Industry News

Ramsey Press Publishes What No One Tells You About Money

Ramsey Press announces the publication of, What No One Tells Youimg About Money, the newest release from bestselling author and “The Ramsey Show” co-host Jade Warshaw. Ramsey Press says, “Warshaw draws from her own journey of paying off more than $460,000 of debt to offer readers a clear, practical way forward. She pairs honest storytelling with simple, hands-on tools readers can use to break cycles and build confidence that lasts. Unlike traditional money books that focus only on tactics. Warshaw adds, “People don’t need just another plan — they need a way to understand what keeps pulling them off track. When you deal with the emotional weight behind your money choices, that’s when real progress starts.”

Industry News

Salem Launches Jake Underwood Show on WHK, Cleveland

Salem Media names Jake Underwood host of the new late morning show on its O&O WHK-AM, Cleveland “1420 The Answer.” Underwood began his media career as a news anchor and reporter at WTAM, Cleveland covering state and local politics with a focus onimg accountability in government spending and policy. He has also served as executive director of the Medina County Republican Party and as national director of state legislation for Make America Healthy Again (MAHA) Action. Un Durwood says, “We’re creating a space where Northeast Ohioans can engage with the issues that matter most to them. Whether you agree or disagree, this show is about elevating the conversation and encouraging active participation in our community’s future. Educating and enlightening our fellow Ohioans in a style that encourages active audience engagement is what drives and motivates me. I look forward to mixing it up with those in our audience with whom I agree — and with those with whom I disagree.”

Industry News

Brandon Tierney Transitions to Streaming Show

Former WFAN, New York sports talk host Brandon Tierney has launched his streamingimg sports talk show just a couple of weeks after being ousted from WFAN due to the return of Craig Carton to that station’s afternoon daypart. Tierney and co-host Sal Licata were let go on December 19. Tierney’s new show “BT Unleashed” is streamed on YouTube and other platforms. Tierney tells the Brooklyn Reporter, “I thought it was a pretty easy decision. I felt the iron was hot. I certainly felt a desire for more of my work and I wanted to get right back out there. People understand that it was an abrupt ending at the FAN and that this is a pretty dramatic transformation.” See the Brooklyn Reporter story here. 

Industry News

TALKERS News Notes

New Affiliates for Erick Erickson. Nationally syndicated talk host Erick Erickson adds new affiliate stations including WMAC, Macon, Georgia; Virginia Talk Radio Network’s WIQO-FM, WBLT-AM/FM and WMNA-FM; WUSX-FM, Seaford, Delaware; WETR-AM/FM, Knoxville; and WBRP-FM, Baton Rouge.

MIW Management Webinar Set for January 15. Mentoring and Inspiring Women in Radio, Inc are presenting a webinar titled, “Management 101: Becoming an Impactful Leader,” next Wednesday, January 15 at 2:00 pm ET. Media executives including Townsquare Media Group COO Erik Hellum, StreamGuys’ Dara M. Kalvort, Audacy San Francisco’s Kieran Geffert, and WGN Radio’s Mary Boyle will appear as panelists. You can register here.

Industry News

Beasley to Celebrate 65 Years of Broadcasting

Beasley Media Group announces that it is marking its 65th anniversary this year and will commemorate the milestone throughout the year of 2026. The company was founded on December 3, 1961, when its late founder George Beasley was awarded an FCC license toimg build WPYB-AM in Benson, North Carolina. The company says that at a time when many smaller communities lacked access to local broadcasting, he recognized radio’s unique ability to inform, connect, and serve and that vision became the cornerstone of the company. Beasley CEO Caroline Beasley comments, “Reaching 65 years is a testament to the resilience, creativity, and dedication of the people who make Beasley Media Group what it is today. While we are incredibly proud of our legacy, this milestone is equally about where we are headed — continuing to evolve, embrace innovation, and strengthen the local connections that have always set us apart.” The company currently operates 55 radio stations in large and mid-sized markets. Beasley says the anniversary theme — “65 Strong: Forward Together” — reflects both the strength of the company’s foundation and its focus on the future.

Industry News

Newsmax Files Petition to Deny in Nexstar-Tegna Merger

Newsmax Media, Inc filed a Petition to Deny on December 31 asking the Federal Communications Commission to block the proposed $6.2 billion merger between Nexstar Media Group and TEGNA Inc., saying that the deal would violate federal law, harmimg competition, raise prices for consumers, and damage local news across the country. If the deal is approved, Nexstar would become the largest TV station owner in the nation owning 244 television stations across 44 states. Newsmax CEO Christopher Ruddy says, “This merger would create an unprecedented and dangerous consolidation within the broadcast TV industry, giving them immense control over local news and political news coverage.” Newsmax says that the national television ownership cap was set by Congress at 39% of U.S. television households in 2004 and explicitly stripped the FCC of authority to modify it and argues that any change in the cap by the FCC, including waivers, is a direct violation of law. See the Newsmax story here. 

Industry News

WABC, New York Adds Concha to Weeknights

Red Apple Media’s news/talk WABC, New York adds Joe Concha to its weeknight lineup,img airing from 9:00 pm to 10:00 pm. Concha has been hosting a Sunday show from 11:00 am to 12:00 noon and will continue in that role. Red Apple CEO John Catsimatidis says, “Joe is exactly the kind of smart, credible, non-nonsense voice we promised our listeners. Listeners trust Joe and his ratings success backs that up. We are delighted to add him to our weeknight programming.” Concha is a columnist, author, and FOX News contributor. 

Industry Views

LOOKING AHEAD to the Second Half of the Third Decade of the 21st Century

By Michael Harrison
TALKERS
Publisher

imgWith the conclusion of 2025 at hand, we are entering the second half of the third decade of the 21st century.  It will be a remarkably transitional period for the talk radio industry and its closely associated fields in talk media, as well as media-in-general.

Here’s what’s going to happen:

The age old “radio station” paradigm as a brick-and-mortar business/cultural/communications center will disappear.  After more than a century, it will be financially and physically impractical to operate the process of “radio” as a federally licensed production company tethered to a broadcast tower that houses programming, sales, and a roster of creative practitioners under one roof on an employee-based payroll. Radio “stations” will be more of an esthetic meme than an actual physical place on a dial coming from a specific business space with desks and “departments.” Programming and sales – local, regional, and national – will be provided by “outside” sources.  Most “talent” will operate as either independent contractors or employees (or “partners”) of these outside companies.  Local-ness and/or national-ness will not depend upon actual location of sources but rather focus of content.  The biggest challenge facing radio station owner/operators will be to transition their “media station” brands from being licensed entities to effectively competing in the “dark jungle” or “high seas” of unlicensed platforms… without going broke.

In the wider world of media:

AI is going to put “Hollywood” out of business.  Oh, there will still be a nebulously geographic place in Southern California called “Hollywood” but it will no longer be mythically based on big studios, production companies, and star talent.

And lovers of freedom will come to recognize the communications arm of “Big Tech” as the greatest threat to liberty facing humanity since World War II.

More on the above in 2026.

Happy holidays!

Michael Harrison is the publisher of TALKERS.  He can be contacted at michael@talkers.com.

Industry News

Jon “Stugotz” Weiner to Debut with iHeartMedia in January

Sports talk media personality Jon “Stugotz” Weiner joins iHeartMedia for a long-term, multiplatform partnership. Weiner rose to prominence as co-host of the Dan LeBatard show, based in South Florida. When LeBatard parted ways from ESPN, Weiner went with him to his Meadowlark Media platform. As part of his agreement with iHeartMedia, Weiner will launch a new weekday afternoon program on FOX Sports Radio in January, originating fromimg iHeartMedia’s studios in South Florida and airing in the 3:00 pm to 5:00 pm slot being vacated by Doug Gottlieb. iHeartMedia says, “Designed as a live radio extension of his popular podcast ‘Stugotz and Company,’ the show will bring together his regular crew along with a rotating cast of guest co-hosts, blending old friends and new voices.” Additionally, the Stugotz Podcast Network will launch with iHeartPodcasts, featuring “Stugotz and Company” and “God Bless Football,” plus more content to be launched later. Weiner says, “There was a ton of interest and a lot of great conversations, but it became obvious to me rather quickly that iHeart and FOX Sports Radio were going to be the landing spot. I miss doing live radio, and I was looking for a partner to grow my two existing podcasts and help us build out a network. To be able to partner with the biggest and best digital company on the planet – and host a daily, two-hour live radio show with two Hall of Famers, Dan Patrick and Colin Cowherd, as lead-ins – is a place, quite frankly, I never imagined arriving at, and an opportunity I wasn’t going to pass up.”

Industry Views

SABO SEZ: The Earth Moved

By Walter Sabo
a.k.a. Walter Sterling, Host
WPHT, Philadelphia, “Walter Sterling Every Damn Night”
TMN syndicated, “Sterling on Sunday”

imgNetwork TV often delivers Nielsen hashmarks. No viewers! The no numbers reports started coming in over 20 years ago and they met with silence. Often on Holiday nights, long weekends, NBC, CBS, ABC or FOX delivered no measurable audience. Simultaneously, online video stars were attracting millions of views. In 2007, the media world witnessed the audience shift from broadcast TV to online video. In the following years, media buyers made the definition of a bad investment: Between the time a buy was placed on network TV to the day of air, the audience diminished. Every month. Year after year.

Marketing types refer to the adoption rate of new ideas in stages:

img

Last week, YouTube entered the golden phase: Laggards. There has been a misperception that YouTube viewers skewed young. That was never true. Their viewership demographic has always matched the demographic spread of America. That means month after month for 20 years, YouTube has been embraced by all demographics at higher and higher rates. Now YouTube has scored the final 10% of adopters: Laggards.

YouTube Wins the Oscars

The Oscars. A major ratings-generating, newsworthy event on YouTube. In Variety, questions were asked. The wrong questions: How will advertising be handled? Will there be a new category for Influencers? On demand? Wrong questions.

The answer is: The Oscars are on YouTube!  Game over for ABC, CBS, NBC, FOX. The final segment of the population that frequented broadcast TV will now come to YouTube. The Oscars were the most efficient way to appeal to the laggards.

BONUS: The Oscars announcement just mentioned a key part of the deal: The entire library of the Academy of Arts and Sciences will be uploaded to YouTube. Hundreds of thousands of films from around the world, of all genres coming to YouTube.

And what was the deal? How much did Google pay? It doesn’t matter. Google’s challenge is how to get rid of all of their cash!

The Oscars will be on YouTube. Mark the date. The media landscape has changed forever.

Walter Sabo has been a C-Suite action partner for companies such as SiriusXM, Hearst, Press Broadcasting, Gannett, RKO General, and many other leading media outlets. His company, HITVIEWS, in 2007, was the first to identify and monetize video influencers. His nightly show “Walter Sterling Every Damn Night” is heard on WPHT, Philadelphia. His syndicated show, “Sterling On Sunday,” from Talk Media Network, airs 10:00 pm-1:00 am ET, and is now in its 10th year of success. He can be reached by email at sabowalter@gmail.com.

Industry News

FCC Chair Carr Underscores Broadcasters’ “Public Interest” Duty

During last week’s testimony before the United States Senate Committee on Commerce, Science, and Transportation, FCC Chair Brendan Carr addressed, among other things, broadcasters’ obligation to serving the public interest. This comes as he is being accused by critics of using the power of the Commission to influence content.  Carr testified, “The FCC isimg working to empower local broadcasters to serve the public interest and meet the needs of their communities. As Congress, the Supreme Court, and the FCC have all made clear, broadcasters are different than every other distributor of media. Specifically, broadcasters are required by both the Communications Act and the terms of their FCC-issued licenses to operate in the public interest. This sets them apart from cable channels, podcasts, streaming services, social media, and countless other types of distributors that have no public interest obligation. The FCC’s broadcast hoax rule, its news distortion policy, its political equal opportunity regulation, its prohibition on obscene, indecent, and profane content, its localism requirements – all of those and more apply uniquely to broadcasters. Congress has instructed the FCC to enforce public interest requirements on broadcasters. The FCC should do exactly that.

“Television broadcasters have this public interest obligation because the government has given them the unique privilege of using a scarce national resource – the public airwaves – and in doing so has necessarily excluded others that might want to broadcast their own programming over that same spectrum. That is why they are required to serve, not just their own narrow interest, but the public interest, including the needs of their local communities.

“To ensure that broadcasters can meet their public interest obligations, the FCC has taken a number of actions, including seeking public comment for the first time in more than 15 years on the relationship between the large, national programmers on the one hand and the many local broadcast television stations on the other. Comments in that proceeding suggest that many local broadcasters are concerned that the national programmers have amassed enormous power and influence in recent years and have made it more challenging for local broadcasters to fulfill their public interest obligations. The FCC is going to continue its efforts to empower local broadcasters to meet their public interest obligations.”

Industry News

Townsquare to Silence WGBF-AM, Evansville, Indiana

According to TriStateHomepage.com, Townsquare Media is ending programming onimg news/talk WGBF-AM, Evansville, Indiana at the end of the broadcast day on December 31. The company clearly isn’t getting the returns it wants on the operation of the station. The story indicates that the signal is up for sale but it’s unclear if there is any interest in the station that was launched in 1923 by the Finke Furniture company. The calls stand for G.B. Finke. See the TriStateHomepagestory here.

Industry Views

Monday Memo: Sound Thinking

By Holland Cooke
Consultant

Each week here, TALKERS affords me a voice in the career conversation we all share. Iimg appreciate this real estate, and your feedback.

To say thanks, publisher Michael Harrison and I have a stocking stuffer for you, an anthology of all 2025 “Monday Memo” columns. Included: additional pieces I filed on Tuesdays of holiday weeks when TALKERS didn’t publish on Mondays; and daily reports during the Consumer Electronics Show and NAB Show, both of which I have covered for this publication for decades; and additional reports on news and trends pertinent to you, my fellow storyteller.

Here ya go, an instant E-book download: http://getonthenet.com/SoundThinking.pdf

And here’s to 2026!

Holland Cooke (HollandCooke.com) is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn

Industry News

Civic Media to Acquire WNOV-AM and The Milwaukee Courier

Civic Media announces it is acquiring WNOV-AM, translator W293CX at 106.5 FM in Milwaukee and weekly print publication The Milwaukee Courier. WNOV is currently airing a hybrid of urban music and talk shows targeted to urban audiences including the “Tavis Smiley Show,” the “Rev. Al Sharpton Show,” plus local shows hosted by Michelle Bryant and Keith Parris. WNOV has been owned by Courier Communications Corporation sinceimg 1972. The company was headed by Dr. Jerrel Jones, who passed recently. His daughter, current owner and president Mary Ellen Jones, says, “My parents built The Milwaukee Courier and WNOV to give Milwaukee’s Black community a voice when few existed. Passing that responsibility forward was not taken lightly. Civic Media is committed to honoring that legacy while investing in the future of trusted media.” The company says that Dr. Robert “Biko” Baker will join as operations manager for both the radio station and newspaper. Civic Media CEO Sage Weil comments, “Acquiring The Milwaukee Courier and WNOV is both an opportunity and a responsibility. These are trusted institutions with deep roots in Milwaukee, and our role is to steward that legacy while investing in their future – modernizing operations, expanding digital reach, and ensuring they continue to serve the community with integrity. We’re proud to have Dr. Robert ‘Biko’ Baker lead this work.”

Industry News

Beasley Promotes John Coury to Corporate Role

Beasley Media Group promotes John Coury to vice president of treasury and corporateimg controller. Coury has been overseeing the company’s treasury operations, accounts receivable, accounts payable, and traffic functions. Beasley Media Group CEO Caroline Beasley says, “John’s leadership, strategic insight, and strong financial acumen have been instrumental in strengthening our company’s financial foundation. His dedication and expertise will continue to play an important role in advancing Beasley’s fiscal efficiency and long-term growth.”

Industry News

Saga Buys Back 2.8% of Common Stock

Saga Communications repurchases 184,215 shares of its common stock for an aggregate purchase price of approximately $2.1 million, or $11.50 per share, through a privately negotiated transaction. The repurchased shares represent approximately 2.8% of theimg company’s currently outstanding common stock, based on 6,556,621 shares outstanding as of December 11, 2025. After closing, these shares were returned to treasury and are no longer outstanding. Chief financial officer Samuel Bush says, “We are pleased to announce the completion of a privately negotiated stock repurchase transaction, which underscores our ongoing commitment to deliver value to our shareholders. This transaction reflects our confidence in the company’s long-term strategy and financial strength, while providing us with greater flexibility to manage our capital structure. We remain focused on disciplined capital allocation and generating a meaningful return for all stakeholders.”

Industry News

iHeartMedia Partners with Netflix for Video Podcast Distribution

iHeartMedia enters into an exclusive video podcasting partnership with Netflix for some 15 of its video podcasts to be available on Netflix in early 2026 in the US, with more markets to follow. Podcasts joining the streaming service include: “The Breakfast Club,” “My Favoriteimg Murder,” “Joe and Jada,” “Dear Chelsea” with Chelsea Handler and “This Is Important” with “Workaholics” stars Adam Devine, Anders Holm and Blake Anderson. iHeartMedia CEO Bob Pittman states, “Audio podcasting has been the fastest-growing medium over the past 20 years, and now we’re thrilled to expand that experience with an exciting new category – video podcasts. Netflix has a leading video-first service, and this partnership perfectly complements our strong audio foundation. Working with Netflix – an important leader in entertainment – gives fans one more way to connect with the personalities they love and opens the door to new audiences, including viewers discovering these shows for the first time.”

Industry News

Zach Gelb Leaving Infinity Sports Network

Sports talk host Zach Gelb announces that he’ll do his final broadcast for Infinity Sports Network this Friday. Gelb posted to social media that he’s exiting the network that is beingimg transitioned by Audacy and Cumulus Media from Infinity Sports Network to Westwood One Sports at the end of December. That move was announced in October with the companies saying that beginning December 29, Westwood One will assume programming and distribution for the majority of the lineup of syndicated sports programming and Audacy will continue to produce BetMGM Network programs. Gelb says, “It’s sad to see CBS Sports Radio/Infinity Sports Network closing its doors as we once knew it, but grateful for the memories and excited to see what the next chapter in my sports talk journey brings.”

Industry News

MIW Extends Submission Window for Digital Sales Mentorship Program

Mentoring and Inspiring Women in Radio, Inc is extending the submission window for the 2ndimg Annual Digital Sales Mentorship Program. Candidates now have until December 29 to apply. MIW says, “This year-long program is a career-accelerating opportunity designed to strengthen the next generation of women leaders in digital radio sales. One outstanding female seller or manager will be selected to receive personalized, hands-on mentorship from a top industry expert; an opportunity that can reshape a career trajectory.” Apply Here!

Industry News

WFAN Names Craig Carton Afternoon Host

Last Wednesday, TALKERS published a report by The Athletic columnist Andrew Marchand that Craig Carton had negotiated a deal to return to the air at Audacy sports talker WFAN, New York. Now, Audacy confirms that with the announcement that Carton will indeed be back hosting afternoon drive beginning January 5. Carton left his role with WFAN in June of 2023 to focus on his morning show at FS1, however his FS1 show was cancelled this summer. Carton willimg host the show with WFAN personality Chris McMonigle. Audacy New York market president and chief business officer Chris Oliviero says, “Craig Carton’s return reaffirms WFAN’s position as New York’s premier sports destination for big personalities, compelling conversation, and highly engaging content that is difficult to ignore. Our 2026 lineup has familiar marquee voices all day and all night, guaranteeing that whenever you tune into ‘The Fan,’ you will be smack dab in the middle of the New York sports culture.” Carton states, “WFAN has always been home to me. Having the opportunity to return and rejoin the best sports talk station in the world is an opportunity I am eagerly looking forward to and beyond excited for.” Carton’s return bumps current afternoon team Evan Roberts and Tiki Barber to middays and current hosts Brandon Tierney and Sal Licata will exit. Additionally, “Evan and Tiki” executive producer Tommy Lugauer will host a new evening show titled, “After Hours.”

Industry News

Dr. Laura Raises Funds for Children of Fallen Patriots

SiriusXM talk host Dr. Laura Schlessinger raised more than $15,000 for the Children ofimg Fallen Patriots charity through her Holiday Designs Store that sells her hand-crafted art. Children of Fallen Patriots is a 501(c)(3) nonprofit organization providing college and trade school scholarships, educational assistance, and career support to military children who have lost a parent in the line of duty. She says, “The generous support of my listeners and their purchases from my Holiday Store have provided crucial support for this wonderful organization dedicated to helping military families in need.”

Industry Views

Navigating the Deepfake Dilemma in the Age of AI Impersonation

By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Legal Group, Senior Partner
Goodphone Communications, Executive Producer

imgThe Problem Is No Longer Spotting a Joke. The Problem Is Spotting Reality

Every seasoned broadcaster or media creator has a radar for nonsense. You have spent years vetting sources, confirming facts, and throwing out anything that feels unreliable. The complication now is that artificial intelligence can wrap unreliable content in a polished package that looks and sounds legitimate.

This article is not aimed at people creating AI impersonation channels. If that is your hobby, nothing here will make you feel more confident about it. This is for the professionals whose job is to keep the information stream as clean as possible. You are not making deepfakes. You are trying to avoid stepping in them and trying even harder not to amplify them.

Once something looks real and sounds real, a significant segment of your audience will assume it is real. That changes the amount of scrutiny you need to apply. The burden now falls on people like you to pause before reacting. 

Two Clips That Tell the Whole Story

Consider two current examples. The first is the synthetic Biden speech that appears all over social media. It presents a younger, steadier president delivering remarks that many supporters wish he would make. It is polished, convincing, and created entirely by artificial intelligence.

The second is the cartoonish Trump fighter jet video that shows him dropping waste on unsuspecting civilians. No one believes it is real. Yet both types of content live in the same online ecosystem and both get shared widely.

The underlying facts do not matter once the clip begins circulating. If you repeat it on the air without checking it, you become the next link in the distribution chain. Not every untrue clip is misinformation. People get things wrong without intending to deceive, and the law recognizes that. What changes here is the plausibility. When an artificial performance can fool a reasonable viewer, the difference between a mistake and a misleading impression becomes something a finder of fact sorts out later. Your audience cannot make that distinction in real time. 

Parody and Satire Still Exist, but AI Is Blurring the Edges

Parody imitates a person to comment on that person. Satire uses the imitation to comment on something else. These categories worked because traditional impersonations were obvious. A cartoon voice or exaggerated caricature did not fool anyone.

A convincing AI impersonation removes the cues that signal it is a joke. It sounds like the celebrity. It looks like the celebrity. It uses words that fit the celebrity’s public image. It stops functioning as commentary and becomes a manufactured performance that appears authentic. That is when broadcasters get pulled into the confusion even though they had nothing to do with the creation. 

When the Fake Version Starts Crowding Out the Real One

Public figures choose when and where to speak. A Robert De Niro interview has weight because he rarely gives them. A carefully planned appearance on a respected platform signals importance.

When dozens of artificial De Niros begin posting daily commentary, the significance of the real appearance is reduced. The market becomes crowded. Authenticity becomes harder to protect. This is not only a reputational issue. It is an economic one rooted in scarcity and control.

You may think you are sharing a harmless clip. In reality, you might be participating in the dilution of someone’s legitimate business asset. 

Disclaimers Are Not Shields

Many deepfake channels use disclaimers. They say things like this is parody or this is not the real person. A parking garage can also post a sign that it is not responsible for damage to your car. That does not absolve them when something collapses on your vehicle.

A disclaimer that no one negotiates or meaningfully acknowledges does not protect the creator or the people who share the clip. If viewers believe it is real, the disclaimer (often hidden in plain sight) is irrelevant. 

The Liability No One Expects: Damage You Did Not Create

You can become responsible for the fallout without ever touching the original video. If you talk about a deepfake on the air, share it on social media, or frame it as something that might be true, you help it spread. Your audience trusts you. If you repeat something inaccurate, even unintentionally, they begin questioning your judgment. One believable deepfake can undermine years of credibility. 

Platforms Profit From the Confusion

Here is the structural issue that rarely gets discussed. Platforms have every financial incentive to push deepfakes. They generate engagement. Engagement generates revenue. Revenue satisfies stockholders. This stands in tension with the spirit of Section 230, which was designed to protect neutral platforms, not platforms that amplify synthetic speech they know is likely to deceive.

If a platform has the ability to detect and label deepfakes and chooses not to, the responsibility shifts to you. The platform benefits. You absorb the risk. 

What Media Professionals Should Do

You do not need new laws. You do not need to give warnings to your audience. You do not need to panic. You do need to stay sharp.

Here is the quick test. Ask yourself four questions.

Is the source authenticated?
Has the real person ever said anything similar?
Is the platform known for synthetic or poorly moderated content?
Does anything feel slightly off even when the clip looks perfect?

If any answer gives you pause, treat the clip as suspect. Treat it as content, not truth. 

Final Thought (at Least for Now)

Artificial intelligence will only become more convincing. Your role is not to serve as a gatekeeper. Your role is to maintain professional judgment. When a clip sits between obviously fake and plausibly real, that is the moment to verify and, when necessary, seek guidance. There is little doubt that the inevitable proliferation of phony internet “shows” is about to bloom into a controversial legal, ethical, and financial industry issue.  

Matthew B. Harrison is a media and intellectual property attorney who advises radio hosts, content creators, and creative entrepreneurs. He has written extensively on fair use, AI law, and the future of digital rights. Reach him at Matthew@HarrisonLegalGroup.com or read more at TALKERS.com.

Industry News

Entries Open for 2026 Edward R. Murrow Awards

The Radio Television Digital News Association announces that the entry period for the 2026 Edward R. Murrow Awards is now open. RTDNA says the Murrow Awards are dedicated to “recognizing outstanding achievements in both professional and student-level broadcast and digital journalism. The Murrow Awards,img first handed out in 1971, are among the most prestigious in journalism. In 2025, about 5,000 entries were submitted in the professional and student categories, also making it one of the most competitive.” To be eligible, work must have been published between January 1, 2025, and December 31, 2025. This year, RTDNA is offering an Early Bird Discount for entries submitted by 5:00 pm ET on Tuesday, January 20. The final entry deadline is 5:00 pm ET Thursday, February 19. Entrants can find complete rules and category descriptions here. Regional winners will be announced in the spring. All regional winners automatically advance to the national competition, which will be announced in August. National winners will be celebrated at the 2025 Edward R. Murrow Awards Gala, to be held October 12, 2026, at Gotham Hall in New York City.

Industry News

Golden Globes Play it Safe in First Year of “Best Podcast” Award

The Golden Globes will present one podcast with the inaugural Best Podcast award on January 11 in Los Angeles and the nominees are shows that appear to avoid any sort of politics or controversy. Mark Kennedy writes about the nominations for the AP saying, “The six nominees for the inaugural best podcast award are “Armchair Expert with Dax Shepard,” “Call Her Daddy,” “Good Hang with Amy Poehler,” “The img Mel Robbins Podcast,” “SmartLess” and “Up First,” from NPR. Representing a mix of news, advice and celebrity interviews, they were drawn from a shortlist of 25 programs the Globes had previously deemed eligible. The nominations avoided politics or controversy by passing on popular podcasts from the shortlist, such as conservative-leaning programs ‘The Megyn Kelly Show,’ ‘The Tucker Carlson Show,’ ‘The Ben Shapiro Show,’ Candace Owen’s ‘Candace’ and, most notably, ‘The Joe Rogan Experience,’ which topped Spotify, Apple and YouTube’s list of weekly podcast charts this year. The left-leaning ‘Pod Save America’ also was snubbed, as were popular true crime podcasts like ‘Morbid’ and ‘Rotten Mango.’” Kennedy notes in his report that Ben Shapiro lobbied hard for his show. “Shapiro had launched an all-out Golden Globes publicity campaign for his decade-old podcast, on which he’s spoken with the likes of U.S. Vice President JD Vance and Ukrainian President Volodymyr Zelenskyy in the past year. In addition to making the rounds with industry publications, Shapiro also secured massive billboard space in New York City’s Times Square.” Read the AP story here.

Industry News

Fisher House Radio Special Available for Holiday Week

Fisher House Foundation has a Christmas and New Year Holiday Week edition of “Together in Mission: The Fisher House Journey” available for stations to air at no charge and with no barter. The radio special is available in three-hour, one-hour, 25-minute, and 30-minute radio versions and are by news/talk radio personality Larry O’Connor. They feature stories of America’s heroes, the families who serve by their side,img and how Fisher House plays a role in their journey. Fisher House Foundation provides a home away from home for families of patients receiving medical care at major military and VA medical centers. Fisher Houses provide temporary free lodging so families can be close to their loved ones during medical care. Fisher House says, “This informational talk show will leave listeners feeling inspired during the entire Holiday Week, sharing stories of amazing service members, veterans, and their families. Your audience will hear stories of heroic service members injured in combat or during training exercises as well as veterans who need long-term medical care over the course of their lives. Whether it’s a complicated birth of a child or a devastating head injury from a motorcycle accident, Fisher House is there for the spouses, parents, and children of America’s service members every step of the way. For more information on this radio special, contact Larry O’Connor at 562-665-9537 or loconnor@fisherhouse.org.