Industry News

TALKERS News Notes

KBOI Breaks Record with Annual Toy Drive. Cumulus Media’s news/talk KBOI, Boise partnered with the U.S. Marine Corps Reserve Charlie Co., 4th Light Armored Reconnaissance Battalion and broke records for their annual holiday toy drive benefiting Toys for Tots. The community responded by filling 9.25 trailers with toys for all ages. Cumulus regional VP and market manager Don Morin says, “KBOI has always believed that a great radio station is more than just a voice on the air. It’s a partner in building a stronger community. Idaho’s Largest Toy Drive is a perfect example of that commitment.”

KXEL Announces Tractorcade Route. NRG Media’s Iowa radio stations, including news/talk KXEL-AM, Waterloo, are again supporting the “Great Eastern Iowa Tractorcade” taking place June 14-17, 2026. This 27th annual event will bring more than 400 vintage tractor enthusiasts together for four days of traveling rural areas of Iowa. The always-anticipated route was announced in a special broadcast on December 12 helmed by KXEL’s Jeff Stein and broadcast live from the John Deere Tractor & Engine Museum in Waterloo. Stein was joined by veteran ag broadcasters Ken Root and Russ Parker, founders of the Iowa Agribusiness Radio Network.

Industry News

FCC’s Carr Testifies His Agency is Not Independent; Must Enforce “Public Interest” Standard

In testimony at an oversight hearing before the Senate Commerce, Science and Transportation Committee, FCC chair Brendan Carr told senators that his agency is not animg independent one because commissioners can be removed by the president. Numerous news organizations pointed out that the mission statement on the FCC’s website described it as an independent agency – until yesterday afternoon when the website was apparently updated to reflect Carr’s testimony. Numerous news outlets also pointed to Carr himself describing the agency as independent as recently as April of 2021. When questioned about the FCC regulating content, Carr said that he believes political satire is protected speech but he added that broadcast television and radio stations are held to a “public interest” standard that the FCC is required by law to enforce.

Industry News

WNRI Talk Host John DePetro Providing Updates on Brown U. Shooting

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Pictured above is WNRI, Woonsocket, Rhode Island midday talk host John DePetro (right) appearing on FOX News Channel with Jesse Watters (left) providing local insight about the manhunt for the killer responsible for the Brown University shootings. DePetro tells TALKERS that he arrived on the scene within an hour of the shooting and has been a steady presence at the press briefings and is doing his radio show from the Brown campus. He also appeared on Newsmax TV with Greta Van Susteren.

Industry News

TALKERS News Notes

Audacy Buffalo Holds Radiothon for SPCA of Erie County. News/talk WBEN-AM and sister station WLKK-FM in Bufflo helped raise $132,000 during the 22nd Annual SPCA Serving Erie County Radiothon. Audacy Buffalo SVP and market manager Tim Wenger comments, “This annual event really brings the community together and the amount raised is a testament to the generosity of our listeners. We love supporting SPCA’s mission and giving second chances to pets and animals in Buffalo.”

Bold Gold Media Stations Hit Fundraising Goals. Via two of its ongoing holiday fundraisers, Bold Gold Media Group’s radio stations in the Pocono Lake Region of Pennsylvania produced the The Wayne County Ford & Bold Gold Media Holiday Toy Drive Challenge and The Michael G. Stanton Shower for Charity. The Holiday Toy Drive Challenge saw listeners fill up at least four pick-up trucks with toys for needy kids and for the 24th year in a row, market manager Michael G. Stanton stood in a claw foot tub on Main Street in Honesdale in 20-degree weather clad in only Christmas-themed shorts and raised more than $46,000 for the Wayne County Childrens Christmas Bureau.

“105.7 The Fan” in Milwaukee Helps Raise $100k for Kids. Audacy sports talk “105.7 The Fan” (WSSP-FM / 1250AM) in Milwaukee – with the help of two of its sister music outlets – collected more than $100,000 in toys and cash to benefit Children’s Wisconsin Immediate Impact for Kids Fund. Station host and assistant brand manager Steve “Sparky” Fifer says, “I’m so proud of everyone involved in the 19th Annual Toy Drive for Children’s Wisconsin. We couldn’t make this a success without everyone in the community and around the state of Wisconsin contributing to it. The number of kids that these toys will impact is the reason we do this each year. There isn’t anything better than a smile on a kid’s face.”

JVC Broadcasting Helps Set Record in Long Island Toy Drive. Last Friday, JVC Broadcasting of Long Island conducted the JVC Town of Brookhaven INTERFACE Toy Drive featuring air personalities from all six JVC Long Island stations – including “LI News Radio” – to collect thousands of toys donated by generous community members that will go to more than 7,500 children, ranging in age from infants to 15 years old, helping ensure that families across the community experience joy during the holiday season. JVC president and CEO John Caracciolo says, “This is what local radio and local government working together is all about. When you bring the community together around a cause, incredible things happen.”

Industry News

Judge Agrees to Cumulus’ Request to Shield Third-Party Witnesses in Nielsen Suit

As Cumulus Media’s suit against Nielsen for monopolistic practices moves through the United States District Court Southern District of New York, Cumulus wins its bid to have third-party declarants’ names and places of employment redacted for fear of retaliation by Nielsen viaimg rate increases. Cumulus argued, “Nielsen, a monopolist engaging in anticompetitive behavior, holds all of the power during contract negotiations, resulting in an unequal bargaining dynamic that is ripe for retaliation. For example, Nielsen can and has raised its rates significantly during negotiations. imgIf identifying information is revealed to Nielsen’s businesspeople, Nielsen can retaliate with additional rate increases, resulting in manifest injustice to these third parties actively involved or who will be involved in negotiations with Nielsen.” After denying Cumulus’ request on December 4, Cumulus filed a supplemental brief and on December 15 Judge Jeannette Vargas agreed with Cumulus, writing, “Cumulus has established that sufficient countervailing factors – in particular, the privacy interests of these non-party declarants, the lack of bearing these narrowly tailored redactions have on the merits of this action, and the non-party declarants’ susceptibility to economic retaliation – outweigh the strong presumption in favor of public access to judicial documents.”

Industry News

Report: FCC Scrutiny of KCBS Forced Changes in News Coverage

A report in the Los Angeles Times details KCBS-AM, San Francisco’s brush with the FCC in the aftermath of its reporting the movements of ICE agents in the Bay Area. The LA TimesByron Tau writes, “KCBS radio reported on immigration agents in unmarked vehicles, drawing conservative backlash and a federal investigation from FCC Chairman Brendanimg Carr. Facing regulatory scrutiny, the San Francisco Bay Area station demoted well-regarded journalists and sharply curtailed its political coverage for months. As pressure has eased, KCBS has gradually resumed more ambitious reporting, reflecting tensions between regulatory oversight and editorial independence.” Carr accused the station of failing to operate in the public interest and threatened an investigation. This was enough for Audacy management to back off its reporting. Tau writes, “KCBS demoted a well-liked anchor and dialed back on political programming, people said. For months, reporters were dissuaded from pursuing political or controversial topics and instead encouraged to focus on human interest stories, according to the current and former staffers.” The piece notes that anchor Bret Burkhart, the one to first present the ICE actions on the radio, was demoted. He eventually left the station for another position. See the Los Angeles Times story here.

Industry News

Stern to Stay with SiriusXM for Three More Years

SiriusXM and Howard Stern announce that Stern will continue to host his program on the satellite service for three more years. Stern told listeners, “I am happy to announce that I have figured out a way to have it all. More free time and continuing to be on the radio. Yes,img we are coming back for three years. Thanks to the good folks here at SiriusXM, who I told you, I really do adore. I was able to create Robin [Quivers] a more flexible schedule and so we’ll be back. I know you and I have talked about it privately Robin, even though you’re pretending you didn’t know the announcement. But I did check with my Robin to see that she was up for it as well because if Robin wasn’t up for it, then I wasn’t going to do it. I still do love being on the radio. I think the show is better than ever, I really do believe that in my heart.” Stern’s five-year, $100 million contract ends this month and speculation about whether he and SiriusXM would be able to come to terms on a new deal or even if Stern wanted to continue began last summer with many media pundits predicting the end of their relationship.

Industry News

Foster Renews with “104.5 The Zone” in Nashville

Nashville sports talk radio personality Ramon Foster and Cumulus Media’s WGFX-FM “104.5 The Zone” agree to a new contract that will keep Foster on the station as co-host with Will Boling for “multiple years.” “104.5 The Zone” programming operations manager Paulimg Mason says, “Ramon is the perfect embodiment of what The Zone stands for – local sports passion, credibility, and connection. His instincts, stories, and relatability make our mornings stronger and our sports brand more authentic.” Foster comments, “I am thrilled to announce the extension of my media career with ‘104.5 The Zone’ for the foreseeable future. Engaging in lively discussions about sports, life, and pop culture with our passionate listeners each morning has been instrumental in my seamless transition from the NFL. The Zone’s impressive reach in Nashville, its surrounding areas, and nationwide through digital platforms is truly unparalleled. I eagerly anticipate continuing to grow alongside our fans, the station, and Nashville and surrounding cities for many years to come. I appreciate everyone who’s supported me, my wife and kids, Zone Family, and our listening audience I run into often while out in the community. Thank you again!”

Industry News

Urban One Exchange Offer Extends $476 Million in Debt to 2031

Urban One says that its exchange offer to holders of its 7.375% Senior Secured Notes due 2028 has expired and that 97.5% of debt holders agreed to the exchange for 7.625% Secondimg Lien Senior Secured Notes due 2031. The company reports that it “received from Eligible Holders valid and unwithdrawn tenders and related Consents, as reported by its exchange agent, representing approximately $476.02 million in aggregate principal amount of Existing Notes, or approximately 97.580% of the aggregate principal amount of Existing Notes outstanding.” This move allows Urban One to kick the can down the road another three years in exchange for paying debt holders a higher rate of return.

Industry News

Curtis Sliwa to Guest Host on WOR, New York

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New York talk radio host (and Gurdian Angels founder) Curtis Sliwa is getting back behind the mic in NYC for the first time since his unsuccessful bid for mayor. Sliwa – who most recently was hosting a daily show on WABC – will sit in for Mark Simone on iHeartMedia’s WOR December 22 through January 2. Sliwa said he would never return to WABC after the station supported Democrat Andrew Cuomo in the recent mayoral race. Pictured above is WOR program director Tom Cuddy (right) with Sliwa (left). Cuddy says, “Curtis is a true New York original. His energy, knowledge of the city and ability to connect with listeners make him one of the most compelling voices in talk radio. We’re excited to have him on WOR for the holidays.” Sliwa comments, “I’m honored to fill in for Mark Simone. I have worked with him. I have competed against him. He has more connections to those in-the-know than anyone in New York City. I have been in talk radio for 36 years, but ironically it all began when I was a guest on the Arlene Francis show on WOR in 1971. I’ve been talking on the radio ever since, and it doesn’t get any better than to do it back on WOR, where it all started for me.”

Industry News

Radio Mambí Programming Ceases

Live talk programming ended on Friday (12/12) on Latino Media Network’s WAQI-AM Miami Radio Mambí, putting to an end 40 years of Spanish-language talk with roots in the Cuban exile community. Launched in 1985 by Cuban-American businessman Amancio Suárez, theimg station featured a strong anti-communist tone. Station general manager Mike Sena says the reason for the change is financial. “Like our beautiful city, Radio Mambí, its audience and the media industry are evolving rapidly, which presents financial challenges for many in the market.” The station is continuing to broadcast, airing archived programming, music, and Spanish-language broadcasts of the NBA’s Miami Heat and MLB’s Miami Marlins. The Miami Herald says staffers that have lost their jobs include Jorge Luis Sánchez Grass, José Luis Nápoles, José Carlucho, Lilliet Rodríguez and Lucy Pereda. See the Miami Herald story here.

Industry Views

“2025: Top Ten Findings”

By Holland Cooke
Consultant

imgIf you missed yesterday’s webinar, look for the replay which will be posted today at EdisonResearch.com and which explains these trends well.

If you’re in broadcast radio, reading this list – which presenters offered “in no particular order” – you might feel like you’ve missed a memo… or a decade:

  • #10: Video is redefining the podcast landscape.
  • #9: YouTube is the top platform for podcast consumption and discovery for Gen Z.
  • #8: TikTok is a platform for discovery for music, podcasts, and audiobooks.
  • #7: Podcast fandom goes beyond listening.
  • #6: Women’s voices matter in podcasts and music.
  • #5a: Majority of all daily listening time is spent with ad-supported audio.
  • #5b: Time spent with streaming music shifts from free to paid streaming music platforms.
  • #4: In-car audio shifts to digital.
  • #3: Shifting ad budget to podcasts can increase reach.
  • #2: Smart speaker adoption varies by country.
  • #1: Consumption of AI-narrating audio is increasing.
  • “Bonus Finding:” More than 30% of Americans are awake by 6:00 am.

Recommendation for radio broadcasters: Make #4 our Priority Number One, defending a hill radio still holds. Audit your station’s app experience. And consider that Bonus Finding evidence that morning drive survived the pandemic shutdown after all.

Holland Cooke (HollandCooke.com) is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn

Industry News

Top News/Talk Media Stories This Past Week (December 8-12, 2025)

Here are the most talked about stories of the past week (12/8-12) on news/talk radio and related talk media according to TALKERS:

Stories

  1. U.S. Seizes Oil Tanker / Trump Threatens Maduro / Drug Boat Strikes
  2. The Economy / Trump Tour / Fed Cuts Interest Rates
  3. Health Care Debate
  4. Trump Demands Indiana Redistricting
  5. Netflix-Warner Bros-Paramount Battle
  6. ICE Raids
  7. Defense Bill
  8. Russia-Ukraine War
  9. Farm Assistance Program
  10. Sherrone Moore Firing

People

  1. Donald Trump
  2. Nicolás Maduro / María Corina Machado
  3. Pete Hegseth / Mitch Bradley
  4. Jerome Powell
  5. Mike Johnson
  6. Rodric Bray
  7. David Ellison / David Zaslav
  8. Vladimir Putin / Volodymyr Zelensky
  9. Steve Witkoff
  10. Sherrone Moore

To see the full TALKERS Stories, Topics, and People Charts, please click HERE.

Industry News

Yesterday’s Top News/Talk Media Stories (12/10)

The most discussed stories yesterday (12/10) on news/talk radio and related talk media according to TALKERS research:

  1. The Economy / Trump Tour / Fed Cuts Interest Rates
  2. U.S. Seizes Oil Tanker
  3. Indiana Redistricting Case
  4. Defense Bill
  5. Nvidia Chips to China
Industry Views

Navigating the Deepfake Dilemma in the Age of AI Impersonation

By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

imgThe Problem Is No Longer Spotting a Joke. The Problem Is Spotting Reality

Every seasoned broadcaster or media creator has a radar for nonsense. You have spent years vetting sources, confirming facts, and throwing out anything that feels unreliable. The complication now is that artificial intelligence can wrap unreliable content in a polished package that looks and sounds legitimate.

This article is not aimed at people creating AI impersonation channels. If that is your hobby, nothing here will make you feel more confident about it. This is for the professionals whose job is to keep the information stream as clean as possible. You are not making deepfakes. You are trying to avoid stepping in them and trying even harder not to amplify them.

Once something looks real and sounds real, a significant segment of your audience will assume it is real. That changes the amount of scrutiny you need to apply. The burden now falls on people like you to pause before reacting. 

Two Clips That Tell the Whole Story

Consider two current examples. The first is the synthetic Biden speech that appears all over social media. It presents a younger, steadier president delivering remarks that many supporters wish he would make. It is polished, convincing, and created entirely by artificial intelligence.

The second is the cartoonish Trump fighter jet video that shows him dropping waste on unsuspecting civilians. No one believes it is real. Yet both types of content live in the same online ecosystem and both get shared widely.

The underlying facts do not matter once the clip begins circulating. If you repeat it on the air without checking it, you become the next link in the distribution chain. Not every untrue clip is misinformation. People get things wrong without intending to deceive, and the law recognizes that. What changes here is the plausibility. When an artificial performance can fool a reasonable viewer, the difference between a mistake and a misleading impression becomes something a finder of fact sorts out later. Your audience cannot make that distinction in real time. 

Parody and Satire Still Exist, but AI Is Blurring the Edges

Parody imitates a person to comment on that person. Satire uses the imitation to comment on something else. These categories worked because traditional impersonations were obvious. A cartoon voice or exaggerated caricature did not fool anyone.

A convincing AI impersonation removes the cues that signal it is a joke. It sounds like the celebrity. It looks like the celebrity. It uses words that fit the celebrity’s public image. It stops functioning as commentary and becomes a manufactured performance that appears authentic. That is when broadcasters get pulled into the confusion even though they had nothing to do with the creation. 

When the Fake Version Starts Crowding Out the Real One

Public figures choose when and where to speak. A Robert De Niro interview has weight because he rarely gives them. A carefully planned appearance on a respected platform signals importance.

When dozens of artificial De Niros begin posting daily commentary, the significance of the real appearance is reduced. The market becomes crowded. Authenticity becomes harder to protect. This is not only a reputational issue. It is an economic one rooted in scarcity and control.

You may think you are sharing a harmless clip. In reality, you might be participating in the dilution of someone’s legitimate business asset. 

Disclaimers Are Not Shields

Many deepfake channels use disclaimers. They say things like this is parody or this is not the real person. A parking garage can also post a sign that it is not responsible for damage to your car. That does not absolve them when something collapses on your vehicle.

A disclaimer that no one negotiates or meaningfully acknowledges does not protect the creator or the people who share the clip. If viewers believe it is real, the disclaimer (often hidden in plain sight) is irrelevant. 

The Liability No One Expects: Damage You Did Not Create

You can become responsible for the fallout without ever touching the original video. If you talk about a deepfake on the air, share it on social media, or frame it as something that might be true, you help it spread. Your audience trusts you. If you repeat something inaccurate, even unintentionally, they begin questioning your judgment. One believable deepfake can undermine years of credibility. 

Platforms Profit From the Confusion

Here is the structural issue that rarely gets discussed. Platforms have every financial incentive to push deepfakes. They generate engagement. Engagement generates revenue. Revenue satisfies stockholders. This stands in tension with the spirit of Section 230, which was designed to protect neutral platforms, not platforms that amplify synthetic speech they know is likely to deceive.

If a platform has the ability to detect and label deepfakes and chooses not to, the responsibility shifts to you. The platform benefits. You absorb the risk. 

What Media Professionals Should Do

You do not need new laws. You do not need to give warnings to your audience. You do not need to panic. You do need to stay sharp.

Here is the quick test. Ask yourself four questions.

Is the source authenticated?
Has the real person ever said anything similar?
Is the platform known for synthetic or poorly moderated content?
Does anything feel slightly off even when the clip looks perfect?

If any answer gives you pause, treat the clip as suspect. Treat it as content, not truth. 

Final Thought (at Least for Now)

Artificial intelligence will only become more convincing. Your role is not to serve as a gatekeeper. Your role is to maintain professional judgment. When a clip sits between obviously fake and plausibly real, that is the moment to verify and, when necessary, seek guidance. There is little doubt that the inevitable proliferation of phony internet “shows” is about to bloom into a controversial legal, ethical, and financial industry issue.  

Matthew B. Harrison is a media and intellectual property attorney who advises radio hosts, content creators, and creative entrepreneurs. He has written extensively on fair use, AI law, and the future of digital rights. Reach him at Matthew@HarrisonMediaLaw.com or read more at TALKERS.com.

Industry News

WISN, Milwaukee’s Jay Weber to Transition from Mornings to Podcast Host

WISN, Milwaukee morning drive host Jay Weber will leave his role as morning drive host at the iHeartMedia news/talk station later this month and will begin hosting a twice-weekly podcast beginning in the spring of 2026. Weber has been a talk host with the station for 35 years, the last 18 years in morningimg drive. The station says Weber will remain a contributor to WISN programming and station initiatives. Weber says, “It has been an incredible honor to wake up Wisconsin for the past 35 years, and I’m grateful to every listener who has made this show part of their morning routine. I’m not retiring – just shifting formats – and I’m excited to continue the conversation in a new twice-weekly podcast.” WISN program director Jerry Bott comments, “Jay Weber has been one of the best talk show hosts in America for a long time. He’s built a bond of trust and credibility with his listeners, and after 35 years on the daily morning clock, transitioning to a twice-weekly podcast is much-deserved while still delivering for his loyal listeners. We fully support Jay with his decision and are proud to help him continue his legacy on the iHeart podcast platform.”

Industry News

Golden Globes Play it Safe in First Year of “Best Podcast” Award

The Golden Globes will present one podcast with the inaugural Best Podcast award on January 11 in Los Angeles and the nominees are shows that appear to avoid any sort of politics or controversy. Mark Kennedy writes about the nominations for the AP saying, “The six nominees for the inaugural best podcast award are “Armchair Expert with Dax Shepard,” “Call Her Daddy,” “Good Hang with Amy Poehler,” “The img Mel Robbins Podcast,” “SmartLess” and “Up First,” from NPR. Representing a mix of news, advice and celebrity interviews, they were drawn from a shortlist of 25 programs the Globes had previously deemed eligible. The nominations avoided politics or controversy by passing on popular podcasts from the shortlist, such as conservative-leaning programs ‘The Megyn Kelly Show,’ ‘The Tucker Carlson Show,’ ‘The Ben Shapiro Show,’ Candace Owen’s ‘Candace’ and, most notably, ‘The Joe Rogan Experience,’ which topped Spotify, Apple and YouTube’s list of weekly podcast charts this year. The left-leaning ‘Pod Save America’ also was snubbed, as were popular true crime podcasts like ‘Morbid’ and ‘Rotten Mango.’” Kennedy notes in his report that Ben Shapiro lobbied hard for his show. “Shapiro had launched an all-out Golden Globes publicity campaign for his decade-old podcast, on which he’s spoken with the likes of U.S. Vice President JD Vance and Ukrainian President Volodymyr Zelenskyy in the past year. In addition to making the rounds with industry publications, Shapiro also secured massive billboard space in New York City’s Times Square.” Read the AP story here.

Industry News

Harrison to Continue as Advisor to the NY Festivals Radio Awards

After years of service to the New York Festivals Radio Awards, TALKERS publisher Michael Harrison willimg continue to be a member of the prestigious organization’s Advisory Board in 2026. Upon receiving this latest appointment (12/9), Harrison stated, “I am honored to be associated with this great group that continues to grow and inspire broadcasting artists and professionals around the world to achieve new levels of quality and positive societal influence – not to mention, unite and provide a sense of cohesiveness to the global media community.” The NY Festivals issued the statement about its Class of 2026: “We anticipate wonderful submissions from around the globe before the deadline. Our Storytellers Gala will salute Radio trophy winners in the spring. Combined with our TV & Film Winners, it will be a celebration of innovative storytellers across all platforms.” For more information, please click here.

Industry News

Fisher House Radio Special Available for Holiday Week

Fisher House Foundation has a Christmas and New Year Holiday Week edition of “Together in Mission: The Fisher House Journey” available for stations to air at no charge and with no barter. The radio special is available in three-hour, one-hour, 25-minute, and 30-minute radio versions and are by news/talk radio personality Larry O’Connor. They feature stories of America’s heroes, the families who serve by their side,img and how Fisher House plays a role in their journey. Fisher House Foundation provides a home away from home for families of patients receiving medical care at major military and VA medical centers. Fisher Houses provide temporary free lodging so families can be close to their loved ones during medical care. Fisher House says, “This informational talk show will leave listeners feeling inspired during the entire Holiday Week, sharing stories of amazing service members, veterans, and their families. Your audience will hear stories of heroic service members injured in combat or during training exercises as well as veterans who need long-term medical care over the course of their lives. Whether it’s a complicated birth of a child or a devastating head injury from a motorcycle accident, Fisher House is there for the spouses, parents, and children of America’s service members every step of the way. For more information on this radio special, contact Larry O’Connor at 562-665-9537 or loconnor@fisherhouse.org.

Industry News

DePetros Celebrate Christmas at the White House

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WNRI, Woonsocket, Rhode Island talk radio host John DePetro is pictured above with his family at the White House this past weekend. DePetro tells TALKERS, “I think the administration appreciates it is not easy being a supporter in the northeast, and we were thrilled to have this unique experience.” DePetro’s daughter Kate works at FOX News Channel and his sister Jacqueline is working at the Department of Justice.

Industry News

TALKERS News Notes

Kirby and Raphael Join Media Institute Board. Media pros Kathleen Kirby of Wiley Rein LLP and Heidi Raphaelof Beasley Media Group are elected to the board of trustees of The Media Institute. The Media Institute is a nonprofit, nonpartisan organization specializing in communications policy and the First Amendment.

Baltimore Public Media Names New Program Director. Baltimore Public Media names Maxie C. Jackson III program director in which he’ll oversee content strategy and programming across WYPR 88.1 FM, WTMD 89.7 FM, and Your Public Studios. Jackson most recently served as executive director of 88Nine Radio Milwaukee, “where he led transformative programming and format strategies that inspired philanthropic investment, drove audience growth, and strengthened the organization’s cultural impact.”

The WBUR Festival Returns This Spring. WBUR, Boston announces the return of The WBUR Festival happening Friday, May 29 and Saturday, May 30, 2026. The event features “speakers, captivating conversations, musical performances, multiple stages and a vibrant street scene along Commonwealth Avenue.”

Industry News

John Whitmer Promoted to KNSS, Wichita Morning Co-Host

Audacy’s KNSS, Wichita names John Whitmer co-host of the “Woodward and Whit” morning show with Ted Woodward, effective January 5, 2026. Whitmer succeeds Steve McIntosh following his retirement. Audacy Wichita SVP and market manager Tommy Castor says, “We are excited to welcome Johnimg Whitmer to the KNSS morning show alongside Ted Woodward. ‘Woodward and Whit’ will build on the foundation of smart, local conversation that our listeners expect by delivering the essential news, candid analysis and enjoyable banter that starts the day right. This is a powerful pairing that promises to keep the Wichita community informed and engaged.” Whitmer has been hosting an eponymous two-hour weekend show for KNSS since 2018. He’s a veteran of Kansas politics having served in roles for local, state, and national Republican campaigns. Whitmer currently serves as the Chairman of the Sedgwick County Republicans. He says, “I’m honored to join Ted Woodward on ‘Woodward & Whit,’ stepping into the big shoes left by Steve McIntosh, who dedicated over 50 years to Wichita mornings. I look forward to bringing news coverage, straight talk, common-sense discussion and a little fun to help our community start the day on the right note.”

Industry Views

Monday Memo: AI Collaboration

By Holland Cooke
Consultant

imgNews people I coach reckon that my epitaph will read: “Consequence, not Process.”

Too often, news copy – while factually correct – is arcane minutes-of-the-meeting stuff, rather than emphasizing impact on the listener’s routine.

Process: “The Transit board revised its fare structure.”

Consequence: “Riding the bus will cost 50 cents more starting Monday.”

Process: “The district reallocated Title I funds.”

Consequence: “Some after-school programs could be cut.”

Process: “The committee advanced a bill on short-term rentals.”

Consequence: “Airbnb hosts may soon face new rules – and fees.”

Process: “The planning board approved a variance…”

Consequence: “Construction can now begin on that apartment complex near the campus.”

Unwrap the package. To illustrate, here’s a video I am playing in client stations’ conference rooms – and it’s a dang clinic in impactful local news reporting.

The back-story: If I say “Hasbro,” you might think Monopoly, Scrabble, Mr. Potato Head, Play-Doh, G.I. Joe, and Transformers. Eventually it added Star Wars and Marvel action figures to its repertoire. Hasbro became a major player in video games, TV, and movies. This 100-plus-year-old company has outgrown its Rhode Island roots and announced it is moving to Boston. In any-size state – let alone the smallest – losing 700-plus jobs hurts.

Here’s the video: https://getonthenet.com/Hasbro.MP4

After playing that, I sometimes hear “But TV has more manpower than a radio station.” Yes and no.

Management confirmed to me that this reporter was in MMJ mode that day, meaning “Multi-Media Journalist.” Translation: She worked alone, no videographer, no producer. Praising her work when I requested the video, I was told that “she did a great job executing what we brainstormed in the morning meeting.”

And THAT’S the advantage TV has over most radio news operations: There is more than one person in the newsroom to have that meeting. We’re radio people. We think aloud. But with whom, when you alone, ARE the news department?

Have that collaborative conversation with ChatGPT or MS Copilot. Brainstorm story angles and interview prospects and questions. At client stations, we have asked – and AI apps delivered – actual coverage timelines. Try it. The interaction feels surprisingly human – like having a sharp, tireless producer who’s always ready to riff, reframe, and help you make it matter.

Holland Cooke (HollandCooke.com) is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn

Industry Views

SABO SEZ: A Long History – Do Not Fear AI

By Walter Sabo
a.k.a. Walter Sterling, Host
WPHT, Philadelphia, “Walter Sterling Every Damn Night”
TMN syndicated, “Sterling on Sunday”

imgAndy Economos, the founder of Radio Computing Systems (RCS), was a leader in bringing digital tech into the radio industry. In 1980, he was leaving his position as head of technology for NBC Inc. to start his own company. I was EVP of the NBC FM stations. Andy and I were walking to lunch, crossing Sixth Avenue at 49th street and he asked me, “Is there any software your radio stations could use?”

I said, “Yes, we could use software that programs music.” He was interested. I said, “When you invent that, NBC will buy your first products.”

Andy went forth and invented “Selector,” the first viable, almost easy-to-understand, user-friendly music programming software. Prior to “Selector,” music was programmed in a wide variety of homemade processes such as rotating songs against back timing photo lab clocks (WABC) to RKO’s “Gold Book” mess requiring jocks to use many colored pens to log off played songs. Or the wooden spike technique: Jocks took the 45s off one spike after it was played and stacked it on a different spike – really.

The adoption of “Selector” didn’t go as planned. First, most of the industry was terrified that what little freedom jocks had to select songs would be lost. My favorite cry from jocks, “But when it’s raining, I’ve got to play a song that sings about rain.”

My hope for computerizing the organization of songs was that it would free up programmers to program! The desired end game was that programmers would have more time to talk with their talent, create bigger promotions and upgrade overall production.

What happened, however, was most programmers devoted more time to programming music! Throughout the country programmers pored over the output from “Selector” and manually, hour by hour by hour and edited every song.

When discussing the virtue of precision music selection, WABC midday talent Ron Lundy said, “It don’t mean nothinnnnn.”

AI is just like “Selector.” First, it strikes fear. But it will be used in every radio station very soon. How it will be used and its impact on you will be different than we can imagine. The more a person learns about AI’s capabilities and how to use its fresh options, the more control they will have of it.

Walter Sabo has been a C-Suite action partner for companies such as SiriusXM, Hearst, Press Broadcasting, Gannett, RKO General, and many other leading media outlets. His company, HITVIEWS, in 2007, was the first to identify and monetize video influencers. His nightly show “Walter Sterling Every Damn Night” is heard on WPHT, Philadelphia. His syndicated show, “Sterling On Sunday,” from Talk Media Network, airs 10:00 pm-1:00 am ET, and is now in its 10th year of success. He can be reached by email at sabowalter@gmail.com.

Industry News

Jeff Katz Scores Thousands of Views of Drunk Raccoon Interview

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WRVA, Richmond afternoon drive talk host Jeff Katz took advantage of the story of the raccoon that got into an Ashland, Virginia liquor store, broke some liquor bottles, drank some of the booze and passed out. He’s pictured above “interviewing” the raccoon on his show. Katz tells TALKERS the store is just 15 miles north of Richmond and it’s all that anyone is talking about, so he decided to create the photo and share it on social media with links to his show.

Industry News

Savannah Bananas’ Toll to Host Westwood One Morning Sports Show

Cumulus Media’s Westwood One names Drake C. Toll – play-by-play broadcaster with baseball’s Savannah Bananas – the morning host on its 24/7 sports talk lineup. Toll says, “Westwood One is the goldimg standard in audio, and it’s an honor to join a brand creatively steeped in sports storytelling. Not unlike the Savannah Bananas, I’m prepared to push the limits of sports talk. I’ll deliver for Jimmy in Tucson, Arizona just as much as Joe in Marshall, Texas. And for every groundbreaking Los Angeles Lakers trade, there’s a Boston College linebacker who survived cancer. You’ll hear the same fire and heart for each. We’re going to create something special; I promise you that.” Cumulus SVP sports/content & audience Bruce Gilbert comments, “Drake represents exactly what we’re building – a modern, interactive sports experience that is driven by personalities and fueled by fans – programming that breaks away from the predictable and formulaic. Drake’s ability to entertain, connect, and innovate makes him the ideal voice for mornings on Westwood One.”

Industry News

Edison Research Releases TikTok Study

For a while it was easy to dismiss TikTok as an app to share silly videos, but the social media platform hasimg grown exponentially in the U.S., so much so that Edison Research just unveiled the results of a new research effort called The Infinite Scroll: A TikTok Report in a recent webinar. Edison says the webinar offered insights into how often U.S. users engage with TikTok, their perceptions of the platform, ad recall on TikTok, if they spend too much time on the platform, and more. See more about the study here.

Industry Views

An Artist’s Perspective on Rush Limbaugh

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By Doug Henry
Artist
Turnwright Gallery
Hanover, New Hampshire

imgMy introduction to Rush Limbaugh begins in the fall of 1992. I began listening to Rush’s radio show after seeing him campaigning on stage with George H.W. Bush during the 1992 fall presidential election. Bill Clinton would win the election and so would begin the greatest, media political rivalry ever between Rush Limbaugh and Bill Clinton. Rush’s middle America authentic voice was cutting through the mainstream media noise of the day from a generationally unique perspective. He was the perfect counterculture combatant to Bill Clinton’s political philosophy. Being a baby boomer myself and two years younger than Rush, I was immediately hooked on the EIB radio network!

As a professional illustrator, my career in 1996 was about to cross paths with Rush Limbaugh at my mailbox. A neighbor had just received his monthly Limbaugh Letter, and this would be my first opportunity to actually see and thumb through the newsletter. Noticing the magazine used illustration, I jotted down the address and fired off a promotional package of my art to the art director. Within a week, I received a call from the art director, and I got my very first illustration assignment for the Limbaugh Letter. Throughout 1997, I would receive many more illustration assignments. My very first cover painting for the newsletter, the May issue, “If I Were a Liberal,” would impress and really captivate Rush. So much so that he took to the airwaves not once but twice declaring: “You’re going to want to get this cover blown up and framed, I predict.” And “It’s just fabulous, you’re going to want to subscribe to the newsletter just to see this cover.”

What a thrill for me! Over the course of the next seven years, I would create 70 cover paintings of Rush, often having him doing hilarious things to his Democrat party nemesis. The February 1998 issue would have Rush crashing through a spotted owl’s forest habitat in an SUV. This cover would earn me the title, “Official Limbaugh Letter Cover Illustrator.” Another favorite was the March 1998 issue with Rush, scissors in hand cutting down a spider web holding up a spider with a head that looked eerily like Bill Clinton. This cover prompted Rush to send a complimentary email to the art director saying “A totally awesome cover… one of the best in our history…well done!!!” All in caps I might add! Every month that followed would be one fun assignment after the other. It was beyond cool working on the next Limbaugh Letter cover while listening to Rush on the radio. In 2001, I got to accompany the Limbaugh Letter art director to a Manhattan photo shoot where I finally got to meet the man himself. What a memory! Finally, working for Rush, “America’s Real Anchorman,” was both an honor and a privilege. What a fun ride it was… to have contributed in a very small way, my part… in the “Vast Right-Wing Conspiracy.” Isaac Newton wrote, “If I see farther, it’s because I’m standing on the shoulders of giants.” We stand on your shoulders, Rush, and America thanks you. Mega Dittos Rush Limbaugh, Mega Dittos!

Turnwright Gallery is an online platform that features the art of Doug Henry and his catalog of Limbaugh Letter cover paintings. The art collection is comprised of 70 hand-painted newsletter illustrations of America’s legendary, king of talk radio, Rush Limbaugh. The paintings were created between the years 1997 and 2004.  For more information please click here https://www.turnwrightgallery.com/turnwright-gallery

Industry News

FSR’s Rob Parker Finalist for Sportswriter HoF

FOX Sports Radio’s Rob Parker – co-host of “The Odd Couple with Rob Parker & Kelvin Washington,”img MLB Network analyst, and founder/editor of MLBbro.com – is a finalist for the 2026 National Sports Media Association Hall of Fame Sportswriter (Living category). Winners will be notified the first week of January, and the awards will be presented during the NSMA’s 66th Awards Weekend & National Convention, June 28-29, at Grandover Resort & Spa in Greensboro, North Carolina. Parker says, “It’s an absolute honor to be considered with so many journalism heavyweights.”

Industry News

Todd Starnes Feeds 1,000 Federal Agents

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Pictured above is nationally syndicated talk radio host and owner of news/talk KWAM, Memphis Todd Starnes (left) with U.S. Attorney General Pam Bondi (right) in Memphis where some 1,000 federal agents gathered as part of the Memphis Safe Task Force. Starnes tells TALKERS that he received a call from the White House asking if he would be interested in providing a meal to the agents. He agreed and provided a home-cooked meal to the 1,000-plus agents along with Bondi, HUD Secretary Scott Turner, Tennessee Governor Bill Lee, Senator Marsha Blackburn and Senator Bill Hagerty.

Industry News

New York Thanksgiving Parade of Legends

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Legendary New York Mets first baseman (1986 World Series champs) and current member of its TV broadcasting team, Keith Hernandez (right) is pictured co-hosting a Thanksgiving morning special on WFAN, New York with his buddy Richard Neer (left). Neer has been a WFAN mainstay for decades and is occasionally heard on the storied station for special events such as this one. The broadcast emanated from Neer’s home studio on Hilton Head Island, South Carolina where he and longtime friend Hernandez are neighbors.

Industry News

Mayflower Marathon Raises Record Food & Cash for Charity

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Pictured above is WAQY, Springfield, Massachusetts Rock 102 morning host Mike “Bax” Baxendale (center) interviewing a community member as co-host Steve Nagle (right) looks on. The duo spent three days straight collecting a $262,000 in food and cash for the Springfield Open Pantry during its annual Mayflower Marathon. The annual event raised nearly $30,000 more than its previous best. Bax tells TALKERS, “Much of what was raised was in honor of John O’Brien [Bax’s previous co-host with whom he launched the charity event more than two decades ago] who died Sunday night – the night before the Marathon had begun. John had been invited to join us on the air and had agreed to it. Unfortunately, that did not happen.”