Industry News

Tom Bauerle Exits WBEN-AM, Buffalo

Buffalo talk radio personality Tom Bauerle was fired from Audacy’s news/talk WBEN-AM, Buffalo on Friday – the day after imghe returned from a sold-out trip with listeners to Italy. Bauerle didn’t go into details about exiting the company’s Buffalo cluster where he’s been on the air – if you include his time at sister sports talker WGR – for the past 42 years but it stands to reason the decision by management was a financial one. It’s unclear what Audacy’s plans for the afternoon drive daypart are. As of today, Bauerle’s show is still listed on the station’s website.

Industry News

Dan Bongino Returns to Radio on Syndicated Afternoon Drive Show

Cumulus Media’s Westwood One is launching a syndicated radio show starring Dan Bongino that will debut next Monday (8/24). The program is called “The Bongino Report PM with Dan Bongino and Shawn Farash” that will air live 3:00 pm to 6:00 pm ET. imgBongino returned to the Cumulus fold doing his podcast that’s sold by the Cumulus Podcast Network after leaving his assistant director position with the FBI. The new show will feature Shawn Farash hosting the first hour and Bongino hosting hours two and three. Bongino comments, “I’m excited to partner with Shawn to bring listeners a daily program focused on the stories that matter most. Our goal is simple: deliver honest analysis and keep ourimg audience informed and engaged. Radio remains one of the most powerful ways to connect directly with people, and I’m excited to be back on Westwood One!” Farash adds, “This is an incredible opportunity for me to connect with listeners across the country every day. Working alongside Dan and the team at Westwood One allows us to bring a fresh, energetic approach to afternoons while staying focused on the stories our audience cares about most.”

Industry News

Cumulus Media Q2 Net Revenue Down 9.7%

Cumulus Media – which is still awaiting approval from the FCC as it works to exit Chapter 11 reorganization – reports its operating results for the second quarter of 2026 and reveals net revenue of $167.9 million, a decline of 9.7% from the same period in 2025. The company reports a net loss of $9.2 million, down from the img$12.8 million net loss it reported for the same period in 2025. Breaking down the company’s revenue by segment, broadcast spot revenue was $81.5 million, down 10.6% from a year ago; network revenue was $21.4 million, a decline of 21.5% compared to 2025; and digital revenue was $38.7 million, basically flat compared to Q2 of 2025. Cumulus Media CEO Mary G. Berner comments, “We are pleased to report our second quarter earnings. With our plan of reorganization confirmed by the court and the FCC approval process well underway, we are positioned to emerge from Chapter 11 with a stronger balance sheet to capitalize on future market opportunities.”

Industry News

WJJF Host Lee Elci Running for State Senate in Connecticut

Lee Elci is the morning host at Red Wolf Broadcasting’s news/talk WJJF-FM, Montauk, New York and he announces that he’s throwing his hat in the ring as a Republican candidate for the Connecticut State Senate in the 20th District. Numerous Connecticut media outlets are reporting the story, including LymeLine, and Elci tells the imgnews site, “There’s a great quote from Theodore Roosevelt back in 1910 about being ‘a man in the arena,’ I think it’s time for me to get in the arena and try to do what’s right.” Elci is entering the race a bit late after the candidate endorsed by the Connecticut Republican Party in May – Ron LaBonte – says he’s no longer able to run for the office currently held by Democrat Martha Marx. The Connecticut State Legislature is a part-time body that meets for several months during the first half of the year. Elci says he could do both jobs if he wins the race. Elci tells LymeLine he will continue to do his show and will not talk about his campaign or issues involving towns in the district. See the LymeLine story here.

Industry News

Gaines and Rose Exit Cumulus’ KFRU, Columbia

As Cumulus Media continues its culling of local personalities at its stations across the country, the majority of those being let go served at music outlets. But there have been talk hosts also getting pink-imgslipped including KFRU, Columbia, Missouri talk hosts David Gaines and Simon Rose. Gaines posted to Facebook: “As of this week, I’m no longer with Columbia’s heritage radio station KFRU. Corporate downsizing, the elimination of Cumulus Media positions nationwide, hit our market this week. That’s the nature of this business. Despite this setback, I’m writing this with a sense of gratitude. These past 18 years have been such a wonderful stretch of my career. I’ve worked with so many talented and creative people. Been a part of countless wonderful events. Interviewed multiple local and state leaders, and interesting guests from all walks of life.” Rose’s wife Jenna posted to Facebook: “Simon Rose has come to the end of a legendary run in local radio. He weathered plenty of rounds of belt-tightening over the years, but this time was the one he didn’t survive. The hardest part for him isn’t the ending itself – it’s that he didn’t get the chance to say a proper goodbye to the listeners on either station. He wants them to know how much being part of their lives has meant to him. They have been with him since before we were married and took daily interest in him and our growing family. Thank you for that.”

Industry News

Salem Media Q2 Revenue Down 15.2%; Net Loss Narrows Significantly

Salem Media is a company in transition as it prepares to go private after a deal to be acquired by WaterStone was announced in May. That deal has WaterStone acquiring all outstanding shares of Salem Media common stock for $1.00 per share, representing approximately a 250% premium over Salem’s recent trading price. imgFor the second quarter of 2026, Salem’s net revenue was $45.9 million, a decrease of 15.2% from the same period in 2025. On the plus side, Salem’s net loss for the quarter was $3.4 million, a dramatic 81% decline from the $17.6 million net loss it reported a year ago. By segment for the quarter, Salem’s broadcast advertising revenue was $17.85 million, a dip of 11.3% compared to Q2 of 2025; broadcast programming revenue was $34.3 million, a decline of 6.3%; and digital revenue was $32.7 million, a decrease of 12.5%.

Industry News

Beasley’s 2026 Second Quarter Net Revenue Falls 16.7%

Beasley Broadcast Group’s financial report for the second quarter of 2026 reveals net revenue of $44.1 million, a decrease of 16.7% from the same period in 2025. The company posts net income of $84.3 million, a big turnaround from the net loss of $154,175 that it reported in Q2 of 2025. Beasley CEO Caroline Beasley comments, “While second quarter results continued to reflect pressure across portions of the traditional advertising marketplace, imgwe are encouraged by the progress we’re making in transforming Beasley into a more diversified, higher-margin media company. Our digital and local direct spot businesses continue to build momentum, our cost structure is significantly more efficient than it was a year ago, and we remain focused on improving the quality of our revenue. We believe these initiatives are creating a stronger operating foundation and positioning the company for more consistent financial performance over the long term. At the same time, we continue to execute against the financial priorities we established at the beginning of the year. We are operating with discipline, allocating capital thoughtfully, and taking deliberate actions to strengthen our balance sheet through debt reduction, portfolio optimization, and improved financial flexibility. These efforts, combined with our ongoing operational initiatives, are designed to improve cash flow generation and create long-term value for our shareholders. Looking ahead, our strategy remains unchanged. We are focused on delivering sustainable revenue growth, expanding EBITDA through continued operating discipline and higher-margin revenue, and further reducing leverage over time. While the broader advertising environment remains dynamic, we believe the actions we are taking today are positioning Beasley to emerge as a stronger, more profitable, and more resilient company.”

Industry News

Bill Carroll Returns to “Newstalk 1010” in Toronto for Midmorning Show

Canadian talk radio host Bill Carroll, who spent six years as a talk host at iHeartMedia’s KFI, Los Angeles, is returning to the station he worked at earlier in his career. He’s been hosting “The Morning imgRush” program on Bell Media’s CFRA, Ottawa for the past 10 years. Now, he’ll also do a one-hour, Toronto-focused show from 9:00 am to 10:00 am on CFRB “Newstalk 1010.” Last fall, Bell Media and iHeartMedia announced a long-term extension of their partnership that created the iHeartMedia Canada digital platform. That relationship has brought content, including more than 360 licensed Canadian radio stations across 170 markets, hundreds of thousands of podcasts, playlists, and on demand content to Canada.

Industry News

Simon Conway Interviews Administration Officials

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Pictured above is WHO, Des Moines afternoon drive host Simon Conway (center) with House Majority Leader Steve Scalise (left) and Iowa Congressman Zach Nunn (right) at a local restaurant where Scalise was speaking in support of Nunn. Later in the day, Conway interviewed Treasury Secretary Scott Bessent in the WHO studios. Conway tells TALKERS, “WHO Radio is still a huge attraction for these senior members of House Leadership and indeed the Trump Administration. It’s an honor to chat with them.”

Industry News

Zimmer Petitions FCC for Ownership Cap Exemption

Zimmer Communications files a request with the FCC to waive the ownership cap for its acquisition of four radio stations from Mid-West Family Broadcasting that includes sports talk KOSP, Springfield, Missouri “102.1 The Won” and three music brands. imgZimmer argues in its filing that relief from the ownership cap would not adversely affect competition in the Springfield, Missouri market and notes that if approved, its revenue share in the market would be 33.6% (up from its current 8.5%), while SummitMedia’s revenue share is currently 34.8%. Zimmer goes on to add that in terms of audience share, Zimmer would have 21.3% of the market’s audience compared to iHeartMedia’s 22.3%. Additionally, Zimmer points out that, if approved, 18 different owners would control stations in the Springfield market.

Industry News

iHeartMedia Posts Consolidated Q2 Revenue Up 4.7%

It’s second quarter earnings season and iHeartMedia reveals that its Q2 consolidated revenue was $977 million, an increase of 4.7% over the same period a year ago. The company posts a net loss of $82.4 million, down 1.3% from the $83.5 million is posted in Q2 of 2025. iHeartMedia reports financial data by segments and its Multiplatform Group (which includes broadcast radio and network radio) saw revenue fall 2% to $536 million. Broadcast radio revenue for the quarter was $397.6 million, up 0.5% from Q2 of 2025, and network revenue was $103.7 million, down 3.8%. The imgcompany’s Digital Audio Group revenue was $364 million, up 12% over Q2 of 2025, with the podcast segment rising 21% on revenue of $162 million. iHeartMedia chairman and CEO Bob Pittman comments, “We’re pleased with our second quarter results, generating Adjusted EBITDA of $152 million, slightly above the midpoint of our previously provided guidance range. Our consolidated revenue was $977 million, up 4.7% compared to the prior year quarter and above our guidance. Our podcast revenue momentum continues, up 20.7% compared to prior year, and in addition to helping propel our growth as the #1 podcast publisher, our broadcast radio assets have also allowed us to develop and drive the new video podcast marketplace – an incremental growth opportunity for us, including on streaming video services including Netflix and Disney+ and Hulu, which we announced today. And our work in building our digital assets continues to pay off; this is the sixth consecutive quarter in which the Digital Audio Group Adjusted EBITDA is larger than the Multiplatform Group Adjusted EBITDA.”

Industry News

Carr Congratulates Thumann Severs on FCC Nomination

President Donald Trump is nominating Danielle Thumann Severs for a seat on the Federal Communications Commission. She has served two stints at the FCC focusing on matters before the Wireline Competition Bureau, the Public Safety and Homeland imgSecurity Bureau, as well as the agency’s Consumer and Governmental Affairs Bureau. FCC Chairman Brendan Carr states, “I want to congratulate Danielle on her nomination to serve as a Commissioner on the FCC.  Danielle is a dedicated public servant and has worked with skill and distinction on some of the most important matters before the agency.  Danielle has delivered policy wins across the FCC’s economic agenda – from bridging the digital divide and protecting consumers to advancing public safety.  With the advice and consent of the Senate, Danielle would make a terrific Commissioner.”

Industry Views

Monday Memo: Radio’s New Fall Season

By Holland Cooke
Consultant

 

imgAs TV is touting its coming attractions, take a step back. We – inside the box – live-and-breathe radio.

Listeners have their hands full just living and breathing. Their day is time-crunched and financially-challenged, and we want to be its soundtrack. But listening is free, unlike umpteen other purchase decisions they agonize. So what’s high-stakes to us is low-stakes to them.

We only matter if we matter, and we’ve never had so much audio competition.

  • This month, as the school year begins in so many places, the listeners local retailers want as customers revert to “normal.” Their tempo changes, and builds to a holiday season climax. Do they know who you are and how you can help?
  • Off-air promotion (remember that?) merely says give-us-a-try. When they do, does what they hear deliver? Even with scant (or no) off-air promotion, much of what you can do to become more habit-forming costs nothing. As consultants do, I’m talking about “the fundamentals,” the blocking-and-tackling stuff. For starters, think: recognition and relevance.

Who are you?

  • Are call letters or station nickname delivered frequently? PPM myth: call letters matter less. Baloney. Awareness drives use. Ditto your dial position(s) and how to listen via smartphone, smart speaker, and streams. Name-and-address.
  • As your listeners cume 3 stations this week, help ’em remember yours more than the other 2 (not to mention streams and satellite radio and podcasts). And are you selling — or merely reciting — call letters, dial position, and slogans? This is often an issue with veteran talent, creatures of habit.

“Who cares?”

Or as my WTOP successor Jim Farley (RIP) asked: “W.G.A.S.?” He hung a sign in the newsroom there, meaning “Who Gives A Shit?”

  • Are topics relatable and useful? Enable listeners with helpful information, and they’ll keep coming back.
  • Do you say “you” and “your,” a lot? It’s a litmus test for relevance.
  • Do you keep setting the stage as audience tunes in? Someone JUST got in the car.
  • Are you teasing the next quarter hour? And what you’ll offer same-time-tomorrow?
  • Even with apps in the dashboard, weather and traffic are super-local and can be super-impactful.
  • Is your on-air imaging about the station? Or about listeners’ lives? “Because ONE traffic jam can jam-up your whole day…”

There’s more from radio’s right-now To-Do list at HollandCooke.com

Holland Cooke is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn

Industry News

Sabo Sez: Mitch Reed’s Deserved Award

imgBy Walter Sabo
A.K.A. Walter Sterling
Host, The Other Side of Midnight
WABC, New York / Red Apple Audio Networks

The Radio Hall of Fame has just announced their “Legends” inductees, and it includes B. Mitchell Reed. YES!

One of the minor injustices of radio is the curious legacies of Tom Donahue and B. Mitchell Reed relative to the creation of free-form progressive rock radio. They were best friends with parallel careers. Both were top-of-their-game “screaming” Top 40 DJs. Tom in San Francisco, Mitch in LA and NYC. Top earnings, ratings, and both around 40 when they went to the Monterey Pop Festival. There they learned that their teens were changing fast. Harder rock, anger about Vietnam, and drugs. They knew their style of radio was out of synch with the moment.

Every day on his way to work in LA, Mitch drove past the Pasadena Presbyterian church and noticed a radio antenna on the grounds.

The tower was pumping out an FM signal that covered Los Angeles, broadcasting from the basement of the church. Underground. Mitch talked to the preacher he met along the way. And he bought time on the station at night and experimented with playing hard rock and a new form of presentation. His friend Donohue sent tapes from San Francisco, and the two of them created “free form” radio (also referred to as “underground” radio) from the basement of the church. The frequency became KPPC-FM.

Note: both of them created free-form radio at risk to their careers and income while over the age of 40. Tom continued as a progressive rock jock in San Francisco, and Mitch became an icon in Los Angeles as an album rock jock on KLOS and KMET. Oddly, Tom gets more of the image and credit, but they were very much partners.

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B. Mitchell Reed (l), his wife Carol (c), and Michael Harrison (r) at KMET, Los Angeles in the late seventies.

Walter Sabo has been a C-Suite action partner for companies such as SiriusXM, Hearst, Press Broadcasting, Gannett, RKO General, and many other leading media outlets. His company, HITVIEWS, in 2007, was the first to identify and monetize video influencers. His nightly show “The Other Side of Midnight” is heard on WABC, New York and the Red Apple Audio Network 1:00 am – 5:00 am. His syndicated show, “Sterling On Sunday,” from Talk Media Network, airs 10:00 pm – 1:00 am ET, and is now in its 10th year of success. He can be reached by email at sabowalter@gmail.com. He can be phoned at 646-678-1110.

Industry News

Worldwide News Network (WWNN) Launches Weekend Business Reports – WTOP, Washington, DC Becomes First Affiliate 

WWNN logoRed Apple Audio Networks’ recently launched Worldwide News Network (WWNN) is stepping into the weekend business and financial news space with the launch of WWNN Weekend Business Reports, a new series of reports delivering timely, insightful coverage of the markets, the economy and the companies driving growth. The reports debuted on Hubbard Broadcasting’s WTOP in Washington, DC, this past Saturday, August 1, marking the first affiliate partnership for the new service.

According to Red Apple, WWNN Weekend Business Reports will go beyond traditional market updates, focusing on the industries and economic sectors shaping the future, including automotive, technology and entertainment. The reports will also spotlight breakthrough companies and emerging trends driving innovation.  The reports are being anchored and produced by veteran correspondents John Terrett and Jake Novak.

“WWNN is not simply filling the gap left by the demise of the CBS Radio Network,” said Lee Harris, SVP, news & programming, Worldwide News Network. “We’re building something stronger and more relevant for today’s audience. John and Jake bring extraordinary experience and credibility, and more importantly, they know how to make complicated financial and economic stories understandable, compelling, and actionable. That’s what makes these reports different.”

“Our listeners want and need insightful financial and business news they can trust, and they depend on us to deliver it every day of the week,” said Julia Ziegler, director of news and programming at WTOP. “As the industry has contracted over the last few years, it has left a void. It is exciting to work with a company like WWNN that understands the importance of providing quality reporting seven days of the week.”

Industry News

John Knicely, Kevin Kugler, Steve Lundy and Ken Siemek to enter Nebraska Broadcasters Association (NBA) Hall of Fame

Nebraska Broadcasters Association2022 logo

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The Nebraska Broadcasters Association will induct John Knicely, Kevin Kugler, Steve Lundy and Ken Siemek into the NBA Hall of Fame on Tuesday, August 11, in Lincoln during the NBA Annual Convention. Established in 1972, the NBA Hall of Fame will grow to 127 members with these pending inductees.

From his start as a TV sportscaster through his 34 years as a news anchor on Omaha’s WOWT-TV, John Knicely set a long-term standard for credibility and trust in Nebraska’s most competitive television market before retiring in 2025.

Kevin Kugler has the most extensive play-by-play résumé of any Nebraskan, and he continues scaling new heights on a national level.

In a career approaching 50 years and still counting, Steve Lundy has entertained listeners and served local communities on some of Nebraska’s most legendary radio stations. He got his on-air start in 1977 at KHUB in Fremont, and over the next 23 years, Steve was heard in Omaha on WOW, KOIL, KEFM, KQKQ and KKAR. After four years on Lincoln’s KLIN, Steve joined Omaha’s country music-formatted KXKT in 2004, where he currently serves as co-host of “Steve & Gina in the Morning.”

Over the course of his 44 years on KOLN, Lincoln, and KGIN-TV, Grand Island, meteorologist Ken Siemek led the stations’ weather department through massive technological changes—from handwritten weather symbols and temperature readings to the latest radar and satellite weather-forecasting technology. He retired in 2025.

Industry News

97.5 The Fanatic in Philly Announces New On-Air Lineup Featuring Jon Marks in Morning Drive

Fanatic Philly logoBeasley Media Group’s 97.5 The Fanatic (WPEN-FM), Philadelphia’s announced a new weekday on-air lineup highlighted by the promotion of current midday host Jon Marks to the station’s morning drive program. Beginning Monday, August 17th, Marks will join Andrew Salciunas as co-host of the weekday morning show from 6:00 to 10:00 am, following the departure of John Kincade. Marks, who currently hosts the station’s popular “Middays with Marks” program, will transition to mornings alongside Salciunas, who has been part of the morning show for the past two-and-a-half years. The move pairs one of Philadelphia’s most recognized sports radio personalities with one of the market’s emerging voices while maintaining a strong local focus during the station’s highest-profile daypart.  The programming changes also create new opportunities across the station’s weekday schedule. Ray Dunne, who previously served as producer of the station’s midday program, moves into an on-air hosting role and will join Sean Brace to lead the midday show from 10:00 am to 2:00 pm. Meanwhile, “Unfiltered with Ricky Bo and Bill Colarulo” will continue in afternoon drive from 2:00 pm to 6:00 pm.  “Jon Marks has earned the trust of Philadelphia sports fans through years of outstanding work on the air, making him a natural choice to drive our morning show” said Paul Blake, Vice President and Market Manager, Beasley Media Group Philadelphia.  “Along with Andrew, Sean, Ray, Ricky and Bill, we’re confident this lineup reflects the depth of talent at The Fanatic and reinforces our commitment to delivering the best local sports talk in Philadelphia.”

Industry News

New England Talk Radio Icon Howie Carr to Give Public Talk on Corruption, Crime, and Politics at Hyannis Arts Hall

03211822259Long known as the kind of radio talk show host who can “draw a crowd,” legendary New England personality, best-selling author, newspaper columnist, and broadcasting entrepreneur Howie Carr will bring his passion, wit, and personal experiences in journalism to the Hyannis Arts Hall stage on Sunday, August 16, where he will speak from 4:00 to 5:30 pm.  Carr, host of the largest regionally syndicated talk radio show in New England, will bring his unmistakable blend of outspoken passion and confrontational conservative politics to what is expected to be a sellout live audience. Tickets are available on Eventbrite.com. In 2015, Howie Carr launched The Howie Carr Radio Network, the first major host-owned radio network in New England. Carr quickly grew his network from a few stations in Massachusetts to more than 20 terrestrial radio stations across New England. The Howie Carr Radio Network is the only radio network reaching a majority of the 14 million people living in New England. Carr has authored numerous books, including the bestselling The Brothers Bulger, Hitman, and other works focused on Boston’s underworld and political corruption. Copies of some titles will be available for sale at his appearance.

Industry News

1210 WPHT Raises Over $45,000 for Families Behind the Badge Children’s Foundation at the 2026 Ben to the Shore Bike Tour

WPHT, Philadelphia raised over $45,000 for the Families Behind the Badge Children’s Foundation during the 39th annual “Ben to the Shore Bike Tour” (7/29). All proceeds go towards supporting families of fallen or critically injured first responders by providing financial assistance and offering programs that strengthen relationships between first responders and the communities they serve. The annual 65-mile cycling event began in Philadelphia and concluded in Atlantic City, NJ. This year’s “Team Kayal and Company” featured on-air personalities Nick Kayal and Dawn Stensland along with station brand manager Greg Stocker who rode alongside dozens of teammates and supporters in a shared commitment to honoring first responders and the families they protect.  “The Ben to Shore ride is one of the most inspiring events our station participates in each year,” said Stocker. “Families Behind the Badge has a deeply meaningful effect on our community, and we are so grateful for the opportunity to support them with the help of our listeners, sponsors and teammates.

Industry Views

The Algorithm is Listening

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By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Legal Group, Senior Partner
Goodphone Communications, Executive Producer

Radio once measured the audience… now digital platforms use the audience to decide what happens next

Radio programmers have always watched the audience. The difference for programmers today is that the audience can now watch back, respond instantly, influence the show, and determine whether the next person ever receives it.

That is the practical meaning of an algorithm for a broadcaster. It is not a mysterious robot hiding inside the black box of an enigmatic social platform. It is a set of instructions used to make decisions. On YouTube, Facebook, TikTok, Spotify, Twitch, and other services, those instructions help determine which content gets shown, to whom, in what order, and under what circumstances.

Radio has used simpler forms of algorithmic thinking for decades. A music clock is a set of instructions. So is a rule prohibiting two songs by the same artist within a specified period. Or two female vocals in a row. A programmer who schedules news at the top of the hour, traffic twice an hour, and the strongest feature before a commercial break has created a decision system.

Digital algorithms do something more consequential. They do not merely organize the program. They organize the audience around each individual piece of content.

From diaries to PPM

The traditional radio diary asked selected listeners to record what they heard and when they heard it. Nielsen defines the diary as a measurement method in which respondents manually record their listening habits. Those reported habits are then used to estimate listening across a larger market.

The system was necessarily crude. A diary could show that someone reported listening to a station during morning drive. It could not reliably establish whether that person loved the program, ignored it, hated it, stayed because the station was playing in a waiting room, or simply remembered the call letters incorrectly.

Still, the diary produced an enormously valuable number. Ratings influenced advertising rates, station formats, talent contracts, syndication opportunities, and management decisions. The ratings service measured the audience, but the station still controlled the programming and the transmitter.

The Portable People Meter changed the speed and granularity of that feedback. PPM panelists carry a small device that detects inaudible identification codes embedded in participating broadcasts. Instead of relying entirely on a listener’s memory and written entry, the meter passively detects exposure to encoded audio.

That gave programmers something closer to immediate feedback. They could study audience movement within smaller portions of a show, identify apparent tune-out points, compare features, evaluate commercial breaks, and make changes much more quickly.

PPM therefore became the bridge between traditional ratings and algorithmic distribution. The diary remembered the audience. PPM observed the audience more closely. Both still produced information for human beings to interpret.

A programmer could see a decline and decide to shorten a segment. The meter did not shorten it. A consultant could conclude that a feature hurt retention. The PPM system did not prevent tomorrow’s listeners from hearing it.

The algorithm closes that gap.

(more…)

Industry News

Salem’s WNYM, New York (AM 970 The Answer) Teams with Hofstra’s WRHU-FM to Produce Series of 9-11 Tributes

Annie SiddiqueIn an impressive example of the productive synergy that can be generated by the teaming of campus and professional spoken word radio organizations,

Jim Berghorn

Salem’s WNYM, New York (AM 970 The Answer) is running a series of vignettes collectively titled “Courage, Sacrifice and Commitment” during the months of August and early September, featuring tributes to 9-11 first responders. These short form productions highlight stories of New York City’s heroes and give first-person perspectives on what happened the day of and after 9-11. The stories are being produced by Hofstra University / WRHU-FM student journalist Annie Siddique, who has developed into what has been described by WNYM and WRHU management as a “master interviewer” in organizing and producing this campaign. To sample an episode of the program featuring a profile of retired FDNY Lt. Jim Berghorn, please use player below, or click here.

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Industry Views

Monday Memo: Trust is the New Currency

By Holland Cooke
Consultant

Holland Cooke

It is now the ultimate competitive advantage, and for broadcasters it’s a survival strategy. In The Five-Year Century: Bold Leadership and Accelerated Outcomes in the Age of AI, Mihir Shukla and Nancy Hauge explain how—as artificial intelligence accelerates change and demographics reshape the audience—trust becomes the only durable asset radio and television can bank on.

The book describes a 2026 world where the “twin engines” of growth—population and productivity—have stalled. Birth rates are plunging, workforces are shrinking, and productivity has flatlined across most industries. Meanwhile, AI is compressing decades of innovation into months. This collision creates what the authors call “The Five-Year Century,” in which the pace of change overwhelms institutions built for slower times—broadcasting, for instance.

Radio and television were built on industrial-era assumptions: mass audiences, standardized programming, rigid schedules, and hierarchical decision-making. Those assumptions worked when the audience was broad, predictable, and captive. On February 9, 1964, the Beatles tripled Ed Sullivan’s ratings. Back to the future…

AI is rewriting the rules of content creation, distribution, and consumption. Personalized news feeds, customized ad loads, and algorithmic programming are expectations. Younger audiences don’t wait for a newscast; they expect a feed. They don’t tune in; they scroll. They don’t accept one-size-fits-all; they demand one-size-fits-me.

In this environment, trust becomes the new currency because it’s the one thing AI cannot manufacture.

Broadcasting’s advantage has always been credibility. When a storm hits, people still turn to local radio. When a shelter-in-place alert hits their phone, they still switch on local TV. That instinct is powerful, but it’s not permanent. Trust must be earned continuously, especially as AI-generated misinformation floods the ecosystem.

The book’s chapter on the “Trust Economy” makes a critical point: trust accelerates outcomes. High-trust organizations move faster, innovate more boldly, and adapt more effectively. For broadcasters, trust accelerates audience loyalty, advertiser confidence, and community relevance. But trust now requires new behaviors.

It requires transparency about how AI is used in newsrooms. It requires clarity about what is human judgment and what is machine assistance. It requires authenticity as AI-generated talent becomes increasingly commonplace—and increasingly convincing.

Trust requires broadcasters to lean into what humans do best: context, empathy, moral reasoning, and community connection. The book reminds us that “work worthy of human potential” is work that machines cannot replicate. For broadcasters, that means storytelling, accountability journalism, and the human presence that makes local media local.

By all means, assign AI the routine tasks: editing, logging, transcription, versioning, and production. Then reinvest the human time you save in the relationship between a station and its community. In The Five-Year Century, trust isn’t just a virtue. It’s a conspicuous differentiator. It’s the currency that will determine which broadcasters thrive and which fade into the noise of an algorithmic world. As our industry suffers workforce cutbacks, we risk downsizing trust.

To read two sample chapters and watch a short video interview with the authors, click here.

Holland Cooke is a consultant working at the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn.

Industry News

Audacy to Shut Down KXNT, Las Vegas

Longtime KXNT, Las Vegas host of the station’s morning show “News at 8,” Alan Stock delivered the sad news of the station’s demise to his listeners this past Friday.  Photo credit: the Las Vegas Review-Journal.   

After nearly 40 years as a mainstay of Las Vegas radio broadcasting, News Talk 840 KXNT will be going dark effective September 1.  Parent company, Audacy announced its plan to shut down the iconic news/talk outlet this past Friday (7/31) on longtime Las Vegas radio talk show host Alan Stock‘s one-hour morning program, “News at 8.” According to a report by John Katsilometes in the Las Vegas Review-Journal, Stock stunned his audience with the statement,  “I have an important update for our listeners. Effective September 1, News Talk 840 KXNT will conclude its broadcast operation.” Stock continued reading from a prepared statement: “To put it simply, the station’s transmitter site is shutting down. Our parent company, Audacy, explored a number of alternative transmission options, but ultimately wasn’t able to identify a technically and financially viable long-term solution. This wasn’t an easy decision. I know KXNT has been a part of this community for a long time, and it’s been an honor to spend time with you every day.” Stock continued, “I’m incredibly grateful to our listeners, our advertisers, and everyone who has made the station such an important part of Las Vegas.”  The article in the Friday NEON section of the Vegas publication went on to report that according to Audacy, Stock’s show will move to the company’s other Las Vegas news/talk property, KDWN 101.5-FM in its 8:00 am weekday time slot beginning Tuesday, September 1. At this point, Stock’s “News at 8” is the only locally-produced talk show on KXNT, a conservative platform that is otherwise home to nationally syndicated programming. The report states, shows hosted by such right leaning voices as Glenn Beck and Mark Levin will end their programming in Las Vegas, but still be available nationwide, as the station signs off. Station SVP/market manager Gina Massenzi said the station’s approximately 40 full- and part-time staffers would remain with the company. KXNT-AM 840 signed on under the call letters KVEG in 1986, mixing talk and middle-of-the-road music. In 1997, KVEG changed its call sign to KXNT, the “NT” standing for “News/Talk.”

Industry Views

The Advertiser Gave Us an AI Commercial… Isn’t that Enough?

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imgBy Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Legal Group, Senior Partner
Goodphone Communications, Executive Producer

Synthetic audio can turn one clearance problem into two
An advertiser sends a finished commercial to a station. The script came from one AI platform, the announcer’s voice from another, and the music arrived inside the final audio file. The production value is surprisingly good for a dental office. Then someone notices that the announcer sounds remarkably like Matthew McConaughey. He does not say “alright, alright, alright,” exactly, but he says something close enough to make the association obvious.

A conventional infringing commercial may misuse a song, recording, photograph, or written copy. An AI commercial can create the same copyright problem while adding another: the unauthorized commercial use of a recognizable person’s identity. One file can therefore produce two entirely different claims.

Copyright protects original expression, including scripts, music, and sound recordings. It generally does not give anyone a copyright in the sound of a natural voice. That does not make a distinctive voice free for advertisers to imitate.

Tom Waits established the distinction decades before generative AI. After Waits declined to participate in a Frito-Lay campaign, the company used a singer who imitated him in a radio commercial. Waits successfully pursued claims for voice misappropriation and false endorsement. AI now makes that imitation faster, cheaper, and potentially more convincing. Waits v. Frito-Lay⁠

The rights do not travel together 

Clearing the script or music does not clear the voice. Permission from the person whose voice was cloned does not clear protected material that the system may have reproduced. The station needs to ask two questions: Who owns everything in this commercial, and whose identity is doing the selling?

There is another wrinkle. The AI company may possess defenses that do not travel with the finished audio. In Walters v. OpenAI, ChatGPT falsely accused radio host Mark Walters of embezzlement. OpenAI defeated the defamation claim because the recipient encountered warnings that the system could be inaccurate, did not believe the accusation, verified that it was false, and did not republish it. Walters also failed to prove the necessary fault or damages. Walters v. OpenAI⁠ case summary⁠

That ruling did not grant AI companies blanket immunity. It does suggest an uncomfortable result for broadcasters. A provider’s warning that its output requires verification may help protect the provider while making it harder for a station to argue that airing the output without checking was reasonable. The company that generated the problem may have a better defense than the broadcaster that delivered it to the public.

California’s AI Transparency Act, operative August 2, 2026, now requires certain large AI providers to offer detection tools and place provenance disclosures in generated audio, images, and video. Those tools may help identify origin. They do not establish copyright clearance, consent, accuracy, or authority to imitate someone. California AI Transparency Act⁠

Stations should require advertisers to warrant both ownership and permission for identifiable voices or likenesses, backed by indemnification. AI has not replaced the old clearance problem. It can place a second problem beside it, then leave the broadcaster holding both.

Matthew B. Harrison is a media and intellectual property attorney who advises radio hosts, content creators, and creative entrepreneurs. He has written extensively on fair use, AI law, and the future of digital rights. Reach him at Matthew@HarrisonLegalGroup.com or read more at TALKERS.com.

Industry News

FCC’s Gomez Comments on ABC-Disney Case After Public Comment Period Closes

FCC Commissioner Anna M. Gomez continues to address the Commission’s forcing ABC/Disney to go through an early license renewal for its eight owned-and-operated television stations ostensibly for “news distortion.” After the recent close of the public comment period in the matter, Gomez states, “When given the imgchance to weigh in on whether to allow the FCC to continue its campaign of censorship and control, the American public showed up in a big way, and the vast majority who spoke up delivered the same message. They believe in the value of their local news, they trust those who cover their communities, and they understand that the FCC has no business deciding who is a journalist and what counts as real news. A small number of partisan voices tried to hijack this process into a referendum on a network they dislike, but the public refuses to let local stations become collateral damage in the FCC’s political games. The FCC has no authority to police the ideological balance of the airwaves, and no matter what this Commission does next, the record now makes clear that this was never a genuine search for the public interest.”

Gomez’s press release adds, “In the docket covering the early license renewal proceeding, the agency received more than 150,000 comments. In the docket covering the FCC’s effort to unwind a more than two-decade old precedent recognizing the interview portion of ‘The View’ as a bona fide news program, the agency received nearly 80,000 comments. In both dockets, totaling more than 230,000 comments, the vast majority of commenters defended the stations and rejected the FCC’s attempt to use its licensing authority to punish constitutionally protected speech.”