Industry Views

Reckless Disregard in the Age of AI: What Verification Now Requires

By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

imgAI is now embedded in the modern newsroom. Not as a headline, not as a novelty, but as infrastructure. It drafts outlines, summarizes complex reporting, surfaces background details, and accelerates prep for live conversations. For media creators operating under relentless deadlines, that efficiency is not theoretical. It is practical and daily.

That reality raises a quiet but consequential legal question. When AI contributes to your research, what does verification now require?

Professional hosts are not reading raw chatbot answers on air and calling it journalism. That caricature misses the real issue. What is actually happening is subtler and far more common.

AI now sits inside research workflows. Producers use it for background. Hosts use it to summarize reporting. Teams use it to outline controversies or draft rundowns. Most of the time, it works. Sometimes, however, it invents.

When that invention involves a real person and a serious allegation, the legal analysis looks familiar.

For public figures, defamation requires proof of actual malice – knowledge of falsity or reckless disregard for truth. For private figures, negligence is usually enough. In both cases, the focus is not on the tool. It is on the content creator’s conduct.

AI does not change the elements. It changes the context in which reasonableness is judged.

Courts have long held that repeating a defamatory statement can create liability, even if someone else said it first. If you rely on a blog, and that blog relied on AI, and the allegation is false, the question becomes whether your reliance was reasonable.

Was the source reputable? Was the claim inherently improbable? Were there obvious red flags?  Was contradictory information readily available?

AI’s reputation for “hallucinating” facts now forms part of that backdrop. Widespread awareness that these systems can fabricate citations, merge identities, or invent accusations becomes relevant when a court evaluates your verification choices.

This does not mean using AI indicates reckless disregard. It means using AI does not excuse skipping verification when the stakes are high.

The more specific and damaging the claim, the greater the duty to confirm it through independent, reliable sources. Not another prompt. Not a circular reference to the same unverified blog. Rather, a primary record, official statement, or established reporting.

Documentation matters. If challenged, being able to show that you checked multiple sources before broadcast can be decisive.

None of this is new doctrine. What is new is how seamlessly AI blends into ordinary research habits. That integration makes it easier to forget that the legal question is still about human judgment.

The law will not ask whether your workflow was efficient. It will ask whether your conduct was reasonable under the circumstances.

In the age of AI, verification is not a courtesy. It is risk management.

Matthew B. Harrison is a media and intellectual property attorney who advises radio hosts, content creators, and creative entrepreneurs. He has written extensively on fair use, AI law, and the future of digital rights. Reach him at Matthew@HarrisonMediaLaw.com or read more at TALKERS.com.

Industry News

SummitMedia Signs Off KXSP-AM, Omaha

Back in 1923 when the station signed on, its calls were WOAW-AM. It was put on the air by the insurance company Woodmen of the World.img They wanted WOW but those calls were taken. Still the station was known as WOW and boasted that Johnny Carson started his broadcast career there. The station took the calls KXSP in 2005 and was broadcasting a sports talk format using ESPN content. SummitMedia sold the station’s tower land, prompting the station’s sign-off.  

Industry News

iHeartMedia Partners with iFlag

The International Flag League – a.k.a. iFlag – the world’s largest flag football tournament organization names iHeartRadio its official media partner. This deal includes cross-marketing collaboration from bothimg brands with promotion nationally across iHeartMedia’s multi-channel ecosystem. iHeartMedia president of business development and strategic partnerships Michael Biondo states, “This partnership with the International Flag League showcases iHeart’s commitment to supporting emerging sports and the communities that champion them. By combining iFlag’s explosive growth with iHeart’s unmatched reach, we’re creating new opportunities for athletes, fans and brands to engage with the sport like never before.”

Industry Views

If the Bot Lies, Who Pays?

By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer 

img

A reporter recently asked a clean question with sharp edges: “Who is responsible when an AI defames someone?”
It sounds futuristic. It isn’t. It’s a standard defamation analysis dressed in new technology.
The most publicized early test involved radio host Mark Walters, who sued OpenAI after ChatGPT falsely stated he had been accused of embezzlement. The case was dismissed in federal court in Georgia in 2024. The court concluded the complaint did not plausibly allege the required level of fault. No federal appellate court has yet imposed defamation liability on an AI developer for a hallucinated statement alone.
That matters.
Defamation still requires a false statement of fact, publication to a third party, fault, and damages. An AI system cannot form intent. It cannot know falsity. It is not a legal person. But an AI output can absolutely contain a false statement about a real individual.
Courts will not ask whether “the AI defamed.” They will ask who published the statement.
Publication is broader than many assume. It does not require a broadcast tower. It requires communication to at least one third party. If a chatbot produces a false statement visible only to the person who prompted it and that person is the subject of the statement, there is typically no publication. The moment that output is emailed, posted, quoted, aired, or incorporated into a script, publication is satisfied.
The AI session itself is not the problem. Distribution is.
That is where fault enters the picture.
For public figures, plaintiffs must prove actual malice: knowledge of falsity or reckless disregard for truth. “The computer said it” is not a defense. If a host repeats a serious allegation generated by a system widely known to hallucinate and fails to verify it, a plaintiff will argue reckless disregard. For private figures, negligence is usually enough. Failing to check an AI-generated accusation against readily available sources may meet that standard.
The technology does not lower the bar. Nor does it create a new type of immunity. It simply changes the source of the words.
The unsettled frontier is developer exposure under Section 230 and product liability theories. Courts have not yet produced a controlling appellate decision holding a model developer liable in defamation solely because a model generated a false statement. That question remains open, but it is not yet answered in plaintiffs’ favor.
Here is the practical reality for media professionals.
An AI can generate the sentence.
You are the one who makes it public.
That’s where liability is found.
Matthew B. Harrison is a media and intellectual property attorney who advises radio hosts, content creators, and creative entrepreneurs. He has written extensively on fair use, AI law, and the future of digital rights. Reach him at Matthew@HarrisonMediaLaw.com or read more at TALKERS.com.
Industry News

FCC Chairman Carr Announces Pledge America Campaign

Federal Communications Commission chairman Brendan Carr is announcing the agency’s Pledge America Campaign designed to dovetail with the celebration of the 250th anniversary of America’s independence. The announcement says that “consistent with their longstanding public interest obligations, America’s broadcasters play a key role in educating, informing, and entertaining viewers and listeners all across America, and they are particularly well suited to air programming that is responsive to the needs and interests of their local communities.  The Pledge America Campaign enables broadcasters to lend their voices in support of Task Force 250 and the celebration of America’s 250th birthday by airingimg patriotic, pro-America content that celebrates the American journey and inspires its citizens by highlighting the historic accomplishments of this great nation from our founding through the Trump Administration today.” Carr adds, “On July 4, 2026, America will celebrate the 250th Anniversary of the signing of the Declaration of Independence. That revolutionary document set forth our founding principles – including Life, Liberty, and the pursuit of Happiness – and put America on a collision course with destiny.  Over the following centuries, the American story has defined modern history and spread freedom, opportunity, and prosperity across the globe.  As America’s 250th anniversary approaches, it is important to reflect on the ideals and events that have defined our past while keeping an eye towards our country’s bright future. The White House is leading our national celebration of this historic event with the Salute to America 250 Task Force, which calls on the federal government, among others, to mark this momentous occasion.  As part of this effort, I am calling on broadcasters to pledge to provide programming that promotes civic education, national pride, and our shared history.” Carr shares some examples stations could use, including:

Running PSAs, short segments, or full specials specifically promoting civic education, inspiring local stories, and American history.

  • Including segments during regular news programming that highlight local sites that are significant to American and regional history, such as National Park Service sites.
  • Starting each broadcast day with the “Star Spangled Banner” or Pledge of Allegiance.
  • Airing music by America’s greatest composers, such as John Philip Sousa, Aaron Copland, Duke Ellington, or George Gershwin.
  • Providing daily “Today in American History” announcements highlighting significant events that took place on that day in history.
  • Partnering with community organizations and other groups that are already working hard to bring America’s stories of unity, perseverance, and triumph to light.
Industry Views

Monday Memo: “What Matters Next” for Radio?

By Holland Cooke
Consultant

imgIf you work in radio, you’ve heard every flavor of AI anxiety. Some fear it will wipe out jobs. Others treat it like a super shortcut – cranking-out spots, promos, and proposals faster and cheaper. Kate O’Neill’s “What Matters Next” lands squarely in the middle of this tension, and its message is one radio people need to hear: AI isn’t the disruptor. Human behavior is. AI just accelerates the consequences.

The book’s central argument is blunt: The organizations that thrive in an AI-driven world are the ones that stay relentlessly human. Not sentimental – human. Curious. Adaptive. Willing to rethink habits that calcified long before the first smart speaker ever said, “Now playing.” That’s a mirror radio hasn’t always wanted to look into.

For decades, the industry has survived by optimizing the familiar: tighter clocks, leaner staffs, syndicated shows, templated production, and “good enough” digital. AI tempts some operators to double down on that instinct – to automate more, localize less, and hope listeners won’t notice. This book argues the opposite: AI punishes sameness and rewards originality. When every business has access to the same tools, the differentiator becomes the people who use them with imagination, empathy, and purpose. That should sound familiar. It’s what radio used to brag about.

O’Neill also warns against the other extreme, the fear-driven paralysis that keeps talented people from experimenting. AI isn’t a job eater; it’s a task eater. It clears the underbrush so humans can do the work only humans can do: judgment, storytelling, connection, and community presence. In radio terms: the stuff listeners actually remember.

Imagine a morning show that uses AI not to replace prep, but to deepen it, surfacing hyperlocal stories, analyzing listener sentiment, or generating alternate angles on a topic the hosts want to explore. Or a sales team that uses AI to tailor proposals to each client’s issues instead of reshuffling the same deck. How about a newsroom (remember those?) that uses AI to sift data so stations can spend more time delivering what’s special to listeners (and sponsors): helpful local news they can’t get anywhere else. None of that eliminates jobs. It elevates them.

This book’s most important warning is this: AI widens the gap between organizations that learn and organizations that cling. Radio has lived through this before – streaming, podcasting, social media, smart speakers. The winners weren’t the ones who panicked or the ones who ignored the shift. They were the ones who adapted early, experimented often, and stayed close to their audience.

Holland Cooke (HollandCooke.com) is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn

Industry Views

SABO SEZ: Anarchy Wins in Radio

By Walter Sabo
A.K.A. Walter M Sterling
WPHT, Philadelphia
Sterling Every Damn Night
Sterling on Sunday Syndicated, TMN

imgI am pleased to be speaking this weekend at the IBS New York 2026 conference in New York City. Thank you, TALKERS magazine, for being the presenting sponsor of this important, timely annual event along with the Intercollegiate Broadcasting System (IBS).

Attention college students. I will help you get a job in radio because radio wants you and needs you. Call me any time at the number below but read this first:

You got a job and are now going to work at a radio station. You have an idea for a promotion or a promo or a new… anything.

You arrive at the station, and your idea goes on the air. Then get yourself coffee. All before 10:00 am.

No, that would not happen in any other medium. Local TV is the medium that could be spontaneous, filled with local audiences and hosts and entertainment programs but… it’s not! Local TV does local news. The cameras on set don’t move, the format for the newscast is determined by corporate. After the news, the prime-time schedule is determined by corporate. There will be no surprises, no ideas from you at all. “Hey, could you get me a coffee,” says the anchorman to you.

All before 10:00 am.

Movies? Great. You have an idea. You start writing a script.  Great idea. Send it to studio after studio. Rejection, rejection.

You get depressed. You start drinking. Rejection. Finally, you get a meeting with a studio. You’ve been in LA six years, finally a meeting. It goes ok. You drink more. Then you find an AA meeting in the Valley. Any Valley, it’s LA. After seven years, you get on-set to see every word you wrote changed by idiots who don’t get you. All before 10:00 am.

Radio gives you the most control of your creativity and your hard work. Idea? Yes, please. Get a job at a radio station and cause trouble. Challenge everything. Demand change. Many, many of the elements you hear on the radio are ideas I brought to life with co-workers. I rarely point that out, but it’s true. Your turn. Here’s the torch.

Walter Sabo has been a C-Suite action partner for companies such as SiriusXM, Hearst, Press Broadcasting, Gannett, RKO General, and many other leading media outlets. His company, HITVIEWS, in 2007, was the first to identify and monetize video influencers. His nightly show “Walter Sterling Every Damn Night” is heard on WPHT, Philadelphia. His syndicated show, “Sterling On Sunday,” from Talk Media Network, airs 10:00 pm-1:00 am ET, and is now in its 10th year of success. He can be reached by email at sabowalter@gmail.com.  He can be phoned at 646-678-1110.

Industry News

CBS Pulls Planned Colbert Interview with Texas Senate Candidate Amid FCC Equal-Time Concerns

A planned interview between “The Late Show with Stephen Colbert” and Texas State Rep. James Talarico, a Democratic candidate for U.S. Senate, was pulled from broadcast at the last-minute last night (2/16) after CBS executives cited concerns related to federal broadcast regulations.

Colbert talked about the decision during the show’s opening monologue, telling viewers that network attorneys had advised against airing theimg interview due to potential implications under the Federal Communications Commission’s “equal time” rule. The rule requires broadcast licensees to provide equal opportunities to legally qualified candidates for public office if one candidate is given airtime.

Historically, late-night talk shows have relied on exemptions to the rule, including classifications as “bona fide news interviews” or entertainment programming. However, recent statements from FCC leadership have prompted renewed scrutiny.

imgFCC Chairman Brendan Carr has indicated that the Commission is reviewing how those exemptions are applied, particularly in the context of high-profile entertainment programs that feature political figures. While no formal rule change has been adopted, CBS reportedly acted out of caution, concerned that airing the interview could trigger equal-time obligations for opposing candidates.

Colbert said CBS had initially instructed him not to reference the decision on air, a directive he chose to disregard. During the broadcast, he explained the network’s reasoning to viewers and criticized the uncertainty surrounding the FCC’s current posture on candidate appearances.

The interview itself was recorded but not broadcast on CBS. Instead, it was released online through The Late Show’s digital platforms. The FCC’s equal-time rules apply to over-the-air broadcasters but do not extend to online streaming or social media platforms, allowing the interview to be distributed outside the broadcast context.

Colbert took the opportunity to point out what he characterized as uneven regulatory treatment across media platforms, noting that political commentary on talk radio continues without comparable intervention. The FCC has not announced any new enforcement actions related to talk radio or late-night television programming.

Neither CBS nor the FCC issued formal statements Monday night addressing the specific decision. Carr has not publicly commented on the Colbert episode but has previously stated that the Commission is obligated to ensure consistent application of federal communications law.

The incident has renewed debate within the media industry over how equal-time rules should apply in a fragmented media landscape where political discourse routinely occurs across broadcast, cable, and digital platforms.

Industry Views

Monday Memo: Radio’s Advantage is Human

By Holland Cooke
Consultant

imgEvery radio conference agenda and much of what’s-up in the trade press and chat groups is about exploiting Artificial Intelligence. Often these conversations land in one of two places: fear (“Will this replace us?”) or fascination (“Look what it can do!”). Both miss the point.

In “Between You and AI” (Wiley) author Andrea Iorio cautions that when everyone has access to the same machine intelligence, advantage shifts to what remains scarce. That’s not just-more information. It’s better judgment, trust, empathy, and local savvy… the very things radio has always done best.

Haven’t got time to read all 254 pages? Here’s a short version, as it applies to our work:

  • AI is brilliant at summarizing, predicting, transcribing, drafting, and optimizing. Radio should absolutely use it to handle the mechanical work that clogs calendars and burns out staff. Show prep summaries. Promo copy drafts. Sales proposal outlines. Post-show highlights. Let the machine chew through that.
  • But here’s where radio wins: what to ask, what to emphasize, what to leave out, and how to make people feel. AI can’t do those things without human direction, interpretation, and accountability.
  • For a morning show: AI can surface trending topics in seconds. But it can’t know which story resonates here,today, with this audience – nor when silence, humor, or restraint is the smarter move. That’s human sensemaking. The book calls it “data sensemaking”; radio people have always called it “knowing our market.”
  • News/talk: AI can summarize a city council meeting neatly. It cannot decide which exchange actually matters to listeners’ lives, nor ask the follow-up question that reframes the issue.
  • Sales teams, too, are at a crossroads. AI can generate a competent proposal in seconds. So can your competitor. What it can’t do is replace the trust built when a seller truly understands a retailer’s risk tolerance, cash flow anxiety, and seasonal pressure points. As AI makes “good enough” ubiquitous, relationship quality becomes the differentiator.
  • In an AI-saturated media environment, audiences won’t reward whoever publishes the most. They’ll reward whoever feels the most real. Trust will matter more than tone. Judgment more than speed. Presence more than precision.

AI is not radio’s replacement. It’s radio’s stress test. Stations that pass will be the ones that let machines handle the work so humans can handle the meaning.

Holland Cooke (HollandCooke.com) is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn

Industry Views

Monday Memo: TV Wants In – Welcome Them

By Holland Cooke
Consultant

imgLinear broadcast media have never been more challenged. Internet video now commands far more viewing time than over-the-air TV. And their own networks are hijacking viewers! Your local NBC station tells you to watch Peacock. ABC points you to Disney+. CBS pushes Paramount+. Affiliates are effectively forced to promote their own competition.

Music radio is – at best – holding the line against streaming. News/talk radio’s information staples are more-available on smartphones and smart speakers, and its monologue‑heavy style feels less inviting than social media dialogue. 

Radio has what TV envies. We’re in-car, and still #1 there.  

TV has what radio needs. With more local news HR, they’re in more places. 

Both need more promotion than they can afford.

  • Radio still delivers the most cost-efficient reach and frequency in the local market. When I programmed WTOP, Washington, we and what’s now WUSA9 (the former WTOP-TV) had a handshake deal to grab whatever we wanted from each other, with on-air credit. True story: The news director from NBC4 offered that “you can use OUR stuff and not even SAY it’s ours. Just STOP saying that so-and-so ‘told Channel 9…’”
  • And radio-using-local-TV-meteorologists is a win-win. Weather is the #1 reason people watch local news, so TV stations promote it heavily. Radio using their weather people underlines – and stands on the broad shoulders of – the TV station’s weather image and delivers radio habit-forming content with a pedigree.

Local TV and radio are the last two mass-reach media in town, with neither medium losing to the other. Resourceful collaboration makes all the sense in the world. Brainstorm.

Holland Cooke (HollandCooke.com) is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn

Industry News

Podcaster Jiggy Jaguar Covers AVN Awards in Las Vegas

img

Noted talk media personality Jiggy Jaguar (a.k.a. James Lowe) was in Las Vegas last week covering the AVN Adult Entertainment Awards and Expo at the Virgin Hotel in downtown sin city. Jiggy was out doing interviews with adult film stars for his Jiggy Jaguar Show audio and video podcast. He’s pictured here (1/21) with adult film star Silver Foxxey as she was appearing at the STD Hero booth. NOTE: STD Hero, by Better Life Science, featured a prominent, high-traffic booth promoting their at-home STI testing kits with celebrity appearances. The company offered discreet, CLIA-certified, and FDA-cleared, laboratory-based testing for common infections and HPV. 

Job Opportunity

WORT, Madison Seeks Development Director

Community radio WORT, Madison, Wisconsin is looking for an experienced fundraiser to play a key role in shaping the future of the station. You will be responsible for a $895,000 annual fundraising plan that highlights the station’s partnership with listeners and donors. Incumbent will direct on-air fundraising drives to engage with major donors, write monthly donor newsletters, and promote our many income streams. Salary range: $60,000 – $65,000. A detailed position description and complete benefits package are available here. (PDF) To apply, click HERE

Industry News

Good Karma Brands Ups Klimack to Director of Content

Good Karma Brands promotes Jordan Klimack to director of content atimg WKNR-AM “ESPN Cleveland.”  The station says in a social media post, “Since joining the station in 2018, he’s played a key role in shaping programming, managing content across platforms, and helping drive the station’s expanding digital strategy. We’re excited to see Jordan lead our programming and content vision now and into the future. Well deserved!”

Industry News

FCC Issues Guidance on Equal Opportunity Issues

On the heels of FCC Chairman Brendan Carr’s testimony before the U.S. House Subcommittee on Communications and Technology Committee on Energy and Commerce last week in which he reiterated the Commission’s duty to enforce broadcast licensees’ obligations toimg serve in the public interest, the FCC yesterday issued a Guidance on Political Equal Opportunities Requirement for Broadcast Television Stations. While the memorandum is written to television stations, it obvious applies to radio stations as well. The memo ultimately addresses the 1959 order that exempts broadcasters from providing equal time to qualified candidates on any: (1) bona fide newscast; (2) bona fide news interview; (3) bona fidenews documentary (if the appearance of the candidate is incidental to the presentation of the subject or subjects covered by the news documentary); or (4) on-the-spot coverage of bona fide news events (including but not limited to political conventions and activities incidental thereto). Programs such as “The Tonight Show” and “The View” are cited as entertainment shows in which an interview segment can qualify as a bona fide news interview. Regarding this, the memo concludes with two important paragraphs:

“Concerns have been raised that the industry has taken the Media Bureau’s 2006 staff-level decision to mean that the interview portion of all arguably similar entertainment programs whether late night or daytime—are exempted from the section 315 equal opportunities requirement under a bona fide news exemption. This is not the case. As noted above, these decisions are fact specific, and the exemptions are limited to the program that was the subject of the request.

Importantly, the FCC has not been presented with any evidence that the interview portion of any late night or daytime television talk show program on air presently would qualify for the bona fide news exemption. Moreover, a program that is motivated by partisan purposes, for example, would not be entitled to an exemption under longstanding FCC precedent. Any program or station that wishes to obtain formal assurance that the equal opportunities requirement does not apply (in whole or in part) is encouraged to promptly file a petition for declaratory ruling that satisfies the statutory requirements for a bona fide news exemption.”

Industry News

TALKERS News Notes

AdLarge Acquires Inlet Media. AdLarge is acquiring the assets of technology platform Inlet Media, Inc that it has used for nearly two years to onboard, distribute, and monetize audio and video content through its AI-powered podcast and creator workflows. As part of the transaction, Patrick Cedrowski, co-founder of Inlet Media, has been named chief technology officer of AdLarge and the fwd. network. Brian Egan, co-founder of Inlet Media and longtime AdLarge and fwd. network team member, has been promoted to vice president and head of product.

NHPR Partners with The Podglomerate. New Hampshire Public Radio enters into an exclusive sales partnership with Portsmouth-based podcast agency The Podglomerate,, in which The Podglomerate will serve as the exclusive sales partner for podcasts produced by NHPR. NHPR director of on-demand audio Rebecca Lavoie says,“Partnering with The Podglomerate is a natural next step in our relationship. We’ve worked with them on several marketing campaigns, and are impressed with their steadfast advocacy for our journalism. They also have some of the most innovative approaches to monetization I’ve seen in the industry.”

Edison Presenting “Evolving Ear” Webinar. Edison Research will present, “The Evolving Ear: How New Listeners are Shaping Podcast’s New Chapter,” in a webinar on January 27 at 2:00 pm ET.  Edison says, “The future of podcasting may be unpredictable, but listener trends offer the best clues about where it’s headed. Drawing from over 20 years of Edison Research data, senior research director Gabriel Soto will explore how the next wave of podcast consumers is shaping the medium.” Get more info and register here. 

Radio Mercury Awards Call for Entry. Call for Entry for the 2026 Radio Mercury Awards is officially open. Entrants have the opportunity to be awarded in 17 categories along with the Best of Show recognition. Call for Entry deadline is Monday, April 6, 2026. Finalists for the show will be announced in early May, and winners will be announced at the live Radio Mercury Awards event on Wednesday, June 3, 2026, at SONY Hall in New York City. For more information regarding entry categories, guidelines, entry fees and deadlines, available sponsorship information and more, click here.

Industry News

WWO Confirms Return of Bongino Streaming Show and Podcast

Cumulus Media confirms that former FBI deputy director Dan Bongino is back with the company as Westwood One will serve as the exclusive sales partner for his new show that will stream live daily from 10:00 am to 12:00 noon ET exclusively via Rumble with recorded audio available on all major podcast platforms. The new show launches on February 2. Cumulusimg Media | Westwood One says, “The relaunch marks Bongino’s most extensive digital commitment to date, designed to meet increasing audience demand for long-form and in-depth content. The two-hour format strengthens the show’s position as a major voice in independent media, offering a highly engaging, daily destination for listeners seeking headline analysis, guest interviews, cultural commentary, and special ‘Bongino Army’ segments.” Bongino comments, “I’m excited to get back behind the mic and reconnect directly with the audience. This show has always been about cutting through the noise and talking honestly about what matters. We’re coming back bigger, bolder, and always unfiltered — exactly how people want it.” Westwood One and Cumulus Podcast Network president Collin Jones adds, “Dan Bongino is back! Few voices in talk media command the loyalty and firepower that Dan brings. His audience? Formidable. His influence? Undeniable. This promises to be an incredible journey as Dan drives the national conversation daily on the most important issues at hand, with authority that has been hard-fought and well-earned. Westwood One is beyond proud to help power the next chapter of ‘The Dan Bongino Show.’”

Industry News

Retired Radio Industry Legend Bob Shannon Creates Powerful AI Song About Minnesota Strife

Former 20-year TM Productions creative and marketing executive, Bob Shannon has written and produced – with the help of AI – a compelling ballad about the tragic drama playing out in Minnesota titled, “When theimg Circus Came to Town.”  The Minneapolis-based former DJ, programmer and radio exec tells TALKERS, “In full disclosure, this song was created on suno.com using V5.  The lyrics are all mine, and the orchestration is mine too by virtue of having given all of the instructions to create the track. Regardless of how all the controversy about artificial intelligence plays out, I am releasing this opinionated and highly emotional song purely as an expression of my free speech and artistic expression – not for commercial marketing purposes.”

Shannon continues, “Minneapolis is torn apart, and I see that it’s happening all across the country in relation to the actions of ICE. For the record, I am for a good immigration policy in this country, however the actions of this brutish force neither constitute good policy nor go anywhere towards solving our problem. As a personal note, my housekeeper’s sister-in-law was arrested by ICE at her house yesterday (1/8) morning at 6:00 am with no warrant and no reason… and taken away from her children, who were left alone. For that reason, I was compelled to create this. When my original words were complete, I went to Suno.com, the much discussed Artificial Intelligence music creator, and typed in specific music prompts about instrumentation (piano with bari-saxophones highlights), tempo (slow and evocative; a story song), key and vocal styles (I selected a single male baritone in G major). Then I instructed Suno to create an instrumentation that sonically conveyed a somber sense of sadness, loss, and deep introspection, with instructions to mix the lyrics high in the final mix.”

Shannon concludes, “My words came from a disbelieving head, from a broken heart, and from the pit of my stomach. This was my humanity shining through, and it exposed my raw and real feelings. But AI has no feelings; it’s just an algorithm that provides untrained musicians with a tool to turn original lyrics into songs. Some say that’s cheating, but that’s a discussion for another day.

To listen to “When the Circus Came to Town,” please click here.

Among his many accomplishments in the radio industry, Shannon is the author of the acclaimed book Turn It Up! American Radio Tales 1946-1996,” originally released in 2009 and updated in 2017.  He can be reached by email at bobshannonworks@gmail.com  or phoned at 206-755-5162.  

Industry News

Audacy Goes with Podscribe for Measurement

Audacy names Podscribe its preferred measurement partner beginning in this year. Podscribe will enable attribution across most of Audacy’s digital portfolio, including streaming audio, podcasting, CTV, and display, with client-facingimg dashboards and API access that support automated reporting and portfolio-level insights. The collaboration will also support select broadcast attribution initiatives within Audacy’s radio portfolio, complementing existing measurement partners. Audacy president of digital sales Michael Biemolt says, “Audacy consistently strives to deliver measurable results for advertisers, and our partnership with Podscribe further strengthens that promise. With enhanced attribution and transparency across our portfolio, we’re giving clients even greater confidence in how Audacy drives performance at scale.”

Industry Views

SABO SEZ: The Myth of Mentorship

By Walter Sabo
a.k.a. Walter Sterling, Host
WPHT, Philadelphia, “Walter Sterling Every Damn Night”
TMN syndicated, “Sterling on Sunday”

imgAdvice columns blanketing sites like LinkedIn, the Skimm, and Forbes 2.0 – aimed at recent graduates – encourage their readers to seek and bond with an at-work mentor.  After years of skimming “5 bullet” articles, I have reached the tipping point and I’m not going to take it anymore: Seeking a mentor as a career strategy is horrible advice. Just horrible.

Here’s what I experienced. My first job out of Syracuse University was at RKO Radio in Manhattan. An FM. OMG. The job was promotional support and a weekend talk show. After that, NBC local, ABC network, NBC corporate, ABC corporate… all before I was 30. No mentor.

Seek-a-mentor articles are usually aimed at women. It is even worse advice for women. Here’s why:

1. No one wants to be your mentor out of kindness and heavenly points. They only want to be your mentor if you are wired to someone powerful. Someone you can tell how wonderful they are to you

2. Your mentor’s reputation becomes yours! If your mentor is thought a jerk or is fired out of general hatred, you will be fired pretty soon. At NBC, the perception was that NBC CEO Fred Silverman was my mentor. I was terminated about a week after Fred left the building. The reason I was given by my direct report was, “You were too closely associated with Fred.” Fact: I spoke to Fred once during my three-year NBC tenure. (Much later Fred and I became close friends and how lucky I was!)

3. The mentee’s expectations are always too broad. Each of us is good at one or two skills. “mentor” implies a much wider menu of advice than is realistic.

4. One day, the mentor will be proven wrong on a key issue and the mentee will be very confused.

Best advice ever: You have no friends at work. Co-workers, yes. Work-wife? Work-husband? No, no, no!

The greatest gift you can give a co-worker is a request for advice. Each co-worker has strengths. Identify those strengths and tap into those. One request of a colleague is flattering. Ten requests for help is a sign of weakness and you will be eaten.

In any business, especially “glamour” businesses, your goal is to not be eaten by people jealous of you.  You could be eaten for any reason because the jobs are sparse and security is mercurial.

Obviously, a job is a job. It is not a social club. Early in a person’s work life, it is tempting to make the workplace a surrogate family. That could get you eaten. Do your job. Go home.

Walter Sabo has been a C-Suite action partner for companies such as SiriusXM, Hearst, Press Broadcasting, Gannett, RKO General, and many other leading media outlets. His company, HITVIEWS, in 2007, was the first to identify and monetize video influencers. His nightly show “Walter Sterling Every Damn Night” is heard on WPHT, Philadelphia. His syndicated show, “Sterling On Sunday,” from Talk Media Network, airs 10:00 pm-1:00 am ET, and is now in its 10th year of success. He can be reached by email at sabowalter@gmail.com.

Industry News

WABC, New York Adds Concha to Weeknights

Red Apple Media’s news/talk WABC, New York adds Joe Concha to its weeknight lineup,img airing from 9:00 pm to 10:00 pm. Concha has been hosting a Sunday show from 11:00 am to 12:00 noon and will continue in that role. Red Apple CEO John Catsimatidis says, “Joe is exactly the kind of smart, credible, non-nonsense voice we promised our listeners. Listeners trust Joe and his ratings success backs that up. We are delighted to add him to our weeknight programming.” Concha is a columnist, author, and FOX News contributor. 

Industry News

Jon “Stugotz” Weiner to Debut with iHeartMedia in January

Sports talk media personality Jon “Stugotz” Weiner joins iHeartMedia for a long-term, multiplatform partnership. Weiner rose to prominence as co-host of the Dan LeBatard show, based in South Florida. When LeBatard parted ways from ESPN, Weiner went with him to his Meadowlark Media platform. As part of his agreement with iHeartMedia, Weiner will launch a new weekday afternoon program on FOX Sports Radio in January, originating fromimg iHeartMedia’s studios in South Florida and airing in the 3:00 pm to 5:00 pm slot being vacated by Doug Gottlieb. iHeartMedia says, “Designed as a live radio extension of his popular podcast ‘Stugotz and Company,’ the show will bring together his regular crew along with a rotating cast of guest co-hosts, blending old friends and new voices.” Additionally, the Stugotz Podcast Network will launch with iHeartPodcasts, featuring “Stugotz and Company” and “God Bless Football,” plus more content to be launched later. Weiner says, “There was a ton of interest and a lot of great conversations, but it became obvious to me rather quickly that iHeart and FOX Sports Radio were going to be the landing spot. I miss doing live radio, and I was looking for a partner to grow my two existing podcasts and help us build out a network. To be able to partner with the biggest and best digital company on the planet – and host a daily, two-hour live radio show with two Hall of Famers, Dan Patrick and Colin Cowherd, as lead-ins – is a place, quite frankly, I never imagined arriving at, and an opportunity I wasn’t going to pass up.”

Industry News

Ayers to Lead Cumulus Lexington

Cumulus Media promotes Andrea Ayers to vice president/market manager for its Lexington, Kentucky station group that includes news/talk WVLK-AM and three music brands. Ayers rises from her position as sales manager and takes over on January 1. Cumulus SVP ofimg operations Mark Sullivan comments, “Andrea and I have worked alongside each other for decades and shared in many successes together. She has a long track record of driving results for our Lexington stations, rooted in her passion for the business and service to the community, our advertisers, listeners, and employees. This is a well-deserved opportunity for her, and I’m looking forward to her success in this new role as VP/market manager.” Ayers says, “I’m truly honored to accept the role of VP/market manager for Cumulus Lexington. I’m excited to bring my experience and passion to the table and work alongside such a talented group to drive growth, strengthen relationships, and deliver exceptional results.”

Industry News

WUSF, Tampa names Laney General Manager

Tampa Bay region public media newsroom and music broadcaster WUSF promotes Leslie Laney general manager, effective January 2. She’s been serving as station manager and takes over for JoAnne Urofsky, who is retiring. Urofsky says, “Leslie truly represents the next generation of innovators in public broadcasting, and she has already led so many teams and projects within our WUSF family that she is the natural choice to lead this station into the years ahead. I am thrilled that WUSF is so fortunate to have such a skilled leader within our own ranks.”

Industry News

FCC Chair Carr Lauds Trump’s AI Executive Order

FCC Chairman Brendan Carr is stating his support for President Donald Trump’s Executive Order, Ensuring a National Policy Framework for Artificial Intelligence. Carr states, “Presidentimg Trump’s historic Executive Order on artificial intelligence promotes America’s leadership in AI and advances our nation’s economic and national security interests.  It does so by targeting excessive state regulations that would not only hold America back but insert ideological bias into AI models. President Trump’s decisive action also ensures a policy framework that protects children, prevents online censorship, respects copyrights, and safeguards communities. The FCC welcomes President’s Trump’s direction that the agency initiate a proceeding to determine whether to adopt a Federal reporting and disclosure standard for AI models that preempts conflicting State laws.”

Industry Views

SABO SEZ: A Long History – Do Not Fear AI

By Walter Sabo
a.k.a. Walter Sterling, Host
WPHT, Philadelphia, “Walter Sterling Every Damn Night”
TMN syndicated, “Sterling on Sunday”

imgAndy Economos, the founder of Radio Computing Systems (RCS), was a leader in bringing digital tech into the radio industry. In 1980, he was leaving his position as head of technology for NBC Inc. to start his own company. I was EVP of the NBC FM stations. Andy and I were walking to lunch, crossing Sixth Avenue at 49th street and he asked me, “Is there any software your radio stations could use?”

I said, “Yes, we could use software that programs music.” He was interested. I said, “When you invent that, NBC will buy your first products.”

Andy went forth and invented “Selector,” the first viable, almost easy-to-understand, user-friendly music programming software. Prior to “Selector,” music was programmed in a wide variety of homemade processes such as rotating songs against back timing photo lab clocks (WABC) to RKO’s “Gold Book” mess requiring jocks to use many colored pens to log off played songs. Or the wooden spike technique: Jocks took the 45s off one spike after it was played and stacked it on a different spike – really.

The adoption of “Selector” didn’t go as planned. First, most of the industry was terrified that what little freedom jocks had to select songs would be lost. My favorite cry from jocks, “But when it’s raining, I’ve got to play a song that sings about rain.”

My hope for computerizing the organization of songs was that it would free up programmers to program! The desired end game was that programmers would have more time to talk with their talent, create bigger promotions and upgrade overall production.

What happened, however, was most programmers devoted more time to programming music! Throughout the country programmers pored over the output from “Selector” and manually, hour by hour by hour and edited every song.

When discussing the virtue of precision music selection, WABC midday talent Ron Lundy said, “It don’t mean nothinnnnn.”

AI is just like “Selector.” First, it strikes fear. But it will be used in every radio station very soon. How it will be used and its impact on you will be different than we can imagine. The more a person learns about AI’s capabilities and how to use its fresh options, the more control they will have of it.

Walter Sabo has been a C-Suite action partner for companies such as SiriusXM, Hearst, Press Broadcasting, Gannett, RKO General, and many other leading media outlets. His company, HITVIEWS, in 2007, was the first to identify and monetize video influencers. His nightly show “Walter Sterling Every Damn Night” is heard on WPHT, Philadelphia. His syndicated show, “Sterling On Sunday,” from Talk Media Network, airs 10:00 pm-1:00 am ET, and is now in its 10th year of success. He can be reached by email at sabowalter@gmail.com.

Industry News

Savannah Bananas’ Toll to Host Westwood One Morning Sports Show

Cumulus Media’s Westwood One names Drake C. Toll – play-by-play broadcaster with baseball’s Savannah Bananas – the morning host on its 24/7 sports talk lineup. Toll says, “Westwood One is the goldimg standard in audio, and it’s an honor to join a brand creatively steeped in sports storytelling. Not unlike the Savannah Bananas, I’m prepared to push the limits of sports talk. I’ll deliver for Jimmy in Tucson, Arizona just as much as Joe in Marshall, Texas. And for every groundbreaking Los Angeles Lakers trade, there’s a Boston College linebacker who survived cancer. You’ll hear the same fire and heart for each. We’re going to create something special; I promise you that.” Cumulus SVP sports/content & audience Bruce Gilbert comments, “Drake represents exactly what we’re building – a modern, interactive sports experience that is driven by personalities and fueled by fans – programming that breaks away from the predictable and formulaic. Drake’s ability to entertain, connect, and innovate makes him the ideal voice for mornings on Westwood One.”

Industry Views

An Artist’s Perspective on Rush Limbaugh

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By Doug Henry
Artist
Turnwright Gallery
Hanover, New Hampshire

imgMy introduction to Rush Limbaugh begins in the fall of 1992. I began listening to Rush’s radio show after seeing him campaigning on stage with George H.W. Bush during the 1992 fall presidential election. Bill Clinton would win the election and so would begin the greatest, media political rivalry ever between Rush Limbaugh and Bill Clinton. Rush’s middle America authentic voice was cutting through the mainstream media noise of the day from a generationally unique perspective. He was the perfect counterculture combatant to Bill Clinton’s political philosophy. Being a baby boomer myself and two years younger than Rush, I was immediately hooked on the EIB radio network!

As a professional illustrator, my career in 1996 was about to cross paths with Rush Limbaugh at my mailbox. A neighbor had just received his monthly Limbaugh Letter, and this would be my first opportunity to actually see and thumb through the newsletter. Noticing the magazine used illustration, I jotted down the address and fired off a promotional package of my art to the art director. Within a week, I received a call from the art director, and I got my very first illustration assignment for the Limbaugh Letter. Throughout 1997, I would receive many more illustration assignments. My very first cover painting for the newsletter, the May issue, “If I Were a Liberal,” would impress and really captivate Rush. So much so that he took to the airwaves not once but twice declaring: “You’re going to want to get this cover blown up and framed, I predict.” And “It’s just fabulous, you’re going to want to subscribe to the newsletter just to see this cover.”

What a thrill for me! Over the course of the next seven years, I would create 70 cover paintings of Rush, often having him doing hilarious things to his Democrat party nemesis. The February 1998 issue would have Rush crashing through a spotted owl’s forest habitat in an SUV. This cover would earn me the title, “Official Limbaugh Letter Cover Illustrator.” Another favorite was the March 1998 issue with Rush, scissors in hand cutting down a spider web holding up a spider with a head that looked eerily like Bill Clinton. This cover prompted Rush to send a complimentary email to the art director saying “A totally awesome cover… one of the best in our history…well done!!!” All in caps I might add! Every month that followed would be one fun assignment after the other. It was beyond cool working on the next Limbaugh Letter cover while listening to Rush on the radio. In 2001, I got to accompany the Limbaugh Letter art director to a Manhattan photo shoot where I finally got to meet the man himself. What a memory! Finally, working for Rush, “America’s Real Anchorman,” was both an honor and a privilege. What a fun ride it was… to have contributed in a very small way, my part… in the “Vast Right-Wing Conspiracy.” Isaac Newton wrote, “If I see farther, it’s because I’m standing on the shoulders of giants.” We stand on your shoulders, Rush, and America thanks you. Mega Dittos Rush Limbaugh, Mega Dittos!

Turnwright Gallery is an online platform that features the art of Doug Henry and his catalog of Limbaugh Letter cover paintings. The art collection is comprised of 70 hand-painted newsletter illustrations of America’s legendary, king of talk radio, Rush Limbaugh. The paintings were created between the years 1997 and 2004.  For more information please click here https://www.turnwrightgallery.com/turnwright-gallery

Industry News

Connoisseur Media Names Grant McHill PD for KXL-FM, Portland

Connoisseur Media announces a series of strategic promotions and new appointments across its Portland radio properties it says are designed to strengthen programming leadership and toimg position the cluster for continued success and growth. They include the promotion of Grant McHill to program director for “NewsRadio 101.1 FM KXL.” McHill has been serving as KXL’s news director. McHill says, “As someone who has worked at KXL for a decade, I appreciate and understand the station’s importance to the community and its potential for growth in Portland and beyond. I am thrilled, honored, and thankful for this opportunity. A huge thank you to Jeff Warshaw, Keith Dakin, Mark Handwerger, and Ross MacLeod for their confidence in me.”

Industry News

Radio Executive and Station Owner Willard Lochridge Dies at 85

Longtime radio executive and station owner Willard Lochridge died on November 13 at age 85.img Lochridge entered the business in the sales department and by 1970 became the general manager of WRIF, Detroit. He was promoted by ABC to general manager for WPLJ, New York in 1973. He would serve at KAUM, Houston before returning to New York to serve with ABC Radio Networks. He later joined NBC’s The Source. In 1988 he and his wife purchased a small station in Wickenburg, Arizona.

Industry Views

Monday Memo: The Power of Pause in Local Radio

By Holland Cooke
Consultant

imgIn an industry built on speed – breaking news, live liners, commercial deadlines – “pause” can feel like a luxury radio can’t afford. But Kevin Cashman’s The Pause Principle: Step Back to Lead Forward (Wiley) argues the opposite: pausing isn’t weakness, it’s a competitive advantage. For local radio leaders, the message couldn’t be timelier.

Cashman defines pause as the conscious act of stepping back to gain perspective before moving forward. Leaders who constantly react miss opportunities for growth and innovation. Those who pause, he argues, engage with more clarity, creativity, and authenticity.

Think about the daily grind in local radio. The PD is juggling ratings pressure, expense challenges, talent issues, and a half-dozen urgent emails from corporate. The sales manager is chasing month-end, writing copy on deadline, and fielding calls from advertisers. In that swirl, it’s tempting to equate motion with progress. Yet, as Cashman warns, constant motion without reflection leads to burnout, blind spots, and missed chances to connect.

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For broadcasters, pause can take many forms:

  • Programming: Instead of cranking out another promo, take time to ask if the message really resonates with the community. What do listeners need from us right now?
  • Sales: Before pitching another rate card, pause to explore the client’s true business challenge. That deeper understanding can unlock bigger, longer-term partnerships.
  • Leadership: In staff meetings, pause to let quieter voices contribute. The next big idea might come from someone who usually doesn’t speak up.

Cashman links pause to authenticity. When leaders slow down enough to be present, they foster trust. In local radio, where credibility is everything, that authenticity builds loyalty with both audiences and advertisers.

He also reminds us that pause is not about inaction. It’s about deliberate action. A well-timed pause before responding to a crisis on-air, before agreeing to a questionable promotion, or before rushing through a strategic decision can be the difference between a misstep and a breakthrough.

For local stations, the takeaway is clear: The pace isn’t going to slow down. The emails will keep coming, the ratings will keep posting, and the deadlines will keep looming. But leaders who carve out moments of pause will not only preserve their sanity – they’ll make better decisions, inspire their teams, and serve their communities more meaningfully.

Pause. Reflect. Then lead forward.

Holland Cooke (HollandCooke.com) is a media consultant working at the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke

Industry News

St. John Upped to DOS for Bonneville Seattle

Bonneville International promotes Crista St. John to director of sales for the Seattle market that includes news/talk KIRO-FM, KIRO-AM “Seattle Sports,” conservative talk KTTH-AM “Seattle Red,” and MyNorthwest.com. St. John, who has been serving as general sales manager,img comments, “I’m honored and excited to take on this new role and continue building on the incredible momentum our teams have created. Bonneville Seattle is home to passionate, talented individuals who care deeply about our brands, our partners, and our community. I look forward to helping us grow even stronger – together.” Bonneville Seattle SVP and market manager Cathy Cangiano states, “Crista has consistently demonstrated outstanding leadership, strategic insight, and a deep commitment to relationship-building. Her promotion is a testament to the impact she’s made and the confidence we have in her ability to lead us into the future. Crista was the clear choice for this role, and I’m thrilled to partner with her as we shape the next chapter for Bonneville Seattle. Her vision and energy will be instrumental in our continued growth.”

Industry Views

Monday Memo: “What NEXT???” is The New Normal

By Holland Cooke
Consultant

imgIf you’re a news/talk station, be known-for-knowing what’s happening. My client stations routinely invite tune-in “for a quick [name of network] news update, every hour, throughout your busy day.”

Then, when The Big Story blocks-out-the-sun:

If you automate syndicated shows, who will get alerts and can take the story wall-to-wall joining continuing network coverage?

    • Got station news HR? What’s your plan for covering a major local event? Stations I work with are “news partners” with local TV stations. Radio simulcasts TV coverage…and takes them where TV otherwise isn’t, in-car. Win-win.

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  • If you’re a music station with a news/talk cluster mate, gauge whether an event warrants promoting that the brother station is on-the-story, or if you should simulcast.

Regardless of format, think car radio. People near TV will likely be watching.

Holland Cooke (HollandCooke.com) is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn