring The Fan back to FM and expand the reach of the best sports talk in Milwaukee,” said Jason Bjorson, SVP/market manager, Audacy Madison and Milwaukee. “Milwaukee has long been a premier market for football coverage, and through the addition of ‘The Pack-A-Day Radio Show’ and ‘The Mason Crosby Show,’ coupled with our existing must-listen programming, we’re elevating the listening experience and keeping fans connected to their favorite teams.” The station’s weekday lineup rounds out with “The Jim Rome Show” from 11:00 am to 2:00 pm CT and “Wisconsin Sports Daily” with station APD Steve “Sparky” Fifer from 2:00 pm to 5:00 pm CT.

Industry News

10% AM/FM Radio Listening Growth Expected as Nielsen Eyes Methodological Tweak

According to Cumulus and other reliable sources, in a series of private meetings with customers, Nielsen has reportedly revealed potential plans to enhance the way it generates average quarter-hour audiences in the 48 markets which utilize the Portable People Meter. Crediting to AM/FM radio listening in local PPM markets will increase by +24%. For national marketers and media agencies, the expected impact in 2025 will be a +10% increase in total U.S. listening levels. This week’s Cumulus Media | Westwood One Audio Active Group® blog examines the implications for AM/FM radio.  Here are some key points

• The trend of AM/FM radio surpassing TV in ratings will accelerate: Over the last five years, AM/FM radio has overtaken linear TV in ratings. Based on TV and AM/FM radio audience forecasts, 2025 will see AM/FM radio overtake TV in the all-important 25-54 demographic by 13% and widen its ratings lead over TV among 18-49s by 47%.

• 2025 post-buy analyses will overachieve 2024 media plans: In PPM markets, expect up to +24% increases in audience deliveries based on prior year schedules. For local buys, outcomes will vary by demographic, markets utilized, and AM/FM radio programming format mix.

• AM/FM radio, already America’s number one mass reach media, will experience reach growth in advertising schedules: With an estimated daily reach growth of +7% and weekly week growth of +4%, reach and frequency analyses are expected to experience growth.

• AM/FM radio ads will become more effective as stations increase the number of commercial breaks with shorter durations: With a 3-minute quarter hour qualification, stations could create more breaks of shorter duration. This will significantly benefit advertisers.

TALKERS publisher Michael Harrison’s reaction to this possible course of action is, “The game is played the way the game is scored.  However, we in radio must be careful not to fool ourselves by what could simply be a lowering of the bar. If the fences are moved in an extra hundred feet, the result will be more home runs… but not necessarily better hitting.”

Industry News

16th Annual Hurley in the Morning Charity Dinner Ups Total Raised to $1.75 Million

The 16th annual Hurley in the Morning Charity Foundation Dinner took place Friday evening (10/4) at the historic Resorts Casino Hotel in Atlantic City.  The event is a key component each year of the philanthropic work performed by 33-year veteran WPG, Atlantic City morning host Harry Hurley on behalf of non-profits across New Jersey and beyond.

Harry and Van Drew
Harry Hurley (l) is joined by U.S. Rep. Jeff Van Drew (R-NJ) – one of hundreds of elected officials, media, and business dignitaries in attendance Friday evening (10/4) at the 16th Annual Hurley in the Morning Charity Dinner at the Resorts Casino Hotel in Atlantic City.

The gathering was literally a who’s who of the Garden State’s political, business, health care, and cultural communities including U.S. Rep. Jeff Van Drew (R-NJ), U.S Senate candidate Curtis Bashaw, and literally dozens of members of the New Jersey legislature, county leaders, mayors, council members and a broad section of business and industry leaders at the highest level. The gala event, which drew the largest attendance in the event’s colorful history, opened with a video welcome message from New Jersey Gov. Phil Murphy. More than $100,00 was raised at the gathering that evening, which included a remarkably curated silent auction, bringing the foundation’s total to more than $1.75 million.

MH at dinner
Michael Harrison, pictured here addressing the gathering, was the guest of honor and keynote speaker at the Hurley charity dinner, now considered one of the most important radio-related annual philanthropic civic initiatives in America.

TALKERS founder/publisher Michael Harrison served as the dinner’s keynote speaker and guest of honor. In his 40-minute presentation, Harrison discussed a variety of topics including the consequential impact of changing technology on society, the state of radio and journalism, the importance of the First Amendment and education in preserving democracy and the challenges facing unique cities such as Atlantic City in carrying on their meaningful legacies in the brave new world of the 21st century. Highlights of Harrison’s speech will be posted to the TALKERS MEDIA YouTube channel in the coming days.

Harrison stated, “The positive impact Harry Hurley has on South Jersey – economically, politically, and culturally – is a thing of beauty when witnessed up close as I just did this past weekend.  I salute Harry, WPG, and Townsquare Media for setting a stunning example of just how consequential this enduring medium of radio can be when operated by such dedicated, resourceful, and community-minded individuals. I was humbled and deeply honored to be able to play a small role in their magnificent efforts.”

Industry News

Massachusetts Broadcasters Association to name WEEI’s Joe Castiglione 2024 Broadcaster of the Year

Industry News

Keith Britton Named Brand Manager of 92.3 The Fan in Cleveland

Industry News

Top News/Talk Media Stories Over the Weekend (9/28-29)

Industry News

EDISON RESEARCH: “Share of Ear” Q2 Audio Ad-Supported Data Available

For the last 10 years, Edison Research’s quarterly “Share of Ear” study has been an authoritative examination of time spent with audio in America. The Cumulus Media / Westwood One analysis of the just-released Q2 2024 data   focuses on “what advertisers care about” – ad-supported audio.  Here are some of the findings as presented in a special report by Pierre Bouvard, chief insights officer of the Cumulus Media | Westwood One Audio Active Group®:

• Since consumer interest in Pandora Radio hit an all-time high in 2008, its audience and profile have significantly collapsed, according to Google Search trends.

• A brand-new Advertiser Perceptions study conducted in August 2024 reveals marketers and media agencies need to “take the me out of media” as they wildly overestimate Spotify and Pandora audiences and dramatically understate AM/FM radio’s shares.

• AM/FM radio represents the dominant ad-supported audio platform with a 69% overall share and a massive 86% in-car share.

• Podcast audiences soar. At a 19% share of ad-supported audio, podcasts now represent one out of every five minutes of U.S. ad-supported audio.

• Among registered voters, AM/FM radio leads in ad-supported audience share (69%), followed by podcasts (19%).

Edison surveys 4,000 Americans annually to measure daily reach and time spent with all forms of audio. For more details, click here for the Cumulus Media | Westwood One Audio Active Group® analysis of the just released Q2 2024 data.

 

 

Industry News

Connoisseur Morphs WICC, Bridgeport into “The Voice of Connecticut” to Fill Gap Left by the Late WCBS 880

WICCConnoisseur Media tells TALKERS about a variety of significant changes for its Western Connecticut news/talk powerhouse, WICC 600 AM, Bridgeport – changes inspired by the closing of Audacy’s WCBS 880 in adjacent New York City. Brigitte Quinn WICC is now “The Voice of Connecticut” expanding its reach by simulcasting on 95.9 FM, previously home to classic rock formatted “The Fox.” This strategic move is designed to strengthen WICC’s position as Fairfield County’s premier source for news, talk, and information.  A pivotal part of this transformation is WICC’s new affiliation with CBS News, which will provide national news coverage at the top of every hour. Station officials tell TALKERS, this partnership reinforces WICC’s role as the region’s trusted news source, delivering timely and credible information to the communities it serves.  “This rebranding and expansion to 95.9 FM represents a pivotal moment for WICC,” stated Keith Dakin, VP of Programming for Connoisseur Media. “The talent on our team, coupled with our new affiliation with CBS News, will allow us to meet the demand for news and talk programming in Southern Connecticut. We’re excited about this next phase and looking forward to serving a much wider geography and bigger audience.”  But, as the saying goes, that’s not all.  A new local daytime show from 12:00 noon-2:00 pm ET will be added beginning September 30th hosted by Brigitte Quinn who was the creator, host, and managing editor of “Newsline” on WCBS 880.  She was the station’s first female morning-drive anchor and later anchored mornings on 1010 WINS. Quinn’s TV career includes roles at MSNBC, NBC News at Sunrise, and Fox News Channel.  Quinn remarks, “Ever since my family and I moved back to beautiful Connecticut, I’ve become a faithful WICC listener. I’m delighted to be joining such a great news/talk radio station, ‘The Voice of Connecticut.’”  Quinn’s addition brings WICC’s entire daytime lineup local as she joins talk hosts Melissa Sheketoff 5:00 am -10:00 am, Lisa Wexler 10:00 am-12:00 noon and Paul Pacelli from 2:00 pm-6:00 pm.  New additions to weekend programming also include Emmy nominee Chef Plum, Mike Cerulli of WTNH, New Haven,  and Dave Ruden of the Ruden Report covering local high school sports.  The station plans to continue evolving in this direction with one more critical news reporter position to fill. “We invite Fairfield County listeners to tune in to ‘The Voice of Connecticut,’” says Kristin Okesson, SVP of Connoisseur Media Connecticut. Connoisseur Media Logo“Our affiliation with CBS News paired with these exciting changes in programming reinforces our commitment to deliver modern, engaging content and we’re confident that our audiences will appreciate the new ‘voice’ they hear.   I’m especially proud that our daytime shows are hosted by four incredibly talented hosts – three of them in particular are outstanding women in their own right.” WICC can be streamed at voiceofct.com.  For more insight into these changes, check out WICC host Lisa Wexler’s interview conducted on air yesterday with company CEO Jeff Warshaw by clicking here.

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ARE YOU READY? Westwood One Launches 38th Consecutive Season as Exclusive Primetime Radio Partner of NFL

Cumulus, Westwood One, NFL

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New York Festivals 2025 Radio Awards Opens for Entries

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Yesterday’s (8/28) Top News/Talk Media Stories

The presidential race; the debate “to mute or not to mute” debate; the Trump team Arlington National Cemetery incident; Trump’s legal issues; the Facebook-Covid-19 censorship Zuckerberg revelation; Israel’s West Bank raid; and the late-summer heatwave affecting parts of the U.S. were some of the most-talked-about stories in news/talk media yesterday (8/28), according to ongoing research from TALKERS.

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Cumulus Names Gee PD/AM Host at “92.1 The Ticket”

Cumulus Media names Erik Gee program director and morning drive host at sports talk KQSM-FM,im Fayetteville, Arkansas “92.1 The Ticket.” Gee most recently served as assistant program director and co-host of the “Pat Jones Show” on KYAL-FM, Tulsa. Cumulus Fayetteville regional VP and market manager Keith Liesmann says, “Erik’s depth of experience and passion for sports make him a perfect fit for our station. We are thrilled to have him on board and can’t wait for our listeners to experience his insight and energy every morning.” Levi Peckenpaugh will serve as producer for the morning drive program.

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Yesterday’s (8/27) Top News/Talk Media Stories

The presidential race; Jack Smith files a new indictment against Donald Trump; the Trump team Arlington National Cemetery incident; a federal judge pauses the Biden administration’s citizenship pathway for undocumented immigrants married to U.S. citizens; Meta’s Mark Zuckerberg says Biden administration pressured Facebook to censor COVID-19 content; Israel launches a West Bank raid; January 6 rioter sentenced to four years in prison; and the late-summer heatwave affecting parts of the U.S. were some of the most-talked-about stories in news/talk media yesterday, according to ongoing research from TALKERS.

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Yesterday’s (8/26) Top News/Talk Media Stories

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16th Annual Mentoring Women Leadership Program Successfully Completed