Industry News

TALKERS News Notes

Len Berman ID

WOR, New York Morning Co-host Len Berman to Anchor Station’s First-Time Ever Live Coverage of New York City Marathon (11/3). iHeartMedia New York announced today (10/28) that Emmy award-winning New York City sports anchor Len Berman, currently heard from 6:00 am – 10:00 am weekdays on 710 WOR’s “Len Berman and Michael Riedel in the Morning,” will anchor 710 WOR’s live coverage of the 53rd TCS New York City Marathon on Sunday November 3.  This first-ever radio broadcast of the iconic New York City event will be heard from 8:00 am – 12:00 noon on 710 WOR-AM, Q104.3HD2, on the free iHeartRadio app, smart devices and at 710wor.com. “When iHeartMedia New York partnered with the New York Road Runners (NYRR) to produce this inaugural radio broadcast of the marathon, it was a no-brainer to put Len at the helm of the broadcast,” said Tom Cuddy, program director for 710 WOR.  “His association with New York sports, during his more than 50-year television career, and his ‘second life’ as co-host of the WOR morning show since 2015, ensure that Len will make this a can’t-miss broadcast.”  “I’m honored to be hosting WOR’s maiden voyage with the TCS New York City Marathon,” said Berman. “I’ve hosted TV coverage of the event many times and it’s consistently one of the best days of the year in the city. We look forward to conveying that same message to our listeners.”

 

WGN, Chicago Renews Contract with Host Lou Manfredini. WGN Radio today (10/28) announced a contract extension with host Lou Manfredini, the station’s do-it-yourself expert and mainstay for nearly 30 years. His call-in radio show “HouseSmarts Radio with Lou Manfredini” airs Saturdays, 6:00 am to 10:00 am, and delivers an entertaining mix of practical and useful home improvement advice. Lou Manfredini “I have been blessed to call WGN Radio home for the past three decades,” Manfredini tells TALKERS. “But in the end, it’s all about our listeners. I’m excited to continue to help them better understand how their homes work, show them they can have fun, and, of course, remind them to never hold a nail for someone else.”  The Chicagoland native will be celebrating his 30th anniversary on WGN Radio in 2025. Mr. Manfredini first appeared on the station as a guest on the Bob Collins Show in 1995 following a letter writing campaign to pitch a call-in home improvement show on WGN.  “We are delighted that Lou will be with us for his 30th year and beyond,” said WGN Radio VP/GM Mary Sandberg Boyle. “In the nearly 30 years since first appearing on WGN Radio, Lou’s presence across the media world has evolved considerably. Yet, what truly sets him apart is his natural gift of connecting to and interacting with our listeners in the special way that only radio does. Making those listener ‘connections’ has historically been – and will continue to be – the very fabric of WGN 720.”  Manfredini can also be heard on weekday segments with John Williams (Mondays), Lisa Dent (Thursdays) and Bob Sirott (Fridays). Lou Manfredini is also a weekly contributor to WGN-TV’s Morning News.

 

Liberty News Radio and The Big Mig Rumble Channel to Present Election RoundTable 2024. Nationwide Broadcast Liberty News Radio and the Big Mig Show on Rumble are presenting what they describe will be a “captivating” live event, “Election RoundTable 2024,” to be held on November 5, 2024, between 7:00 pm – 12:00 midnight ET. Hosted by Sam Bushman, James Edwards, Dr. Scott Bradley, and Lance Migliaccio, the forum will feature a panel of notable experts including Sheri Richard Mack, Alex Newman, George Balloutine, Lew Moore, Lowell Nelson, Dave Krieger, Peter Scoop Stanton, and others. Highlights will include in-depth analysis of election dynamics, key issues, and candidate strategies. The forum is set to be a key resource for political enthusiasts and voters across the nation, providing a comprehensive look at the elements shaping the future of our Constitutional Republic. Liberty News RadioIt will be carried by LibertyNewsRadio.com or video stream at TheBigMigShow on Rumble. For additional information or press inquiries, please contact Sam Bushman at 801-756-9133 or LibertyRoundTable@gmail.com.

Industry Views

TALKERS Legal Series on Fair Use (Part 4): The Amount and Substantiality Factor

By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

Matthew B. Harrison, Esq.With the growing popularity of talk media programs utilizing segments of other shows as key elements of scrutiny and commentary in their programming (“Clip Jockey Format” as coined by Michael Harrison), it is important that media content creators be aware of the subtle and often ambiguous rules applying to the legal aspects of this practice under the heading of fair use.

This is the fourth installment of a multi-part TALKERS Legal Series on Fair Use for the Media Creator. The first installment is here. The second installment is here. The third installment is here.

The “amount and substantiality” factor in fair use focuses on how much of the copyrighted material is used and whether that portion is essential to the original work. Despite seeming obvious, this factor can be nuanced, and determining how much use is fair can be challenging because it’s not just about the quantity but also about the significance of the portion used.


Is It Difficult to Distinguish?

In many cases, it’s not always obvious what qualifies as a “small” or “insignificant” portion. Courts often consider both the quantity, and the quality of the material used:

• Quantity: This factor asks if only a small part of the work has been used. Using a shorter clip from a video or a few sentences from a book could be more justifiable as fair use. But what qualifies as “small” can vary depending on the work—10 seconds from a short film may be seen differently from 10 seconds in a longer documentary.

• Quality: Even if a creator only uses a small part of the original work, using its “heart” or most memorable part might still count as substantial. For example, a few lines from a song’s chorus, though short, could be considered significant enough to impact fair use status.

Example Cases Highlighting Amount and Substantiality

To better understand this, it’s useful to look at cases that illustrate when the amount used was deemed fair or not:

• Harper & Row v. Nation Enterprises (1985): This case involved a magazine that used a few hundred words from an unpublished memoir by President Gerald Ford. Although this was a small percentage of the memoir, the excerpt contained key insights into Ford’s decision to pardon Nixon. The court held that this use was not fair because it included the most “substantial” and critical part of the memoir, even though the total percentage of text used was minimal.

• Campbell v. Acuff-Rose Music, Inc. (1994): Here, the hip-hop group 2 Live Crew used portions of Roy Orbison’s song “Oh, Pretty Woman” to create a parody. Even though the song’s recognizable parts were used, the new work was transformative in its purpose (a parody rather than a love song). Because the group’s use was a small part relative to the song’s total content and had a new purpose, the court found it was fair use.

Many books and law school classes have been devoted to this question – so let’s focus on Application in Media and Broadcasting

In radio and broadcasting, this factor is often relevant when using clips, songs, or interview segments from other sources. Using a small clip to support commentary or criticism is more likely to be considered fair use, especially if it does not contain the “heart” of the original work:

• Commentary on a Speech: If a talk show uses a brief part of a public figure’s speech to critique it, the fair use factor may weigh in favor of the radio station if it doesn’t take the most memorable segment.

• Use of Music in Shows: Music clips used for thematic transitions or commentary must be kept brief, as lengthy or highly recognizable parts can affect fair use status. Playing just a few bars might qualify, but a chorus or instrumental hook would likely cross the line. This is less of a mine field in traditional broadcast radio as existing license agreements, such as with ASCAP or BMI, may allow for such uses anyway. However, when focusing on the internet – it’s a completely different matter as no licenses have been formally given, yet there is an incentive for the copyright holder to have their work shared. It’s not cut and dry – which is why the following takeaways should be helpful when navigating forward.

Key Takeaways for Media Creators

• Use Minimal Amounts: The less you use, the more defensible your case for fair use, especially if you avoid the most recognizable parts.

• Avoid the “Heart” of the Work: Select portions that serve your purpose without including critical or memorable parts of the original material.

• Transformative Purpose Matters: If the use adds new meaning or serves a different function (e.g., satire, critique), it’s more likely to be deemed fair, even if it includes some key elements.

Summary

Understanding how much of the work a media creator can use while staying within fair use guidelines can be tricky, as this factor requires balancing quantity and significance. Media creators should focus on minimal use that contributes meaningfully to commentary, criticism, or other transformative purposes.

Media attorney, Matthew B. Harrison is VP/associate publisher, TALKERS; Senior Partner, Harrison Media Law; and executive producer, Goodphone Communications.  He is available for private consultation and media industry contract representation. He can be reached by phone at 724-484-3529 or email at matthew@harrisonmedialaw.com

Industry News

TALKERS News Notes

POWERFUL STORY!  The New York Times: Her Job Was Talking on the Radio. Then Suddenly, Words Wouldn’t ComeAlison StweartOne day last winter, Alison Stewart, the host of “All of It” on public station WNYC, New York was alarmed to find herself speaking gibberish. Stewart’s health crisis began on February 22, a day jump-started by a 6:00 am workout with her personal trainer. She was pushing herself to get back in shape after having donated a kidney to her sister six months earlier. The workout was routine, though she barely spoke, which was unlike her.  As the morning progressed, she began to feel confusion; she couldn’t engage in a lucid conversation or write a coherent text message. She headed into SoHo, to WNYC Studios, where she hosts the daily interview show “All of It,” and settled into her office to practice reading an introduction to a segment, but her phrasing hit roadblocks instead of flowing smoothly. Baffled, she sought out Kate Hinds, the show’s director. Hinds was taken aback. “She looked very upset, her skin a little gray,” she recalled. “The disintegration was so stark and alarming. I was terrified.” She urged her to see a doctor. Stewart’s doctor listened to her garbled words over the phone and told her to go straight to the emergency room. There, she was able to execute commands like touching her nose and walking backward and forward, signaling that she probably had not suffered a stroke, but a CT scan revealed a mass on her brain. Stewart, 58, was soon talking gibberish, a dreadful and mystifying development for a woman who made her living by talking. Her decline was so rapid that her colleagues wondered whether she would ever be on the radio again.  “I knew she was trapped in there,” said Tracy Christian, one of several friends who had rushed to her side.  Don’t miss a powerful, detailed story by reporter Julie Besonen about Alison Stewart’s remarkable surgery (while awake) under the direction of leading-edge neurosurgeon, Dr. Randy D’Amico, at Lenox Hill Hospital in Manhattan and her ongoing challenging recovery in yesterday’s edition of The New York TimesClick here.

 

Dr Daliah WachsMusic Group Gunhill Road Putting Final Touches on Talk Radio Anthem. Gunhill Road, the perennial pop music ensemble that has attracted hundreds of thousands of worldwide followers with its growing repertoire of issue-oriented songs and music videos, is currently in post-production with an anthem celebrating talk radio. Titled “Don’t Stop Talkin’” – the song is an uplifting and infectiously catchy tune about the vital role talk radio plays in serving the cause of American freedom of speech.  With lines that include “As long as you’ve got a voice, don’t ever stop!” and “As long as you’ve got the truth, don’t ever stop!” the original composition co-written by band members Steve GoldrichPaul ReischBrian Koonin, and Michael Harrison encourages talk radio practitioners to keep up the good work and great service they provide the nation.TALKERS Heavy Hundred syndicated host Dr. Daliah Wachs pictured above bopping to the music in a scene from the forthcoming video “Don’t Stop Talkin'” by Gunhill Road.

Gunhill Road
The images accompanying the music blend into a dynamic montage of individual radio talk hosts from different sectors of the industry in the process of doing their shows (and then some). The group invited talk show hosts from around the country – local and syndicated – to contribute video clips of themselves in action on the mic. And according to sources in the band, the number of contributions “more than met our expectations.” Gunhill Road video producer (and TALKERS VP/associate publisher) Matthew B. Harrison states, “The members of Gunhill Road are so grateful for the attention and airplay they have received over the years from talk radio that they want to give something special back to the industry and its medium.” The new song and video are expected to drop shortly after Election Day with a premiere on YouTube.  For more information about Gunhill Road please visit www.GunhillRoadMusic.com.

Industry Views

Part 2: Understanding Fair Use

By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

Matthew B. Harrison, Esq.Incorporating copyrighted material, such as video clips or actualities, can enhance your content, but understanding fair use is critical to avoid legal trouble. Fair use permits limited use of copyrighted material for purposes like criticism, commentary, news reporting, or parody without needing permission. Courts assess fair use based on four factors: purpose and character of the use (is it transformative?), nature of the work (factual vs. creative), amount used, and the effect on the market. Learn practical tips on safely navigating fair use, including using brief excerpts, transforming content, and considering market impact.

This is the second in a series of articles addressing the broader topic of fair use for media creators. Click here for the first installment.

Understanding Fair Use: Purpose and Character of the Use. When using copyrighted material belonging to others in the creation of your own media content, it is important to understanding the concept of fair use. Fair use allows copyrighted material to be used without permission for purposes like criticism, commentary, news reporting, education, or parody. It’s not an absolute right but rather a defense you can claim if challenged. Courts assess fair use based on four key factors, all which broadcasters should carefully consider.

The first factor of fair use that courts consider is the purpose and character of the use. Specifically, is the use of the material transformative? Transformative use is a key concept that can often determine whether your content qualifies as fair use or not – and really is the heart of the inquiry.

What Does Transformative Mean? In legal terms, a use is considered transformative when it adds new expression, meaning, or message to the original work. This is different from merely copying the work or using it for the same purpose as the original creator. By transforming the material, you’re creating something that serves a different purpose or offers new insights, rather than simply replicating the original content.

Example: Auto-Tune the News. One of the most famous examples of transformative use is the Gregory Brothers’ viral “Auto-Tune the News” series, which turned news clips into catchy, auto-tuned songs. In 2010, they took an interview clip with Antoine Dodson, who was describing an attempted home invasion, and turned it into the widely popular “Bed Intruder Song.”  In this case, the original news segment was purely factual—a straightforward broadcast of a local news report. However, by remixing the clip with auto-tuned vocals and adding music, the Gregory Brothers transformed the clip into a piece of entertainment and social commentary. This new purpose—entertainment and humor—was distinct from the original intent of simply delivering news, making it a classic example of transformative use. Although the raw news footage was copyrighted, the remix was so different in tone, presentation, and purpose that it was protected under fair use. The transformation added new creative elements and reframed the original material as a humorous, catchy song.

How Does This Apply to Radio? Let’s take this concept and apply it to radio, a medium that often uses clips from other sources. Imagine you’re running a talk show, and you want to use excerpts from a political speech to make a satirical point about current events. If you simply play the speech on air without any changes, it may not qualify as fair use because you haven’t transformed the original material – you’re just rebroadcasting it. However, if you take portions of the speech and then critique, analyze, or poke fun at it, you’re more likely to be in the clear. For example, if your show involves playing clips of political speeches interspersed with humorous commentary or parody, you’re repurposing the original work in a new and transformative way—much like “Auto-Tune the News.”

Another example could be a radio show that plays clips from popular songs but recontextualizes them within a larger discussion of musical trends or cultural history. If the song clips are used to illustrate a point and not simply for entertainment value, the new purpose—educational or critical analysis—can qualify the use as fair. In cases involving parody or political commentary on radio, the fair use defense has sometimes been successful. For instance, radio shows that use short clips from speeches, interviews, or news broadcasts for commentary, satire, or criticism can invoke fair use if the content is transformed for a new purpose.

One example is when talk radio shows play brief excerpts of copyrighted works (e.g., speeches, news clips) to critique or analyze them. If the use is transformative and doesn’t replace the original work in the marketplace (i.e., people wouldn’t listen to the radio show as a substitute for the original), courts have shown a willingness to accept fair use in such contexts. However, detailed legal battles involving radio stations using copyrighted material for parody or commentary are less common than those involving music licensing.

Example: Rogers v. Koons (Rebroadcast of News Content). While not as widely reported as music-related cases, one example of a copyright infringement suit involving the rebroadcast of talk content was a case where a news organization sued a radio station for replaying portions of its copyrighted interviews and reports without permission. In cases like this, radio stations or broadcasters may try to claim fair use based on the purpose of the rebroadcast, such as using a portion of an interview for commentary, satire, or news reporting. However, if the content is used purely to replay the original, as opposed to being transformed into a new, critical, or educational piece, the fair use defense may not succeed.  For example, news stations may license their talk content (like interviews or original reporting) through syndication deals. If a radio station broadcasts this content without securing the necessary licensing agreement, they may face a copyright lawsuit.

Example: Talk Show Hosts and Syndicated Content. A real-world scenario can involve syndicated talk shows or podcasts that are copyrighted. Radio stations can face lawsuits if they replay this content without proper authorization. An example would be stations rebroadcasting popular talk radio shows or political commentaries (such as those by syndicated hosts like Rush Limbaugh or Howard Stern) without purchasing broadcast rights. This unauthorized use can lead to legal action from the copyright holders. For example, if a station replays clips of an interview conducted by NPR or a news network for entertainment or even news purposes, and it doesn’t transform the content for criticism or commentary, it may be violating copyright law. Radio companies might try to claim fair use, but the courts will look closely at whether the replay served a new, transformative purpose or was simply a verbatim rebroadcast.

Key Considerations for Broadcasters. To better understand whether your use of copyrighted content is transformative, ask yourself:

• Are you adding new meaning or message? The more your work transforms the original content – such as using it for commentary, criticism, or satire – the more likely it qualifies as fair use.

• Does your use serve a different purpose? If you’re using the content for a new purpose, like entertainment, education, or social commentary, rather than simply duplicating the original, it can be seen as transformative.

• Are you just using the original for its own sake? If the copyrighted material is used in a way that does not add new expression or meaning, it’s less likely to fall under fair use. Transformative use is a powerful defense in fair use claims, but it’s not a guarantee. Always make sure your purpose and character are different from the original intent of the work, and when in doubt, seek legal counsel.

Media attorney, Matthew B. Harrison is VP/associate publisher, TALKERS; Senior Partner, Harrison Media Law; and executive producer, Goodphone Communications.  He is available for private consultation and media industry contract representation. He can be reached by phone at 724.484.3529 or email at matthew@harrisonmedialaw.com

 

Industry Views

Fair Use: A Media Creator’s Guide to Using Copyrighted Content

By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

Matthew B. Harrison, Esq.As a media creator, incorporating copyrighted material, such as video clips or actualities, into your content can enhance your message. But when using someone else’s work, you need to consider fair use, a legal principle that permits limited use of copyrighted material under certain conditions – without needing permission from the copyright holder. Understanding when and how you can safely use this material is critical to avoiding costly liability – whether it’s a copyright strike or complicated copyright litigation.

What is fair use? Fair use is the legal principle that allows copyrighted material to be used without permission for purposes above and beyond the original version – like criticism, commentary, news reporting, education, or parody. It’s not an absolute right but rather a defense you can claim if challenged. Courts assess fair use based on four key factors, all which creators should carefully consider.

Purpose and character of the use.  Is the use of the material transformative? This means that you’re adding something new or giving it a different purpose than the original, rather than just copying it. This is more likely to be allowable. On the other hand, simply reposting someone else’s video with little change is not transformative and could be seen as infringement.

Nature of the copyrighted work.  Not all content is treated equally under fair use. Factual works (such as news reports) are more likely to be subject to fair use than creative works (like movies or music videos). Why? Courts recognize that creative works often involve a higher level of personal expression, so they deserve more protection. Plus, society has an interest in being able to quickly disseminate news and other important information – therefore, facts generally have little to no protection themselves.

Amount and substantiality. The more of the original work you use, the less likely it is to qualify as fair use. Using a brief clip or excerpt is more defensible than using an entire segment or the “heart” of a work, which is often the most memorable or critical part. This becomes less of an issue when using factual material, though immediately can get complicated if the material being used is someone elses opinion and commentary. This is where taking less is going to be more – in terms of preventing potential liability.

Effect on the market. If your use of the copyrighted material could replace the need for the original courts are more likely to see it as infringement. In other words – is your use of the material taking money out of the pockets of the original creator? This isn’t a moral judgement but purely an objective analysis. If your use does not impact the market for the original work, such as in a news or educational context, it’s more likely to fall under fair use.

Practical Takeaways for Media Creators

Use brief excerpts, not whole segments. The less you use, the more likely it’s fair use.

Make sure your use is transformative. Add commentary, criticism, or parody to distinguish your work from the original.

Be mindful of market impact. Avoid using copyrighted material in a way that competes with the original.

Credit is not enough. Even if you give attribution, it doesn’t exempt you from potential liability. Fair use depends on how you use the material, not just on crediting the original creator.

While fair use provides flexibility, it’s crucial to apply it carefully. When in doubt, consult with legal counsel to ensure your content remains within legal bounds.

Industry News

Fair Use: A Media Creator’s Guide to Using Copyrighted Content

Industry News

2024 Presidential Race Taking on Historic Role as Nation’s First “Podcast Election”

Tyrus and Trump

Industry News

NYF and PushDesign Celebrate the Power of Storytelling: Unveiling the “What Defines Greatness” Campaign

NY FestivalsNew York Festivals Radio and TV & Film Awards have launched the 2025 multi-platform call for entries campaign for the annual competitions which culminate in the Storytellers Gala every spring.  The two themes of the eight-video campaign are “What Defines Greatness” and “Sounds Over The Years.”  Together they celebrate a stand-out all-star list of innovative NYF winners through the years: My Octopus Teacher, Peaky Blinders, The Olympics, Done+Dusted, CBS Radio News, The Beatles Channel, Das Boot, A Capitol Fourth, The New York Philharmonic, CBC News, Molly Solomon, Marvin Kalb, and Donna de Varona.  “PushDesign’s Emmy-award winning creative work is a perfect match for NYF,” said Rose Anderson, EVP of New York Festivals and executive director of the TV & Film and Radio Awards Competitions. “These high energy sizzle reels let you see and hear what NYF winners are all about – enthusiasm, excitement, and excellence.”  “The New York Festivals has a global reach, is peer judged, and honors industry legends” said Rob Tobin, founder and creative director of PushDesign, “We wanted to let the programs and winners speak for themselves to inspire entrants.” The 2025 Grand Jury panel selection process is underway, and the TV & Film and Radio Grand Juries will be announced on October 23.  The New York Festivals TV & Film and Radio Awards competitions receive entries from over 50 countries.  Members of the Grand Jury panels vote to determine the Shortlists and final standings for Tower Trophies.  The 2025 Storytellers Gala will honor trophy winners of both competitions in the spring.  The official deadline to enter the 2025 New York Festivals TV & Film Awards is December 31, 2024. For more information on the 2025 TV & Film Awards visit: https://tvf.newyorkfestivals.com/. The official deadline to enter the 2025 Radio Awards is January 31, 2025. For more information on the 2025 Radio Awards winners visit: https://radiohome.newyorkfestivals.com/

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Legendary NHL Champion Coach Mike Keenan is this Week’s Guest on Harrison Interviews

Industry News Uncategorized

CBS Evening News Gives AM Radio Props for NC Disaster Relief

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TALKERS News Notes

Newsmax Now on YouTube TV.  Newsmax joins YouTube TV’s pay TV lineup of major cable channels as of noon ET yesterday (10/9).  YouTube TV is the linear pay TV service of the ubiquitous video streamer and one of the fastest-growing virtual cable services in the nation.  Now Newsmax, the 4th highest-rated cable news channel, will be available to subscribers of YouTube TV’s Base Plan.  YouTube TV lists its channels alphabetically, so viewers will find Newsmax under the “N” listings. Subscribers can also personalize their lineup using personal channel preferences. Wednesday’s addition of YouTube TV places Newsmax in nearly 60 million pay TV homes, putting it in the top tier of cable network reach. Newsmax is already carried by all major cable operators, including Directv, Xfinity, Dish, Spectrum, Cox, Optimum and more.

 

Not a Toyota Adam Carolla

Radio’s John Clay Wolfe and Podcaster Adam Carolla Purchase Paul Newman’s 1976 Racing Ferrari.  Former radio and now podcasting icon Adam Carolla and nationally syndicated radio host John Clay Wolfe are both car aficionados and friends.  Adam actually races and owns a collection of Paul Newman’s race cars while John Clay Wolfe is president/founder of “Give Me the VIN,” a $2 billion annual revenue wholesale car company.  Recently they partnered on the purchase of Paul Newman’s 1976 Racing Ferrari, thus completing Adam’s collection.  This is the first car the duo has purchased together. They did a video about it, complete with radio interviews… “Celebrity Car VAULT: Paul Newman’s Ferrari 308.” Check it out here.

Industry News

16th Annual Hurley in the Morning Charity Dinner Ups Total Raised to $1.75 Million

The 16th annual Hurley in the Morning Charity Foundation Dinner took place Friday evening (10/4) at the historic Resorts Casino Hotel in Atlantic City.  The event is a key component each year of the philanthropic work performed by 33-year veteran WPG, Atlantic City morning host Harry Hurley on behalf of non-profits across New Jersey and beyond.

Harry and Van Drew
Harry Hurley (l) is joined by U.S. Rep. Jeff Van Drew (R-NJ) – one of hundreds of elected officials, media, and business dignitaries in attendance Friday evening (10/4) at the 16th Annual Hurley in the Morning Charity Dinner at the Resorts Casino Hotel in Atlantic City.

The gathering was literally a who’s who of the Garden State’s political, business, health care, and cultural communities including U.S. Rep. Jeff Van Drew (R-NJ), U.S Senate candidate Curtis Bashaw, and literally dozens of members of the New Jersey legislature, county leaders, mayors, council members and a broad section of business and industry leaders at the highest level. The gala event, which drew the largest attendance in the event’s colorful history, opened with a video welcome message from New Jersey Gov. Phil Murphy. More than $100,00 was raised at the gathering that evening, which included a remarkably curated silent auction, bringing the foundation’s total to more than $1.75 million.

MH at dinner
Michael Harrison, pictured here addressing the gathering, was the guest of honor and keynote speaker at the Hurley charity dinner, now considered one of the most important radio-related annual philanthropic civic initiatives in America.

TALKERS founder/publisher Michael Harrison served as the dinner’s keynote speaker and guest of honor. In his 40-minute presentation, Harrison discussed a variety of topics including the consequential impact of changing technology on society, the state of radio and journalism, the importance of the First Amendment and education in preserving democracy and the challenges facing unique cities such as Atlantic City in carrying on their meaningful legacies in the brave new world of the 21st century. Highlights of Harrison’s speech will be posted to the TALKERS MEDIA YouTube channel in the coming days.

Harrison stated, “The positive impact Harry Hurley has on South Jersey – economically, politically, and culturally – is a thing of beauty when witnessed up close as I just did this past weekend.  I salute Harry, WPG, and Townsquare Media for setting a stunning example of just how consequential this enduring medium of radio can be when operated by such dedicated, resourceful, and community-minded individuals. I was humbled and deeply honored to be able to play a small role in their magnificent efforts.”

Industry News

“The Benny Show” Joins Cumulus Podcast Network

Cumulus Media’s Westwood One announces that “The Benny Show” – hosted by award-winning creator, streamer, and podcaster Benny Johnson – joins the Cumulus Podcast Network. WWO says that Johnsonim has amassed “a combined 12 million subscribers across platforms. ‘The Benny Show’ has become a go-to platform for the next generation of news consumers and creators alike. The program features commentary and exclusive interviews with special guests including presidential candidates, world leaders, cultural icons and Hollywood actors.” Under Westwood One’s leadership, the Cumulus Podcast Network distributes, markets, and monetizes “The Benny Show” exclusively with this new partnership. WWO president Collin R. Jones says, “As the Cumulus Podcast Network further expands into video, ‘The Benny Show’ is a natural addition to our portfolio of personality-driven talk shows. Benny is well known on YouTube as a strong and independent voice in conservative talk. He challenges mainstream opinions with cutting-edge insight and straightforward questions, capturing both listeners and partners with his streamlined, frank approach.”

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TALKERS News Notes

Industry Views

Monday Memo: Advertisers, Explaining

By Holland Cooke
Consultant

im

Industry News

FOX Weather Reporter Saves Drowning Hurricane Helene Victim Live on Air

Weather Hero
FOX Weather meteorologist Bob Van Dillen cut away from his live shot this morning (9/27) in Atlanta on “FOX & Friends” to help a woman who was screaming from her car after it was submerged in water from the flooding from Hurricane Helene. After hearing her scream, he called 911,  but before they arrived Van Dillen took matters into his own hands, pulling the woman out of her car and bringing her to safety. Bob Van Dillen joined “FOX & Friends” afterwards to discuss. Please click the links below to see clips to the segments:

https://video.snapstream.net/Play/2F71koaLAeR2F8AZtU8hJS?accessToken=dzw2pfpwyjv7x

https://video.snapstream.net/Play/9EbwYjddfnWumst1QRoETY?accessToken=cw6121agi38n2

https://video.snapstream.net/Play/8rli72d1ibJpAPwiSR9e4Y?accessToken=dxanlzpzgnqgd

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TALKERS News Notes

Steve Jones and Mike McVay Guest on New Episodes of Benztown Podcast. Steve Jones Mike McVayBenztown, a global leader in radio imaging, voiceovers, programming, podcasting, and jingles, has released two new episodes of “Chachi Loves Everybody,” an original podcast series hosted by its president Dave “Chachi” Denes. The episodes feature Chachi’s special guests Steve Jones, president and CEO, Skyview Networks, and Mike McVay, president, McVay Media Consulting.  Jones and McVay will be among those honored this fall as Giants of Broadcasting by the Library of American Broadcasting Foundation at the 2024 Giants of Broadcasting & Electronic Arts luncheon and awards ceremony on November 12th at Gotham Hall in New York City.  To listen to the new “Chachi Loves Everybody” podcast episodes, please click here.

 

Industry News

TALKERS News Notes

WGN, Chicago Names Charlie Roumeliotis as Studio Host of Blackhawks Pre- and Postgame Shows.  WGN Radio today named Charlie Roumeliotis as the studio host of Chicago Blackhawks pre- and postgame shows for the upcoming 2024-25 hockey season. Roumeliotis will also serve as the host of WGN’s weekly “Blackhawks Live” show. Long-time broadcast duo John Wiedeman and Troy Murray continue in their roles calling Blackhawks games on WGN Radio. Roumeliotis is extremely familiar with hockey and with the Blackhawks, having worked most recently as Blackhawks Insider for NBC Sports Chicago, where he delivered exclusive coverage of the team through articles, video content, podcast analysis, and TV appearances from 2019 through 2024. He also served as a Chicago Blackhawks correspondent for the NHL. Roumeliotis assumes the role previously held by Joe Brand who was recently named the radio play-by-play broadcaster for the Pittsburgh Penguins.

 

Industry News

Nikki Haley to Host New Radio Show on SiriusXM.

Industry News

Audacy’s KNX News 97.1 FM and the Los Angeles Times to Co-present a Live Debate in Race for L.A. County D.A

LA DA DebateAs millions of voters across Los Angeles County decide how to cast their ballots in the pivotal race for district attorney, Audacy’s KNX News 97.1 FM and the Los Angeles Times are joining forces to present a live debate between incumbent George Gascón and challenger Nathan Hochman on October 8 at 5:00 pm PT.  Sources at Audacy Los Angeles tell TALKERS, “With criminal justice top of mind for voters across Southern California, the KNX News/L.A. Times debate will dig into the key issues impacting safety, equity, and quality of life for the residents of America’s most populous county ahead of the November 5 election. The one-hour, commercial-free debate will air on KNX News (97.1 FM & 1070 AM) with live video available on the digital and social platforms of KNX News and the Los Angeles Times. KNX News anchor Mike Simpson and chief correspondent Charles Feldman will moderate the debate. Panelists will include L.A. Times reporters James Queally and Brittny Mejia and KNX News reporter Emily Valdez. Media interested in attending should contact Alex Silverman at alex.silverman@audacy.com for details and logistics.

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TALKERS News Notes

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Audacy Podcasts Enters Strategic Partnership with Non-Profit “The Moth”

Industry News

Industry Marks 23rd Anniversary of 9/11

Although not a five- or 10-year marker of the tragic events of September 11, 2001, talk media hosts across the nation are paying tribute today to the victims and heroes of the catastrophe that has defined a generation.

For touching audio and video material that could possibly be used on air today, please see the story published in TALKERS this past Friday about pieces being made available by political/social commentator C.C. Carter about her recollections of that awful day by clicking here.

Noted videographer and radio historian Art Vuolo contributes an overview of NYC radio from that fateful day. See it by clicking here.

  Also, please see a video about 9/11 produced by the talk radio friendly band Gunhill Road titled “My Friend is Going Away” by clicking here or on the player above.

Industry News

TALKERS News Notes

Mark KayeCanceled (WOKV-FM, Jacksonville) Talk Radio Host Returns With Political Podcast “Mark Kaye Saves the Republic!”Radio talk show host and Newsmax TV personality Mark Kaye tells TALKERS that he’s launching an entertaining new political podcast, “Mark Kaye Saves the Republic!”Lara Trump and Mark Kaye The new daily podcast and livestream promises to deliver fun and informative takes on breaking news and political headlines. Mark approaches the show with his trademark high energy and quick wit to create what he describes as “a cool atmosphere for all his loyal listeners affectionately called Kayetriots.”  Kaye states, “I am beyond excited to create entertaining and informative daily content again. Since I was canceled [by WOKV-FM, Jacksonville], my audience has been struggling to find real news and true conservative values on the radio or anywhere else. This is not just another news podcast. It’s an online world where patriotic Americans come together to get the daily information and inspiration they need to keep fighting for this great country. My listeners and I are going to save the republic and we’re going to have a lot of fun doing it!”  The show kicks off this week with live coverage from the Presidential Debate in Philadelphia. “Mark Kaye Saves The Republic!” is produced by Kayetriot Media.

 

 

 

Heidi HarrisHeidi Harris Inducted Into the Nevada Broadcasters Hall of Fame.  After 26 years in radio including stints at KXNT and KDWN in Las Vegas, veteran talk show host Heidi Harris was inducted into the Nevada Broadcasters Hall of Fame this past weekend (9/7).  Harris tells TALKERS, “It’s an honor to be recognized by the Nevada Broadcasters Association, which works tirelessly on behalf of the broadcasting community, and awards generous scholarships every year to the next generation of broadcasters.”  Harris continues to be a trailblazer presenting “The Heidi Harris Show” as an online streaming and video podcast production.

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TALKERS News Notes

Beasley Broadcast Group Launches Exchange Offer, New Notes Offer, Tender Offer and Consent Solicitations Relating to Existing Notes. Beasley Broadcast Group is offering, to people who hold its current debt, the opportunity to exchange their existing debt for new debt with slightly better terms, as well as some shares of the company’s stock. The company is also giving an option for those debt holders to sell part of their debt for cash, though at a lower price than its original value. Beasley hopes this will help improve its financial situation by reducing its debt and extending the deadline for paying it off. Most of their debt holders are already on board with this plan.

FOX Weather Debuts Sports Weather Video Podcast.  FOX Weather meteorologists Ian Oliver and Steve Bender are debuting a one-of-a-kind sports weather video podcast entitled “Storming the Field today (9/6). The podcast, which will air each week during the NFL season, will be made available on FOXNewsPodcasts.com, FOX Weather’s YouTube page and stream Friday nights on FOX Weather from 11:00 -11:30 pm ET.  Featuring FOX Weather’s exclusive Risk of Weather Impact (ROWI) forecast, Oliver and Bender will break down how the weather will affect each week’s top NFL games and players. They will be joined by a special guest to preview each game, detail how the teams will handle the elements and explain the impact weather will have on the fan experience, fantasy football and sports betting. Free agent NFL running back Melvin Gordon III is Oliver and Bender’s guest on today’s first episode.

 

Industry News

C.C. Carter Making Brilliant 9/11 Tributes Available at No Cost to Talk Media Shows

Industry Views

SABO SEZ: Watch Your Language

By Walter Sabo
CEO, Sabo Media Action Partners
A.K.A. Walter M Sterling
Daily host, WPHT Philadelphia
Weekly host, Talk Media Network

Walter Sabo - ID for Walter not SterlingAs an industry, radio has a peculiar modesty. We diminish our magic and power in relating to listeners and colleagues by using the wrong slang terminology. May I suggest new “labelling” of commonly used radio terms?

Board Op. To a non-radio person that could be a game, piece of wood or diver. Let’s call it something romantic such as “Sound Shaper” or specific, “Audio Technician.”

Legacy Media. The worst. Sounds like an Ohio mall. Own our success, the reason radio has existed for 100+ years is that it moves product off the shelves. Call it what radio actually is: “Proven Media.”

Fill-in Host/Jock.  Do you watch TV? A fill-in host is called a “Guest Star.” Radio presents a show – a show starring a remarkable host who can create entertainment without a writer or prompter. Only a “Guest Star” could be a worthy replacement. Yes, when I take time off from my WPHT daily show, they are introduced as “Guest Star.”

Account Executive. Learn from Apple: “Radio Evangelist.”

Air Shift. Good at the Ford plant or Amazon warehouse. Radio is not shift-work. Radio is show-business. Call your time-period what it is: “Show.”

I’m sure you can think of more.

Walter Sabo has been a C Suite action partner for companies such as SiriusXM, Hearst, Press Broadcasting, Gannett, RKO General and many other leading media outlets. His company HITVIEWS, in 2007, was the first to identify and monetize video influencers.. His nightly show “Walter Sterling Every Damn Night” is heard on WPHT, Philadelphia. His syndicated show, “Sterling On Sunday,” from Talk Media Network, airs 10:00 pm-1:00 am ET, and is now in its 10th year of success. He can be reached by email at sabowalter@gmail.com

 

Industry News

WINS News Reporter Attacked in Random Street Assault

Kelly DillonAs reported in the New York Post (8/26) by reporters Steven Vago, Steve Janoski and Carl Camanille, an assailant seized a 1010 WINS journalist by the hair and body-slammed her to the ground in a random senseless act outside the radio station office building, according to police and the victim. Kelly Dillon – a veteran New York City news and traffic reporter who was also with WCBS 880 –  detailed the sudden attack in a Saturday TikTok video, describing how she was “assaulted on the streets of New York City, randomly, by a man” just after midnight Wednesday. “There are many crimes being committed – random acts, random attacks – on females on the streets,” Dillon said. “It’s not going away, and it’s not getting any better. And it’s getting much, much worse. And the media and the police are definitely downplaying this. It’s a huge, huge problem.” Dillon’s ordeal began when she left the Hudson Street office building and started heading home to New Jersey after finishing her last report of the night, she said. “The area is quite desolate at night, it’s a quiet neighborhood,” she said in the video. “I’m always on guard walking through the city as a young female alone.”  Dillon added that she thinks city officials are trying to cover up such recent violence, which she believes is more widespread than people know and is being perpetrated by an organized group of men with a vendetta against women.  “They’re absolutely trying to downplay this,” Dillon said of the city. “It cannot be downplayed. The streets are not safe for women or, honestly for anybody right now. But in particular, females. This felt very deliberate and planned.”  The NYPD responded to the allegation in a statement to The Post on Sunday by recounting Dillon’s report of the attack and adding, “There are no arrests and the investigation remains ongoing.” Dillon said she is slowly recuperating from the shocking assault. “I can’t move my arm. At this point it’s still healing,” she said. “That’s quite painful. And just obviously, the whole body is in a tremendous level of pain from the body-slam, hitting the pavement and just the trauma, the whole situation.” To read the entire NY Post story, please click here.

Industry Views

Unleashing the Power of Effective Audio Promos

Industry News

TALKERS News Notes

WCBSWCBS 880 Final Tribute.  Radio videographer and historian Art Vuolo has provided the industry with an aircheck of the three-hour WCBS 880 special from when it was repeated yesterday 8/25.  With digital spot remover, he got it down to a total running time of 2:11:20.  Reflecting on the special and the legendary station’s times, Vuolo tells TALKERS, “It was well done with a lot of news memories.  Another great AM goes away.  Sad.”  The special can be heard by clicking here.  

 

Roger Cooke IDThis Old House” Personality Roger Cook Dies.  TV Personality Roger Cook, a longtime landscape contractor on “This Old House,” passed away last week at the age of 70 after bravely waging a long battle with illness. “This Old House” got its start at Boston public media producer GBH in 1979.  GBH president/CEO Susan Goldberg tells TALKERS, “Roger was a beloved mainstay of “This Old House” and he fully embodied the spirit of public television in his dedication to educating his audience in plain language about all nuances of landscaping. Roger leaves behind an unforgettable legacy for so many ‘This Old House’  fans and for GBH. He will be missed.”  Please click here for more information.

 

 
“The Boss & The Gloss” Returns to Houston.  The long running network show “The Boss & The Gloss” returns this football season locally in Houston on ESPN 97.5 FM. The show hosts are David Gow and Carla Dawson.  The program is a comprehensive recap of Texans and all NFL and college storylines from the weekend. The show debuts on Monday 9/9 from 6:00 -8:00 pm CT and will be produced in studio by long time radio executive/programmer, Craig Larson Jr.
Industry News

Will AI-Powered Robots Take Jobs from Talk Show Hosts?

A big question bouncing around the industry: Will AI-generated voices take jobs away from radio talk show hosts?  Michael Harrison ID
In the opinion of TALKERS publisher Michael Harrison, we are entering an era in which it is possible – even likely – for robot voices generated by artificial intelligence to replace at least some human talk show hosts, especially in the wake of relentless corporate cost-cutting by radio’s largest companies. On the music radio side, the process of “voice tracking,” although initially controversial, has become a widely employed budget-tightening process.  However, voice tracking still employs organic talent to generate the verbal content.  AI, on the other hand, bypasses the human element completely.  In a guest appearance yesterday (8/22) on the Manny Munoz mid-morning show on WIOD, Miami, in which the subject of AI was being discussed, Harrison said, “AI is upping the bar. If talk show hosts don’t stay on their game and avoid relying too heavily on the talking points – if they are not creative thinkers and leaders – they can easily be replaced by computer operators.” Harrison continued, “It won’t be too long from now – actually, it is already possible – that two robots could be having a plausible conversation if both have been fed all the talking points.”  Harrison explained, “Each robot will have instant access to all the existent talking points at the speed of light.  Robots are already beating human experts at Jeopardy or chess. The only thing a robot can’t do – at least for now – is to be creative outside the realm of what already exists in cyberspace.  That’s the challenge facing anyone who wants to be a live traditional radio talk show host in this coming brave new world.” Harrison’s appearance on WIOD was part of his ongoing talk radio “Obsolete Slobs” tour in which he’s been promoting the Gunhill Road music video “Artificial Intelligence (No Robots Were Injured in the Production of this Song” (www.ObsoleteSlobs.com).  To listen to the conversation between Munoz and Harrison, please click here.

Industry News

WISN, Milwaukee Host Jay Weber Steps in It on X for Mocking Gus Walz, Disabled Son of Tim Walz

Unaware that Gus Walz, the 17-year-old son of Minnesota Gov. Tim Walz has a neurodivergent disability, 1130 WISN, Milwaukee host Jay Weber really stepped in it with a harsh post on X that he subsequently was compelled to apologetically remove – but not until after the damage was already done. Here’s what happened: The youngest child of the Democratic nominee for VP couldn’t contain his pride during his Dad’s acceptance speech at the DNC. Jay Weber

At one point during the speech, after Tim Walz spoke directly to his family, Gus jumped up from his seat and could be seen tearfully saying: “That’s my dad! That’s my dad!”  Many viewers were moved by Gus Walz’s emotional reaction to his father’s speech but not the conservative host whose response posted on X was widely condemned as offensive.  According to a story by reporter Mary Spicuzza published in the Milwaukee Journal Sentinel,  Weber posted, “Sorry, but this is embarrassing for both father and son. If the Walzs represent today’s American man, this country is screwed; ‘Meet my son, Gus. He’s a blubbering bitch boy. His mother and I are very proud.'” Weber deleted his post after facing online criticism.  “I didn’t realize the kid was disabled, and have taken the post down,” Weber wrote.  But the tweet was screenshotted and shared by Milwaukee County Board Supervisor Shawn Rolland and others to hold Weber accountable. Gus Walz, 17, has ADHD, an anxiety disorder, and a non-verbal learning disorder. Weber acknowledged regretting his action and concurred with his critics. “I agree. In an X fever, I broke one of my own long-standing rules when I saw the video,” Weber wrote. “I’ve said ‘the kids are off limits for decades,’ then fell into it myself. No excuses. Good reminder.” Kudos to Weber for quickly acknowledging his error.

To read the full Milwaukee Journal Sentinel article, please click here.