Industry Views

Monday Memo: Water You Known For?

By Holland Cooke
Consultant

imgMy kitchen faucet wouldn’t shut off. It died, of old age. Things start doing that when your “new” house turns 25.

With replacement hardware inbound from – where else? – Amazon, we’re coping, filling pitchers in the first-floor loo. Yet, days later, we still reach for the broken kitchen faucet, force-of-habit.

WHAT IF someone pushes your station’s button, or goes to download your podcast, and nothing comes out?im

What are you known-for? What would be missed if you weren’t still doing it?

Explain that-you-do what-you-do-well, things listeners thirst for, especially things they can only get from you. And make every effort to deliver.

Holland Cooke (HollandCooke.com) is a media consultant working at the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke

Industry News

War of Words Breaks Out Between FOX and Newsmax Over Lawsuit

Yesterday, TALKERS reported the anti-trust lawsuit Newsmax is filing against Fox Corporation and Fox News Network, LLC in the United States District Court for the Southern District of Florida in which Newsmaximg accuses FOX of “engaging in an extensive and unlawful campaign to block competition in the market for right-leaning pay television news, including Newsmax.” imgA FOX spokesperson responded with the following: “Newsmax cannot sue their way out of their own competitive failures in the marketplace to chase headlines simply because they can’t attract viewers.” Newsmax issued the following statement in response to that saying, “If Newsmax was such a ratings failure, why has FOX spent so much time, energy, and resources to suppress us, block us, and denigrate us? The answer is obvious. Also please note that FOX in its statement does not deny any of our serious allegations.”

Industry News

Newsmax Files Anti-Trust Suit Against FOX News

Newsmax announces it has filed a federal antitrust lawsuit against Fox Corporation and Fox News Network, LLC in the United States District Court for the Southern District of Florida. Newsmax is accusing FOX of “engaging in an extensive and unlawful campaign to block competition in the market for right-leaning pay television news, including Newsmax.” The complaint alleges that FOX has abused its dominance in the right-leaning pay TV news market for years by coercing distributors into unfair carriage agreements designed toimg exclude or marginalize competitors like Newsmax. Further, Newsmax alleges that FOX News, “described in the complaint as a ‘must-have’ channel for distributors, leverages its market power to impose restrictions that harm consumers, stifle competition, and drive-up costs across the pay TV ecosystem.” Specifically, Newsmax alleges that “FOX conditions access to FOX News on imgagreements by distributors not to carry or to restrict competing right-leaning news channels. If distributors carry Newsmax, FOX forces them to also carry low-demand channels like FOX Business or FOX Sports 2 in their most widely viewed tiers, triggering potentially tens of millions in extra fees. These clauses penalize distributors for placing Newsmax in basic packages by requiring simultaneous promotion of FOX less popular channels.” Also, Newsmax alleges that FOX has pressured its guests to not appear on Newsmax, as well as has run online smear campaigns and hired private investigators targeting Newsmax executives to damage the Company’s credibility. Newsmax is asking the court to: 1) Declare FOX’s conduct unlawful under federal and state antitrust laws; 2) Award monetary damages as permitted by law; 3) Enjoin FOX from continuing exclusionary contracts and monopolistic practices; and 4) Order equitable relief to restore competition in right-leaning pay TV news.

Industry News

Edison: New Podcast Consumers Engage with Video Content

Data from Edison Research’s Infinite Dial and Edison Podcast Metrics reveals how important video content is to people just discovering podcasts and those likely to in the future. Edison calls the audience that started consuming podcasts within the last year “First-Years,” and those consuming for five years or more,img “Longtimers” and notes that 77% of “First-Years” are consuming podcasts while actually watching the video compared to 69% of “Longtimers” doing the same. Edison says that most new consumers and established podcast fans are actively watching while listening to video podcasts but that video is even more important for engaging with new audiences. While “Longtimers” currently have an affinity for audio only podcasts, that may change over time. Edison concludes that although podcasting is an audio-first platform, “many creators and marketers are likely missing an audience acquisition and engagement opportunity by not considering how to fit video content and video platforms into their strategic planning.”

Industry Views

Who Said That? A Practical Guide to Voice Imitation Risk

By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

imgArtificial intelligence now makes it possible to replicate a human voice with striking accuracy. For broadcasters, podcasters, and content creators, the central question is: When does using or imitating a voice become a legal problem? The answer depends on the person being imitated, the purpose of the use, and the rights attached to that voice. Below is a six-bucket framework to help evaluate the risk.

Bucket 1 – Human Imitation of a Living Person
Example: In Midler v. Ford Motor Co. (1988), Ford hired a singer to imitate Bette Midler’s voice for a commercial after she declined. Legal focus: Right of publicity, false endorsement, misappropriation of identity. Risk: High – especially for commercial use without parody or commentary.

Bucket 2 – AI Cloning of a Living Person
Example: AI trained on hours of a broadcaster’s work generates new scripts in that broadcaster’s voice. Legal focus: Same as Bucket 1, plus emerging AI laws in several states. Risk: Very high – AI makes imitation faster, more precise, and harder to defend as coincidental.

Bucket 3 – AI Cloning of a Deceased Person Within Post-Mortem Publicity Window
Example: An AI-generated George Carlin special, written by humans but performed in a Carlin voice model. Legal focus: Post-mortem right of publicity, lasting 20–100 years depending on the state. Risk: High without estate authorization, even if marketed as a tribute.

Bucket 4 – Historical/Public Domain Figures
Example: Voicing George Washington in an original script. Legal focus: Minimal – rights generally end at death and do not extend for centuries. Risk: Low unless portrayal implies a false endorsement of a current product or service.

Bucket 5 – Corporate Library Owner Using AI to Create New Content
Example: A company acquires a complete host archive, such as Howard Stern’s, and uses AI to create new programming in that voice. Legal focus: Copyright in recordings is separate from publicity rights in the voice. Owning the archive does not automatically permit new performances in that voice. Risk: High without explicit contractual rights to name, likeness, and voice for future works.

Bucket 6 – Inspired-By Voice Not Clearly Identifiable as a Specific Person
Example: An AI voice styled as “a gravelly, old-school talk radio host” without matching a real person. Legal focus: Minimal unless resemblance convinces listeners it is a specific individual. Risk: Low to moderate, depending on closeness to a real identity.

Decision Path
Before using a recognizable voice, ask: 1. Is the person living or deceased? 2. If deceased, are they within their state’s post-mortem publicity period? 3. Is the voice a deliberate imitation? 4. Do you have written permission? 5. Is the purpose parody, commentary, or other transformative use?

Takeaways
Talent: Protect your voice rights in contracts, including AI uses. Buyers: Archive ownership does not guarantee the right to generate new voice content. Creators: Parody and commentary may help, but they are not blanket defenses. As voice cloning becomes more accessible, securing clear rights before production remains the safest path. The cost of permission is almost always less than the cost of defending a lawsuit.

Matthew B. Harrison is a media and intellectual property attorney who advises radio hosts, content creators, and creative entrepreneurs. He has written extensively on fair use, AI law, and the future of digital rights. Reach him at Matthew@HarrisonMediaLaw.com or read more at TALKERS.com

Industry News

L.A. Rams Quarterback Matthew Stafford to Host “Let’s Go!” on SiriusXM for 2025 NFL Season

Lets Go!

SiriusXM announced (8/12) that Los Angeles Rams quarterback Matthew Stafford, who led the Rams to a championship in Super Bowl LVI, will join the SiriusXM show, “Let’s Go!” as a host for the 2025 NFL season. In his first media role, Stafford will join Hall of Fame broadcaster Jim Gray for weekly discussions on the Rams and other trending topics around the league. Stafford and Gray will also be joined throughout the season by special guests from the worlds of sports, entertainment and beyond. Las Vegas Raiders star defensive end Maxx Crosby and Hall of Fame NFL journalist Peter King also return for their second season on “Let’s Go!” and will host alongside Jim Gray each week. The fifth season of “Let’s Go!” begins Monday, September 1, ahead of the kickoff of the 2025 NFL season later that week. New episodes will debut every Monday at 6:30 pm ET/3:30 pm PT on SiriusXM NFL Radio (channel 88). After debuting on SiriusXM, the show is available on all major podcast platforms, with additional bonus content available only on the SiriusXM app.

Industry News

Ed Herman Joins Big Toe Media, LLC as Partner in Ownership of KLIS Radio, St. Louis

KLIS
 

St. Louis-based Big Toe Media, LLC, the recently launched media company behind The Lou Information Station (KLIS 590 AM), has announced that Ed Herman, managing partner of Brown & Crouppen Law Firm, has officially joined the company as a partner (8/12).  The company tells TALKERS that Herman, a prominent voice in the St. Louis legal and media communities, brings with him a wealth of experience in brand development, audience engagement, and community impact. Herman’s investment in Big Toe Media signals a bold step forward in the company’s mission to reshape local talk radio and digital content.  “Ed has been part of building one of the most recognizable brands in St. Louis through innovation and an unwavering focus on connecting with people,” says Dave Greene, cofounder of Big Toe Media. “His belief in our vision—and his decision to invest in it—gives us the momentum and credibility to take KLIS to the next level.”  KLIS 590 AM, now branded as The Lou Information Station, is being reimagined as a locally driven platform for talk radio, live video streaming, podcasts, and real-time digital engagement. Programming focuses on the people and stories that matter most to the St. Louis region. “I’ve always believed in using media to empower and inform,” says Herman. “While I’ll continue serving as managing partner at Brown & Crouppen, joining Big Toe Media gives me the chance to be part of something that’s not just entertaining – but truly meaningful. This is local media done right.”  With Herman on board, Big Toe Media plans to continue expanding original programming, investing in local talent, and creating new advertising and sponsorship opportunities that serve both listeners and the region’s business community.

Industry Views

When the Library Talks Back

2f8c1286 c8c3 4b72 ba11 091cec050fcd
By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

imgImagine SiriusXM acquires the complete Howard Stern archive – every show, interview, and on-air moment. Months later, it debuts “Howard Stern: The AI Sessions,” a series of new segments created with artificial intelligence trained on that archive. The programming is labeled AI-generated, yet the voice, timing, and style sound like Stern himself.

Owning the recordings might suggest the right to create new works from them. In reality, the answer is more complicated – and the music industry offers a useful comparison.

Music Industry Precedent

Sony, Universal, and others have spent hundreds of millions buying music catalogs from artists such as Bob DylanBruce SpringsteenPaul Simon, and Queen. These deals often include both composition rights and master recordings, giving the buyer broad control over licensing and derivative works.

In music, the song and the recording are the assets. In talk content, the defining element is the host’s persona – voice, cadence, and delivery – which changes the legal analysis when creating new material.

Copyright and Persona Rights

Buying a talk archive usually transfers copyright in the recordings and any scripts. That permits rebroadcast, excerpts, and repackaging of original programs.

It does not automatically transfer the host’s right of publicity – control over commercial use of their name, likeness, and in many states, their distinctive voice. In Midler v. Ford Motor Co. (1988), the court ruled that imitating Bette Midler’s voice in a commercial without consent was an unauthorized use of her identity.

This means a company can own the shows without having the right to make new performances in the host’s voice unless the contract clearly grants that right.

The AI Factor

AI technology can replicate a host’s voice, tone, and style with high accuracy, producing entirely new programming.

Outside broadcasting, a recent AI-generated George Carlin special – written by humans but performed by a voice model trained on decades of his work – sparked debate about rights and legacy.

In talk radio, similar AI use could create “new” episodes featuring well-known hosts. Even with clear labeling, right-of-publicity claims may arise if the host or their estate never authorized it. Disclaimers may address consumer confusion but do not remove identity-rights issues.

Why It Matters

This applies to more than national figures. Any broadcaster or podcaster with a substantial archive could face it. Selling or licensing a library could give the buyer the tools to replicate your voice without your participation.

For buyers, the ability to produce new content from archived material has commercial appeal. But without the right to use the host’s voice for new works, it carries significant legal and reputational risk.

Contracts Decide

The key is in the contract:

— Did the talent assign rights to their name, likeness, and voice for future works?
— Is use limited to original recordings or extended to derivative works?
— Does it address future technologies, including AI?

Older agreements often omit these points, leaving courts to decide. Future contracts will likely address AI directly.

Takeaways

For talent: Know what you are transferring. Copyright ownership does not necessarily include your future voice.

For buyers: Owning an archive does not automatically give you the right to create AI-generated new material in the original host’s voice.

For everyone: As AI advances, control over archives will depend on the contracts that govern them.

Matthew B. Harrison is a media and intellectual property attorney who advises radio hosts, content creators, and creative entrepreneurs. He has written extensively on fair use, AI law, and the future of digital rights. Reach him at Matthew@HarrisonMediaLaw.com or read more at TALKERS.com.

Industry News

Katz Radio: Radio Delivers for Fast Food Joints

Data from a Katz Radio survey of consumers who eat fast food from quick service restaurants (QSRs) at least once a week, are highly responsive to radio messaging. Katz says its study indicates that “radio is an ideal platform for interest among receptive and responsive fast food consumers. It plays a foundationalimg role in the decision-making journey, often sparking the craving before any digital ad or social scroll can. In fact, the survey shows a measurable lift in intent: consumers targeted by radio campaigns were 4% and 7% more likely to visit, reinforcing radio’s power to drive foot traffic.” Further, the study shows that “89% reported making last-minute meal decisions while in the car—right in radio’s sweet spot. Additionally, 84% believe it’s smart for fast food restaurants to use radio advertising to inform customers about menu items and deals. And notably, 82% admitted that simply hearing ads about food can make them feel hungry, highlighting radio’s unique ability to trigger cravings and drive immediate action.” Read more here.

Industry News

Cumulus and Rumble Announce Partnership

Cumulus Media announces a strategic partnership with video-sharing and cloud services provider Rumble. Cumulus says this deal “will unlock new opportunities across Cumulus Media – including Westwood One and the Cumulus Podcast Network – and Rumble.com, including expanded distribution of content from both companies.” With this agreement, Rumble and Westwood One will collaborate to maximizeimg advertising opportunities for brand partners, packaging assets across each portfolio to create unique and exclusive multi-platform solutions. Westwood One will also distribute audio and video content on Rumble’s video platform. Westwood One president and Cumulus EVP corporate strategy and development Collin Jones says, “This partnership represents a powerful alignment between two media innovators. By combining our premium podcast inventory with Rumble’s dynamic creator ecosystem, we’re creating a new frontier for host-read advertising that delivers authenticity, scale, and brand safety.” Rumble CEO Chris Pavloski, adds, “We’re excited to partner with Cumulus Media and Westwood One to bring advertisers closer to the creators and audiences they care about. This collaboration allows us to create new monetization opportunities for our creators while offering brands a trusted and effective way to connect with engaged communities.”

Industry News

Renda to Use Townsquare’s Ignite Digital Advertising Solutions

Townsquare Media announces a digital advertising partnership with Renda Media for the latter to use Townsquare Ignite, its digital advertising solution. Renda operates station is six U.S. markets (Ft.img Myers/Naples; Jacksonville; Pittsburgh; Indiana, PA; Greensburg, PA; and Punxsutawney, PA) that do not overlap with Townsquare’s market footprint. Townsquare Ignite president Todd Lawley states, “We’re excited to partner with Renda Media to bring our market-leading digital advertising solutions to their expansive client base. Our success stems from a deep expertise in leveraging our proprietary in-house programmatic platform and data-driven strategies to deliver measurable value. Through this partnership, we look forward to equipping Renda Media with the tools, insights, and proven strategic approach needed to strengthen their digital capabilities and accelerate client growth.”

Industry News

TALKERS News Notes

KUT, Austin Promotes MacLaggan. Public radio outlet KUT, Austin, Texas names Corrie MacLaggan executive editor of KUT News and The Texas Newsroom, effective September 1. She will lead editorial strategy, support collaboration across teams, and focus on growing audiences across digital, radio, and on-demand platforms. She currently serves as managing editor of The Texas Newsroom and will retain oversight of that collaborative, while dedicating more time to KUT News and Texas Standard.

WOR Renews NYC Marathon Deal. iHeartMedia’s news/talk WOR, New York and New York Road Runners (NYRR), the nonprofit that produces 60 annual adult and youth races including the TCS New York City Marathon, agree to a new multi-year expansion of their official radio broadcast partnership. The deal is part of New York Road Runners’ newly launched content studio, East 89th St Productions, and aims to bring the transformative stories of the running community to iHeartMedia’s listeners across broadcast, streaming, and digital platforms.

RMWorldTravel Hosts Secretary Duffy. Last weekend, U.S. Secretary of Transportation Sean Duffy was the guest of hosts Robert and Mary Carey during the live national broadcast of RMWorldTravel during the “Chief Travel Leader” conversation. Secretary Duffy and the Careys talked about what’s been accomplished in the first six months of the Trump administration and what lies ahead. Listen to the segment here.

WFAN and Giants Extend Deal. The New York Giants and Audacy’s WFAN, New York extend their play-by-play partnership. WFAN will continue as the flagship station of the team, and as part of the extension, the team will produce monthly Giants programming throughout the year and will continue its weekly preview show, “Big Blue Kickoff Live.” Tiki Barber joins Giants.com’s John Schmeelk as the new pre- and post-game co-host for Giants gameday broadcasts. The voice of the Giants, Bob Papa, alongside Carl Banks and Howard Cross, will continue their in-game responsibilities.

Industry Views

Monday Memo: News/Talk’s New Fall Season

By Holland Cooke
Consultant

imgWhy we’re already seeing TV tout its coming attractions: They understand how, after Labor Day, routines settle in. Viewers will be ready to re-engage.

Radio stations that treat September as just another month are missing an opportunity to reintroduce our relevance, refresh our programming, and remind listeners why we matter. After a summer of disrupted routines, school vacation, and scattered attention, commutes return, and schedules normalize. And we want to be the soundtrack. How?

1. Make listeners feel like they’re rejoining a conversation they care about. “Back to the grind? We’re back with what matters.”
2. Freshen your lineup or formatics. It’s a great time to introduce new contributors – analysts, columnists, or rotating guests with fresh perspectives. Debut a new segment: deeper dives, listener town halls, daily fact-checks, etc.
3. Update Imaging.Listeners tune to news/talk for clarity. At client stations, we’re refreshing IDs, show opens, transitions. Convey momentum and immediacy, and that you’ve got your listener’s back. Adjust clocks to improve flow and appointment tune-in. Even subtle changes, well-explained and promoted, can feel significant.

im

4. TV has premieres. Radio can, too. Launch a limited-run podcast series and promote it on-air?
5. Promote like you’re running for election. Off-air marketing money may be scarce, but you have other arrows in your quiver: Daily topical on-air promos explain how listening will be helpful. Use social media to tease what’s upcoming, and to post ICYMI “Feature the Moments that Matter.” Ditto e-newsletters and station app alerts and, and partner mentions via local media or civic groups.
6. Sales! Help advertisers freshen their messages similarly.

Any station, any format, should reassert its role. And – as each day’s events impact everyday life – no other format can command more attention than news/talk. So, welcome back.

Holland Cooke (HollandCooke.com) is a media consultant working at the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke

Industry News

TALKERS News Notes

Innes to Host Mornings in Detroit. Radio personality Josh Innes, who has worked in the sports talk format in Philadelphia and Houston, is the new morning drive host at iHeartMedia’s rock WLLZ, Detroit. The station says, “‘The Josh Innes Show’ will wake up Detroit listeners with an interactive show that combines live callers, opinions and commentary on a wide variety of topics. From sports to pop culture and local interests, Josh Innes brings a fresh and engaging approach that is both fun and uniquely Detroit.

iHeartMedia Q2 Financial Report Announced. iHeartMedia, Inc will issue financial results for the quarter ending June 30, 2025 on Monday, August 11. The company will conduct a conference call at 4:30 pm ET, following the release of its earnings announcement, to discuss its financial results and business outlook.

Urban One to Present Q2 Operating Results. Urban One announces it will reveal the operating results from the second quarter of 2025 on Tuesday, August 19 and will hold a conference call for investors, analysts, and other interested parties at 10:00 am ET that morning.

Industry News

Carr: FCC to Address Public Safety

Federal Communications Commission chairman Brendan Carr, in a blog post, says the FCC is beginning to address public safety as part of its Build America Agenda. He says, “In three weeks, we will vote to begin a ground-up re-examination of the Emergency Alert Systems (EAS).  EAS sends life-saving information using TV and radio outlets, and our Wireless Emergency Alerts (WEA) distribute the emergency notices weimg receive on our mobile phones.  With underlying frameworks that are 31 and 13 years old respectively, we think it’s time to explore if structural changes to these systems are needed, with an eye towards making sure we are leveraging the latest technology to save lives. Similarly, we will also vote to initiate a review of our system for collecting real-time data on network outages and restoration during and after major disasters.  Since its inception in 2007, our Disaster Information Reporting System (DIRS) has proven to be a valuable tool for collecting actionable information to help with recovery efforts.  While the DIRS reports are valuable, they can be time-consuming to produce, drawing resources away from responding to an ongoing disaster.  The Commission will vote on reforms to streamline DIRS to make sure that its benefits outweigh its burdens. We’ll close our August meeting by removing unnecessary regulations and injecting common sense across the Commission’s policies—critical features to streamline the implementation of our Build America Agenda.” See the full blog post here.

Industry News

WJR, Detroit Names Ryan Ermanni Afternoon Host

Cumulus Media’s news/talk WJR, Detroit appoints Ryan Ermanni host of the 2:00 pm to 4:00 pm show, effective today (7/7). Ermanni is well known in the Detroit market as co-host of  “The Nine” on WJBK-TV FOX 2 Detroit where he served for more than 20 years. Cumulus Detroit/Ann Arbor regional VP and marketimg manager Steve Finateri says, “Ryan Ermanni is not only a seasoned broadcaster with deep roots in Detroit media, he’s also a longtime fan of WJR. His passion for Detroit, his engaging on-air presence, and his respect for what WJR represents make him a perfect fit for our team.” Ermanni comments, “I am so honored to be a part of the WJR daily lineup. I’ve always considered myself just a regular guy from the neighborhood who happens to have a really cool job. The WJR call letters mean something to me, as they do for many people who have grown up in our city and our state. I hope to build the same trust and connection here on WJR as I did at FOX 2. I’m not your typical newsman. I wear my personality on my sleeve, and I react to stories the way someone might if they were sitting at home or in their car. We joke that I’m a “man of the people” — and honestly, I take that as the highest compliment. What you see is what you get. So, if you spot me around town, don’t be shy – come say hello.”

Job Opportunity

Lotus Seeks Weekend Anchor/Editor/Reporter

Lotus Seattle is seeking an experienced weekend anchor/editor/reporter for all-news station KNWS-AM/FM, Seattle “Northwest Newsradio 97-7, AM 1000.” Lotus says, “The ideal candidate will help prepare and deliver engaging news content, report on breaking news events, and produce special projects and programming as assigned. This position at Northwest Newsradio is a vital news delivery and content creatorimg for our station. Your material is used throughout the day on several different broadcasts. This individual in this position is also an overall ambassador for our brand, and is expected to also work at special events, and alongside our sales staff promote the station to Northwest Newsradio clients. The perfect candidate has a minimum of two years’ experience in large market media, is proficient and aggressive in social media, is an excellent writer, and embraces using digital platforms (podcasting, streaming audio, streaming video) to promote the Northwest Newsradio brand. Candidates need to submit an audio demonstration of their on-air ability with their resume, along with a sample of radio news writing. Candidates should also be prepared to take a writing test if requested. Applications should be sent here.

Industry News

TALKERS News Notes

BFoA Adds Hopkins to Board. The Broadcasters Foundation of America elects Ray Hopkins, president of Paramount U.S. Distribution, to its board of directors. BFoA chair Scott Herman comments, “Ray is a leader in broadcasting, and we are grateful that he is donating his time and energy to our charitable mission. Ray’s addition to our board of directors will inspire fresh ideas on how to effectively reach broadcasters across America with our message of hope.”

NYPR Appoints Three to Board. New York Public Radio appointments three media professionals to its board of trustees. Gary Knell’s career includes tenures as president and CEO of Sesame Workshop, NPR, and National Geographic. Jenna Weiss-Berman co-founded Pineapple Street Studios, and is currently head of podcasts at Amy Poehler’s Paper Kite Productions. Jeremy Kuriloff is managing director and partner at the Boston Consulting Group.

WYPR Wins Journalism Awards. WYPR, Baltimore “88.1 FM, Baltimore’s NPR station,” wins four awards from the Public Media Journalists Association. The PMJA Annual Awards are designed to recognize the very best in public media work done by local public media outlets.

Industry Views

SABO SEZ: Do You Really Think the Back of Your Head is Worth Watching?

By Walter Sabo
a.k.a. Walter Sterling, Host
WPHT, Philadelphia, “Walter Sterling Every Damn Night”
and TMN syndicated, “Sterling on Sunday”

imgThe drive to stream video of radio shows has always been risky. Remember your shock when you first saw one of your radio heroes? Video streaming can present a constant disconnect between the show in the listener’s head and the show on the stream. Many stations make the disconnect worse by streaming terrible video images. Combine the trauma of how a host really looks with a dreary TV show and the package cannot benefit the relationship between station and listener/viewer.

Too many stations stream from one or two fixed cameras in the studio. That picture looks like a police interrogation room. Some stations embarrassingly use one camera on a two person show. The result is a shot of the face of one host and the back of the head of the other, for the entire show. OMG.

Done right, video should enhance the listening experience, it should make the hosts more attractive, more engaging, and more entertaining.

Mistake: Many radio hosts ignore the cameras during spot breaks. These hosts go silent during spots, giving a viewer absolutely no reason to stream. Obviously, if one sits in silence during the break the image presented is pure boredom. On the radio, the listener hears commercials. On their stream they see a silent radio host doing nothing. Double disappointment.

Producing video that enhances a radio show experience takes planning and commitment. One technically simple way to make video work for a host is to address the audience directly during commercial breaks. One on one. The moment a break starts, smart hosts and anchors address the camera and candidly speak with the viewer. Their conversation is topical, urgent and fun.

Engaging the viewer during radio commercial breaks provides added value to a stream and a reason to watch.

Some examples worth watching are found in these links:

B-93, Grand Rapids morning host Aly Mac never stops talking with streaming viewers. She does itimg right, two shows… one on the radio, one on the stream. Seamless and fun.
WPHT produces a TV show with switching, graphics that flows with the radio show.
Baylee Martin is a TV anchor who could teach the industry how to conduct an on-air show enhanced by the stream.  Hearst should sell schedules in her stream content. Have a look, she’s a streaming savant.

When streaming, consider if the video stream is helping or hurting the radio show. If the “reveal” is the back of a head, hurting!

Walter Sabo has been a C Suite action partner for companies such as SiriusXM, Hearst, Press Broadcasting, Gannett, RKO General and many other leading media outlets. His company HITVIEWS, in 2007, was the first to identify and monetize video influencers.. His nightly show “Walter Sterling Every Damn Night” is heard on WPHT, Philadelphia. His syndicated show, “Sterling On Sunday,” from Talk Media Network, airs 10:00 pm-1:00 am ET, and is now in its 10th year of success. He can be reached by email at sabowalter@gmail.com.

Industry News

TALKERS News Notes

PodcastOne Extends A+E Deal. PodcastOne extends its agreement with A+E Networks for the exclusive sales and distribution rights to five true crime podcasts: “Cold Case Files,” “I Survived,” “American Justice,” “City Confidential,” and “Ancient Aliens.” PodcastOne co-founder and president Kit Gray says, “Whether it is a limited series or a weekly production, we provide premiere podcasting services for companies and networks who have been hesitant or lack the internal resources to adapt existing programming into a podcast. By leveraging our strong infrastructure and expert technology within the medium, we can offer tailored services to bridge the gap between television and the world’s fastest growing media platform, podcasting.”

MPR Adds Trustees. The Board of Trustees of Minnesota Public Radio welcomes two new members. Sarah Karon, board president of the Library Foundation for Sarasota County and District 5 Town Commissioner in Longboat Key, Florida, and Dr. Brian Harrison, political scientist and author, were recently elected to the board. MPR CEO Jean Taylor states, “We’re delighted to welcome Sarah and Brian to the MPR Board of Trustees. Both of these new Trustees have great passion for service to their communities and are huge fans of public media. At the same time, they will each bring incredible expertise, perspective, and a track record of success in their own right in the areas of philanthropy and inclusion. Their presence and engagement will make an already strong board even stronger.”

Denes Hosts Warshaw and Parenti on Podcast. Benztown president Dave “Chachi” Denes talks with Connoisseur Media founder and CEO Jeff Warshaw and Radio Ink president and publisher Deborah Parenti on the two current episodes of his podcast, “Chachi Loves Everybody.”

Industry News

Chris Pickett Promoted to WayFM Program Director

Hope Media Group announces that Chris Pickett is promoted to WayFM network program director, takingimg over for Jeff Evans, who was recently promoted to vice president of radio for HMG. Pickett previously served as director of content for Townsquare Media in Boise and as regional vice president at iHeartMedia, “further strengthening his background in multi-market and multi-format programming, talent development, and creating engaging on-air content. His broad experience and passion for mission-driven media make him uniquely equipped to lead WayFM into its next season of growth and innovation.”

Job Opportunity

Lotus Seattle Seeks Drive Time Anchor and General Sales Manager

Lotus Communications Seattle is seeking candidates for two positions. The company seeks an experienced drive time news anchor/reporter for KNWN “Northwest Newsradio 97-7, AM 1000.” Lotus says, “The ideal candidate will help prepare and deliver an engaging prime-time newscast as part of an on-air duo, then produce a compelling story to air in other newscasts… You are the voice of your assigned show andimg expected to anchor special news or breaking news coverage when it happens. This position becomes an overall ambassador for our brand, and is expected to also work at special events, and alongside our sales staff to promote the station to Northwest Newsradio clients and endorse their businesses if requested.” Candidates must submit a writing sample and an audio sample along with resume here.

Lotus is also seeking an experienced and results-driven broadcasting general sales manager. The position is responsible for delivering assigned revenue targets through managing sales team efforts, developing sales talent and monthly business planning. The General Sales Manager will maintain an account list while helping the sales team sell and develop cohesive campaigns for new direct businesses. Submit your resume here.

Industry News

Connoisseur Defines New Roles for Executives

Following Connoisseur Media’s proposed acquisition of Alpha Media, Connoisseur announces two changes involving company executives. Kristin Okesson, currently the senior vice president and market manager of Connoisseur Connecticut, expands her responsibilities to oversee the company’s Long Island radio stations. The company says, “Okesson brings decades of experience, a deep understanding of localimg suburban New York market dynamics, and a proven track record of audience engagement, operational excellence along with cultivating client and community relationships.” At the same time, Connoisseur chief operating officer David Bevins, who has been overseeing Long Island operations for the past five years in addition to his corporate responsibilities, will now focus on major corporate initiatives. The company says Bevins will play a key role in managing the transition of Alpha Media into Connoisseur Media. CEO Jeffrey Warshaw comments, “These leadership changes reflect our confidence in our team and our vision for Connoisseur’s future. Kristin and David exemplify the kind of forward-thinking, community-driven leadership that defines our brand. As we grow, we are excited to have their expertise guiding both our legacy markets and new additions.”

Industry Views

Mark Walters v. OpenAI: A Landmark Case for Spoken Word Media

By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

imgWhen Georgia-based nationally syndicated radio personality, and Second Amendment advocate Mark Walters (longtime host of “Armed American Radio”) learned that ChatGPT had falsely claimed he was involved in a criminal embezzlement scheme, he did what few in the media world have dared to do. Walters stood up when others were silent, and took on an incredibly powerful tech company, one of the biggest in the world, in a court of law.

Taking the Fight to Big Tech

Walters, by filing suit against OpenAI, the creator of ChatGPT, become the first person in the United States to test the boundaries of defamation law in the age of generative artificial intelligence.

His case was not simply about clearing his name. It was about drawing a line. Can artificial intelligence generate and distribute false and damaging information about a real person without any legal accountability?

While the court ultimately ruled in OpenAI’s favor on specific legal procedure concerns, the impact of this case is far from finished. Walters’ lawsuit broke new ground in several important ways:

— It was the first known defamation lawsuit filed against an AI developer based on content generated by an AI system.
— It brought into the open critical questions about responsibility, accuracy, and liability when AI systems are used to produce statements that sound human but carry no editorial oversight.
— It continued to add fuel to the conversation of the effectiveness of “use at your own risk” disclaimers when there is real world reputational damage hanging in the balance.

Implications for the Radio and Podcasting Community

For those spoken-word creators, regardless of platform on terrestrial, satellite, or the open internet, this case is a wake-up call, your canary in a coal mine. Many shows rely on AI tools for research, summaries, voice generation, or even show scripts. But what happens when those tools get it wrong? (Other than being embarrassed, and in some cases fined or terminated) And worse, what happens when those errors affect real people?

The legal system, as has been often written about, is still playing catch-up. Although the court ruled that the fabricated ChatGPT statement lacked the necessary elements of defamation under Georgia law, including provable harm and demonstrable fault, the decision highlighted how unprepared current frameworks are for this fast-moving, voice-driven digital landscape.

Where the Industry Goes from Here

Walters’ experience points to the urgent need for new protection and clearer guidelines:

— Creators deserve assurance that the tools they use are built with accountability in mind. This would extend to copyright infringement and to defamation.
— Developers must be more transparent about how their systems operate and the risks they create. This would identify bias and attempt to counteract it.
— Policymakers need to bring clarity to who bears responsibility when software, not a person, becomes the speaker.

A Case That Signals a Larger Reckoning

Mark Walters may not have won this round in court, but his decision to take on a tech giant helped illuminate how quickly generative AI can create legal, ethical, and reputational risks for anyone with a public presence. For those of us working in media, especially in formats built on trust, voice, and credibility, his case should not be ignored.

“This wasn’t about money. This was about the truth,” Walters tells TALKERS. “If we don’t draw a line now, there may not be one left to draw.”

To listen to a longform interview with Mark Walters conducted by TALKERS publisher Michael Harrison, please click here

Media attorney, Matthew B. Harrison is VP/Associate Publisher at TALKERS; Senior Partner at Harrison Media Law; and Executive Producer at Goodphone Communications. He is available for private consultation and media industry contract representation. He can be reached by phone at 724-484-3529 or email at matthew@harrisonmedialaw.com. He teaches “Legal Issues in Digital Media” and serves as a regular contributor to industry discussions on fair use, AI, and free expression.

Industry News

Derek Hunter Named PM Drive Host at WMAL-FM, Washington

Cumulus Media officially names Derek Hunter afternoon drive talk host at “News Talk 105.9” WMAL-FM, Washington, DC. Hunter has been a regular fill-in host on the station since 2011. Hunter is also a senior columnist for Townhall.com, a podcaster, and a former managing editor at The Daily Caller. He previouslyimg served as a fill-in host for “The Rush Limbaugh Show.”  WMAL program director Bill Hess says, “We’re thrilled to have Derek’s fresh voice and perspective on our fulltime lineup. His width of interests will make for a fun and informative afternoon program as we wrestle this news cycle each day.” Hunter comments, “I couldn’t be more excited – this is a homecoming for me. Returning to where I first hosted is a great feeling. I’ve been fortunate to fill in across the lineup – from ‘O’Connor and Company’ to Chris Plante, and even for Rush Limbaugh. To now have a permanent home here is incredibly special. I want to thank Bill Hess, Jeff Boden, and all of Cumulus for this amazing opportunity.”