TALKERS News Notes
Compass Media Networks kicked off year 15 of college football coverage this month that’s part of its 16-game CFB schedule. Compass SVP and general manager for sports Michelle Salvatore states, “There is nothing quite like the fan frenzy and pageantry of the college game day experience. Each week Compass Media Networks brings our national audience the absolute best matchups from the Power 5. We cannot wait to broadcast #5 LSU at Mississippi State this weekend!”
Art Vuolo of Vuolo Video shot video of the flip of WFDF, Detroit to news/talk on September 5. The video includes a history of the 910 AM frequency in the market and its most recent programming under owner Kevin Adell’s Adell Media. See the video here.
station features Michigan talk personality Justin Barclay in morning drive, followed by Premiere Networks’ daytime lineup of “The Glenn Beck Show,” “The Clay Travis and Buck Sexton Show,” Sean Hannity, and Jesse Kelly, supplemented by “Our American Stories” and some FOX News Radio content. Adell bought the former Radio Disney station in January of 2015 and launched “910 The Superstation” featuring Black talk hosts who were not on the payroll but were given the platform to get their message out. Ultimately, Adell says it wasn’t financially successful. He told the Detroit Metro News, “When you look at it, no one supported it. I couldn’t get the community to support it.”
were not paid but given the ability to get their message out. Adell promoted the station as “Detroit’s Only Urban Tall Station” via billboards throughout the metro area. The Metro Times piece says hosts learned of the change in an email delivered last Friday night that said, “Your show will no longer air on WFDF 910AM Superstation. All access passes have been revoked and you are no longer allowed on the premises. The guard has been notified not to give you entry.” The piece goes on to say, “The terse email and sudden change infuriated some of the hosts and prompted others to accuse the owner, millionaire Kevin Adell, of exploiting Black people by turning racial anxiety into entertainment and failing to pay the hosts for their shows.” But Adell tells the paper “the format was no longer profitable and only attracted about 2,100 listeners a month, an abysmally small audience for a radio station. ‘When you look at it, no one supported it. I couldn’t get the community to support it.’”