Industry News

TALKERS News Notes

Research Director, Inc promotes Nicole Somerville to chief operating officer. Somerville joined the company in July of 1998 and has held several prominent positions over the past 25-plus years. In 2022, she began her role as data and production manager where she oversaw the process of transforming raw data into specific, actionable client deliverables.

iHeartPodcasts, Dan Patrick, and Never Ever Productions announce the addition of “Playing Dirty: Sports Scandals” to The Dan Patrick Podcast Network. The new podcast features stories from the dark side of sports – from passport doping and armed assault to car chases and sex scandals. The series is narrated by veteran ESPN personality Jay Harris and written by Emmy Award-winning sports broadcaster Jenn Brown and federal prosecutor Francey Hakes.

Audacy launches “Superfly,” a new, weekly spinoff of the comedy podcast, “Fly on the Wall,” created and hosted by Dana Carvey and David Spade. On “Superfly,” Carvey and Spade will riff on current events, pop culture, social clips, and audience submissions with their trademark hilarity, absurdity, and impressions, with guests appearing from time to time.

Industry News

Neuhoff Media Sells Six Brands in Ongoing Exit from Radio

The Neuhoff Family Limited Partnership, the parent company of Neuhoff Media-Decatur, LLC and Neuhoff Media-Danville, LLC announces it is entering into an agreement to sell radio stations news/talk WSOY-AM/WSOY-FM, sports talk WDZ-AM, hip hop WCZQ-FM, and country in Decatur, Illinois (plus NowDecatur.com) and news/talk WDAN-AM, hot AC WDNL-FM, and classic rock WRHK-FM, in Danville, Illinois (plus VermilionCountyFirst.com) to Champaign Multimedia Group for a sum yet to beim announced. Neuhoff states in announcing the sale that this “transaction is part of an overall strategic decision on behalf of the Neuhoff family to depart the broadcast industry after nearly 70 years,” according to Julian Hickman and Makena Neuhoff, trustees of the Neuhoff family. The company still owns 13 radio brands spread across the Springfield, Illinois; Bloomington, Illinois; and Lafayette, Indiana markets and it “expects to make additional announcements regarding future agreements as the Neuhoff divestiture process moves forward.” Hickman states, “We are proud of what broadcast ownership has meant to our family, our employees, and the markets we serve. Our grandfather, Roger Neuhoff, began his ownership in the business during the mid-1950s. He loved the broadcast industry and was proud of the way our radio and television stations served their local communities.” Neuhoff Media president Mike Hulvey adds, “We are pleased to see the iconic local media brands of Neuhoff Media’s Danville and Decatur markets all brought together through this historic transaction with the Champaign Multimedia Group. The next chapter for the Danville and Decatur radio stations and digital platforms will create something very special for each community.” Kalil & Co., Inc. acted as the exclusive broker for this transaction.

Industry News

TALKERS News Notes

iHeartPodcasts debuts episode two of “Finding Matt Drudge,” a limited series podcast hosted by longtime political journalist Chris Moody, who sets out to uncover the mysteries surrounding the Internet’s most enigmatic media mogul. The new investigative audio series will delve deep into the life and career of Matt Drudge, the reclusive figure and founder of The Drudge Report, with the ultimate goal of convincing Drudge to sit down for his first interview in years. Moody says, “Matt Drudge pushed the news industry into the Internet age and his site has remained relevant and engaging for decades. But he hasn’t given an interview in years. We’d like to hear his thoughts on his career, the media, politics and the state of the world. Drudge matters, and we’re interested in what he has to say. Call us, Matt!”

FOX Sports Radio, a division of Premiere Sports Network announces its plans to broadcast live from Las Vegas during Super Week. A number of the network’s programs will broadcast from Las Vegas all week long including “The Dan Patrick Show” from Fontainebleau Las Vegas and several other shows broadcasting from Radio Row at the Mandalay Bay Convention Center.

SiriusXM announces that subscribers will get access to full coverage of the 2024 NHL All-Star Weekend beginning today through Saturday (2/1-3) as SXM broadcasts from Scotiabank Arena in Toronto on the SiriusXM NHL Network Radio channel.

Industry News

Ratings Analysis: All-News During the “Holiday” Survey

imToday, TALKERS magazine managing editor Mike Kinosian does a deep-dive into the recent performances of the all-news format during Nielsen Audio’s “Holiday” PPM ratings period. He writes, “Ever since Arbitron (now Nielsen Audio) instituted the Portable People Meter as ratings currency in 2007, the ‘Holiday’ ratings period has been a veritable goldmine for stations employing the wall-to-wall Christmas music programming strategy. Adult contemporary comprises the overwhelming majority of those outlets. Usually substantial, however, is the negative impact on many other formats in ‘Holiday’ sweeps.” See his analysis of the past four “Holiday” surveys here.

Industry News

iHM’s Berge Named to NAB Radio Board of Directors

iHeartMedia Eau Claire, Wisconsin and Rochester, Minnesota market president Jeanna Berge isim appointed to the National Association of Broadcasters Radio Board of Directors by Radio Board chair Collin Jones. Berge started her career in the broadcast industry in 2011 as an account executive for iHeartMedia in Eau Claire. She was named SVP of sales in 2018, before assuming her current role as market president. Berge assumes the board seat of Joel McCrae.

Ratings Takeaways

Has All-News Taken A “Holiday?”

By Mike Kinosian
TALKERS magazine
Managing Editor

imEver since Arbitron (now Nielsen Audio) instituted the Portable People Meter as ratings currency in 2007, the “Holiday” ratings period has been a veritable goldmine for stations employing the wall-to-wall Christmas music programming strategy.

Adult contemporary comprises the overwhelming majority of those outlets.

Usually substantial, however, is the negative impact on many other formats in “Holiday” sweeps.

With that in mind, let’s review how all-news stations have performed in the last four “Holiday” survey periods.

The 2020 presidential election was held on November 3, thus exactly one month prior to the start of that year’s “Holiday” sweep (December 3). It should additionally be remembered that the COVID pandemic was roughly entering its tenth month. Eerily, the final day of that survey period was January 6, 2021, the day of domestic terrorism/insurrection at the U.S. Capitol.

Over the course of the “Holiday” 2023 ratings period (December 7, 2023 – January 3, 2024), all-news operations again battled for listenership in the ongoing annual all-Christmas music environment. Ostensibly working in their favor, however, was that the 2024 presidential campaign was waging and the previous president was embroiled in a record number of legal cases/charges/indictments.

The following chart summarizes ratings performances of all-news stations in the four most recent “Holiday” sweeps.

                                                                 2020       2021       2022       2023

“Holiday” 6+ Share                                       3.70        3.32        3.50        2.88

December – “Holiday” Increase                       35%        40%        30%        5%

December – “Holiday” Decrease                      50%        50%        65%        85%

December – “Holiday” Flat                             15%        10%        5%          10%

Average December – “Holiday” Increase           +.31        +.22        +.28        +.40

Average December – “Holiday” Decrease          -.68         -.21         -.29         -.40

“Holiday” 6+ Market Rank                             #10.40    #12.15     #10.55     #13.20

  • The typical (6+) high-water mark logged by an all-news facility was 2020’s 70, more than eight-tenths of a share better than 2023’s 2.88
  • Four of ten (40%) all-news stations improved December 2021 – “Holiday” 2021 (6+)
  • On the other hand, 85% of these formatted stations witnessed (6+) December 2023 – “Holiday” 2023 erosion
  • Note the virtual identical average increases/average decreases for all-news outlets in the last three “Holiday” sweeps
  • It was customary for an all-news facility to rank tenth in “Holiday” 2020 (#10.40), but thirteenthin “Holiday” 2023 (#13.20)

“Holiday” 2023 6+ Share (Highest to Lowest)

WTOP & WTLP, Washington            6.3

KCBS-AM & KFRC, San Francisco    5.7

WBBM-AM & WCFS, Chicago          4.9

KYW, Philadelphia                         4.7

WBZ-AM, Boston                          4.7

KCBS-AM & KFRC, San Jose           4.5

WWJ, Detroit                                4.3

WINS-FM, New York                      3.9

WINS-FM, Long Island                   3.3

KNX-FM, Los Angeles                     2.5

WCBS-AM, Long Island                  2.5

KNWN, Seattle                              2.3

WINS-FM, Middlesex                      1.8

WCBS-AM, New York                     1.6

KRLD-AM, Dallas                          1.4

WTOP & WTLP, Baltimore               1.0

WCBS-AM, Middlesex                     1.0

WDCH, Baltimore                          .8

WRAL-HD3, Raleigh                       .2

WNOH, Norfolk                             .2

“Holiday” 2023 6+ Fluctuation from December 2023

WCBS-AM, Long Island                  2.5   +.4

WWJ, Detroit                                4.3   Flat

WDCH, Baltimore                          .8     Flat

KCBS-AM & KFRC, San Jose           4.5   -1.2

WINS-FM, Long Island                   3.3   -1.1

KCBS-AM & KFRC, San Francisco    5.7   -.7

WTOP & WTLP, Washington            6.3   -.6

KYW, Philadelphia                         4.7   -.5

KRLD-AM, Dallas                          1.4   -.4

WBZ-AM, Boston                          4.7   -.4

WBBM-AM & WCFS, Chicago          4.9   -.3

KNWN, Seattle                              2.3   -.3

WCBS-AM, Middlesex                     1.0   -.3

WINS-FM, New York                      3.9   -.2

KNX-FM, Los Angeles                     2.5   -.2

WINS-FM, Middlesex                      1.8   -.2

WCBS-AM, New York                     1.6   -.1

WTOP & WTLP, Baltimore               1.0   -.1

WRAL-HD3, Raleigh                       .2     -.1

WNOH, Norfolk                             .2     -.1

  • WCBS-AM’s four-tenths uptick in Long Island represents the only all-news December 2023 – “Holiday” 2023 increase (6+).

“Holiday” 2023 By Market Rank  

KCBS-AM & KFRC, San Francisco    5.7   #3

WBBM-AM & WCFS, Chicago          4.9   #4

WTOP & WTLP, Washington            6.3   #4

KCBS-AM & KFRC, San Jose           4.5   #4

WBZ-AM, Boston                          4.7   #5

KYW, Philadelphia                         4.7   #6

WINS-FM, New York                      3.9   #9

WWJ, Detroit                                4.3   #9

WINS-FM, Long Island                   3.3   #9

KNX-FM, Los Angeles                     2.5   #12

WCBS-AM, Long Island                  2.5   #12

WINS-FM, Middlesex                      1.8   #13

WCBS-AM, Middlesex                     1.0   #18

WCBS-AM, New York                     1.6   #19

KNWN, Seattle                              2.3   #20

WTOP & WTLP, Baltimore               1.0   #20

WDCH, Baltimore                          .8     #22

WRAL-HD3, Raleigh                       .2     #24

WNOH, Norfolk                             .2     #24

KRLD-AM, Dallas                          1.4   #27

  • Forty-five percent (45%) of all-news stations ranked in the top ten (“Holiday” 2023, 6+).

“Holiday” 2022 6+ Share (Highest to Lowest)

WTOP & WTLP, Washington            7.8

KCBS-AM & KFRC, San Jose           7.0

KCBS-AM & KFRC, San Francisco    6.7

KYW, Philadelphia                         6.2

KNWN, Seattle                              5.5

WBBM-AM & WCFS, Chicago          4.8

WBZ-AM, Boston                          4.8

WINS-FM, New York                      4.6

WWJ, Detroit                                4.5

WCBS-AM, Long Island                  3.8

WINS-FM, Long Island                    3.0

KNX-FM, Los Angeles                     2.5

KRLD-AM, Dallas                          2.2

WCBS-AM, New York                     2.0

WINS-FM, Middlesex                      1.7

WCBS-AM, Middlesex                     1.2

WNOH, Norfolk                             .8

WDCH, Baltimore                          .6

WRAL-HD3, Raleigh                       .2

WYTS, Columbus                          .1

“Holiday” 2022 6+ Fluctuation from December 2022

WINS-FM, New York                      4.6   +.4

KYW, Philadelphia                         6.2   +.4

WCBS-AM, Long Island                  3.8   +.4

KNWN, Seattle                              5.5   +.3

WBZ-AM, Boston                          4.8   +.1

WINS-FM, Long Island                   3.0   +.1

WYTS, Columbus                          .1     Flat

WTOP & WTLP, Washington            7.8   -.8

KCBS-AM & KFRC, San Francisco    6.7   -.7

WNOH, Norfolk                             .8     -.7

KNX-FM, Los Angeles                     2.5   -.4

KRLD-AM, Dallas                          2.2   -.3

WCBS-AM, New York                     2.0   -.2

WBBM-AM & WCFS, Chicago          4.8   -.1

WWJ, Detroit                                4.5   -.1

WDCH, Baltimore                          .6     -.1

WRAL-HD3, Raleigh                       .2     -.1

KCBS-AM & KFRC, San Jose           7.0   -.1

WINS-FM, Middlesex                      1.7   -.1

WCBS-AM, Middlesex                     1.2   -.1

“Holiday” 2022 By Market Rank  

KCBS-AM & KFRC, San Francisco    6.7   #2

KCBS-AM & KFRC, San Jose           7.0   #2

WTOP & WTLP, Washington            7.8   #3

KYW, Philadelphia                         6.2   #3

KNWN, Seattle                              5.5   #3

WBBM-AM & WCFS, Chicago          4.8   #4

WINS-FM, New York                      4.6   #5

WBZ-AM, Boston                          4.8   #6

WWJ, Detroit                                4.5   #7

WCBS-AM, Long Island                  3.8   #7

WINS-FM, Long Island                   3.0   #10

KNX-FM, Los Angeles                     2.5   #12

WINS-FM, Middlesex                      1.7   #14

WRAL-HD3, Raleigh                       .2     #16

WCBS-AM, New York                     2.0   #17

WCBS-AM, Middlesex                     1.2   #18

KRLD-AM, Dallas                          2.2   #20

WDCH, Baltimore                          .6     #20

WNOH, Norfolk                             .8     #20

WYTS, Columbus                          .1     #22

  • One of every two (50%) all-news facilities finished in the top ten (“Holiday” 2022, 6+).

“Holiday” 2021 6+ Share (Highest to Lowest)

KCBS-AM & KFRC, San Francisco    6.7

WBZ-AM, Boston                          6.5

WTOP & WTLP, Washington            6.4

WBBM-AM & WCFS, Chicago          5.6

KNWN, Seattle                              5.5

KCBS-AM & KFRC, San Jose           5.4

WWJ, Detroit                                5.0

KYW, Philadelphia                         4.7

WINS, New York                            4.4

WCBS-AM, Long Island                  3.1

KNX-FM, Los Angeles                     2.8

WINS, Long Island                         2.7

WCBS-AM, New York                     2.6

KRLD-AM, Dallas                          1.6

WCBS-AM, Middlesex                     1.6

WINS, Middlesex                           1.1

WNOH, Norfolk                             .4

WDCH, Baltimore                          .1

WMMS-HD2, Cleveland                  .1

WYTS, Columbus                          .1

“Holiday” 2021 6+ Fluctuation from December 2021

WINS, New York                            4.4   +.6

WCBS-AM, New York                     2.6   +.4

KNX-FM, Los Angeles                     2.8   +.2

KNWN, Seattle                              5.5   +.2

KYW, Philadelphia                         4.7   +.1

WINS, Middlesex                           1.1   +.1

WCBS-AM, Middlesex                     1.6   +.1

WNOH, Norfolk                             .4     +.1

KCBS-AM & KFRC, San Francisco    6.7   Flat

WYTS, Columbus                          .1     Flat

WTOP & WTLP, Washington            6.4   -.4

WBZ-AM, Boston                          6.5   -.4

KRLD-AM, Dallas                          1.6   -.3

WCBS-AM, Long Island                  3.1   -.2

WDCH, Baltimore                          .1     -.2

KCBS-AM & KFRC, San Jose           5.4   -.2

WBBM-AM & WCFS, Chicago          5.6   -.1

WWJ, Detroit                                5.0   -.1

WINS, Long Island                         2.7   -.1

WMMS-HD2, Cleveland                  .1     -.1

“Holiday” 2021 By Market Rank  

WBBM-AM & WCFS, Chicago          5.6   #3

KCBS-AM & KFRC, San Francisco    6.7   #3

WBZ-AM, Boston                          6.5   #3

KNWN, Seattle                              5.5   #3

WTOP & WTLP, Washington            6.4   #4

WWJ, Detroit                                5.0   #4

KCBS-AM & KFRC, San Jose           5.4   #4

WINS, New York                            4.4   #5

KYW, Philadelphia                         4.7   #6

WCBS-AM, Long Island                  3.1   #8

KNX-FM, Los Angeles                     2.8   #11

WCBS-AM, New York                     2.6   #13

WINS, Long Island                         2.7   #13

WCBS-AM, Middlesex                     1.6   #19

WMMS-HD2, Cleveland                  .1     #21

WYTS, Columbus                          .1     #20

WNOH, Norfolk                             .4     #22

WINS, Middlesex                           1.1   #23

KRLD-AM, Dallas                          1.6   #26

WDCH, Baltimore                          .1     #32

  • Mirroring what happened in “Holiday” 2022, half the all-news facilities placed in the top ten (“Holiday” 2021, 6+).

“Holiday” 2020 6+ Share (Highest to Lowest)

KCBS-AM & KFRC, San Francisco    8.1

WTOP & WTLP, Washington            8.1

WBBM-AM & WCFS, Chicago          6.8

WBZ-AM, Boston                          6.5

KCBS-AM & KFRC, San Jose           5.6

KYW, Philadelphia                         5.4

KOMO, Seattle                              4.6

WWJ, Detroit                                4.5

WINS, New York                            3.6

KNX, Los Angeles                          3.2

WCBS-AM, Long Island                  2.9

WCBS-AM, New York                     2.7

WINS, Long Island                         2.6

WCBS-AM, Middlesex                     2.4

WBZ-AM, Providence                       1.4

KRLD-AM, Dallas                           1.3

WINS, Middlesex                            1.2

WNOH, Norfolk                             1.2

WDCH, Baltimore                          0.8

WMMS-HD2, Cleveland                  0.1

“Holiday” 2020 6+ Fluctuation from December 2020

KYW, Philadelphia                         5.4   +.5

WBZ-AM, Providence                       1.4   +.4

WINS, New York                            3.6   +.3

WCBS-AM, Middlesex                     2.4   +.3

WNOH, Norfolk                             1.2   +.3

WCBS-AM, New York                     2.7   +.2

WINS, Middlesex                           1.2   +.2

WBBM-AM & WCFS, Chicago          6.8   Flat

KRLD-AM, Dallas                          1.3   Flat

WMMS-HD2, Cleveland                  0.1   Flat

WTOP & WTLP, Washington            8.1   -1.6

KCBS-AM & KFRC, San Jose           5.6   -1.4

KCBS-AM & KFRC, San Francisco    8.1   -1.0

KOMO, Seattle                              4.6   -.7

WCBS-AM, Long Island                  2.9   -.7

WWJ, Detroit                                4.5   -.6

WBZ-AM, Boston                          6.5   -.3

WINS, Long Island                         2.6   -.3

KNX, Los Angeles                          3.2   -.1

WDCH, Baltimore                          0.8   -.1

“Holiday” 2020 By Market Rank  

WBZ-AM, Boston                          6.5   #2

WBBM-AM & WCFS, Chicago          6.8   #3

KCBS-AM & KFRC, San Francisco    8.1   #3

WTOP & WTLP, Washington            8.1   #3

KCBS-AM & KFRC, San Jose           5.6   #4

KYW, Philadelphia                         5.4   #5

KOMO, Seattle                              4.6   #6

WWJ, Detroit                                4.5   #6

WINS, New York                            3.6   #7

KNX, Los Angeles                          3.2   #9

WCBS-AM, New York                     2.7   #12

WCBS-AM, Long Island                  2.9   #12

WNOH, Norfolk                             1.2   #12

WINS, Long Island                         2.6   #13

WBZ-AM, Providence                       1.4   #13

WCBS-AM, Middlesex                     2.4   #14

WMMS-HD2, Cleveland                  0.1   #17

WDCH, Baltimore                          0.8   #21

WINS, Middlesex                           1.2   #22

KRLD-AM, Dallas                          1.3   #24

All-News Composite Arranged By Market Rank    

                                                  “Hol” 2020     “Hol” 2021     “Hol” 2022     “Hol” 2023

WINS-FM, New York                      3.6   #7           4.4   #5           4.6   #5           3.9   #9

WCBS-AM, New York                     2.7   #12         2.6   #13         2.0   #17         1.6   #19

KNX-FM, Los Angeles                     3.2   #9           2.8   #11         2.5   #12         2.5   #12

WBBM-AM & WCFS, Chicago          6.8   #3           5.6   #3           4.8   #4           4.9   #4

KCBS-AM & KFRC, San Francisco    8.1   #3           6.7   #3           6.7   #2           5.7   #3

KRLD-AM, Dallas                          1.3   #24         1.6   #26         2.2   #20         1.4   #27

WTOP & WTLP, Washington            8.1   #3           6.4   #4           7.8   #3           6.3   #4

KYW, Philadelphia                         5.4   #5           4.7   #6           6.2   #3           4.7   #6

WBZ-AM, Boston                          6.5   #2           6.5   #3           4.8   #6           4.7   #5

KNWN, Seattle                               4.6   #6           5.5   #3           5.5   #3           2.3   #20

WWJ, Detroit                                4.5   #6           5.0   #4           4.5   #7           4.3   #9

WINS-FM, Long Island                   2.6   #13         2.7   #13         3.0   #10         3.3   #9

WCBS-AM, Long Island                  2.9   #12         3.1   #8           3.8   #7           2.5   #12

WDCH, Baltimore                          .8     #21         .1     #32         .6     #20         .8     #22

WTOP & WTLP, Baltimore               DNA DNA        DNA DNA        DNA DNA        1.0   #20

WMMS-HD2, Cleveland                  .1     #17         .1     #21         DNA DNA        DNA DNA

WYTS, Columbus                          DNA DNA        .1     #20         .1     #22         DNA DNA

WRAL-HD3, Raleigh                       DNA DNA        DNA DNA        .2     #16         .2     #24

KCBS-AM & KFRC, San Jose           5.6   #4           5.4   #4           7.0   #2           4.5   #4

WINS-FM, Middlesex                      1.2   #22         1.1   #23         1.7   #14         1.8   #13

WCBS-AM, Middlesex                     2.4   #14         1.6   #19         1.2   #18         1.0   #18

WBZ-AM, Providence                       1.4   #13         DNA DNA        DNA DNA        DNA DNA

WNOH, Norfolk                             1.2   #12         .4     #22         .8     #20         .2     #24

Notes

  • WINS-AM, New York added FM simulcast WINS-FM on October 27, 2022
  • KNX-AM, Los Angeles added FM simulcast KNX-FM on December 21, 2021
  • KRLD-AM, Dallas and WBZ-AM, Boston are news – talk hybrids
  • KOMO, Seattle changed calls to KNWN on February 2, 2022
  • WDCH, Baltimore is business news
  • WMMS-HD2, Cleveland and WNOH, Norfolk are Black Information Network affiliates
  • “DNA” indicates a station “Did Not Appear” in that particular survey and/or wasn’t a Nielsen Audio subscriber in that sweep
  • All above data is based on news stations that appeared in the top twenty in at least one of the four “Holiday” survey periods noted (2020, 2021, 2022, 2023)

Contact managing editor Mike Kinosian at Mike.Kinosian@gmail.com

Industry News

Cumulus Media’s Dallas-Fort Worth Stations Raised Record Sum for Local Charities

Cumulus Media announces that its Dallas-Fort Worth radio station group raised $2,696,127 for charities in the region during 2023, topping the 2022 total by more than $400,000. In the Dallas-Fort Worthim market, Cumulus operates news/talk WBAP-AM/FM, news/talk KLIF-AM/FM, sports talk KTCK-AM/FM and two country music brands. Cumulus regional vice president Dan Bennett says, “I can’t say enough about our air talent and programming team who understand that serving our community in Dallas-Fort Worth means raising awareness for organizations that give a lift to people who need it. They give so much of their time to make a difference and 2023’s efforts show the incredible results.”

Industry Views

Monday Memo: Baseball Station? Own It!

By Holland Cooke
Consultant 

imAs The Beatles sang, “It’s been a long, cold, lonely winter.” ‘Still is, eh?

Baseball – even Spring Training while it’s still chilly in March – says “Here Comes The Sun.” That’s what baseball means…to listeners. But with games also on SiriusXM and Tune-In and team apps, baseball isn’t the exclusive franchise AM/FM affiliates used to enjoy. So, BE KNOWN for having the games.

im

To local advertisers? In the words of one GM – who has made a pile of money selling baseball – “It’s ego and envy.” And while second and third-generation retailers might family-feud about other things, grandfather AND father AND son can agree on this expenditure lots quicker than you can get consensus about a ROS spot package on Kiss or Lite or Magic or Froggy.

Help yourself to your February Baseball To-Do List: http://getonthenet.com/BaseballFebruary.pdf

Holland Cooke (HollandCooke.com) is a consultant working at the intersection of broadcasting and the Internet. He is the author of “Confidential: Negotiation Checklist for Weekend Talk Radio” and “Close Like Crazy: Local Direct Leads, Pitches & Specs That Earned the Benjamins.” Follow HC on Twitter @HollandCooke and connect on LinkedIn

Industry News

TALKERS News Notes

Audacy files applications for entry of an order authorizing the retention and employment of four firms with the bankruptcy court. Those include Porter Hedges LLP as co-counsel for the debtors, FTI Consulting Inc as financial advisor to the debtors, PJT Partners LP as investment banker to the debtors, and Latham & Watkins LLP as bankruptcy co-counsel for the debtors and debtors in possession.

Benztown, P1 Media Group, and Global Radio Ideas Facebook Group are hosting a free webinar for radio professionals around the globe, titled, “How Radio Talent Can Survive and Thrive in 2024.” It features special guest Paul Anderson, CEO of Workhouse Media. The 40-minute webinar will be hosted by Benztown CEO Andreas Sannemann and P1 Media Group partner Ken Benson. Get more info and register here.

AUN Television Network president and CEO Rick Trader announces the launch of a 12-part special designed to educate Americans about the Constitution and its amendments. Titled, “Our Country, Our Freedoms, Our Constitution: Lessons for Freedom,” the programs debut on February 4 across the network and its 11 broadcast television stations.

New England Public Media unveils a new, weekly radio show and podcast called, “The Rundown with Carrie Saldo,” that premieres Friday (2/2) 9:00 am to 10:00 am following NPR’s “Morning Edition” on WFCR-FM, Amherst, Massachusetts “88.5 NEPM.” The station says, “Each week, listeners will hear a lively conversation with reporters from newsrooms around western Massachusetts, giving their take on the news and events that shaped the week, and providing analysis, context, insights, and varying perspectives.”

Industry News

Salem Does Sale Leaseback on Camarillo Offices

In a January 25, 2024 filing with the Securities and Exchange Commission, Salem Media Group reveals that it is entering into a sale/leaseback deal on its former corporate headquarters on Santaim Rosa Road in Camarillo, California. Although the company officially moved its headquarters to Irving, Texas, the Camarillo offices are still the base of some of its corporate operations. In notifying and seeking approval from lender Siena Lending Group LLC, Salem notes that the Camarillo officers are being sold to Greg Robinson for $6.2 million and that cash will be applied to the company’s debt. It will then lease the property for $500,000 per year.

Industry News

TALKERS News Notes

OutKick announces that FOX News contributor, New York Times best-selling author and former professional wrestler, Tyrus, a.k.a. George Murdoch, joins the platform to host the new show, “Maintaining with Tyrus.” The first episode launches on February 1 featuring a sit-down with talk TV host Piers Morgan, followed by interviews with Wolf of Wall Street inspiration Jordan Belfort, and “How America Works” host Mike Rowe.

ESPN is expanding the reach of its ESPN podcast offerings starting January 29 as ESPN2 will televise an ESPN video podcast every weekday from 2:00 pm to 3:00 pm ET. The premiering lineup will include: “First Draft,” “The Hoop Collective,” “The Lowe Post,” “The Mina Kimes Show” and “The Elle Duncan Show.” Mike Foss, ESPN SVP, production says, “This strategic content initiative provides our ESPN podcasts with a tremendous opportunity for continued growth and audience expansion, while simultaneously lending compelling content to our ESPN2 television lineup.”

New England Public Media promotes Elizabeth Román to managing editor – daily and digital news. NEPM says, “Although her title did not dramatically change, her responsibilities have evolved and Román will now be taking the lead on delivering daily news programming on the radio, NEPM website and social media channels.” Román says, “As a lifelong Springfield resident and Western Massachusetts native. I’m excited to continue working with our skilled news department to bring you even more stories that highlight the needs, concerns and successes of the people living and working in this community.”

Cumulus Media’s Westwood One is presenting play-by-play coverage of this weekend’s NFL Conference Championships presented by lead sponsor Intuit Turbo Tax. Doubleheader coverage begins with the pregame show at 2:00 pm ET on Sunday before the Kansas City Chiefs and the Baltimore Ravens meet for the AFC Championship game and the Detroit Lions battle the San Francisco 49ers in the NFC Championship game.

Industry Views

SABO SEZ: Howard Stern Deserves a Big Thank You

By Walter Sabo
Consultant, Sabo Media Implementers
A.K.A. Walter Sterling
Radio Host, “Sterling On Sunday”
Talk Media Network

imNO ONE has done more to elevate the status and improve the working conditions of on-air talent as much as Howard Stern.

Howard turned 70 this month and he has been on the air for 50 years – half of the time of the existence of radio. During his brilliant career, he has elevated the capabilities of radio to a scientific, pristine art. His success is neither an accident nor luck. It’s not even God-given talent. It’s all work. Nobody has ever worked harder on their radio show than Howard and, as a result, no radio star has ever earned as much money or deserved as much acclaim.

Several important notes:

— For Howard, radio always comes first. When he made the movie Private Parts the production fit around his radio show.

— “America’s Got Talent” ended taping at the pre-agreed times to accommodate Howard’s radio show.

— I made the first call to his agent to recruit Howard to SiriusXM Satellite Radio. He was already making a lot of money… his motivation for moving was to give his radio show the support and freedom necessary to see just how great he could make it.

— He loves radio.

Whatever you’ve heard Howard earns, it’s probably close. That’s good for everybody on the air in the world. He earns more than any TV star. He earns more than 99.9% of all movie stars. I think it’s pretty much Taylor SwiftPaul McCartney and Howard. A radio star is actually in that conversation!

When he started in the 1980s, he was suspended for saying douche bag. Now you can say douche bag. Thank him for winning that fight.

Thank him for proving that radio stars do better with real writers and producers. Radio stars can create four hours a day of magic with little help. (TV Sitcoms produce 22 minutes a week, for 22 weeks a year with 11 writers.) Thank him for moving millions of dollars of products a week with his live reads, enhancing the value of your live reads.

Thank him for being harassed by the federal government. Thank him for not blinking. Thank him for raising the profile and stature of American radio. Thank him for being funny.

I just don’t think he’s been thanked enough…

Walter Sabo was a founding architect of SiriusXM Satellite Radio and began the recruitment of Howard Stern. He has consulted RKO General, PARADE magazine, Hearst BroadcastingPress Broadcasting, and other premium brands. He launched the first company to engage online video influencers, Hitviews. As an executive, he was EVP of NBC FM RADIO giving Dr. Ruth Westheimer her first media job and fostering the creation of adult contemporary. As VP ABC Radio Networks, Sabo hired Ringo Starr to be a DJ for a 24-hour special.

Industry News

TALKERS News Notes

Beasley Broadcast Group, Inc will report its 2023 fourth quarter and full year financial results before the market opens on Monday, February 12. Beasley will host a conference call and webcast at 11:00 am ET that morning to review the results.

Aiir Inc announces that Andy Buckingham rejoins the company next month in the new role of principal creative technologist. Buckingham was previously SVP, product innovation until leaving in 2020 to launch his own company Togglebit. Aiir Inc CEO Ricki Lee says, “After leaving Aiir full-time a few years ago, we retained Andy’s company for development work and he has played a pivotal part in the development of our new product Aiir Scheduler, the world’s first fully cloud-based music scheduler for radio. I cannot tell you how delighted I am to be welcoming Andy back to our team full-time.”

Industry News

TV and Radio Legend Charles Osgood Dies at 91

The broadcasting industry is mourning Charles Osgood, who passed away on Tuesday (1/23) at his home in New Jersey at age 91 after a battle with dementia. Osgood spent 45 years of his broadcasting career at CBS News, hosting the iconic “CBS Sunday Morning” program from 1994 through 2016.im During his CBS career, he appeared on every CBS News program including “CBS Morning News,” the “CBS Evening News with Dan Rather” and the “CBS Sunday Night News.” For almost 46 years he produced his nationally syndicated radio feature, “The Osgood File,” from which he signed off with his signature phrase, “I’ll see you on the radio.” As Osgood was preparing to retire from “CBS Morning News” in 2016, he was a guest on TALKERS magazine founder Michael Harrison’s podcast. You can listen to that program here. Also, TALKERS magazine managing editor Mike Kinosian – then serving as special features editor for Inside Radio – had the opportunity to profile Osgood. You can read that here.

Industry News

WXNT-AM Brings Dan Dakich Back to Indy Airwaves

Cumulus Media is bringing Indianapolis sports media personality Dan Dakich back to the radio in the market as host of “The Dan Dakich Show” on WXNT-AM “Indy’s Sports Ticket 1430 AM,” effective Monday (1/29). Dakich, who played basketball at Indiana University under Bobby Knight and coached basketball there (as well as at Bowling Green State University), was most recently on air at Urbanim One’s WFNI, Indianapolis “The Fan.” After leaving “The Fan,” Dakich began hosting a late morning program streamed on the Outkick Network. Cumulus Indianapolis VP and market manager Darlene Park says, “Indiana’s very own Dan Dakich returns to the airwaves as opinionated as ever and ready to break down all things sports on ‘Indy’s Sports Ticket 1430 AM’ every weekday from 12:00 noon to 3:00 pm. He is an Indiana sports legend, and we are so excited he is bringing his game to our team.” Dakich comments, “Couldn’t be more thrilled to join the fantastic team at ‘Indy’s Sports Ticket 1430 AM.’ The state of Indiana and I have had a lifetime love affair that extends way beyond sports and sharing that daily is going to, once again, be a blast! Can’t wait to get started as we build ‘Indy’s Sports Ticket 1430 AM’ into Indy’s go-to home for all things sports.”

Features

Remembering Charles Osgood

By Mike Kinosian
TALKERS magazine
Managing Editor

imDespite his seemingly nonchalant, bad boy on-air persona, David Letterman is exceptionally respectful of broadcasting and its history.

An easily discernable gleam could be seen in the late-night talk host’s eyes when – in 1993 – he formally announced he was jumping to CBS-TV.

One would be naïve not to think that the astonishingly lucrative payday played a significant part in his exhilaration, but Letterman was genuinely enthusiastic about joining the “Tiffany Network.” The entertainment division helped sculpt that vaulted reputation, but the Eye Network’s image was also greatly enhanced by its stellar news department.

Names of those who’ve graced CBS news broadcasts read like a veritable “Who’s Who” of the industry, with the incomparable Walter Cronkite at the very top.

Additionally, there’s Murrow. Sevareid. Collingwood. Rather. Reasoner. Wallace. Edwards. Kuralt. Safer. Mudd. Bradley. Schieffer. Stahl. Rooney. Burdett. Pauley. Hottelet. Chung. Threlkeld. O’Donnell. That just scratches the surface.

Perhaps no one on that – or any similar – list is more erudite, witty and thought provoking than Charles Osgood (Wood).

In a special April 18, 2005 NAB presentation in Las Vegas, the man who did as much for boosting bowtie sales (far pre-dating Tucker Carlson) received the Paul White Award from the RTNDA.

Established in 1956, the recognition carries on the name of CBS’ first news director.

Illustrious company

Past Paul White Award recipients have included Edward R. Murrow, Dan Rather, Bob Schieffer, Ed Bradley, Tom Brokaw, Ted Koppel, Peter Jennings, and Jane Pauley, who succeeded Osgood on CBS-TV’s “Sunday Morning” in 2016. Osgood humbly noted, “I’ve known about the Paul White Award for a long time and have been there to see others get it. It’s obviously a very distinguished company I join. I was there when [former CBS News Division President] Richard Salant [received] it and certainly regard it with a lot of respect. If you hang around long enough, it finally gets to be your turn.”

There’s a parallel with this recognition and Osgood’s 1990 induction to the NAB Hall of Fame. “[Neither] one is the kind of thing you campaign for,” he remarked. “The first I heard about it is when they called and told me it happened. There’s no tension about it and no disappointment that you didn’t get it.”    

Mistaken identity

Rich, God-given voice with which Osgood was blessed became evident at an early age. “My dad was a textile salesman and executive. His name was Charles Osgood Wood – I’m actually Charles Osgood Wood, the third. I’d answer the phone and the person on the other end would [automatically assume they were talking to my father]. He and I talked almost exactly alike.” 

Somewhat of a built-in schizophrenia existed in the famed broadcaster. A friend with whom he’d frequently play tennis noticed that when the multiple Peabody and Emmy Award winner screwed up he’d say, “Come on Osgood.” As a result, “I’d be harder on ‘Osgood’ than I would be on ‘Wood.’ You don’t talk to yourself when you do something right – you just sort of smile.”

Distinctive difference

Understandably, the natural tendency was to automatically link the instantly likable Osgood to CBS for his impeccable long-running role as voice/writer of CBS Radio’s “The Osgood File” and for hosting duties of CBS-TV’s “Sunday Morning.” In addition, he spent six years (1981-1987) as anchor of “The CBS Sunday Night News.”

Many, however, forget that predating those résumé credits, he toiled for ABC.

When he began there, ABC – as luck would have it – already had an announcer named Charles Woods. “In those days, some staff announcers did newscasts,” Osgood explained. “They hired me, but said they didn’t want to have a Charles Woods and a Charles Wood. When they told me to pick a name, I used my middle name as my last name. It’s worked out well and is a little more distinctive and professional.”

Safe haven

Selection of another type made a great impact on his life, as the broadcaster with the industry’s most stylish writing style was an Economics major at New York’s Fordham University. “I never really had an idea that this is what I was cut out to do,” Osgood candidly stated. “As a result, I never took any writing or editing courses. When I started [in broadcasting], I really hung on by my fingernails and just did it the best way I could think of. It took more than a couple of years to get a sense of what I could do. If I’d started the kinds of things in journalism school that I do now, they would have said, ‘No – that’s not how you do it.’ I would have had it drummed out of me early on.” 

Thankfully though, someone realized a broadcaster existed within Osgood and the New York native became actively involved at Fordham’s campus radio station. “That was my locker – the place I’d go between classes,” he pointed out. “At least in those days, regardless of your [declared major], you really majored in Philosophy. You learned things like ethics, logic and cosmology. That really turned out to be pretty useful for what I’m doing.”

Never was there a moment’s regret for the father of five that he didn’t pursue a career in economics. “I’m not even sure I understood what economics was when I decided to make it my major,” Osgood sheepishly admitted. “I knew it had something to do with money and I thought it would be good to know something about that.” 

Sailing with Uncle Walter

As things eventuated, it was immaterial that Osgood never took any college journalism courses. “I went to the best school of broadcast journalism that you could go to, [because] I got to work with Walter Cronkite and a pretty potent lineup of [other] people,” Osgood asserted. “I was often in the same room and could see how Walter’s mind worked and his idea of telling a story. He’s the most centered guy you’re ever going to meet and is very tough.”

Fabled anchorman Cronkite was also managing editor of “The CBS Evening News,” a responsibility he took very seriously. “He was a newsman and kept asking questions of everybody; I have all the respect in the world for him,” Osgood reverently recalled of Cronkite, who was 92 when he died in 2009. “Within a year after I went to work in the CBS newsroom, I found myself sailing in a boat with Walter Cronkite. I felt like I died and went to heaven.” 

Mid-1950s on-air job at Washington, DC classical outlet WGMS enabled Osgood to display his familiarity with – and dexterity to handle –  names like Nikolay Rimsky-Korsakoff. “I really did like that kind of music,” the long time ASCAP member emphasized. “They [eventually] gave me a job that was like the assistant to the GM. It paid all of about $25 a week, but I learned a little bit about station management. WGMS was sold to RKO General and I ended up being program director and, for a time, co-manager.”

Ahead of its time

Also dotting Osgood’s notable vitae is a 1963 stint as general manager of Hartford’s WHCT, the country’s first pay television station. “It was an over-the-air station that CBS owned at one time. It had a mechanism that would encode both picture and sound.”

Subscribers paid $125 for a decoder that needed to be attached to their television set; however, Osgood readily conceded it wasn’t exactly the ideal system. “Color was starting to come on strong, but this only worked in black and white, [so] we had a few strikes against us going in. We were, however, able to play ‘subsequent first-run’ movies – [films] that hadn’t yet been seen in local theaters.”

A tape inside the decoder recorded what a subscriber watched and customers were sent a bill once a month. “The system as an experiment failed, but it was not a bad idea,” Osgood maintained. “Now, of course, we have pay-per-view television, which is essentially the same thing.” 

Shared versus singular responsibilities

Each Osgood-fronted “Sunday Morning” broadcast concluded with the affable host reminding viewers that he would, “See you on the radio,” which was his way of reinforcing that radio is a visual medium. “You create pictures in your own mind and those are much richer than the ones that can be shown on television,” Osgood contended. “On television, what you see is what you get and [that medium] is very pre-occupied with the picture. There’s often wonderful writing there, but television people don’t tend to think about that or the sound at all.”

Images are their main focus and having had vast experience in each medium, Osgood opined that radio is a much more individual effort. “You decide what you’re going to do; you write it; and you do it. You can take all the credit or blame for whatever you do on radio. Television is a collaborative process. There are producers, writers and photographers. One person really can’t take any bows.”

Demanding schedule

One hour separated each of his four daily “Osgood File” features. The general rule was that Osgood didn’t start writing the next one until he finished delivering the last. “If it takes more than an hour, I’m in a lot of trouble,” he deadpanned. “I have to write it in somewhat less than an hour.”

Preparation for that Monday through Friday workday ritual began at the petrifying time of 2:30 am. “It somehow always feels like a horrible mistake when the alarm goes off then,” Osgood declared in his perfectly inflected trademark delivery. “I’m usually in the office at 4:30 am. I have to get my ducks in a row before [doing the first piece] so I know what I’m going to do the rest of the morning. You spend part of that time reading to see what’s there in the way of tape and to see what news stories are of interest that morning.” 

Newspapers, wire sources and the internet provided plenty of possibilities, so Osgood didn’t start worrying about what he was going to put on paper until he arrived at the office. “The news is a constantly refreshing source of material,” he commented. “If you’re doing something that has to last for a long time, you have a different problem. It’s just a question of what you can get your teeth into.”

Road to Sunday Morning

Four-year tour of duty (1967 – 1971) as morning anchor/reporter at New York City’s all-news WCBS-AM got Osgood accustomed to getting up early; he had the luxury of sleeping in until 4:30 am each Sunday. “You have no idea how much later 4:30 am is than 2:30 am,” he convincingly put forth. “I don’t have to get up early on Saturdays. There are [‘Osgood File’] shows, but they’re repeats of things that were done during the week. It’s a great delight to wake up on a Saturday and then realize I can go back to sleep, but it’s still never that late. I get up by 7:00 am.”

Energetic Osgood actually preferred a slow news day when it came to doing his 90-minute Sunday television broadcast. “I’m certain I’m the only network TV anchor who hopes there’s no news. We’ve worked on the show all week and want to do the broadcast that was planned. Some of our shows have themes or, at least, have connections between the pieces. If there’s a big story, you might have to throw something out and that may – or may not – hold up the following week.”                                                    

Succeeding Charles Kuralt as host of “Sunday Morning” nearly 30 years ago (4/10/1994) was a tough act for Osgood to follow, especially since he viewed “On The Road” legend Kuralt as a great personal hero. “He was one of the best who ever came along,” Osgood succinctly stressed. “Charles was a country boy with that wonderful North Carolina accent and had a way of using the language. I thought he was simply terrific. He taught me a lot, [including] not to imitate or copy what you hear. He was in control of every sentence he put down and had an idea of how he wanted to come across to the audience; he was really brilliant.”

Admiration for his predecessor

No advance notice was given to Osgood that his colleague – who would die of complications from lupus in 1997 at just 62 – was planning to leave the Sunday morning show. “I remember getting up one day at the usual hour and putting on my socks in a dark room,” Osgood recollected. “I had the radio on and heard Charlie had announced his retirement. That was terrible news and it never even occurred to me that CBS might ask me to replace him. For one thing, I was older than Charles [by approximately 20 months]. You don’t replace a person who retires with someone older, but that’s what happened. The real reason I got the job was they needed someone whose first name is Charles.”       

Sunday’s audience was conditioned to expect a high-level broadcast, and Osgood acknowledged that made the transition much easier. “As long as I didn’t try to be Charles and try to do an imitation of him, I thought I’d be okay [provided] the audience would put up with me long enough to get used to me.”

Certain things about the CBS-TV show were the same every week. “When we change something, the audience usually doesn’t like it at first,” Osgood contended. “It was especially daunting for me at the beginning because [Kuralt] was so terrific.” 

All tied up

Play a visual word association game about Osgood and “bowtie” will invariably be the first response, but he viewed that fashion statement as a relatively new choice. “I’ve only been doing it for 20 years,” he quipped tongue-in-cheek.

It all began when he wore a clip-on bowtie to work one day. CBS-TV “Evening News” writer John Mosedale admonished Osgood to never wear a clip-on. “He actually walked me into the men’s room and taught me how to tie a bowtie. When you teach an old dog a new trick, he wants to keep doing it. I wear a bowtie when I do speaking dates or television. The excuse I use for my attire is that I get dressed in the dark.”

Write stuff

This author of six books (the last one, 2004’s “Defending Baltimore Against Enemy Attack”) also formerly wrote a “USA Weekend” column and a King Features’ syndicated column. Moreover, he had a full plate with four daily CBS Radio shows (via Westwood One) and a weekly morning television show. “I always have a book that I’m either thinking about or actually in the process of writing,” CBS’ “Poet In Residence’ disclosed. “I’ve been talking with publishers about several book ideas, but they’re not far enough along to really [discuss] at this point. The [leisure time] thing I do more than anything else is fooling around at the piano; I like doing that.”

Unexpected situations like receiving the Paul White Award; being inducted into the NAB Hall Of Fame; and replacing Charles Kuralt as host of CBS Sunday Morning seemed to be the norm for the 1999 International Radio & Television Society Foundation award winner for Significant Achievement.

Long-range plans

With that as a backdrop, it was noteworthy that Osgood never considered himself to be a permanent replacement for Dan Rather on the “CBS Evening News” – a job that would eventually go to Katie Couric in 2006. “I’m not a candidate for anything,” Osgood vehemently insisted to me in our conversation, “[although] I do think it’s important that the ‘CBS Evening News’ be our flagship show. When they asked Bob Schieffer what he thought about doing ‘The Evening News,’ he said it was something to keep him busy until he was old enough to be on ‘60 Minutes.’”   

More than satisfied to have carried on with his radio and television assignments, Osgood – who had a summer residence in France – didn’t look forward to retirement. “I like vacations, but I like them because they are vacations. It’s nice to get away from work, but that’s only if you’re working. I hope they realize I intend to continue to do this for a long time. If it stops being fun, that’s when it’s time to hang it up.”

Mike Kinosian can be emailed at Mike.Kinosian@gmail.com

Industry News

Soledad O’Brien Returns to Host BFoA’s Golden Mic Award Gala

EMMY-winning broadcast journalist and nationally syndicated talk show host Soledad O’Brien returns as emcee for the Broadcasters Foundation of America’s 2024 Golden Mic Award gala taking place on March 4, at the Plaza Hotel in New York City. This annual event is the biggest fundraiser for theim Broadcasters Foundation, whose sole mission is to provide aid to radio and television professionals in acute need. O’Brien first hosted the Golden Mic gala last year. She says, “The Broadcasters Foundation has an incredible impact on the people in our business who face serious illness or catastrophe and need help. I’m honored to lend my support as the host of their fundraising gala and to pay tribute to this year’s award recipients.” She currently hosts the nationally syndicated “Matter of Fact with Soledad O’Brien” program produced by Hearst Television.

Industry News

TALKERS News Notes

Salem Radio Network’s 24/7 SRN News service focuses on the T.D. JAKES FOUNDATION – created by Pastor T.D. Jakes to help lift children in underserved communities into what he hopes become life-changing experiences. SRN News is highlighting interviews with former Wells Fargo Bank executive Kelly Cornish, who serves as CEO, in special reports zeroing-in on private/public partnerships that are opening doors for black and brown children in Science, Technology, Math and the Arts.

Media Staffing Network’s new owner is Lisa Fields, who most recently served as SVP and general manager for Broadcast1Source. Fields’ decision to pursue ownership of Media Staffing Network is uniquely rooted in her deep and meaningful friendship with Laurie Kahn, the previous owner of the company, who sadly passed away last year.

Industry News

KTCK-AM/FM, Dallas-Fort Worth Host Corby Davidson Inks Extension

Dallas sports talk personality Corby Davidson – who co-hosts the afternoon drive “The Hardline” show with Bob Sturm and Dave Lane at Cumulus Media’s KTCK-AM/FM, Dallas-Fort Worth – announces on X that he’s signed a new, five-year deal with the station. He tweets, “30 years ago I walked into theim Ticket radio station as a kid, and I knew within about 5 seconds it’s where I wanted to be. It was a magical place. The energy was off the charts. I was hooked. From intern, to overnight board op, to fill in producer to full time producer, to host… it didn’t matter what I did there, it just mattered that I WAS THERE. Well here we are, 30 years down the road, and I’m still here. And I still have a blast every single day, and it’s still such a magical place. I know I’m lucky. So I just signed a 5 year deal, ensuring I will begin and end my work life there. Love my team, love our show, and love that place. Cheers to you, good P1s, Let’s go.”

Industry News

TALKERS News Notes

Edison Research and WorldDAB will present findings from the study “Dashboard Dialogue” in a webinar on January 31 at 9:00 am ET. The webinar will provide an in-depth review of DAB radio’s usability in the car – with videos from consumers detailing their likes and dislikes, plus what they love about radio in the car today. The research was conducted by Edison Research across France, Germany, and the UK. Register for the webinar here.

SiriusXM announces that it will take over New Hampshire’s Red Arrow Diner in Manchester on January 22-23, rebranding it the “SiriusXM Red Arrow Diner” for the special event. Patriot channel host David Webb will broadcast his program live from the diner, which has long been regarded as a can’t-miss stop for candidates along the campaign trail. During the broadcasts Webb will be joined in person by politicians, key campaign surrogates, and top experts.

Industry News

TALKERS News Notes

Cable news network NewsNation launches a new Sunday public affairs program titled, “The Hill Sunday with Chris Stirewalt.” The show will debut on March 3 at 10:00 am ET. NewsNation president of news Michael Corn states, “We are delighted that Chris will be joining the new weekend lineup. He is a legendary figure in Washington and one of the most respected, intelligent, and well-sourced journalists covering U.S. politics.”

Digital sports platform OutKick announces that it finished 2023 with the most growth year over year amongst its competitive set in total multiplatform unique visitors, delivering a monthly average of 7.2 million total multiplatform unique visitors, up 65% versus 2022, according to Comscore. OutKick founder Clay Travis says,“2023 was a tremendous year for OutKick. We’ve added new shows, top-tier talent, and most importantly continued to generate engaging content with a roster that’s unfiltered and fearless.”

PodcastOne renews the exclusive sales and distribution rights for the “Our Fake History” podcast, created and hosted by Canadian high school history teacher Sebastian Major. PodcastOne chief content officer Eli Dvorkin says, “We’re thrilled to continue our long-term relationship with Sebastian and ‘Our Fake History.’ This podcast is a leader in debunking or verifying historical myths and legends while instilling the sort of knowledge that makes any listener just that much smarter.”

Industry News

Michael Harrison to Guest on Tomorrow’s Launch of Comrex Series, “Tech Talk Live!”

As reported earlier in TALKERSComrex is launching a new, live web series called “Tech Talk Live!” featuring Chris Crump, senior director of sales & marketing, as the host. The inaugural episode of “Tech Talk Live!” will be tomorrow, Friday, January 19 at 11:00 am ET. Andy Mikutta, sales director fromim Yellowtec, will be discussing new developments and TALKERS founder Michael Harrison will be chatting about the forthcoming United Nations’ World Radio Day 2024 set for February13. “Tech Talk Live!” can be streamed on YouTube Live, LinkedIn Live, StreamYard or the Comrex Facebook page. Harrison states, “I am delighted to participate in this important new program. Comrex is one of the driving forces supporting the amazing technological advancements of audio broadcasting and has been a tremendous friend of the radio industry for more than half a century. I am deeply honored to have served as executive advisor to UNESCO in helping design and organize this installment of World Radio Day and am grateful for the opportunity to talk about this year’s celebration and its theme, Radio: A Century Informing, Educating and Entertaining. A simple way to view “Tech Talk Live!” is via the Comrex YouTube channel here.

Industry News

WABC, New York’s Sid Rosenberg to Broadcast from Israel

im

New York City radio personality Sid Rosenberg (pictured above) will broadcast his “Sid and Friends” morning drive show heard on Red Apple Media’s WABC, New York/WLIR-FM, Long Island live from Israel from Monday, January 29 through Thursday, February 1.

Industry News

BFoA Chair Scott Herman to Be Inducted into B+C Hall of Fame

Broadcasters Foundation of America chair and former CBS Radio COO Scott Herman will beim inducted into the Broadcasting+Cable Hall of Fame on September 26, 2024. A portion of the net proceeds from the Hall of Fame gala is donated to The Broadcasters Foundation. Herman says, “I’m humbled to be in the company of some of the broadcast greats who have been inducted into the Hall of Fame, and I’m proud to represent radio in the Class of 2024.” The annual Broadcasting+Cable Hall of Fame pays tribute to the pioneers, innovators and stars of broadcast, cable, broadband and streaming television.

Industry News

Comrex Offers Free Gagl Trial

Comrex – the company that has been making innovative tools that allow broadcasters and content creators worldwide to connect with their audiences from anywhere – is offering free 30-day Gagl accounts to make it easy for broadcasters from around the world to share each other’s programming, join in on live talk shows, and demonstrate the power of radio in celebration of World Radio Day onim February 13. Comrex says, “Tens of thousands of Comrex customers go ‘live and local’ every day to bring radio to life for their listeners. Customers that already have a Comrex IP audio codec can use Gagl to connect to their existing hardware. Broadcasters in the US that don’t have a Comrex ACCESS or BRIC-Link IP audio codec can even request free demo hardware if they would like to participate. Restrictions apply.” Comrex adds that using Gagl is as simple as clicking a link from an email. It opens a web browser on a phone or computer and connects with up to five other users. As long as the broadcasters are using headphones, everyone hears each other and the host back in the studio. Audio quality is much better than most web conferencing applications, and there is no complicated setup. For more information, contact Comrex at 800-237-1776 or email info@comrex.com.

Industry News

Comrex Launches “Tech Talk Live!”

Comrex announces the debut of a new, live web series called, “Tech Talk Live!” featuring Chris Crump, senior director of sales & marketing, as the host. The inaugural episode of “Tech Talk Live!” will be Friday (1/19) 11:00 am ET. Andy Mikutta, sales director from Yellowtec, will discuss new developments andim TALKERS founder Michael Harrison will talk about UNESCO’s World Radio Day. “Tech Talk Live!” can be streamed on YouTube Live, LinkedIn Live, Riverside.fm or the Comrex Facebook page. Comrex says, “We are excited to regularly share tech tidbits, unfamiliar product features, some of the inner workings of the industry, and more. ‘Tech Talk Live!’ will feature a new episode monthly with each episode comprising four segments: ‘Ask a Techie’ – featuring a member of the Comrex technical support team to discuss a common problem customers run into and how to fix it; ‘Feature Focus’ – a dive into lesser known features of Comrex products that provide even more functionality and ease of use; ‘The Insiders’ – featuring a guest industry expert to chat about a product/service they offer that is complementary to Comrex codecs and how it makes the job of the end user easier; and ‘Nerd Alert’ – exploring different products, features, happenings and more that may interest those with a more technical background.” Get more information on “Tech Talk Live!” via email at ttl@comrex.com and find out more about Comrex here.

Industry News

13 Ideas to Celebrate World Radio Day 2024

By Michael Harrison
Founder
TALKERS

imThe United Nations and its specialized agency, the United Nations Educational, Scientific and Cultural Organization (UNESCO) have given the radio industry all around the globe an invaluable gift. It’s called “World Radio Day 2024.” Now in its 13th installment, WRD takes place annually on February 13 with the purpose of spotlighting the accomplishments, importance, and ongoing relevance of the radio medium as it evolves deeper into the 21st century. This year’s WRD theme is “Radio: A Century Informing, Educating and Entertaining.” By officially designating the platform as worthy of its own officially sanctioned UN International Day, the august world body has recognized, spotlighted, and endorsed radio’s continuing relevance and potential for being a vital force for the betterment of humanity.

On a global level, the scope of radio is huge. However, we, practitioners of radio in America, face formidable challenges keeping the spirit and uniqueness of the platform viable as both a business and iconic connector as it faces stifling debt, exotic competition, a generational divide, creeping censorship, and the growing risk of simply getting lost in the noise and distractions of the ceaselessly evolving digital era. I strongly encourage my American colleagues to embrace WRD 2024 for the fabulous opportunity it offers our industry to make a compelling and inspiring case for the ongoing importance and positive impact of radio to inform, educate and entertain.

Please read and consider any or all of the “13 Ideas to Celebrate World Radio Day 2024” posted on the UNESCO website and in this edition of TALKERS magazine. To see the list of 13 ideas, please click here.       

Michael Harrison can be contacted directly via email at michael@talkers.com.

Industry News

13 Ideas to Celebrate World Radio Day 2024

By Michael Harrison
Founder
TALKERS

imThe United Nations and its specialized agency, the United Nations Educational, Scientific and Cultural Organization (UNESCO) have given the radio industry all around the globe an invaluable gift. It’s called “World Radio Day 2024.” Now in its 13th installment, WRD takes place annually on February 13 with the purpose of spotlighting the accomplishments, importance, and ongoing relevance of the radio medium as it evolves deeper into the 21st century. This year’s theme is “Radio: A Century Informing, Educating and Entertaining.” By officially designating the platform as worthy of its own officially sanctioned UN International Day, the august world body has recognized, spotlighted, and endorsed radio’s continuing relevance and potential for being a vital force for the betterment of humanity.

On a global level, the scope of radio is huge. However, we, practitioners of radio in America, face formidable challenges keeping the spirit and uniqueness of the platform viable as both a business and iconic connector as it faces the growing risk of simply getting lost in the noise and distractions of the ceaselessly evolving digital era. I strongly encourage my American colleagues to embrace WRD 2024 for the fabulous opportunity it offers our industry to make a compelling case for the ongoing importance and positive impact of radio to inform, educate and entertain.

Please read and consider any or all of the following “13 Ideas to Celebrate World Radio Day 2024” posted on the UNESCO website and in TALKERS magazine.

1. World Radio Day Minutes. Air the UNESCO package of 20 pre-produced “World Radio Day Minutes”. They are 60-second audios discussing interesting aspects of the radio medium during its first 100 years of service to humanity. The texts figure in their descriptions so that you have the option of producing your own episodes in other languages. These short-form audios can be programmed on a schedule of your choosing leading up to and on February 13, World Radio Day (WRD). You can run them as non-commercial announcements or offer them for local sponsorships.

2. Talk Shows Celebrating Radio. Program (pre-produced or live) talk shows with local and national experts talking about the importance of radio for quality information, highlighting its 100-year history and continuing relevance. Recruit legendary and retired radio personalities known to your audience to participate in these programs supplemented by real clips from the past to be aired leading up to or on February 13.

3. World Radio Day 2024 Live Event.  Schedule a live indoor or outdoor event (depending upon climate) on February 13 celebrating World Radio Day 2024. Invite listeners free (or charge admission in conjunction with a charity). Feature a panel discussion about the relevance of the entire audio sector in a changing media world as well as local legends telling stories about their service to the public through radio. Supplement it with display tables presenting local businesses and sponsors. Consider holding it on a local college or university campus in conjunction with the school’s communication department. Organize a group of diverse stations (either under one corporate umbrella/cluster or actual competing ones) to join forces in support of information, entertainment and education through radio in general. The results will be beneficial for everyone involved.

4. World Radio Day 2024 Sponsorship with Local Consumer Electronics Store/Chain. Arrange a sales promotion with a local store or chain of stores within your market to offer listeners a significant one-day discount (February 13) on all AM/FM radios and radio-related equipment.

5. International Dialogue. Schedule interviews/conversations (either live or prerecorded) with your broadcast colleagues from other countries to compare and contrast the history and strength of radio in their respective countries on or leading up to February 13. These shows can be simulcast on both stations or simply be one host interviewing another.  For Partnership Opportunities, please check here which stations or partners around the world are interested in collaborative programming and you could contact now.

6. The Greatest “Radio Songs” of All Time.   There are songs in almost every pop music format that contain the word “radio” in them or refer to the medium of radio.  Highlight the “Greatest Radio Songs of All Time” into your playlist intermittently or as a “countdown show” on February 13 in commemoration of World Radio Day 2024. This is an easy and simple way to highlight World Radio Day and create a fun and entertaining programming element.

7. Visit to a Radio Station. Offer guided tours of your facilities to listeners or local school classes leading up to and on February 13 in celebration of World Radio Day 2024. This will be an effective outreach to a younger generation of new listeners and create community goodwill.

8. Radio and Emergencies. Emphasize radio’s impact as an informational public safety net entering its second century of service. Use World Radio Day 2024 as a reason to talk about and remind listeners of the value of the medium to provide a lifeline to the public when the electricity goes out and the internet goes down. There are numerous examples in just the past year alone to draw from in terms of earthquakes, wildfires, and storms in which radio news helped people in distress in real time. This is also a talking point in the current issue about some automobile manufacturers choosing to not equip new car models with AM radios.

9. Theater of the Mind. Use World Radio Day 2024 as a focal point for radio being the “Theater of the Mind” by producing your own locally produced radio dramas and airing them on February 13. You’ll provide intelligent entertainment, support cultural expression, and stimulate listener interest.

10. Radio, the Original Interactive Mass Medium. Recognize radio’s claim to the title “The Original Interactive Mass Medium” and “The Original Social Media” by using these phrases as often as appropriately possible on February 13. Radio pioneered the concept of taking live calls from listeners on the air to give opinions and receive advice in addition to playing musical requests and announcing dedications in real-time on the air. Highlight the interaction with listeners.

11. Take Me Out to the Stadium. Radio was the first mass medium to provide live, real-time play-by-play coverage of sporting events. The history of radio’s connection to sports is deep and rich. There is a lot of colorful sports broadcasting history to discuss in celebration of World Radio Day 2024 and nourish vibrant conversations.

12. Podcasts. Post several new and timely podcasts featuring quality conversations and panel discussions with experts and leaders in the radio profession from around the world as supplemental World Radio Day 2024 content on your station or network website.  You can also generate your own podcasts and programs about radio for placement on your website or general distribution.

13. Positive and Pro-Active – Accomplishment, Pride and Hope. World Radio Day 2024 provides you with a supportive platform and focal point to pursue business, civic and social relationships within your community, and protect free, independent, pluralistic radio.  WRD 2024 symbolizes radio’s century of accomplishment, pride in the present and hope for the future.  Celebrate World Radio Day 2024 spreading this optimistic perspective leading up to, during and following February 13.

For more information, visit https://www.unesco.org/en/days/world-radio

Michael Harrison is a legendary American broadcaster who has served as executive advisor to UNESCO for World Radio Day 2024. He can be contacted via email at michael@talkers.com.

Industry News

CES100th, Radio Roots

By Holland Cooke
Consultant

imIf you’ve been seeing CES coverage on network and cable newscasts this week, you’ve heard it called “the Consumer Electronics Show,” despite we-the-media being told not to. They want us to say “CES,” although, years ago, the Consumer Electronics Association changed its name to the Consumer Technology Association, not its first rebrand.

Back in 1924, it was the Radio Manufacturers’ Association, and eventually it became the Radio & Television Manufacturers’ Association. For all those years – and for decades after it morphed into the CEA – this organization advocated for companies that made… things.

Back-to-the-future: Many of the big stories at CES2024 aren’t about products that come in a box. Artificial Intelligence is big here this year, nonchalantly referred to as “AI.” But – because we should avoid initials that aren’t self-explanatory – you’re hearing CES called “the Consumer Electronics Show;” and smart reporters use “Artificial Intelligence” on first reference.

And one particularly insightful session I attended got me thinking about radio’s “initials.” When we say our call letters, do listeners think about what we were, or what we can do now do?

“All Media is Social Media” panelist Isabel Perry, VP of emerging technology at pioneering digital agency DEPT said a mouthful, in a savvy British accent: “Your brand is not what you tell your customers. It’s what your customers tell each other about you.” And declaring that “media is now communal,” fellow panelist and former TikTok executive Melissa Eccles urged “Invite people to participate.”

Robotic music stations with too many commercials are disadvantaged. Swifties don’t need FM to hear Taylor. She’s already on their phones…and Alexa, and SiriusXM, and YouTube, and streams. Talk radio that’s I-talk-you-listen is a caricature. Media consumers expect to interact. As Larry King said, “I never learned anything while I was talking.”

Yes, there are huge TVs and flying cars here, and CES is still gadget heaven. But 100 years ago – when families sat around large AM receivers, seeming to watch what they were hearing – simply broadcasting at-them was a business. I leave Las Vegas reaffirmed that ENGAGING people is now, in gambling parlance, table stakes.

Covering CES this week for TALKERS, I’m also offering stations 60-second reports. Help yourself at HollandCooke.com.

Holland Cooke (HollandCooke.com) is a consultant working at the intersection of broadcasting and the Internet. He is the author of “Close Like Crazy: Local Direct Leads, Pitches & Specs That Earned the Benjamins” and “Confidential: Negotiation Checklist for Weekend Talk Radio.” Follow HC on Twitter @HollandCooke

Industry News

iHeartMedia Central Florida’s Barbara Latham to Retire

Longtime iHeartMedia Central Florida executive and current area president Barbara Latham will retire, effective March 29. The 39-year iHeartMedia veteran has served as region president for Central Florida that includes talk WTKS-FM and news/talk WFLF-AM in Orlando, plus numerous music brands since April 2021. iHeartMedia division president Tom McConnell states, “Barb has excelled in multiple roles throughout her tenured career at iHeart. Although we will miss her leadership and strategic thinking, we wish her nothing but the best as she begins this exciting new chapter.” Latham says, “I am so excited about this new chapter in my life. Thirty-nine years flew by! I’m happy to have worked for iHeart for almost four decades, and I’m honored to have had the opportunity to work with and lead a tremendous team of professionals and iconic brands.”