Industry News

Worldwide News Network (WWNN) Launches Weekend Business Reports – WTOP, Washington, DC Becomes First Affiliate 

WWNN logoRed Apple Audio Networks’ recently launched Worldwide News Network (WWNN) is stepping into the weekend business and financial news space with the launch of WWNN Weekend Business Reports, a new series of reports delivering timely, insightful coverage of the markets, the economy and the companies driving growth. The reports debuted on Hubbard Broadcasting’s WTOP in Washington, DC, this past Saturday, August 1, marking the first affiliate partnership for the new service.

According to Red Apple, WWNN Weekend Business Reports will go beyond traditional market updates, focusing on the industries and economic sectors shaping the future, including automotive, technology and entertainment. The reports will also spotlight breakthrough companies and emerging trends driving innovation.  The reports are being anchored and produced by veteran correspondents John Terrett and Jake Novak.

“WWNN is not simply filling the gap left by the demise of the CBS Radio Network,” said Lee Harris, SVP, news & programming, Worldwide News Network. “We’re building something stronger and more relevant for today’s audience. John and Jake bring extraordinary experience and credibility, and more importantly, they know how to make complicated financial and economic stories understandable, compelling, and actionable. That’s what makes these reports different.”

“Our listeners want and need insightful financial and business news they can trust, and they depend on us to deliver it every day of the week,” said Julia Ziegler, director of news and programming at WTOP. “As the industry has contracted over the last few years, it has left a void. It is exciting to work with a company like WWNN that understands the importance of providing quality reporting seven days of the week.”

Industry News

John Knicely, Kevin Kugler, Steve Lundy and Ken Siemek to enter Nebraska Broadcasters Association (NBA) Hall of Fame

Nebraska Broadcasters Association2022 logo

4NBA

The Nebraska Broadcasters Association will induct John Knicely, Kevin Kugler, Steve Lundy and Ken Siemek into the NBA Hall of Fame on Tuesday, August 11, in Lincoln during the NBA Annual Convention. Established in 1972, the NBA Hall of Fame will grow to 127 members with these pending inductees.

From his start as a TV sportscaster through his 34 years as a news anchor on Omaha’s WOWT-TV, John Knicely set a long-term standard for credibility and trust in Nebraska’s most competitive television market before retiring in 2025.

Kevin Kugler has the most extensive play-by-play résumé of any Nebraskan, and he continues scaling new heights on a national level.

In a career approaching 50 years and still counting, Steve Lundy has entertained listeners and served local communities on some of Nebraska’s most legendary radio stations. He got his on-air start in 1977 at KHUB in Fremont, and over the next 23 years, Steve was heard in Omaha on WOW, KOIL, KEFM, KQKQ and KKAR. After four years on Lincoln’s KLIN, Steve joined Omaha’s country music-formatted KXKT in 2004, where he currently serves as co-host of “Steve & Gina in the Morning.”

Over the course of his 44 years on KOLN, Lincoln, and KGIN-TV, Grand Island, meteorologist Ken Siemek led the stations’ weather department through massive technological changes—from handwritten weather symbols and temperature readings to the latest radar and satellite weather-forecasting technology. He retired in 2025.

Industry News

IHeart Philadelphia Promotes Daija Moore-Evans to Digital Content Manager

Daija Moore EvansiHeartMedia Philadelphia announced today (8/6) that Daija Moore-Evans has been promoted to digital content manager, effective immediately. In her new role, she will lead the market’s digital content efforts across iHeartMedia Philadelphia’s six-station cluster, which spans music, talk and news formats, driving audience growth and engagement across broadcast, digital and social platforms. In this role, Moore-Evans will lead the cluster’s digital content strategy, audience engagement, and social media initiatives. She will oversee the development and execution of digital content designed to expand audience reach, strengthen brand engagement, and support the company’s on-air and online platforms. She reports to Jeff Hurley, SVP of programming, iHeartMedia Philadelphia. Hurley tells TALKERS, “Daija has already made a tremendous impact on our team, and this promotion is well deserved. Her creativity, work ethic, and vision make her the perfect person to lead our digital efforts into the future.”

Industry News

Jenny Tartikoff Named Senior Vice President and Head of Communications for SiriusXM

Jenny TartikoffSiriusXM today (8/6) announced that Jenny Tartikoff has been named senior vice president and head of communications, effective August 10, 2026. Tartikoff will report to president and chief content officer Scott Greenstein and lead SiriusXM’s overall communications and public relations strategy and execution. She will be responsible for promoting the company’s content and business narrative while serving as a senior advisor to the company’s leadership team on major business developments and high-profile moments. Tartikoff brings more than 20 years of communications experience across media, entertainment, and technology. She most recently served as EVP, Global Communications at Paramount Pictures, where she led internal and external corporate communications, corporate social responsibility and awards strategy for the studio’s live-action and animation properties. During her tenure, Tartikoff guided the company’s communications through the industry’s post-pandemic recovery and the evolution of Paramount’s multi-platform release strategy.

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Yesterday’s Top News/Talk Media Stories (8/5)

The most discussed stories yesterday (8/5) on news/talk radio and related talk media according to TALKERS research:

  1. Primaries / Midterms
  2. Iran War
  3. Reflection Pool
  4. Todd Blanche Nomination – Anti-Weaponization Fund
  5. Cyclospora Outbreak
Industry News

97.5 The Fanatic in Philly Announces New On-Air Lineup Featuring Jon Marks in Morning Drive

Fanatic Philly logoBeasley Media Group’s 97.5 The Fanatic (WPEN-FM), Philadelphia’s announced a new weekday on-air lineup highlighted by the promotion of current midday host Jon Marks to the station’s morning drive program. Beginning Monday, August 17th, Marks will join Andrew Salciunas as co-host of the weekday morning show from 6:00 to 10:00 am, following the departure of John Kincade. Marks, who currently hosts the station’s popular “Middays with Marks” program, will transition to mornings alongside Salciunas, who has been part of the morning show for the past two-and-a-half years. The move pairs one of Philadelphia’s most recognized sports radio personalities with one of the market’s emerging voices while maintaining a strong local focus during the station’s highest-profile daypart.  The programming changes also create new opportunities across the station’s weekday schedule. Ray Dunne, who previously served as producer of the station’s midday program, moves into an on-air hosting role and will join Sean Brace to lead the midday show from 10:00 am to 2:00 pm. Meanwhile, “Unfiltered with Ricky Bo and Bill Colarulo” will continue in afternoon drive from 2:00 pm to 6:00 pm.  “Jon Marks has earned the trust of Philadelphia sports fans through years of outstanding work on the air, making him a natural choice to drive our morning show” said Paul Blake, Vice President and Market Manager, Beasley Media Group Philadelphia.  “Along with Andrew, Sean, Ray, Ricky and Bill, we’re confident this lineup reflects the depth of talent at The Fanatic and reinforces our commitment to delivering the best local sports talk in Philadelphia.”

Industry News

Cumulus Media’s 97 Rock Welcomes Buffalo Broadcasting Legends Paul Peck and Kevin Sylvester to Buffalo Bills Team Coverage

Buffalo Bills announcers
Kevin Sylvestor (l) and Paul Peck (r)

As Buffalo Bills football returns to Cumulus Media’s 97 Rock/WGRF-FM, the station is bringing back two of Western New York’s most respected and recognizable sports voices. Veteran broadcasters Paul Peck and Kevin Sylvester will join the station’s Bills coverage team, delivering in-depth analysis, insight, and entertainment as part of an expanded pregame lineup this season. Peck and Sylvester will host the first two hours of 97 Rock’s game day coverage, beginning four hours before kickoff each week. They will be followed by NFL Draft and Buffalo Bills analyst Chris Trapasso and former Buffalo Bills center Mitch Morse, giving fans a full four hours of comprehensive pregame coverage leading into every Bills game.  Joe Russo, program director, 97 Rock, tells TALKERS, “Together, Paul and Kevin bring decades of experience covering the teams, players, and moments that have defined Buffalo sports. Their deep local roots, combined with their passion for entertaining fans, make them the perfect team to help launch a new era of Bills coverage on 97 Rock. We are so excited to welcome them to our team.”

Industry News

Houston Public Media Names Tessa Barrera as New Co-Host of “Hello Houston”

Tessa BarreraHouston Public Media today announced that popular local media figure Tessa Barrera is joining its weekday daytime talk show, “Hello Houston,” as co-host alongside longtime personality, Ernie Manouse. Barrera makes her on-air debut on August 17.  Barrera brings 13 years of regional television and radio experience to the program. The plan is for Barrera and Manouse to conduct conversations with newsmakers, community leaders, artists and neighbors, giving audiences a fresh, engaging look at the issues, events and people making an impact in Greater Houston.  “Tessa’s warmth, curiosity and ability to connect with people make her an outstanding addition to ‘Hello Houston,’” said Josh Adams, associate vice president and general manager of Houston Public Media. “Alongside Ernie, she’ll continue the thoughtful, community-focused conversations that reach audiences across radio, television, digital, HPM+ streaming and social platforms.”  To learn more about Houston Public Media, visit houstonpublicmedia.org

Industry News

Yesterday’s Top News/Talk Media Stories (8/4)

The most discussed stories yesterday (8/4) on news/talk radio and related talk media according to TALKERS research:

  1. Michigan Democratic primary
  2. Iran War
  3. Reflection Pool
  4. Todd Blanche Nomination
  5. Anti-Weaponization Fund
Industry News

New England Talk Radio Icon Howie Carr to Give Public Talk on Corruption, Crime, and Politics at Hyannis Arts Hall

03211822259Long known as the kind of radio talk show host who can “draw a crowd,” legendary New England personality, best-selling author, newspaper columnist, and broadcasting entrepreneur Howie Carr will bring his passion, wit, and personal experiences in journalism to the Hyannis Arts Hall stage on Sunday, August 16, where he will speak from 4:00 to 5:30 pm.  Carr, host of the largest regionally syndicated talk radio show in New England, will bring his unmistakable blend of outspoken passion and confrontational conservative politics to what is expected to be a sellout live audience. Tickets are available on Eventbrite.com. In 2015, Howie Carr launched The Howie Carr Radio Network, the first major host-owned radio network in New England. Carr quickly grew his network from a few stations in Massachusetts to more than 20 terrestrial radio stations across New England. The Howie Carr Radio Network is the only radio network reaching a majority of the 14 million people living in New England. Carr has authored numerous books, including the bestselling The Brothers Bulger, Hitman, and other works focused on Boston’s underworld and political corruption. Copies of some titles will be available for sale at his appearance.

Industry News

Tulsa News/Talker KRMG to Move FM Dial Position

 

KRMG

Zoellner Media Group announced an upcoming frequency realignment involving two of its flagship radio stations, music-formatted Mix 96.5 and news/talker 102.3 KRMG. As part of this strategic move, Mix 96.5 and 102.3 KRMG will transition to new positions on the FM dial, Mix 102.3 and 96.5 KRMG, reportedly “enhancing signal reach and strengthening the listener experience across the Tulsa market.”  Group owner, Dr. Robert Zoellner tells TALKERS, “We are always looking for ways to better serve our listeners and our community. This frequency realignment allows us to strengthen our signal presence and ensure that both Mix and KRMG are positioned for continued growth and long-term success. It’s an exciting step forward for our company and for the audiences we serve.” The transition will take place on August 31, 2026, and listeners will be guided through the change with on-air messaging and promotional support to ensure what station management describes as “a seamless experience.”

Industry News

1210 WPHT Raises Over $45,000 for Families Behind the Badge Children’s Foundation at the 2026 Ben to the Shore Bike Tour

WPHT, Philadelphia raised over $45,000 for the Families Behind the Badge Children’s Foundation during the 39th annual “Ben to the Shore Bike Tour” (7/29). All proceeds go towards supporting families of fallen or critically injured first responders by providing financial assistance and offering programs that strengthen relationships between first responders and the communities they serve. The annual 65-mile cycling event began in Philadelphia and concluded in Atlantic City, NJ. This year’s “Team Kayal and Company” featured on-air personalities Nick Kayal and Dawn Stensland along with station brand manager Greg Stocker who rode alongside dozens of teammates and supporters in a shared commitment to honoring first responders and the families they protect.  “The Ben to Shore ride is one of the most inspiring events our station participates in each year,” said Stocker. “Families Behind the Badge has a deeply meaningful effect on our community, and we are so grateful for the opportunity to support them with the help of our listeners, sponsors and teammates.

Industry Views

The Algorithm is Listening

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By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

Radio once measured the audience… now digital platforms use the audience to decide what happens next

Radio programmers have always watched the audience. The difference for programmers today is that the audience can now watch back, respond instantly, influence the show, and determine whether the next person ever receives it.

That is the practical meaning of an algorithm for a broadcaster. It is not a mysterious robot hiding inside the black box of an enigmatic social platform. It is a set of instructions used to make decisions. On YouTube, Facebook, TikTok, Spotify, Twitch, and other services, those instructions help determine which content gets shown, to whom, in what order, and under what circumstances.

Radio has used simpler forms of algorithmic thinking for decades. A music clock is a set of instructions. So is a rule prohibiting two songs by the same artist within a specified period. Or two female vocals in a row. A programmer who schedules news at the top of the hour, traffic twice an hour, and the strongest feature before a commercial break has created a decision system.

Digital algorithms do something more consequential. They do not merely organize the program. They organize the audience around each individual piece of content.

From diaries to PPM

The traditional radio diary asked selected listeners to record what they heard and when they heard it. Nielsen defines the diary as a measurement method in which respondents manually record their listening habits. Those reported habits are then used to estimate listening across a larger market.

The system was necessarily crude. A diary could show that someone reported listening to a station during morning drive. It could not reliably establish whether that person loved the program, ignored it, hated it, stayed because the station was playing in a waiting room, or simply remembered the call letters incorrectly.

Still, the diary produced an enormously valuable number. Ratings influenced advertising rates, station formats, talent contracts, syndication opportunities, and management decisions. The ratings service measured the audience, but the station still controlled the programming and the transmitter.

The Portable People Meter changed the speed and granularity of that feedback. PPM panelists carry a small device that detects inaudible identification codes embedded in participating broadcasts. Instead of relying entirely on a listener’s memory and written entry, the meter passively detects exposure to encoded audio.

That gave programmers something closer to immediate feedback. They could study audience movement within smaller portions of a show, identify apparent tune-out points, compare features, evaluate commercial breaks, and make changes much more quickly.

PPM therefore became the bridge between traditional ratings and algorithmic distribution. The diary remembered the audience. PPM observed the audience more closely. Both still produced information for human beings to interpret.

A programmer could see a decline and decide to shorten a segment. The meter did not shorten it. A consultant could conclude that a feature hurt retention. The PPM system did not prevent tomorrow’s listeners from hearing it.

The algorithm closes that gap.

(more…)

Industry News

Yesterday’s Top News/Talk Media Stories (8/3)

The most discussed stories yesterday (8/3) on news/talk radio and related talk media according to TALKERS research:

  1. Reflection Pool
  2. Todd Blanche Nomination
  3. Anti-Weaponization Fund
  4. Iran War
  5. Washington State Fires
Industry News

Salem’s WNYM, New York (AM 970 The Answer) Teams with Hofstra’s WRHU-FM to Produce Series of 9-11 Tributes

Annie SiddiqueIn an impressive example of the productive synergy that can be generated by the teaming of campus and professional spoken word radio organizations,

Jim Berghorn

Salem’s WNYM, New York (AM 970 The Answer) is running a series of vignettes collectively titled “Courage, Sacrifice and Commitment” during the months of August and early September, featuring tributes to 9-11 first responders. These short form productions highlight stories of New York City’s heroes and give first-person perspectives on what happened the day of and after 9-11. The stories are being produced by Hofstra University / WRHU-FM student journalist Annie Siddique, who has developed into what has been described by WNYM and WRHU management as a “master interviewer” in organizing and producing this campaign. To sample an episode of the program featuring a profile of retired FDNY Lt. Jim Berghorn, please use player below, or click here.

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Industry Views

Monday Memo: Trust is the New Currency

By Holland Cooke
Consultant

Holland Cooke

It is now the ultimate competitive advantage, and for broadcasters it’s a survival strategy. In The Five-Year Century: Bold Leadership and Accelerated Outcomes in the Age of AI, Mihir Shukla and Nancy Hauge explain how—as artificial intelligence accelerates change and demographics reshape the audience—trust becomes the only durable asset radio and television can bank on.

The book describes a 2026 world where the “twin engines” of growth—population and productivity—have stalled. Birth rates are plunging, workforces are shrinking, and productivity has flatlined across most industries. Meanwhile, AI is compressing decades of innovation into months. This collision creates what the authors call “The Five-Year Century,” in which the pace of change overwhelms institutions built for slower times—broadcasting, for instance.

Radio and television were built on industrial-era assumptions: mass audiences, standardized programming, rigid schedules, and hierarchical decision-making. Those assumptions worked when the audience was broad, predictable, and captive. On February 9, 1964, the Beatles tripled Ed Sullivan’s ratings. Back to the future…

AI is rewriting the rules of content creation, distribution, and consumption. Personalized news feeds, customized ad loads, and algorithmic programming are expectations. Younger audiences don’t wait for a newscast; they expect a feed. They don’t tune in; they scroll. They don’t accept one-size-fits-all; they demand one-size-fits-me.

In this environment, trust becomes the new currency because it’s the one thing AI cannot manufacture.

Broadcasting’s advantage has always been credibility. When a storm hits, people still turn to local radio. When a shelter-in-place alert hits their phone, they still switch on local TV. That instinct is powerful, but it’s not permanent. Trust must be earned continuously, especially as AI-generated misinformation floods the ecosystem.

The book’s chapter on the “Trust Economy” makes a critical point: trust accelerates outcomes. High-trust organizations move faster, innovate more boldly, and adapt more effectively. For broadcasters, trust accelerates audience loyalty, advertiser confidence, and community relevance. But trust now requires new behaviors.

It requires transparency about how AI is used in newsrooms. It requires clarity about what is human judgment and what is machine assistance. It requires authenticity as AI-generated talent becomes increasingly commonplace—and increasingly convincing.

Trust requires broadcasters to lean into what humans do best: context, empathy, moral reasoning, and community connection. The book reminds us that “work worthy of human potential” is work that machines cannot replicate. For broadcasters, that means storytelling, accountability journalism, and the human presence that makes local media local.

By all means, assign AI the routine tasks: editing, logging, transcription, versioning, and production. Then reinvest the human time you save in the relationship between a station and its community. In The Five-Year Century, trust isn’t just a virtue. It’s a conspicuous differentiator. It’s the currency that will determine which broadcasters thrive and which fade into the noise of an algorithmic world. As our industry suffers workforce cutbacks, we risk downsizing trust.

To read two sample chapters and watch a short video interview with the authors, click here.

Holland Cooke is a consultant working at the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn.

Industry News

Audacy to Shut Down KXNT, Las Vegas

Longtime KXNT, Las Vegas host of the station’s morning show “News at 8,” Alan Stock delivered the sad news of the station’s demise to his listeners this past Friday.  Photo credit: the Las Vegas Review-Journal.   

After nearly 40 years as a mainstay of Las Vegas radio broadcasting, News Talk 840 KXNT will be going dark effective September 1.  Parent company, Audacy announced its plan to shut down the iconic news/talk outlet this past Friday (7/31) on longtime Las Vegas radio talk show host Alan Stock‘s one-hour morning program, “News at 8.” According to a report by John Katsilometes in the Las Vegas Review-Journal, Stock stunned his audience with the statement,  “I have an important update for our listeners. Effective September 1, News Talk 840 KXNT will conclude its broadcast operation.” Stock continued reading from a prepared statement: “To put it simply, the station’s transmitter site is shutting down. Our parent company, Audacy, explored a number of alternative transmission options, but ultimately wasn’t able to identify a technically and financially viable long-term solution. This wasn’t an easy decision. I know KXNT has been a part of this community for a long time, and it’s been an honor to spend time with you every day.” Stock continued, “I’m incredibly grateful to our listeners, our advertisers, and everyone who has made the station such an important part of Las Vegas.”  The article in the Friday NEON section of the Vegas publication went on to report that according to Audacy, Stock’s show will move to the company’s other Las Vegas news/talk property, KDWN 101.5-FM in its 8:00 am weekday time slot beginning Tuesday, September 1. At this point, Stock’s “News at 8” is the only locally-produced talk show on KXNT, a conservative platform that is otherwise home to nationally syndicated programming. The report states, shows hosted by such right leaning voices as Glenn Beck and Mark Levin will end their programming in Las Vegas, but still be available nationwide, as the station signs off. Station SVP/market manager Gina Massenzi said the station’s approximately 40 full- and part-time staffers would remain with the company. KXNT-AM 840 signed on under the call letters KVEG in 1986, mixing talk and middle-of-the-road music. In 1997, KVEG changed its call sign to KXNT, the “NT” standing for “News/Talk.”

Industry Views

The Advertiser Gave Us an AI Commercial… Isn’t that Enough?

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imgBy Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

Synthetic audio can turn one clearance problem into two
An advertiser sends a finished commercial to a station. The script came from one AI platform, the announcer’s voice from another, and the music arrived inside the final audio file. The production value is surprisingly good for a dental office. Then someone notices that the announcer sounds remarkably like Matthew McConaughey. He does not say “alright, alright, alright,” exactly, but he says something close enough to make the association obvious.

A conventional infringing commercial may misuse a song, recording, photograph, or written copy. An AI commercial can create the same copyright problem while adding another: the unauthorized commercial use of a recognizable person’s identity. One file can therefore produce two entirely different claims.

Copyright protects original expression, including scripts, music, and sound recordings. It generally does not give anyone a copyright in the sound of a natural voice. That does not make a distinctive voice free for advertisers to imitate.

Tom Waits established the distinction decades before generative AI. After Waits declined to participate in a Frito-Lay campaign, the company used a singer who imitated him in a radio commercial. Waits successfully pursued claims for voice misappropriation and false endorsement. AI now makes that imitation faster, cheaper, and potentially more convincing. Waits v. Frito-Lay

The rights do not travel together 

Clearing the script or music does not clear the voice. Permission from the person whose voice was cloned does not clear protected material that the system may have reproduced. The station needs to ask two questions: Who owns everything in this commercial, and whose identity is doing the selling?

There is another wrinkle. The AI company may possess defenses that do not travel with the finished audio. In Walters v. OpenAI, ChatGPT falsely accused radio host Mark Walters of embezzlement. OpenAI defeated the defamation claim because the recipient encountered warnings that the system could be inaccurate, did not believe the accusation, verified that it was false, and did not republish it. Walters also failed to prove the necessary fault or damages. Walters v. OpenAI case summary

That ruling did not grant AI companies blanket immunity. It does suggest an uncomfortable result for broadcasters. A provider’s warning that its output requires verification may help protect the provider while making it harder for a station to argue that airing the output without checking was reasonable. The company that generated the problem may have a better defense than the broadcaster that delivered it to the public.

California’s AI Transparency Act, operative August 2, 2026, now requires certain large AI providers to offer detection tools and place provenance disclosures in generated audio, images, and video. Those tools may help identify origin. They do not establish copyright clearance, consent, accuracy, or authority to imitate someone. California AI Transparency Act

Stations should require advertisers to warrant both ownership and permission for identifiable voices or likenesses, backed by indemnification. AI has not replaced the old clearance problem. It can place a second problem beside it, then leave the broadcaster holding both.

Matthew B. Harrison is a media and intellectual property attorney who advises radio hosts, content creators, and creative entrepreneurs. He has written extensively on fair use, AI law, and the future of digital rights. Reach him at Matthew@HarrisonMediaLaw.com or read more at TALKERS.com.

Industry News

Radio Hall of Fame Announces “Legends” Inductees

imgThe Radio Hall of Fame announced today (8/3) the selection of nine 2026 Legends inductees. These individuals were selected by the Radio Hall of Fame’s 2026 Nominating Committee, which meets annually to recognize deceased individuals who made significant contributions to the radio industry. The Radio Hall of Fame is housed within the Museum of Broadcast Communications in Chicago.

The following nine radio legends take their place in the Radio Hall of Fame immediately:

  • Lin Brehmer — on-air personality
  • Vivian Carter — on-air personality and record company executive
  • Dale Dorman — on-air personality
  • Gary Krantz — network radio and syndication executive
  • Wink Martindale — on-air personality, game show host, and television producer
  • B. Mitchell Reed — on-air personality
  • Pierre Robert — on-air personality
  • Polito Vega — on-air personality
  • D.E. “Duke” Wright — radio station owner and executive

Dennis Green, co-chair of the Radio Hall of Fame, tells TALKERS: “The Radio Hall of Fame is proud to honor this year’s Legends inductees, whose extraordinary careers have helped define the history and enduring impact of radio. From iconic on-air personalities to visionary executives, each has left an indelible mark on our industry and earned their rightful place in the Radio Hall of Fame.”

Kraig Kitchin, co-chair of the Radio Hall of Fame, adds: “It’s an honor and privilege to witness the induction of these radio industry legends. We hope this recognition of their industry contributions benefits their family, colleagues, friends, and listeners.”

The Radio Hall of Fame will recognize its 2026 class of inductees at the 2026 Radio Hall of Fame induction ceremony on Thursday, October 8, 2026, at the Fairmont Chicago. Tickets are on sale now at RadioHallOfFame.com. A portion of each ticket purchase is a tax-deductible charitable donation to the Museum of Broadcast Communications.`

Industry News

Top News/Talk Media Stories Over the Weekend (August 1-2)

The most discussed stories over the weekend (8/1–2) on news/talk radio and related talk media, according to TALKERS research:

  1. 1. Reflecting Pool Flap
  2. 2. Iran War Developments
  3. 3. Trump Anti-Weaponization Fund
  4. 4. Todd Blanche Nomination
  5. 5. Russia-Ukraine War
Industry News

FCC’s Gomez Comments on ABC-Disney Case After Public Comment Period Closes

FCC Commissioner Anna M. Gomez continues to address the Commission’s forcing ABC/Disney to go through an early license renewal for its eight owned-and-operated television stations ostensibly for “news distortion.” After the recent close of the public comment period in the matter, Gomez states, “When given the imgchance to weigh in on whether to allow the FCC to continue its campaign of censorship and control, the American public showed up in a big way, and the vast majority who spoke up delivered the same message. They believe in the value of their local news, they trust those who cover their communities, and they understand that the FCC has no business deciding who is a journalist and what counts as real news. A small number of partisan voices tried to hijack this process into a referendum on a network they dislike, but the public refuses to let local stations become collateral damage in the FCC’s political games. The FCC has no authority to police the ideological balance of the airwaves, and no matter what this Commission does next, the record now makes clear that this was never a genuine search for the public interest.”

Gomez’s press release adds, “In the docket covering the early license renewal proceeding, the agency received more than 150,000 comments. In the docket covering the FCC’s effort to unwind a more than two-decade old precedent recognizing the interview portion of ‘The View’ as a bona fide news program, the agency received nearly 80,000 comments. In both dockets, totaling more than 230,000 comments, the vast majority of commenters defended the stations and rejected the FCC’s attempt to use its licensing authority to punish constitutionally protected speech.”

Industry News

WTOP Ends 103.9 FM Simulcast; K-Love Takes Over

Hubbard Broadcasting’s all-news WTOP-FM, Washington will cease its simulcast on the Frederick, Maryland station imgWTLP-FM (licensed to Braddock Heights) at 103.9 FM and the company will begin leasing it to the Christian music network K-LOVE on August 1. WTOP general manager Joel Oxley states, “Our main signal on 103.5 FM covers most of Frederick County’s population and with the advent of streaming, listeners can get us anywhere in the country.” WTOP began simulcasting on 103.9 FM in 2007.

Industry Views

Sabo Sez: It’s All Media

Sabo Sez:  It’s All Media
By Walter Sabo
A.K.A. Walter Sterling
Host, The Other Side of Midnight
WABC, New York / Red Apple Audio Networks
img“It’s all media,” declared accomplished media executive Jack Griffin when confronted with brand new definitions of content and content distribution. Jack, for years, was president of Meredith Publishing, Time Inc., and The Tribune Company. I met Jack when he was publisher of PARADE magazine. Jack is pragmatic, won’t waste your time and spots BS faster than most humans. We were listening to discussions of the impact of online media versus traditional media, and his line was running out. Jack declared “It’s all media” and the meeting blessedly ended. The phrase haunts me and it is being proven true every second of every day.
Steve Goldstein, CEO of Podcast consultancy, AMPLIFI, published a white paper on the growing acceptance of podcasts in the dashboards of media buyers. The paper tackles the challenge industry committees have had defining a podcast! [link]

Answer: It defines a podcast as an on-demand, spoken-word show intelligible with your eyes closed – video and RSS are both allowed, neither required.
 
The definition of a podcast is simple, broad, and can be met by any podcaster! And every person and entity is making a podcast. Follow that through to what Griffin declared.
VOGUE magazine puts out podcasts constantly. By most definitions they are really good and brand appropriate. Pretty, gossipy, urgent and current. Much more entertaining than the magazine. The New York Times has more podcast viewers than newspaper readers.
The ever-prescient Michael Harrison was right on the money more than two decades ago when he coined the term “media station” to describe the multi-media platform potential of ANY then-traditional venue such as radio and TV stations, newspapers, magazines, books, and cinema.  The media station has since become a reality and the podcast is one of its main engines.
NPR leads the top 20 lists of podcasters, and they can sell advertising in their podcasts without violating their prime directive.
It’s all media
 
When brands evolve from their original product and mission to a podcast, their methodology for success changes but not their definition of success. Brands want revenue and profit. If a brand’s assets can generate the most profit through podcasts, then podcasts will become their business.
 Audience time with media is the target. Capturing their time. Not viewership, listenership, readership, attention: T I M E because it’s ALL MEDIA.
Ultimately a corporate entity’s starter business could be shuttered in order to grow its podcast.  Good to note that every single newspaper and magazine publisher has one fantasy: Get rid of the paper.  Your competition isn’t WXXX it is becoming the VOGUE podcast.
Walter Sabo has been a C-Suite action partner for companies such as SiriusXM, Hearst, Press Broadcasting, Gannett, RKO General, and many other leading media outlets. His company, HITVIEWS, in 2007, was the first to identify and monetize video influencers. His nightly show “The Other Side of Midnight” is heard on WABC, New York and the Red Apple Audio Network 1:00 am – 5:00 am. His syndicated show, “Sterling On Sunday,” from Talk Media Network, airs 10:00 pm-1:00 am ET, and is now in its 10th year of success. He can be reached by email at sabowalter@gmail.com.  He can be phoned at 646-678-1110.
Industry News

Seven-Signal Capitol to Curtis Deal Closes

The sale of seven radio signals from Capitol Broadcasting Company to Curtis Media Group has closed. The $1.75 million deal gives Curtis Media imgWRMR-FM, Jacksonville, NC; WMFD-AM, Wilmington, NC; WKXB-FM, Boiling Spring Lakes, NC; WILT-FM, Wrightsville Beach, NC; WAZO-FM, Southport, NC; and translators W269DF-FX and W240AS-FX, Wilmington, NC. KALIL & CO., INC. was the exclusive broker for this transaction.

Industry News

NAB Joins Radio Ready

The National Association of Broadcasters joins Radio Ready – a global coalition dedicated to safeguarding radio’s prominence in the connected car dashboard. Radio Ready was launched as a unified global response to the rise of the digital dashboard in automobiles and the initiative “brings broadcasters together to ensure AM/FM and digital radio remain prominent, accessible and easy to use in connected vehicles, while giving the industry a imgpowerful, collective voice when negotiating with automakers, tech platforms and policymakers.” NAB president and CEO Curtis LeGeyt adds, “Radio has long been an essential part of the driving experience, delivering trusted local news, lifesaving emergency information and the entertainment Americans rely on every day. As dashboards evolve, ensuring broadcast radio remains accessible is more important than ever. By joining Radio Ready, NAB looks forward to partnering with broadcasters from across the world to ensure that free, trusted radio remains easy for drivers to find and use in the vehicles of today and tomorrow.”